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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B19AD it is the complementary color #64E652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B19AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B19AD shade: #A019A8, #B12BBB, #C23DCE, #D34FE1 and #E461F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B19AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B19AD shade: #9B19AD, #8A079A, #790087, #680074 and #570061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B19AD shade: #9B18AE, #AE1897, #AE186F, #AE1847 and #AE181F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B19AD shade: #9B18AE, #7318AE, #4B18AE, #2318AE and #1818AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B19AD shade matches the following richer shades: #9B18AE and #A808BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B19AD shade: #9B18AE, #8F289D, #83398D, #77497D and #6B596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B19AD shade: #4A18AE, #7218AE, #9A18AE, #AE189A and #AE1872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B19AD shade: #5B0E65, #7B1389, #9B18AE, #BC1ED2 and #CD36E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B19AD shade: #9B19AD, #AE2218 and #18AE5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B19AD shade: #9B19AD, #AE9A18 and #18AE9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B19AD shade: #9B19AD, #AE2218, #2CAE18 and #18A4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B19AD shade: #9B19AD, #AE4F18, #2CAE18 and #1877AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

Complementary color

CMYK 57 / 0 / 64 / 10

HEX #64E652

RGB 100 230 82

HSL 112.7, 0.75%, 0.61%

LAB 81.79, -62.87, 59.46

 

CMYK 5 / 85 / 0 / 34

HEX #A019A8

RGB 160 25 168

HSL 296.64, 0.74%, 0.38%

LAB 39.57, 67.05, -45.01

 

CMYK 5 / 77 / 0 / 27

HEX #B12BBB

RGB 177 43 187

HSL 295.83, 0.63%, 0.45%

LAB 45.17, 68.9, -47.14

 

CMYK 6 / 70 / 0 / 19

HEX #C23DCE

RGB 194 61 206

HSL 295.03, 0.6%, 0.52%

LAB 50.99, 69.81, -48.7

 

CMYK 6 / 65 / 0 / 12

HEX #D34FE1

RGB 211 79 225

HSL 294.25, 0.71%, 0.6%

LAB 56.96, 70.12, -49.86

 

CMYK 7 / 60 / 0 / 4

HEX #E461F4

RGB 228 97 244

HSL 293.47, 0.87%, 0.67%

LAB 62.99, 70.03, -50.75

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 10 / 95 / 0 / 40

HEX #8A079A

RGB 138 7 154

HSL 293.47, 0.91%, 0.32%

LAB 33.75, 63.87, -46.12

 

CMYK 10 / 100 / 0 / 47

HEX #790087

RGB 121 0 135

HSL 293.78, 1%, 0.26%

LAB 28.94, 58.92, -42.31

 

CMYK 10 / 100 / 0 / 55

HEX #680074

RGB 104 0 116

HSL 293.79, 1%, 0.23%

LAB 24.33, 52.86, -37.87

 

CMYK 10 / 100 / 0 / 62

HEX #570061

RGB 87 0 97

HSL 293.81, 1%, 0.19%

LAB 19.6, 46.63, -33.29

 

CMYK 11 / 86 / 0 / 32

HEX #9B18AE

RGB 155 24 174

HSL 292.4, 0.76%, 0.39%

LAB 39.03, 67.37, -49.51

 

CMYK 0 / 86 / 13 / 32

HEX #AE1897

RGB 174 24 151

HSL 309.2, 0.76%, 0.39%

LAB 41.03, 67.39, -32.3

 

CMYK 0 / 86 / 36 / 32

HEX #AE186F

RGB 174 24 111

HSL 325.2, 0.76%, 0.39%

LAB 39.24, 62.48, -10.37

 

CMYK 0 / 86 / 59 / 32

HEX #AE1847

RGB 174 24 71

HSL 341.2, 0.76%, 0.39%

LAB 38.03, 59.04, 13.37

 

CMYK 0 / 86 / 82 / 32

HEX #AE181F

RGB 174 24 31

HSL 357.2, 0.76%, 0.39%

LAB 37.39, 57.15, 37.35

 

CMYK 11 / 86 / 0 / 32

HEX #9B18AE

RGB 155 24 174

HSL 292.4, 0.76%, 0.39%

LAB 39.03, 67.37, -49.51

 

CMYK 34 / 86 / 0 / 32

HEX #7318AE

RGB 115 24 174

HSL 276.4, 0.76%, 0.39%

LAB 32.6, 60.94, -60.24

 

CMYK 57 / 86 / 0 / 32

HEX #4B18AE

RGB 75 24 174

HSL 260.4, 0.76%, 0.39%

LAB 27.31, 56, -69.13

 

CMYK 80 / 86 / 0 / 32

HEX #2318AE

RGB 35 24 174

HSL 244.4, 0.76%, 0.39%

LAB 23.89, 53.05, -74.91

 

CMYK 86 / 86 / 0 / 32

HEX #1818AE

RGB 24 24 174

HSL 240, 0.76%, 0.39%

LAB 23.35, 52.6, -75.82

 

CMYK 11 / 86 / 0 / 32

HEX #9B18AE

RGB 155 24 174

HSL 292.4, 0.76%, 0.39%

LAB 39.03, 67.37, -49.51

 

