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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 42 121 it is the complementary color RGB 84 213 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 42 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 42 121 shade: RGB 176 42 116, RGB 193 60 135, RGB 210 78 154, RGB 227 96 173 and RGB 244 114 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 42 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 42 121 shade: RGB 171 42 121, RGB 154 24 102, RGB 137 6 83, RGB 120 0 64 and RGB 103 0 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 42 121 shade: RGB 172 41 121, RGB 172 41 86, RGB 172 41 51 and RGB 172 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 42 121 shade: RGB 172 41 121, RGB 172 41 157, RGB 152 41 172, RGB 117 41 172 and RGB 82 41 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 42 121 shade matches the following richer shades: RGB 172 41 121, RGB 189 24 125 and RGB 207 7 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 42 121 shade: RGB 172 41 121, RGB 155 59 117, RGB 137 76 113, RGB 120 93 110 and RGB 103 111 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 42 121 shade: RGB 152 41 172, RGB 172 41 157, RGB 172 41 122, RGB 172 41 87 and RGB 172 41 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 42 121 shade: RGB 106 25 74, RGB 139 33 98, RGB 172 41 121, RGB 205 50 145 and RGB 213 83 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 42 121 shade: RGB 171 42 121, RGB 172 117 41 and RGB 41 172 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 42 121 shade: RGB 171 42 121, RGB 122 172 41 and RGB 41 122 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 42 121 shade: RGB 171 42 121, RGB 172 117 41, RGB 41 172 91 and RGB 41 96 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 42 121 shade: RGB 171 42 121, RGB 172 157 41, RGB 41 172 91 and RGB 41 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

Complementary color

CMYK 61 / 0 / 37 / 16

HEX #54D586

RGB 84 213 134

HSL 143.26, 0.61%, 0.58%

LAB 76.8, -53.05, 28.76

 

CMYK 0 / 76 / 34 / 31

HEX #B02A74

RGB 176 42 116

HSL 326.87, 0.61%, 0.43%

LAB 41.45, 58.83, -10.13

 

CMYK 0 / 69 / 30 / 24

HEX #C13C87

RGB 193 60 135

HSL 326.17, 0.53%, 0.5%

LAB 47.39, 59.39, -12.51

 

CMYK 0 / 63 / 27 / 18

HEX #D24E9A

RGB 210 78 154

HSL 325.45, 0.59%, 0.56%

LAB 53.47, 59.38, -14.38

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 0 / 53 / 21 / 4

HEX #F472C0

RGB 244 114 192

HSL 324, 0.86%, 0.7%

LAB 65.81, 58.52, -17.12

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

CMYK 0 / 84 / 34 / 40

HEX #9A1866

RGB 154 24 102

HSL 324, 0.73%, 0.35%

LAB 34.97, 56.68, -11.51

 

CMYK 0 / 96 / 39 / 46

HEX #890653

RGB 137 6 83

HSL 324.73, 0.92%, 0.28%

LAB 29.6, 53.9, -7.62

 

CMYK 0 / 100 / 47 / 53

HEX #780040

RGB 120 0 64

HSL 328, 1%, 0.24%

LAB 24.84, 49.06, -2.32

 

CMYK 0 / 100 / 56 / 60

HEX #67002D

RGB 103 0 45

HSL 333.79, 1%, 0.2%

LAB 20.33, 43.21, 3.92

 

CMYK 0 / 76 / 30 / 33

HEX #AC2979

RGB 172 41 121

HSL 323.36, 0.62%, 0.42%

LAB 40.8, 58.7, -14.3

 

CMYK 0 / 76 / 50 / 33

HEX #AC2956

RGB 172 41 86

HSL 339.39, 0.62%, 0.42%

LAB 39.63, 55.05, 5.96

 

CMYK 0 / 76 / 70 / 33

HEX #AC2933

RGB 172 41 51

HSL 355.42, 0.62%, 0.42%

LAB 38.89, 52.66, 27.02

 

CMYK 0 / 76 / 76 / 33

HEX #AC2929

RGB 172 41 41

HSL 0, 0.62%, 0.42%

LAB 38.75, 52.22, 32.89

 

CMYK 0 / 76 / 30 / 33

HEX #AC2979

RGB 172 41 121

HSL 323.36, 0.62%, 0.42%

LAB 40.8, 58.7, -14.3

 

CMYK 0 / 76 / 9 / 33

HEX #AC299D

RGB 172 41 157

HSL 306.87, 0.62%, 0.42%

LAB 42.45, 63.63, -33.72

 

CMYK 12 / 76 / 0 / 33

HEX #9829AC

RGB 152 41 172

HSL 290.84, 0.62%, 0.42%

LAB 39.98, 61.87, -46.82

 

CMYK 32 / 76 / 0 / 33

HEX #7529AC

RGB 117 41 172

HSL 274.81, 0.62%, 0.42%

LAB 34.69, 55.1, -55.62

 

CMYK 52 / 76 / 0 / 33

HEX #5229AC

RGB 82 41 172

HSL 258.78, 0.62%, 0.42%

LAB 30.3, 49.3, -62.98

 

CMYK 0 / 76 / 30 / 33

HEX #AC2979

RGB 172 41 121

HSL 323.36, 0.62%, 0.42%

LAB 40.8, 58.7, -14.3

 

CMYK 0 / 87 / 34 / 26

HEX #BD187D

RGB 189 24 125

HSL 323.27, 0.77%, 0.42%

LAB 42.69, 67.44, -13.59

 

