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Color name
RGB 172 156 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 156 26 it is the complementary color RGB 83 99 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 156 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 156 26 shade: RGB 177 156 21, RGB 194 174 40, RGB 211 192 59, RGB 228 210 78 and RGB 245 228 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 156 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 156 26 shade: RGB 172 156 26, RGB 155 138 7, RGB 138 120 0, RGB 121 102 0 and RGB 104 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 156 26 shade: RGB 173 156 25, RGB 173 117 25, RGB 173 77 25, RGB 173 37 25 and RGB 173 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 156 26 shade: RGB 173 156 25, RGB 149 173 25, RGB 109 173 25, RGB 70 173 25 and RGB 30 173 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 156 26 shade matches the following richer shades: RGB 173 156 25 and RGB 189 169 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 156 26 shade: RGB 173 156 25, RGB 156 144 41, RGB 140 131 58, RGB 124 119 74 and RGB 108 106 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 156 26 shade: RGB 173 77 25, RGB 173 116 25, RGB 173 155 25, RGB 150 173 25 and RGB 111 173 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 156 26 shade: RGB 101 91 15, RGB 137 124 20, RGB 173 156 25, RGB 208 189 31 and RGB 225 206 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 156 26 shade: RGB 172 156 26, RGB 25 173 38 and RGB 96 25 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 156 26 shade: RGB 172 156 26, RGB 25 173 155 and RGB 155 25 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 156 26 shade: RGB 172 156 26, RGB 25 173 38, RGB 25 43 173 and RGB 173 25 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 156 26 shade: RGB 172 156 26, RGB 25 173 82, RGB 25 43 173 and RGB 173 25 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

Complementary color

CMYK 64 / 57 / 0 / 10

HEX #5363E5

RGB 83 99 229

HSL 233.42, 0.74%, 0.61%

LAB 47.52, 34, -67.99

 

CMYK 0 / 12 / 88 / 31

HEX #B19C15

RGB 177 156 21

HSL 51.92, 0.79%, 0.39%

LAB 64.3, -5.12, 64.42

 

CMYK 0 / 10 / 79 / 24

HEX #C2AE28

RGB 194 174 40

HSL 52.21, 0.66%, 0.46%

LAB 70.8, -6.54, 65.53

 

CMYK 0 / 9 / 72 / 17

HEX #D3C03B

RGB 211 192 59

HSL 52.5, 0.63%, 0.53%

LAB 77.2, -7.73, 65.61

 

CMYK 0 / 8 / 66 / 11

HEX #E4D24E

RGB 228 210 78

HSL 52.8, 0.74%, 0.6%

LAB 83.51, -8.74, 65.12

 

CMYK 0 / 7 / 60 / 4

HEX #F5E461

RGB 245 228 97

HSL 53.11, 0.88%, 0.67%

LAB 89.75, -9.6, 64.31

 

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

CMYK 0 / 11 / 95 / 39

HEX #9B8A07

RGB 155 138 7

HSL 53.11, 0.91%, 0.32%

LAB 57.23, -5.69, 60.54

 

CMYK 0 / 13 / 100 / 46

HEX #8A7800

RGB 138 120 0

HSL 52.17, 1%, 0.27%

LAB 50.5, -3.82, 56.11

 

CMYK 0 / 16 / 100 / 53

HEX #796600

RGB 121 102 0

HSL 50.58, 1%, 0.24%

LAB 43.61, -1.73, 50.42

 

CMYK 0 / 19 / 100 / 59

HEX #685400

RGB 104 84 0

HSL 48.46, 1%, 0.2%

LAB 36.52, 0.47, 44.57

 

CMYK 0 / 10 / 86 / 32

HEX #AD9C19

RGB 173 156 25

HSL 53.11, 0.75%, 0.39%

LAB 63.94, -6.83, 63.04

 

CMYK 0 / 32 / 86 / 32

HEX #AD7519

RGB 173 117 25

HSL 37.3, 0.75%, 0.39%

LAB 53.68, 14.66, 54.49

 

CMYK 0 / 55 / 86 / 32

HEX #AD4D19

RGB 173 77 25

HSL 21.08, 0.75%, 0.39%

LAB 44.61, 36.47, 46.79

 

CMYK 0 / 79 / 86 / 32

HEX #AD2519

RGB 173 37 25

HSL 4.86, 0.75%, 0.39%

LAB 38.34, 53.3, 41.35

 

CMYK 0 / 86 / 86 / 32

HEX #AD1919

RGB 173 25 25

HSL 0, 0.75%, 0.39%

LAB 37.21, 56.5, 40.35

 

CMYK 0 / 10 / 86 / 32

HEX #AD9C19

RGB 173 156 25

HSL 53.11, 0.75%, 0.39%

LAB 63.94, -6.83, 63.04

 

CMYK 14 / 0 / 86 / 32

HEX #95AD19

RGB 149 173 25

HSL 69.73, 0.75%, 0.39%

LAB 66.78, -26.07, 64.63

 

CMYK 37 / 0 / 86 / 32

HEX #6DAD19

RGB 109 173 25

HSL 85.95, 0.75%, 0.39%

LAB 64.33, -41.95, 61.55

 

CMYK 60 / 0 / 86 / 32

HEX #46AD19

RGB 70 173 25

HSL 101.76, 0.75%, 0.39%

LAB 62.73, -54.11, 59.53

 

CMYK 83 / 0 / 86 / 32

HEX #1EAD19

RGB 30 173 25

HSL 117.97, 0.75%, 0.39%

LAB 61.86, -61.51, 58.42

 

