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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 111 10 it is the complementary color RGB 134 144 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 111 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 111 10 shade: RGB 126 111 5, RGB 143 129 24, RGB 160 147 43, RGB 177 165 62 and RGB 194 183 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 111 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 111 10 shade: RGB 121 111 10, RGB 104 93 0, RGB 87 75 0, RGB 70 57 0 and RGB 53 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 111 10 shade: RGB 122 112 9, RGB 122 82 9, RGB 122 51 9, RGB 122 21 9 and RGB 122 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 111 10 shade: RGB 122 112 9, RGB 102 122 9, RGB 72 122 9, RGB 41 122 9 and RGB 11 122 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 111 10 shade matches the following richer shades: RGB 122 112 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 111 10 shade: RGB 122 112 9, RGB 111 103 20, RGB 101 94 31, RGB 90 86 42 and RGB 79 77 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 111 10 shade: RGB 122 51 9, RGB 122 81 9, RGB 122 111 9, RGB 103 122 9 and RGB 73 122 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 111 10 shade: RGB 46 42 3, RGB 84 77 6, RGB 122 112 9, RGB 160 147 13 and RGB 198 182 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 111 10 shade: RGB 121 111 10, RGB 9 122 21 and RGB 66 9 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 111 10 shade: RGB 121 111 10, RGB 9 122 111 and RGB 111 9 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 111 10 shade: RGB 121 111 10, RGB 9 122 21, RGB 9 21 122 and RGB 122 9 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 111 10 shade: RGB 121 111 10, RGB 9 122 55, RGB 9 21 122 and RGB 122 9 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

Complementary color

CMYK 45 / 41 / 0 / 4

HEX #8690F5

RGB 134 144 245

HSL 234.59, 0.85%, 0.74%

LAB 63.02, 22.13, -51.86

 

CMYK 0 / 12 / 96 / 51

HEX #7E6F05

RGB 126 111 5

HSL 52.56, 0.92%, 0.26%

LAB 46.73, -4.36, 51.76

 

CMYK 0 / 10 / 83 / 44

HEX #8F8118

RGB 143 129 24

HSL 52.94, 0.71%, 0.33%

LAB 53.61, -5.93, 53.44

 

CMYK 0 / 8 / 73 / 37

HEX #A0932B

RGB 160 147 43

HSL 53.33, 0.58%, 0.4%

LAB 60.35, -7.18, 53.67

 

CMYK 0 / 7 / 65 / 31

HEX #B1A53E

RGB 177 165 62

HSL 53.74, 0.48%, 0.47%

LAB 66.98, -8.19, 53.1

 

CMYK 0 / 6 / 58 / 24

HEX #C2B751

RGB 194 183 81

HSL 54.16, 0.48%, 0.54%

LAB 73.5, -9.01, 52.16

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 0 / 11 / 100 / 59

HEX #685D00

RGB 104 93 0

HSL 53.65, 1%, 0.2%

LAB 39.19, -4.86, 46.46

 

CMYK 0 / 14 / 100 / 66

HEX #574B00

RGB 87 75 0

HSL 51.72, 1%, 0.17%

LAB 31.94, -2.73, 40.46

 

CMYK 0 / 19 / 100 / 73

HEX #463900

RGB 70 57 0

HSL 48.86, 1%, 0.14%

LAB 24.41, -0.43, 33.42

 

CMYK 0 / 26 / 100 / 79

HEX #352700

RGB 53 39 0

HSL 44.15, 1%, 0.1%

LAB 16.54, 2.09, 24.08

 

CMYK 0 / 8 / 93 / 52

HEX #7A7009

RGB 122 112 9

HSL 54.69, 0.86%, 0.26%

LAB 46.64, -6.76, 50.65

 

CMYK 0 / 33 / 93 / 52

HEX #7A5209

RGB 122 82 9

HSL 38.76, 0.86%, 0.26%

LAB 38.18, 10.79, 44.02

 

CMYK 0 / 58 / 93 / 52

HEX #7A3309

RGB 122 51 9

HSL 22.3, 0.86%, 0.26%

LAB 30.7, 28.77, 38.22

 

CMYK 0 / 83 / 93 / 52

HEX #7A1509

RGB 122 21 9

HSL 6.37, 0.86%, 0.26%

LAB 25.84, 41.86, 34.19

 

CMYK 0 / 93 / 93 / 52

HEX #7A0909

RGB 122 9 9

HSL 0, 0.86%, 0.26%

LAB 24.8, 44.81, 33.21

 

CMYK 0 / 8 / 93 / 52

HEX #7A7009

RGB 122 112 9

HSL 54.69, 0.86%, 0.26%

LAB 46.64, -6.76, 50.65

 

CMYK 16 / 0 / 93 / 52

HEX #667A09

RGB 102 122 9

HSL 70.62, 0.86%, 0.26%

LAB 47.96, -21.5, 50.99

 

CMYK 41 / 0 / 93 / 52

HEX #487A09

RGB 72 122 9

HSL 86.55, 0.86%, 0.26%

LAB 46.06, -34.01, 48.65

 

CMYK 66 / 0 / 93 / 52

HEX #297A09

RGB 41 122 9

HSL 103.01, 0.86%, 0.26%

LAB 44.82, -43.72, 47.1

 

CMYK 91 / 0 / 93 / 52

HEX #0B7A09

RGB 11 122 9

HSL 118.94, 0.86%, 0.26%

LAB 44.25, -48.65, 46.39

 

