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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E360AD it is the complementary color #1C9F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E360AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E360AD shade: #E860A8, #F972BB, #FF84CE, #FF96E1 and #FFA8F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E360AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E360AD shade: #E360AD, #D24E9A, #C13C87, #B02A74 and #9F1861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E360AD shade: #E25EAC, #E25E88, #E25E65 and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E360AD shade: #E25EAC, #E25ECF, #D15EE2, #AE5EE2 and #8A5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E360AD shade matches the following richer shades: #E25EAC and #F14FAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E360AD shade: #E25EAC, #D36DA9, #C47DA6, #B48CA4 and #A59BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E360AD shade: #D15EE2, #E25ED1, #E25EAD, #E25E8A and #E25E67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E360AD shade: #CA2386, #DC3B9A, #E25EAC, #E881BE and #EFA4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E360AD shade: #E360AD, #E2AD5E and #5EE2E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E360AD shade: #E360AD, #ADE25E and #5EADE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E360AD shade: #E360AD, #E2AD5E, #5EE293 and #5E93E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E360AD shade: #E360AD, #E2D55E, #5EE293 and #5E6BE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

Complementary color

CMYK 82 / 0 / 48 / 38

HEX #1C9F52

RGB 28 159 82

HSL 144.73, 0.7%, 0.37%

LAB 57.71, -51.15, 30.73

 

CMYK 0 / 59 / 28 / 9

HEX #E860A8

RGB 232 96 168

HSL 328.24, 0.75%, 0.64%

LAB 60.2, 59.88, -12.06

 

CMYK 0 / 54 / 25 / 2

HEX #F972BB

RGB 249 114 187

HSL 327.56, 0.92%, 0.71%

LAB 66.34, 59.35, -13.43

 

CMYK 0 / 48 / 19 / 0

HEX #FF84CE

RGB 255 132 206

HSL 323.9, 1%, 0.76%

LAB 71.02, 55.33, -16.92

 

CMYK 0 / 41 / 12 / 0

HEX #FF96E1

RGB 255 150 225

HSL 317.14, 1%, 0.79%

LAB 75.14, 49.31, -21.14

 

CMYK 0 / 34 / 4 / 0

HEX #FFA8F4

RGB 255 168 244

HSL 307.59, 1%, 0.83%

LAB 79.5, 43.26, -24.83

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 0 / 63 / 27 / 18

HEX #D24E9A

RGB 210 78 154

HSL 325.45, 0.59%, 0.56%

LAB 53.47, 59.38, -14.38

 

CMYK 0 / 69 / 30 / 24

HEX #C13C87

RGB 193 60 135

HSL 326.17, 0.53%, 0.5%

LAB 47.39, 59.39, -12.51

 

CMYK 0 / 76 / 34 / 31

HEX #B02A74

RGB 176 42 116

HSL 326.87, 0.61%, 0.43%

LAB 41.45, 58.83, -10.13

 

CMYK 0 / 85 / 39 / 38

HEX #9F1861

RGB 159 24 97

HSL 327.56, 0.74%, 0.36%

LAB 35.77, 57.37, -7.01

 

CMYK 0 / 58 / 24 / 11

HEX #E25EAC

RGB 226 94 172

HSL 324.55, 0.69%, 0.63%

LAB 59.12, 59.51, -16.1

 

CMYK 0 / 58 / 40 / 11

HEX #E25E88

RGB 226 94 136

HSL 340.91, 0.69%, 0.63%

LAB 57.99, 55.17, 3.17

 

CMYK 0 / 58 / 55 / 11

HEX #E25E65

RGB 226 94 101

HSL 356.82, 0.69%, 0.63%

LAB 57.19, 51.96, 22.5

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 58 / 24 / 11

HEX #E25EAC

RGB 226 94 172

HSL 324.55, 0.69%, 0.63%

LAB 59.12, 59.51, -16.1

 

CMYK 0 / 58 / 8 / 11

HEX #E25ECF

RGB 226 94 207

HSL 308.64, 0.69%, 0.63%

LAB 60.5, 64.61, -33.98

 

CMYK 8 / 58 / 0 / 11

HEX #D15EE2

RGB 209 94 226

HSL 292.27, 0.69%, 0.63%

LAB 59.02, 63.49, -47.17

 

CMYK 23 / 58 / 0 / 11

HEX #AE5EE2

RGB 174 94 226

HSL 276.36, 0.69%, 0.63%

LAB 54.55, 54.93, -54.55

 

CMYK 39 / 58 / 0 / 11

HEX #8A5EE2

RGB 138 94 226

HSL 260, 0.69%, 0.63%

LAB 50.57, 46.59, -61.16

 

CMYK 0 / 58 / 24 / 11

HEX #E25EAC

RGB 226 94 172

HSL 324.55, 0.69%, 0.63%

LAB 59.12, 59.51, -16.1

 

CMYK 0 / 67 / 28 / 5

HEX #F14FAE

RGB 241 79 174

HSL 324.81, 0.85%, 0.63%

LAB 59.3, 70.03, -16.76

 

