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Color name
CMYK 72 / 20 / 0 / 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 20 / 0 / 22 it is the complementary color CMYK 0 / 52 / 72 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 20 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 69 / 18 / 0 / 24, CMYK 63 / 17 / 0 / 16, CMYK 59 / 16 / 0 / 9, CMYK 55 / 15 / 0 / 2 and CMYK 49 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 20 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 78 / 22 / 0 / 29, CMYK 86 / 24 / 0 / 37, CMYK 96 / 26 / 0 / 44 and CMYK 100 / 29 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 72 / 39 / 0 / 22, CMYK 72 / 59 / 0 / 22, CMYK 66 / 72 / 0 / 22 and CMYK 46 / 72 / 0 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 72 / 39 / 0 / 22, CMYK 72 / 59 / 0 / 22 and CMYK 72 / 72 / 0 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 72 / 20 / 0 / 22 shade matches the following richer shades: CMYK 72 / 20 / 0 / 22, CMYK 84 / 23 / 0 / 14 and CMYK 94 / 26 / 0 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 57 / 16 / 0 / 30, CMYK 38 / 11 / 0 / 38, CMYK 15 / 4 / 0 / 46 and CMYK 0 / 12 / 16 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 0 / 19 / 22, CMYK 72 / 0 / 0 / 22, CMYK 72 / 19 / 0 / 22, CMYK 72 / 38 / 0 / 22 and CMYK 72 / 58 / 0 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 47, CMYK 72 / 20 / 0 / 35, CMYK 72 / 20 / 0 / 22, CMYK 57 / 16 / 0 / 19 and CMYK 45 / 12 / 0 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 38 / 72 / 0 / 22 and CMYK 0 / 10 / 72 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 0 / 72 / 19 / 22 and CMYK 19 / 0 / 72 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 38 / 72 / 0 / 22, CMYK 0 / 53 / 72 / 22 and CMYK 33 / 0 / 72 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 72 / 20 / 0 / 22 shade: CMYK 72 / 20 / 0 / 22, CMYK 17 / 72 / 0 / 22, CMYK 0 / 53 / 72 / 22 and CMYK 55 / 0 / 72 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

Complementary color

CMYK 0 / 52 / 72 / 22

HEX #C76038

RGB 199 96 56

HSL 16.78, 0.56%, 0.5%

LAB 52.72, 38.25, 41.31

 

CMYK 69 / 18 / 0 / 24

HEX #3D9FC2

RGB 61 159 194

HSL 195.79, 0.52%, 0.5%

LAB 61.38, -17.24, -26.35

 

CMYK 63 / 17 / 0 / 16

HEX #4EB1D5

RGB 78 177 213

HSL 196, 0.62%, 0.57%

LAB 67.92, -18.03, -26.79

 

CMYK 59 / 16 / 0 / 9

HEX #5FC3E8

RGB 95 195 232

HSL 196.2, 0.75%, 0.64%

LAB 74.37, -18.64, -27.19

 

CMYK 55 / 15 / 0 / 2

HEX #70D5FB

RGB 112 213 251

HSL 196.4, 0.95%, 0.71%

LAB 80.74, -19.11, -27.58

 

CMYK 49 / 9 / 0 / 0

HEX #81E7FF

RGB 129 231 255

HSL 191.43, 1%, 0.75%

LAB 86.52, -23.55, -20.83

 

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

CMYK 78 / 22 / 0 / 29

HEX #278DB4

RGB 39 141 180

HSL 196.6, 0.64%, 0.43%

LAB 54.84, -15.06, -28.58

 

CMYK 86 / 24 / 0 / 37

HEX #167BA1

RGB 22 123 161

HSL 196.4, 0.76%, 0.36%

LAB 48.15, -13.4, -28.02

 

CMYK 96 / 26 / 0 / 44

HEX #05698E

RGB 5 105 142

HSL 196.2, 0.93%, 0.29%

LAB 41.36, -11.21, -27.37

 

CMYK 100 / 29 / 0 / 52

HEX #00577B

RGB 0 87 123

HSL 197.56, 1%, 0.24%

LAB 34.49, -8.22, -26.57

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

CMYK 72 / 39 / 0 / 22

HEX #3878C6

RGB 56 120 198

HSL 212.96, 0.56%, 0.5%

LAB 49.92, 5.84, -46.58

 

CMYK 72 / 59 / 0 / 22

HEX #3851C6

RGB 56 81 198

HSL 229.44, 0.56%, 0.5%

LAB 39.25, 30.66, -63.77

 

CMYK 66 / 72 / 0 / 22

HEX #4438C6

RGB 68 56 198

HSL 245.07, 0.56%, 0.5%

LAB 34.26, 47.36, -71.9

 

CMYK 46 / 72 / 0 / 22

HEX #6B38C6

RGB 107 56 198

HSL 261.55, 0.56%, 0.5%

LAB 37.9, 53.05, -65.8

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

CMYK 72 / 39 / 0 / 22

HEX #3878C6

RGB 56 120 198

HSL 212.96, 0.56%, 0.5%

LAB 49.92, 5.84, -46.58

 

