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Color name
RGB 169 57 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 57 199 it is the complementary color RGB 86 198 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 57 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 57 199 shade: RGB 174 57 194, RGB 191 75 213, RGB 208 93 232, RGB 225 111 251 and RGB 242 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 57 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 57 199 shade: RGB 169 57 199, RGB 152 39 180, RGB 135 21 161, RGB 118 3 142 and RGB 101 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 57 199 shade: RGB 168 56 198, RGB 198 56 190, RGB 198 56 152, RGB 198 56 113 and RGB 198 56 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 57 199 shade: RGB 168 56 198, RGB 130 56 198, RGB 91 56 198 and RGB 56 56 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 57 199 shade matches the following richer shades: RGB 168 56 198, RGB 180 35 219 and RGB 192 14 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 57 199 shade: RGB 168 56 198, RGB 156 76 178, RGB 144 97 157, RGB 132 117 137 and RGB 121 138 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 57 199 shade: RGB 91 56 198, RGB 129 56 198, RGB 167 56 198, RGB 198 56 191 and RGB 198 56 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 57 199 shade: RGB 114 37 134, RGB 141 47 166, RGB 168 56 198, RGB 182 88 207 and RGB 196 120 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 57 199 shade: RGB 169 57 199, RGB 198 56 58 and RGB 56 198 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 57 199 shade: RGB 169 57 199, RGB 198 167 56 and RGB 56 198 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 57 199 shade: RGB 169 57 199, RGB 198 56 58, RGB 87 198 56 and RGB 56 198 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 57 199 shade: RGB 169 57 199, RGB 198 96 56, RGB 87 198 56 and RGB 56 158 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

Complementary color

CMYK 57 / 0 / 72 / 22

HEX #56C638

RGB 86 198 56

HSL 107.32, 0.56%, 0.5%

LAB 71.32, -57.1, 58.34

 

CMYK 10 / 71 / 0 / 24

HEX #AE39C2

RGB 174 57 194

HSL 291.24, 0.55%, 0.49%

LAB 46.74, 64.85, -48.74

 

CMYK 10 / 65 / 0 / 16

HEX #BF4BD5

RGB 191 75 213

HSL 290.43, 0.62%, 0.56%

LAB 52.85, 65.02, -49.77

 

CMYK 10 / 60 / 0 / 9

HEX #D05DE8

RGB 208 93 232

HSL 289.64, 0.75%, 0.64%

LAB 59.03, 64.8, -50.52

 

CMYK 10 / 56 / 0 / 2

HEX #E16FFB

RGB 225 111 251

HSL 288.86, 0.95%, 0.71%

LAB 65.23, 64.35, -51.08

 

CMYK 5 / 49 / 0 / 0

HEX #F281FF

RGB 242 129 255

HSL 293.81, 1%, 0.75%

LAB 70.73, 60.99, -44.47

 

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

CMYK 16 / 78 / 0 / 29

HEX #9827B4

RGB 152 39 180

HSL 288.09, 0.64%, 0.43%

LAB 40.28, 63.99, -51.08

 

CMYK 16 / 87 / 0 / 37

HEX #8715A1

RGB 135 21 161

HSL 288.86, 0.77%, 0.36%

LAB 34.52, 62.25, -49.16

 

CMYK 17 / 98 / 0 / 44

HEX #76038E

RGB 118 3 142

HSL 289.64, 0.96%, 0.28%

LAB 29.08, 59.18, -46.47

 

CMYK 18 / 100 / 0 / 52

HEX #65007B

RGB 101 0 123

HSL 289.27, 1%, 0.24%

LAB 24.31, 53.65, -42.41

 

CMYK 15 / 72 / 0 / 22

HEX #A838C6

RGB 168 56 198

HSL 287.32, 0.56%, 0.5%

LAB 45.95, 64.7, -52.38

 

CMYK 0 / 72 / 4 / 22

HEX #C638BE

RGB 198 56 190

HSL 303.38, 0.56%, 0.5%

LAB 50.16, 69.76, -40.75

 

CMYK 0 / 72 / 23 / 22

HEX #C63898

RGB 198 56 152

HSL 319.44, 0.56%, 0.5%

LAB 48.39, 64.3, -21.13

 

CMYK 0 / 72 / 43 / 22

HEX #C63871

RGB 198 56 113

HSL 335.92, 0.56%, 0.5%

LAB 47.01, 59.84, 0.4

 

CMYK 0 / 72 / 62 / 22

HEX #C6384B

RGB 198 56 75

HSL 351.97, 0.56%, 0.5%

LAB 46.1, 56.79, 22.44

 

CMYK 15 / 72 / 0 / 22

HEX #A838C6

RGB 168 56 198

HSL 287.32, 0.56%, 0.5%

LAB 45.95, 64.7, -52.38

 

CMYK 34 / 72 / 0 / 22

HEX #8238C6

RGB 130 56 198

HSL 271.27, 0.56%, 0.5%

LAB 40.66, 57.16, -61.19

 

CMYK 54 / 72 / 0 / 22

HEX #5B38C6

RGB 91 56 198

HSL 254.79, 0.56%, 0.5%

LAB 36.23, 50.48, -68.59

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 15 / 72 / 0 / 22

HEX #A838C6

RGB 168 56 198

HSL 287.32, 0.56%, 0.5%

LAB 45.95, 64.7, -52.38

 

