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Color name
RGB 172 165 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 165 67 it is the complementary color RGB 83 90 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 165 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 165 67 shade: RGB 177 165 62, RGB 194 183 81, RGB 211 201 100, RGB 228 219 119 and RGB 245 237 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 165 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 155 147 48, RGB 138 129 29, RGB 121 111 10 and RGB 104 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 172 137 67, RGB 172 108 67, RGB 172 80 67 and RGB 172 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 151 172 67, RGB 122 172 67, RGB 94 172 67 and RGB 67 172 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 165 67 shade matches the following richer shades: RGB 172 165 67, RGB 191 182 47, RGB 211 199 28 and RGB 230 215 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 153 148 86, RGB 133 131 105, RGB 114 115 125 and RGB 95 98 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 165 67 shade: RGB 172 109 67, RGB 172 137 67, RGB 172 165 67, RGB 151 172 67 and RGB 123 172 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 165 67 shade: RGB 113 108 44, RGB 142 137 55, RGB 172 165 67, RGB 190 184 90 and RGB 202 196 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 67 172 81 and RGB 123 67 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 67 172 165 and RGB 165 67 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 67 172 81, RGB 67 74 172 and RGB 172 67 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 165 67 shade: RGB 172 165 67, RGB 67 172 112, RGB 67 74 172 and RGB 172 67 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

Complementary color

CMYK 56 / 52 / 0 / 26

HEX #535ABC

RGB 83 90 188

HSL 236, 0.44%, 0.53%

LAB 42.43, 25.93, -52.71

 

CMYK 0 / 7 / 65 / 31

HEX #B1A53E

RGB 177 165 62

HSL 53.74, 0.48%, 0.47%

LAB 66.98, -8.19, 53.1

 

CMYK 0 / 6 / 58 / 24

HEX #C2B751

RGB 194 183 81

HSL 54.16, 0.48%, 0.54%

LAB 73.5, -9.01, 52.16

 

CMYK 0 / 5 / 53 / 17

HEX #D3C964

RGB 211 201 100

HSL 54.59, 0.56%, 0.61%

LAB 79.92, -9.69, 51.07

 

CMYK 0 / 4 / 48 / 11

HEX #E4DB77

RGB 228 219 119

HSL 55.05, 0.67%, 0.68%

LAB 86.25, -10.26, 49.91

 

CMYK 0 / 3 / 44 / 4

HEX #F5ED8A

RGB 245 237 138

HSL 55.51, 0.84%, 0.75%

LAB 92.49, -10.74, 48.74

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 0 / 5 / 69 / 39

HEX #9B9330

RGB 155 147 48

HSL 55.51, 0.53%, 0.4%

LAB 59.93, -9.16, 51.11

 

CMYK 0 / 7 / 79 / 46

HEX #8A811D

RGB 138 129 29

HSL 55.05, 0.65%, 0.33%

LAB 53.16, -8.06, 51.26

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 0 / 11 / 100 / 59

HEX #685D00

RGB 104 93 0

HSL 53.65, 1%, 0.2%

LAB 39.19, -4.86, 46.46

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 0 / 20 / 61 / 33

HEX #AC8943

RGB 172 137 67

HSL 40, 0.44%, 0.47%

LAB 59.04, 5.14, 41.89

 

CMYK 0 / 37 / 61 / 33

HEX #AC6C43

RGB 172 108 67

HSL 23.43, 0.44%, 0.47%

LAB 51.73, 21.41, 33.28

 

CMYK 0 / 53 / 61 / 33

HEX #AC5043

RGB 172 80 67

HSL 7.43, 0.44%, 0.47%

LAB 45.52, 36.62, 25.61

 

CMYK 0 / 61 / 61 / 33

HEX #AC4343

RGB 172 67 67

HSL 0, 0.44%, 0.47%

LAB 43.05, 43.04, 22.46

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 12 / 0 / 61 / 33

HEX #97AC43

RGB 151 172 67

HSL 72, 0.44%, 0.47%

LAB 66.89, -22.52, 50.2

 

CMYK 29 / 0 / 61 / 33

HEX #7AAC43

RGB 122 172 67

HSL 88.57, 0.44%, 0.47%

LAB 65, -34.03, 47.57

 

CMYK 45 / 0 / 61 / 33

HEX #5EAC43

RGB 94 172 67

HSL 104.57, 0.44%, 0.47%

LAB 63.58, -43.75, 45.59

 

CMYK 61 / 0 / 60 / 33

HEX #43AC44

RGB 67 172 68

HSL 120.57, 0.44%, 0.47%

LAB 62.61, -51.1, 43.75

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 0 / 5 / 75 / 25

HEX #BFB62F

RGB 191 182 47

HSL 56.25, 0.61%, 0.47%

LAB 72.72, -11.73, 64.94

 