CMYK 0 / 10 / 86 / 32

HEX #AD9C19

RGB 173 156 25

HSL 53.11, 0.75%, 0.39%

LAB 63.94, -6.83, 63.04

 

CMYK 0 / 11 / 95 / 26

HEX #BDA909

RGB 189 169 9

HSL 53.33, 0.91%, 0.39%

LAB 68.91, -6.83, 70.41

 

CMYK 0 / 10 / 86 / 32

HEX #AD9C19

RGB 173 156 25

HSL 53.11, 0.75%, 0.39%

LAB 63.94, -6.83, 63.04

 

CMYK 0 / 8 / 74 / 39

HEX #9C9029

RGB 156 144 41

HSL 53.74, 0.58%, 0.39%

LAB 59.14, -7.46, 53.13

 

CMYK 0 / 6 / 59 / 45

HEX #8C833A

RGB 140 131 58

HSL 53.41, 0.41%, 0.39%

LAB 54.15, -6.48, 39.94

 

CMYK 0 / 4 / 40 / 51

HEX #7C774A

RGB 124 119 74

HSL 54, 0.25%, 0.39%

LAB 49.46, -5.26, 25.44

 

CMYK 0 / 2 / 17 / 58

HEX #6C6A5A

RGB 108 106 90

HSL 53.33, 0.09%, 0.39%

LAB 44.57, -2.24, 9.27

 

CMYK 0 / 55 / 86 / 32

HEX #AD4D19

RGB 173 77 25

HSL 21.08, 0.75%, 0.39%

LAB 44.61, 36.47, 46.79

 

CMYK 0 / 33 / 86 / 32

HEX #AD7419

RGB 173 116 25

HSL 36.89, 0.75%, 0.39%

LAB 53.43, 15.22, 54.28

 

CMYK 0 / 10 / 86 / 32

HEX #AD9B19

RGB 173 155 25

HSL 52.7, 0.75%, 0.39%

LAB 63.67, -6.29, 62.82

 

CMYK 13 / 0 / 86 / 32

HEX #96AD19

RGB 150 173 25

HSL 69.32, 0.75%, 0.39%

LAB 66.86, -25.65, 64.71

 

CMYK 36 / 0 / 86 / 32

HEX #6FAD19

RGB 111 173 25

HSL 85.14, 0.75%, 0.39%

LAB 64.43, -41.22, 61.68

 

CMYK 0 / 10 / 85 / 60

HEX #655B0F

RGB 101 91 15

HSL 53.02, 0.74%, 0.23%

LAB 38.35, -4.73, 41.35

 

CMYK 0 / 9 / 85 / 46

HEX #897C14

RGB 137 124 20

HSL 53.33, 0.75%, 0.31%

LAB 51.59, -6.09, 52.64

 

CMYK 0 / 10 / 86 / 32

HEX #AD9C19

RGB 173 156 25

HSL 53.11, 0.75%, 0.39%

LAB 63.94, -6.83, 63.04

 

CMYK 0 / 9 / 85 / 18

HEX #D0BD1F

RGB 208 189 31

HSL 53.56, 0.74%, 0.47%

LAB 76.01, -8.47, 72.88

 

CMYK 0 / 8 / 75 / 12

HEX #E1CE38

RGB 225 206 56

HSL 53.25, 0.74%, 0.55%

LAB 82.07, -9.04, 71.71

 

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

CMYK 86 / 0 / 78 / 32

HEX #19AD26

RGB 25 173 38

HSL 125.27, 0.75%, 0.39%

LAB 61.86, -61.28, 54.72

 

CMYK 45 / 86 / 0 / 32

HEX #6019AD

RGB 96 25 173

HSL 268.78, 0.75%, 0.39%

LAB 29.91, 57.83, -64.16

 

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

CMYK 86 / 0 / 10 / 32

HEX #19AD9B

RGB 25 173 155

HSL 172.7, 0.75%, 0.39%

LAB 63.72, -40.11, -1.04

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

CMYK 86 / 0 / 78 / 32

HEX #19AD26

RGB 25 173 38

HSL 125.27, 0.75%, 0.39%

LAB 61.86, -61.28, 54.72

 

CMYK 86 / 75 / 0 / 32

HEX #192BAD

RGB 25 43 173

HSL 232.7, 0.75%, 0.39%

LAB 26.6, 42.66, -69.83

 

CMYK 0 / 86 / 8 / 32

HEX #AD19A0

RGB 173 25 160

HSL 305.27, 0.75%, 0.39%

LAB 41.4, 68.28, -37.16

 

CMYK 0 / 9 / 85 / 33

HEX #AC9C1A

RGB 172 156 26

HSL 53.42, 0.74%, 0.39%

LAB 63.85, -7.25, 62.68

 

CMYK 86 / 0 / 53 / 32

HEX #19AD52

RGB 25 173 82

HSL 143.11, 0.75%, 0.39%

LAB 62.26, -56.33, 36.39

 

CMYK 86 / 75 / 0 / 32

HEX #192BAD

RGB 25 43 173

HSL 232.7, 0.75%, 0.39%

LAB 26.6, 42.66, -69.83

 

CMYK 0 / 86 / 33 / 32

HEX #AD1974

RGB 173 25 116

HSL 323.11, 0.75%, 0.39%

LAB 39.31, 62.58, -13.42

 

Description

Color code: RGB 172 156 26 | qconv.com Color code: RGB 172 156 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 156 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 156 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 85 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 85% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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