CMYK 72 / 59 / 0 / 22

HEX #3851C6

RGB 56 81 198

HSL 229.44, 0.56%, 0.5%

LAB 39.25, 30.66, -63.77

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

CMYK 84 / 23 / 0 / 14

HEX #23A8DB

RGB 35 168 219

HSL 196.63, 0.72%, 0.5%

LAB 64.55, -16.55, -35.4

 

CMYK 94 / 26 / 0 / 6

HEX #0EB1F0

RGB 14 177 240

HSL 196.73, 0.89%, 0.5%

LAB 67.89, -15.12, -41.7

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

CMYK 57 / 16 / 0 / 30

HEX #4C95B2

RGB 76 149 178

HSL 197.06, 0.4%, 0.5%

LAB 58.27, -14.23, -22.06

 

CMYK 38 / 11 / 0 / 38

HEX #618C9D

RGB 97 140 157

HSL 197, 0.24%, 0.5%

LAB 55.82, -10.23, -13.7

 

CMYK 15 / 4 / 0 / 46

HEX #758389

RGB 117 131 137

HSL 198, 0.08%, 0.5%

LAB 53.84, -3.78, -4.97

 

CMYK 0 / 12 / 16 / 46

HEX #8A7A74

RGB 138 122 116

HSL 16.36, 0.09%, 0.5%

LAB 52.49, 5.09, 5.53

 

CMYK 72 / 0 / 19 / 22

HEX #38C6A0

RGB 56 198 160

HSL 163.94, 0.56%, 0.5%

LAB 72.07, -46.26, 8.35

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 72 / 19 / 0 / 22

HEX #38A0C6

RGB 56 160 198

HSL 196.06, 0.56%, 0.5%

LAB 61.71, -17.19, -28.1

 

CMYK 72 / 38 / 0 / 22

HEX #387AC6

RGB 56 122 198

HSL 212.11, 0.56%, 0.5%

LAB 50.5, 4.62, -45.66

 

CMYK 72 / 58 / 0 / 22

HEX #3854C6

RGB 56 84 198

HSL 228.17, 0.56%, 0.5%

LAB 40.01, 28.73, -62.52

 

CMYK 72 / 20 / 0 / 47

HEX #256B86

RGB 37 107 134

HSL 196.7, 0.57%, 0.34%

LAB 42.2, -12.3, -21.21

 

CMYK 72 / 20 / 0 / 35

HEX #2F85A6

RGB 47 133 166

HSL 196.64, 0.56%, 0.42%

LAB 51.99, -14.45, -24.93

 

CMYK 72 / 20 / 0 / 22

HEX #389EC6

RGB 56 158 198

HSL 196.9, 0.56%, 0.5%

LAB 61.11, -16.11, -29.02

 

CMYK 57 / 16 / 0 / 19

HEX #58AECF

RGB 88 174 207

HSL 196.64, 0.55%, 0.58%

LAB 67.17, -16.45, -24.62

 

CMYK 45 / 12 / 0 / 15

HEX #78BED9

RGB 120 190 217

HSL 196.7, 0.56%, 0.66%

LAB 73.43, -14.96, -20.41

 

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

CMYK 38 / 72 / 0 / 22

HEX #7A38C6

RGB 122 56 198

HSL 267.89, 0.56%, 0.5%

LAB 39.65, 55.68, -62.87

 

CMYK 0 / 10 / 72 / 22

HEX #C6B338

RGB 198 179 56

HSL 51.97, 0.56%, 0.5%

LAB 72.58, -6.74, 61.83

 

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

CMYK 0 / 72 / 19 / 22

HEX #C638A0

RGB 198 56 160

HSL 316.06, 0.56%, 0.5%

LAB 48.73, 65.36, -25.37

 

CMYK 19 / 0 / 72 / 22

HEX #A0C638

RGB 160 198 56

HSL 76.06, 0.56%, 0.5%

LAB 74.92, -32.13, 63.13

 

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

CMYK 38 / 72 / 0 / 22

HEX #7A38C6

RGB 122 56 198

HSL 267.89, 0.56%, 0.5%

LAB 39.65, 55.68, -62.87

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 33 / 0 / 72 / 22

HEX #84C638

RGB 132 198 56

HSL 87.89, 0.56%, 0.5%

LAB 73.27, -42.76, 60.95

 

CMYK 72 / 20 / 0 / 22

HEX #389FC7

RGB 56 159 199

HSL 196.78, 0.56%, 0.5%

LAB 61.45, -16.32, -29.06

 

CMYK 17 / 72 / 0 / 22

HEX #A538C6

RGB 165 56 198

HSL 286.06, 0.56%, 0.5%

LAB 45.5, 64.09, -53.12

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 55 / 0 / 72 / 22

HEX #59C638

RGB 89 198 56

HSL 106.06, 0.56%, 0.5%

LAB 71.42, -56.32, 58.47

 

Description

Color code: CMYK 72 / 20 / 0 / 22 | qconv.com Color code: CMYK 72 / 20 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 159 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 159 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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