CMYK 12 / 96 / 0 / 25

HEX #A808BE

RGB 168 8 190

HSL 292.75, 0.92%, 0.39%

LAB 41.56, 74.51, -54.78

 

CMYK 11 / 86 / 0 / 32

HEX #9B18AE

RGB 155 24 174

HSL 292.4, 0.76%, 0.39%

LAB 39.03, 67.37, -49.51

 

CMYK 9 / 75 / 0 / 38

HEX #8F289D

RGB 143 40 157

HSL 292.82, 0.59%, 0.39%

LAB 37.47, 57.59, -41.93

 

CMYK 7 / 60 / 0 / 45

HEX #83398D

RGB 131 57 141

HSL 292.86, 0.42%, 0.39%

LAB 37.25, 44.4, -32.65

 

CMYK 5 / 42 / 0 / 51

HEX #77497D

RGB 119 73 125

HSL 293.08, 0.26%, 0.39%

LAB 38.14, 28.74, -21.55

 

CMYK 2 / 18 / 0 / 57

HEX #6B596D

RGB 107 89 109

HSL 294, 0.1%, 0.39%

LAB 40.2, 11.3, -8.66

 

CMYK 57 / 86 / 0 / 32

HEX #4A18AE

RGB 74 24 174

HSL 260, 0.76%, 0.39%

LAB 27.2, 55.9, -69.32

 

CMYK 34 / 86 / 0 / 32

HEX #7218AE

RGB 114 24 174

HSL 276, 0.76%, 0.39%

LAB 32.45, 60.8, -60.49

 

CMYK 11 / 86 / 0 / 32

HEX #9A18AE

RGB 154 24 174

HSL 292, 0.76%, 0.39%

LAB 38.86, 67.19, -49.79

 

CMYK 0 / 86 / 11 / 32

HEX #AE189A

RGB 174 24 154

HSL 308, 0.76%, 0.39%

LAB 41.19, 67.81, -33.86

 

CMYK 0 / 86 / 34 / 32

HEX #AE1872

RGB 174 24 114

HSL 324, 0.76%, 0.39%

LAB 39.36, 62.8, -12.08

 

CMYK 10 / 86 / 0 / 60

HEX #5B0E65

RGB 91 14 101

HSL 293.1, 0.76%, 0.23%

LAB 21.86, 44.57, -32.24

 

CMYK 10 / 86 / 0 / 46

HEX #7B1389

RGB 123 19 137

HSL 292.88, 0.76%, 0.31%

LAB 30.6, 56.2, -40.87

 

CMYK 11 / 86 / 0 / 32

HEX #9B18AE

RGB 155 24 174

HSL 292.4, 0.76%, 0.39%

LAB 39.03, 67.37, -49.51

 

CMYK 10 / 86 / 0 / 18

HEX #BC1ED2

RGB 188 30 210

HSL 292.67, 0.75%, 0.47%

LAB 47.33, 77.86, -56.92

 

CMYK 9 / 76 / 0 / 11

HEX #CD36E2

RGB 205 54 226

HSL 292.67, 0.75%, 0.55%

LAB 53.07, 77.68, -56.68

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 80 / 86 / 32

HEX #AE2218

RGB 174 34 24

HSL 4, 0.76%, 0.39%

LAB 38.21, 54.47, 41.82

 

CMYK 86 / 0 / 46 / 32

HEX #18AE5E

RGB 24 174 94

HSL 148, 0.76%, 0.39%

LAB 62.74, -54.76, 30.88

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 11 / 86 / 32

HEX #AE9A18

RGB 174 154 24

HSL 52, 0.76%, 0.39%

LAB 63.49, -5.33, 62.95

 

CMYK 86 / 0 / 11 / 32

HEX #18AE9A

RGB 24 174 154

HSL 172, 0.76%, 0.39%

LAB 64, -40.9, -0.08

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 80 / 86 / 32

HEX #AE2218

RGB 174 34 24

HSL 4, 0.76%, 0.39%

LAB 38.21, 54.47, 41.82

 

CMYK 75 / 0 / 86 / 32

HEX #2CAE18

RGB 44 174 24

HSL 112, 0.76%, 0.39%

LAB 62.4, -59.92, 59.23

 

CMYK 86 / 6 / 0 / 32

HEX #18A4AE

RGB 24 164 174

HSL 184, 0.76%, 0.39%

LAB 61.48, -30.31, -15.03

 

CMYK 10 / 86 / 0 / 32

HEX #9B19AD

RGB 155 25 173

HSL 292.7, 0.75%, 0.39%

LAB 39.04, 66.98, -48.9

 

CMYK 0 / 55 / 86 / 32

HEX #AE4F18

RGB 174 79 24

HSL 22, 0.76%, 0.39%

LAB 45.16, 35.82, 47.73

 

CMYK 75 / 0 / 86 / 32

HEX #2CAE18

RGB 44 174 24

HSL 112, 0.76%, 0.39%

LAB 62.4, -59.92, 59.23

 

CMYK 86 / 32 / 0 / 32

HEX #1877AE

RGB 24 119 174

HSL 202, 0.76%, 0.39%

LAB 47.55, -6.07, -36.53

 

Description

Color code: HEX #9B19AD | qconv.com Color code: HEX #9B19AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 25 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 25 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 86 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 86% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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