CMYK 0 / 6 / 87 / 17

HEX #D3C71C

RGB 211 199 28

HSL 56.07, 0.77%, 0.47%

LAB 78.91, -12.34, 75.98

 

CMYK 0 / 7 / 97 / 10

HEX #E6D708

RGB 230 215 8

HSL 55.95, 0.93%, 0.47%

LAB 84.71, -12.51, 83.83

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 0 / 3 / 44 / 40

HEX #999456

RGB 153 148 86

HSL 55.52, 0.28%, 0.47%

LAB 60.45, -7.43, 33.35

 

CMYK 0 / 2 / 21 / 48

HEX #858369

RGB 133 131 105

HSL 55.71, 0.12%, 0.47%

LAB 54.28, -3.86, 14.36

 

CMYK 9 / 8 / 0 / 51

HEX #72737D

RGB 114 115 125

HSL 234.55, 0.05%, 0.47%

LAB 48.66, 1.74, -5.63

 

CMYK 34 / 32 / 0 / 44

HEX #5F6290

RGB 95 98 144

HSL 236.33, 0.21%, 0.47%

LAB 43.04, 10.35, -25.68

 

CMYK 0 / 37 / 61 / 33

HEX #AC6D43

RGB 172 109 67

HSL 24, 0.44%, 0.47%

LAB 51.96, 20.84, 33.57

 

CMYK 0 / 20 / 61 / 33

HEX #AC8943

RGB 172 137 67

HSL 40, 0.44%, 0.47%

LAB 59.04, 5.14, 41.89

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 12 / 0 / 61 / 33

HEX #97AC43

RGB 151 172 67

HSL 72, 0.44%, 0.47%

LAB 66.89, -22.52, 50.2

 

CMYK 28 / 0 / 61 / 33

HEX #7BAC43

RGB 123 172 67

HSL 88, 0.44%, 0.47%

LAB 65.06, -33.65, 47.65

 

CMYK 0 / 4 / 61 / 56

HEX #716C2C

RGB 113 108 44

HSL 55.65, 0.44%, 0.31%

LAB 44.83, -7.05, 35.72

 

CMYK 0 / 4 / 61 / 44

HEX #8E8937

RGB 142 137 55

HSL 56.55, 0.44%, 0.39%

LAB 56.01, -9.11, 43.51

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 0 / 3 / 53 / 25

HEX #BEB85A

RGB 190 184 90

HSL 56.4, 0.43%, 0.55%

LAB 73.52, -10.49, 47.88

 

CMYK 0 / 3 / 41 / 21

HEX #CAC477

RGB 202 196 119

HSL 55.66, 0.44%, 0.63%

LAB 78.09, -8.99, 39.35

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 61 / 0 / 53 / 33

HEX #43AC51

RGB 67 172 81

HSL 128, 0.44%, 0.47%

LAB 62.75, -49.42, 37.69

 

CMYK 28 / 61 / 0 / 33

HEX #7B43AC

RGB 123 67 172

HSL 272, 0.44%, 0.47%

LAB 39.92, 44.07, -47.14

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 61 / 0 / 4 / 33

HEX #43ACA5

RGB 67 172 165

HSL 176, 0.44%, 0.47%

LAB 64.5, -31.55, -5.39

 

CMYK 4 / 61 / 0 / 33

HEX #A543AC

RGB 165 67 172

HSL 296, 0.44%, 0.47%

LAB 45.62, 54.61, -37.71

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 61 / 0 / 53 / 33

HEX #43AC51

RGB 67 172 81

HSL 128, 0.44%, 0.47%

LAB 62.75, -49.42, 37.69

 

CMYK 61 / 57 / 0 / 33

HEX #434AAC

RGB 67 74 172

HSL 236, 0.44%, 0.47%

LAB 36.12, 27.64, -53.54

 

CMYK 0 / 61 / 8 / 33

HEX #AC439E

RGB 172 67 158

HSL 308, 0.44%, 0.47%

LAB 45.98, 54.02, -28.78

 

CMYK 0 / 4 / 61 / 33

HEX #ACA543

RGB 172 165 67

HSL 56, 0.44%, 0.47%

LAB 66.59, -10.03, 50.34

 

CMYK 61 / 0 / 35 / 33

HEX #43AC70

RGB 67 172 112

HSL 145.71, 0.44%, 0.47%

LAB 63.23, -44.17, 22.12

 

CMYK 61 / 57 / 0 / 33

HEX #434AAC

RGB 67 74 172

HSL 236, 0.44%, 0.47%

LAB 36.12, 27.64, -53.54

 

CMYK 0 / 61 / 27 / 33

HEX #AC437E

RGB 172 67 126

HSL 326.29, 0.44%, 0.47%

LAB 44.65, 49.2, -11.53

 

Description

Color code: RGB 172 165 67 | qconv.com Color code: RGB 172 165 67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 165 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 165 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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