CMYK 18 / 84 / 0 / 14

HEX #B423DB

RGB 180 35 219

HSL 287.28, 0.72%, 0.5%

LAB 47, 77.04, -62.68

 

CMYK 20 / 94 / 0 / 6

HEX #C00EF0

RGB 192 14 240

HSL 287.26, 0.89%, 0.5%

LAB 49.27, 85.8, -70.82

 

CMYK 15 / 72 / 0 / 22

HEX #A838C6

RGB 168 56 198

HSL 287.32, 0.56%, 0.5%

LAB 45.95, 64.7, -52.38

 

CMYK 12 / 57 / 0 / 30

HEX #9C4CB2

RGB 156 76 178

HSL 287.06, 0.4%, 0.5%

LAB 46.25, 49.17, -40.34

 

CMYK 8 / 38 / 0 / 38

HEX #90619D

RGB 144 97 157

HSL 287, 0.24%, 0.5%

LAB 48.15, 29.84, -25.1

 

CMYK 4 / 15 / 0 / 46

HEX #847589

RGB 132 117 137

HSL 285, 0.08%, 0.5%

LAB 51.19, 9.71, -8.78

 

CMYK 12 / 0 / 16 / 46

HEX #798A74

RGB 121 138 116

HSL 106.36, 0.09%, 0.5%

LAB 55.59, -10.54, 9.74

 

CMYK 54 / 72 / 0 / 22

HEX #5B38C6

RGB 91 56 198

HSL 254.79, 0.56%, 0.5%

LAB 36.23, 50.48, -68.59

 

CMYK 35 / 72 / 0 / 22

HEX #8138C6

RGB 129 56 198

HSL 270.85, 0.56%, 0.5%

LAB 40.53, 56.98, -61.4

 

CMYK 16 / 72 / 0 / 22

HEX #A738C6

RGB 167 56 198

HSL 286.9, 0.56%, 0.5%

LAB 45.8, 64.5, -52.63

 

CMYK 0 / 72 / 4 / 22

HEX #C638BF

RGB 198 56 191

HSL 302.96, 0.56%, 0.5%

LAB 50.21, 69.92, -41.25

 

CMYK 0 / 72 / 23 / 22

HEX #C63899

RGB 198 56 153

HSL 319.01, 0.56%, 0.5%

LAB 48.43, 64.43, -21.67

 

CMYK 15 / 72 / 0 / 47

HEX #722586

RGB 114 37 134

HSL 287.63, 0.57%, 0.34%

LAB 30.93, 47.88, -38.55

 

CMYK 15 / 72 / 0 / 35

HEX #8D2FA6

RGB 141 47 166

HSL 287.39, 0.56%, 0.42%

LAB 38.64, 56.26, -45.49

 

CMYK 15 / 72 / 0 / 22

HEX #A838C6

RGB 168 56 198

HSL 287.32, 0.56%, 0.5%

LAB 45.95, 64.7, -52.38

 

CMYK 12 / 57 / 0 / 19

HEX #B658CF

RGB 182 88 207

HSL 287.39, 0.55%, 0.58%

LAB 53.42, 55.88, -45.53

 

CMYK 10 / 45 / 0 / 15

HEX #C478D9

RGB 196 120 217

HSL 287.01, 0.56%, 0.66%

LAB 61.81, 45.48, -37.85

 

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

CMYK 0 / 72 / 71 / 22

HEX #C6383A

RGB 198 56 58

HSL 359.15, 0.56%, 0.5%

LAB 45.82, 55.85, 32.29

 

CMYK 72 / 0 / 44 / 22

HEX #38C66E

RGB 56 198 110

HSL 142.82, 0.56%, 0.5%

LAB 71.11, -56.68, 33.5

 

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

CMYK 0 / 16 / 72 / 22

HEX #C6A738

RGB 198 167 56

HSL 46.9, 0.56%, 0.5%

LAB 69.42, -0.42, 58.71

 

CMYK 72 / 0 / 16 / 22

HEX #38C6A7

RGB 56 198 167

HSL 166.9, 0.56%, 0.5%

LAB 72.24, -44.52, 4.8

 

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

CMYK 0 / 72 / 71 / 22

HEX #C6383A

RGB 198 56 58

HSL 359.15, 0.56%, 0.5%

LAB 45.82, 55.85, 32.29

 

CMYK 56 / 0 / 72 / 22

HEX #57C638

RGB 87 198 56

HSL 106.9, 0.56%, 0.5%

LAB 71.35, -56.84, 58.39

 

CMYK 72 / 0 / 1 / 22

HEX #38C6C4

RGB 56 198 196

HSL 179.15, 0.56%, 0.5%

LAB 73.03, -36.69, -9.8

 

CMYK 15 / 71 / 0 / 22

HEX #A939C7

RGB 169 57 199

HSL 287.32, 0.56%, 0.5%

LAB 46.29, 64.73, -52.4

 

CMYK 0 / 52 / 72 / 22

HEX #C66038

RGB 198 96 56

HSL 16.9, 0.56%, 0.5%

LAB 52.57, 37.86, 41.11

 

CMYK 56 / 0 / 72 / 22

HEX #57C638

RGB 87 198 56

HSL 106.9, 0.56%, 0.5%

LAB 71.35, -56.84, 58.39

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

Description

Color code: RGB 169 57 199 | qconv.com Color code: RGB 169 57 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 57 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 57 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 71 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 71% 0% 22% C M Y K

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Provide designers and agencies with accurate color values.

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