CMYK 0 / 58 / 24 / 11

HEX #E25EAC

RGB 226 94 172

HSL 324.55, 0.69%, 0.63%

LAB 59.12, 59.51, -16.1

 

CMYK 0 / 48 / 20 / 17

HEX #D36DA9

RGB 211 109 169

HSL 324.71, 0.54%, 0.63%

LAB 59.57, 47.37, -13.88

 

CMYK 0 / 36 / 15 / 23

HEX #C47DA6

RGB 196 125 166

HSL 325.35, 0.38%, 0.63%

LAB 60.92, 33.47, -10.33

 

CMYK 0 / 22 / 9 / 29

HEX #B48CA4

RGB 180 140 164

HSL 324, 0.21%, 0.63%

LAB 62.63, 19.14, -6.83

 

CMYK 0 / 6 / 2 / 35

HEX #A59BA1

RGB 165 155 161

HSL 324, 0.05%, 0.63%

LAB 64.97, 4.76, -1.83

 

CMYK 8 / 58 / 0 / 11

HEX #D15EE2

RGB 209 94 226

HSL 292.27, 0.69%, 0.63%

LAB 59.02, 63.49, -47.17

 

CMYK 0 / 58 / 8 / 11

HEX #E25ED1

RGB 226 94 209

HSL 307.73, 0.69%, 0.63%

LAB 60.58, 64.93, -34.97

 

CMYK 0 / 58 / 23 / 11

HEX #E25EAD

RGB 226 94 173

HSL 324.09, 0.69%, 0.63%

LAB 59.15, 59.64, -16.62

 

CMYK 0 / 58 / 39 / 11

HEX #E25E8A

RGB 226 94 138

HSL 340, 0.69%, 0.63%

LAB 58.05, 55.39, 2.08

 

CMYK 0 / 58 / 54 / 11

HEX #E25E67

RGB 226 94 103

HSL 355.91, 0.69%, 0.63%

LAB 57.22, 52.12, 21.39

 

CMYK 0 / 83 / 34 / 21

HEX #CA2386

RGB 202 35 134

HSL 324.43, 0.7%, 0.46%

LAB 46.28, 69.15, -13.43

 

CMYK 0 / 73 / 30 / 14

HEX #DC3B9A

RGB 220 59 154

HSL 324.6, 0.7%, 0.55%

LAB 52.59, 69.13, -15.56

 

CMYK 0 / 58 / 24 / 11

HEX #E25EAC

RGB 226 94 172

HSL 324.55, 0.69%, 0.63%

LAB 59.12, 59.51, -16.1

 

CMYK 0 / 44 / 18 / 9

HEX #E881BE

RGB 232 129 190

HSL 324.47, 0.69%, 0.71%

LAB 66.96, 47.19, -14.41

 

CMYK 0 / 31 / 13 / 6

HEX #EFA4D0

RGB 239 164 208

HSL 324.8, 0.7%, 0.79%

LAB 75.73, 34.13, -11.14

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 0 / 23 / 58 / 11

HEX #E2AD5E

RGB 226 173 94

HSL 35.91, 0.69%, 0.63%

LAB 74.1, 10.7, 47.47

 

CMYK 58 / 0 / 0 / 11

HEX #5EE2E2

RGB 94 226 226

HSL 180, 0.69%, 0.63%

LAB 83.05, -35.7, -10.86

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 23 / 0 / 58 / 11

HEX #ADE25E

RGB 173 226 94

HSL 84.09, 0.69%, 0.63%

LAB 84.01, -37.24, 57.78

 

CMYK 58 / 23 / 0 / 11

HEX #5EADE2

RGB 94 173 226

HSL 204.09, 0.69%, 0.63%

LAB 67.84, -8.95, -34

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 0 / 23 / 58 / 11

HEX #E2AD5E

RGB 226 173 94

HSL 35.91, 0.69%, 0.63%

LAB 74.1, 10.7, 47.47

 

CMYK 58 / 0 / 35 / 11

HEX #5EE293

RGB 94 226 147

HSL 144.09, 0.69%, 0.63%

LAB 81.23, -53.73, 28.05

 

CMYK 58 / 35 / 0 / 11

HEX #5E93E2

RGB 94 147 226

HSL 215.91, 0.69%, 0.63%

LAB 60.55, 5.79, -45.41

 

CMYK 0 / 58 / 24 / 11

HEX #E360AD

RGB 227 96 173

HSL 324.73, 0.7%, 0.63%

LAB 59.63, 59.05, -15.88

 

CMYK 0 / 6 / 58 / 11

HEX #E2D55E

RGB 226 213 94

HSL 54.09, 0.69%, 0.63%

LAB 84.26, -10.07, 59.1

 

CMYK 58 / 0 / 35 / 11

HEX #5EE293

RGB 94 226 147

HSL 144.09, 0.69%, 0.63%

LAB 81.23, -53.73, 28.05

 

CMYK 58 / 53 / 0 / 11

HEX #5E6BE2

RGB 94 107 226

HSL 234.09, 0.69%, 0.63%

LAB 49.96, 29.95, -62.32

 

Description

Color code: HEX #E360AD | qconv.com Color code: HEX #E360AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 96 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 96 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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