CMYK 0 / 8 / 93 / 52

HEX #7A7009

RGB 122 112 9

HSL 54.69, 0.86%, 0.26%

LAB 46.64, -6.76, 50.65

 

CMYK 0 / 8 / 93 / 52

HEX #7A7009

RGB 122 112 9

HSL 54.69, 0.86%, 0.26%

LAB 46.64, -6.76, 50.65

 

CMYK 0 / 7 / 82 / 56

HEX #6F6714

RGB 111 103 20

HSL 54.73, 0.69%, 0.26%

LAB 42.96, -6.61, 44.15

 

CMYK 0 / 7 / 69 / 60

HEX #655E1F

RGB 101 94 31

HSL 54, 0.53%, 0.26%

LAB 39.36, -5.64, 35.81

 

CMYK 0 / 4 / 53 / 65

HEX #5A562A

RGB 90 86 42

HSL 55, 0.36%, 0.26%

LAB 35.98, -5.26, 25.98

 

CMYK 0 / 3 / 34 / 69

HEX #4F4D34

RGB 79 77 52

HSL 55.56, 0.21%, 0.26%

LAB 32.3, -3.73, 15.17

 

CMYK 0 / 58 / 93 / 52

HEX #7A3309

RGB 122 51 9

HSL 22.3, 0.86%, 0.26%

LAB 30.7, 28.77, 38.22

 

CMYK 0 / 34 / 93 / 52

HEX #7A5109

RGB 122 81 9

HSL 38.23, 0.86%, 0.26%

LAB 37.92, 11.39, 43.81

 

CMYK 0 / 9 / 93 / 52

HEX #7A6F09

RGB 122 111 9

HSL 54.16, 0.86%, 0.26%

LAB 46.35, -6.2, 50.42

 

CMYK 16 / 0 / 93 / 52

HEX #677A09

RGB 103 122 9

HSL 70.09, 0.86%, 0.26%

LAB 48.04, -21.05, 51.08

 

CMYK 40 / 0 / 93 / 52

HEX #497A09

RGB 73 122 9

HSL 86.02, 0.86%, 0.26%

LAB 46.12, -33.63, 48.72

 

CMYK 0 / 9 / 93 / 82

HEX #2E2A03

RGB 46 42 3

HSL 54.42, 0.88%, 0.1%

LAB 16.72, -3.65, 22.88

 

CMYK 0 / 8 / 93 / 67

HEX #544D06

RGB 84 77 6

HSL 54.62, 0.87%, 0.18%

LAB 32.27, -5.25, 38.36

 

CMYK 0 / 8 / 93 / 52

HEX #7A7009

RGB 122 112 9

HSL 54.69, 0.86%, 0.26%

LAB 46.64, -6.76, 50.65

 

CMYK 0 / 8 / 92 / 37

HEX #A0930D

RGB 160 147 13

HSL 54.69, 0.85%, 0.34%

LAB 60.22, -8.17, 62.07

 

CMYK 0 / 8 / 92 / 22

HEX #C6B610

RGB 198 182 16

HSL 54.73, 0.85%, 0.42%

LAB 73.22, -9.53, 73.11

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 93 / 0 / 83 / 52

HEX #097A15

RGB 9 122 21

HSL 126.37, 0.86%, 0.26%

LAB 44.28, -48.18, 43.27

 

CMYK 46 / 93 / 0 / 52

HEX #42097A

RGB 66 9 122

HSL 270.27, 0.86%, 0.26%

LAB 19.05, 46.41, -50.61

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 93 / 0 / 9 / 52

HEX #097A6F

RGB 9 122 111

HSL 174.16, 0.86%, 0.26%

LAB 45.8, -30.82, -2.04

 

CMYK 9 / 93 / 0 / 52

HEX #6F097A

RGB 111 9 122

HSL 294.16, 0.86%, 0.26%

LAB 26.68, 53.39, -37.86

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 93 / 0 / 83 / 52

HEX #097A15

RGB 9 122 21

HSL 126.37, 0.86%, 0.26%

LAB 44.28, -48.18, 43.27

 

CMYK 93 / 83 / 0 / 52

HEX #09157A

RGB 9 21 122

HSL 233.63, 0.86%, 0.26%

LAB 15.48, 36.65, -56.67

 

CMYK 0 / 93 / 9 / 52

HEX #7A096F

RGB 122 9 111

HSL 305.84, 0.86%, 0.26%

LAB 28.06, 53.69, -28.5

 

CMYK 0 / 8 / 92 / 53

HEX #796F0A

RGB 121 111 10

HSL 54.59, 0.85%, 0.26%

LAB 46.25, -6.65, 50.09

 

CMYK 93 / 0 / 55 / 52

HEX #097A37

RGB 9 122 55

HSL 144.42, 0.86%, 0.26%

LAB 44.59, -44.25, 28.55

 

CMYK 93 / 83 / 0 / 52

HEX #09157A

RGB 9 21 122

HSL 233.63, 0.86%, 0.26%

LAB 15.48, 36.65, -56.67

 

CMYK 0 / 93 / 37 / 52

HEX #7A094D

RGB 122 9 77

HSL 323.89, 0.86%, 0.26%

LAB 26.36, 49.17, -8.82

 

Description

Color code: RGB 121 111 10 | qconv.com Color code: RGB 121 111 10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 111 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 111 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 92 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 92% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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