CMYK 0 / 97 / 38 / 19

HEX #CF0781

RGB 207 7 129

HSL 323.4, 0.93%, 0.42%

LAB 45.64, 73.88, -11.26

 

CMYK 0 / 76 / 30 / 33

HEX #AC2979

RGB 172 41 121

HSL 323.36, 0.62%, 0.42%

LAB 40.8, 58.7, -14.3

 

CMYK 0 / 62 / 25 / 39

HEX #9B3B75

RGB 155 59 117

HSL 323.75, 0.45%, 0.42%

LAB 40.21, 46.37, -12.97

 

CMYK 0 / 45 / 18 / 46

HEX #894C71

RGB 137 76 113

HSL 323.61, 0.29%, 0.42%

LAB 40.7, 30.99, -10.02

 

CMYK 0 / 23 / 8 / 53

HEX #785D6E

RGB 120 93 110

HSL 322.22, 0.13%, 0.42%

LAB 42.68, 14.06, -5.42

 

CMYK 7 / 0 / 5 / 56

HEX #676F6A

RGB 103 111 106

HSL 142.5, 0.04%, 0.42%

LAB 46.03, -4.09, 1.73

 

CMYK 12 / 76 / 0 / 33

HEX #9829AC

RGB 152 41 172

HSL 290.84, 0.62%, 0.42%

LAB 39.98, 61.87, -46.82

 

CMYK 0 / 76 / 9 / 33

HEX #AC299D

RGB 172 41 157

HSL 306.87, 0.62%, 0.42%

LAB 42.45, 63.63, -33.72

 

CMYK 0 / 76 / 29 / 33

HEX #AC297A

RGB 172 41 122

HSL 322.9, 0.62%, 0.42%

LAB 40.83, 58.82, -14.86

 

CMYK 0 / 76 / 49 / 33

HEX #AC2957

RGB 172 41 87

HSL 338.93, 0.62%, 0.42%

LAB 39.66, 55.13, 5.36

 

CMYK 0 / 76 / 70 / 33

HEX #AC2934

RGB 172 41 52

HSL 354.96, 0.62%, 0.42%

LAB 38.91, 52.72, 26.43

 

CMYK 0 / 76 / 30 / 58

HEX #6A194A

RGB 106 25 74

HSL 323.7, 0.62%, 0.26%

LAB 24.49, 40.18, -9.93

 

CMYK 0 / 76 / 29 / 45

HEX #8B2162

RGB 139 33 98

HSL 323.21, 0.62%, 0.34%

LAB 32.83, 49.74, -12.47

 

CMYK 0 / 76 / 30 / 33

HEX #AC2979

RGB 172 41 121

HSL 323.36, 0.62%, 0.42%

LAB 40.8, 58.7, -14.3

 

CMYK 0 / 76 / 29 / 20

HEX #CD3291

RGB 205 50 145

HSL 323.23, 0.61%, 0.5%

LAB 48.64, 67.12, -16.44

 

CMYK 0 / 61 / 24 / 16

HEX #D553A2

RGB 213 83 162

HSL 323.54, 0.61%, 0.58%

LAB 55.01, 59.18, -16.7

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

CMYK 0 / 32 / 76 / 33

HEX #AC7529

RGB 172 117 41

HSL 34.81, 0.62%, 0.42%

LAB 53.66, 14.79, 48.36

 

CMYK 76 / 0 / 1 / 33

HEX #29ACAA

RGB 41 172 170

HSL 179.08, 0.62%, 0.42%

LAB 64.06, -33.87, -8.89

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

CMYK 29 / 0 / 76 / 33

HEX #7AAC29

RGB 122 172 41

HSL 82.9, 0.62%, 0.42%

LAB 64.81, -35.92, 57.7

 

CMYK 76 / 29 / 0 / 33

HEX #297AAC

RGB 41 122 172

HSL 202.9, 0.62%, 0.42%

LAB 48.72, -6.86, -33.51

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

CMYK 0 / 32 / 76 / 33

HEX #AC7529

RGB 172 117 41

HSL 34.81, 0.62%, 0.42%

LAB 53.66, 14.79, 48.36

 

CMYK 76 / 0 / 47 / 33

HEX #29AC5B

RGB 41 172 91

HSL 142.9, 0.62%, 0.42%

LAB 62.28, -52.67, 31.89

 

CMYK 76 / 44 / 0 / 33

HEX #2960AC

RGB 41 96 172

HSL 214.81, 0.62%, 0.42%

LAB 40.92, 9.21, -45.87

 

CMYK 0 / 75 / 29 / 33

HEX #AB2A79

RGB 171 42 121

HSL 323.26, 0.61%, 0.42%

LAB 40.73, 58.12, -14.42

 

CMYK 0 / 9 / 76 / 33

HEX #AC9D29

RGB 172 157 41

HSL 53.13, 0.62%, 0.42%

LAB 64.2, -7.26, 58.45

 

CMYK 76 / 0 / 47 / 33

HEX #29AC5B

RGB 41 172 91

HSL 142.9, 0.62%, 0.42%

LAB 62.28, -52.67, 31.89

 

CMYK 76 / 67 / 0 / 33

HEX #2939AC

RGB 41 57 172

HSL 232.67, 0.62%, 0.42%

LAB 30.34, 34.9, -63.03

 

Description

Color code: RGB 171 42 121 | qconv.com Color code: RGB 171 42 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 42 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 42 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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