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Color name
RGB 167 113 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 113 97 it is the complementary color RGB 88 142 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 113 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 113 97 shade: RGB 172 113 92, RGB 189 131 111, RGB 206 149 130, RGB 223 167 149 and RGB 240 185 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 113 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 113 97 shade: RGB 167 113 97, RGB 150 95 78, RGB 133 77 59, RGB 116 59 40 and RGB 99 41 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 113 97 shade: RGB 166 113 98 and RGB 166 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 113 97 shade: RGB 166 113 98, RGB 166 132 98, RGB 166 150 98, RGB 164 166 98 and RGB 145 166 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 113 97 shade matches the following richer shades: RGB 166 113 98, RGB 186 103 78, RGB 206 92 58, RGB 226 81 38 and RGB 246 70 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 113 97 shade: RGB 166 113 98, RGB 147 124 118, RGB 127 135 137, RGB 107 146 157 and RGB 87 157 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 113 97 shade: RGB 166 98 120, RGB 166 98 101, RGB 166 113 98, RGB 166 131 98 and RGB 166 149 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 113 97 shade: RGB 116 77 65, RGB 143 94 80, RGB 166 113 98, RGB 181 137 124 and RGB 196 161 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 113 97 shade: RGB 167 113 97, RGB 138 166 98 and RGB 98 110 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 113 97 shade: RGB 167 113 97, RGB 98 166 113 and RGB 113 98 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 113 97 shade: RGB 167 113 97, RGB 138 166 98, RGB 98 152 166 and RGB 126 98 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 113 97 shade: RGB 167 113 97, RGB 117 166 98, RGB 98 152 166 and RGB 147 98 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

Complementary color

CMYK 44 / 10 / 0 / 38

HEX #588E9E

RGB 88 142 158

HSL 193.71, 0.28%, 0.48%

LAB 55.98, -13.5, -14.09

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 31 / 41 / 26

HEX #BD836F

RGB 189 131 111

HSL 15.38, 0.37%, 0.59%

LAB 60.07, 19.85, 19.79

 

CMYK 0 / 28 / 37 / 19

HEX #CE9582

RGB 206 149 130

HSL 15, 0.44%, 0.66%

LAB 66.69, 18.97, 18.51

 

CMYK 0 / 25 / 33 / 13

HEX #DFA795

RGB 223 167 149

HSL 14.59, 0.54%, 0.73%

LAB 73.22, 18.2, 17.35

 

CMYK 0 / 23 / 30 / 6

HEX #F0B9A8

RGB 240 185 168

HSL 14.17, 0.71%, 0.8%

LAB 79.64, 17.5, 16.28

 

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

CMYK 0 / 37 / 48 / 41

HEX #965F4E

RGB 150 95 78

HSL 14.17, 0.32%, 0.45%

LAB 45.93, 20.42, 19.04

 

CMYK 0 / 42 / 56 / 48

HEX #854D3B

RGB 133 77 59

HSL 14.59, 0.39%, 0.38%

LAB 38.92, 21.67, 20.78

 

CMYK 0 / 49 / 66 / 55

HEX #743B28

RGB 116 59 40

HSL 15, 0.49%, 0.31%

LAB 31.79, 23.14, 22.85

 

CMYK 0 / 59 / 79 / 61

HEX #632915

RGB 99 41 21

HSL 15.38, 0.65%, 0.24%

LAB 24.62, 24.83, 25.3

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 41 / 41 / 35

HEX #A66262

RGB 166 98 98

HSL 0, 0.28%, 0.52%

LAB 49.16, 27.51, 11.88

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 20 / 41 / 35

HEX #A68462

RGB 166 132 98

HSL 30, 0.28%, 0.52%

LAB 57.55, 8.3, 23.3

 

CMYK 0 / 10 / 41 / 35

HEX #A69662

RGB 166 150 98

HSL 45.88, 0.28%, 0.52%

LAB 62.34, -1.7, 29.57

 

CMYK 1 / 0 / 41 / 35

HEX #A4A662

RGB 164 166 98

HSL 61.76, 0.28%, 0.52%

LAB 66.56, -11.11, 34.92

 

CMYK 13 / 0 / 41 / 35

HEX #91A662

RGB 145 166 98

HSL 78.53, 0.28%, 0.52%

LAB 65.1, -18.8, 32.77

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 45 / 58 / 27

HEX #BA674E

RGB 186 103 78

HSL 13.89, 0.44%, 0.52%

LAB 52.61, 30.82, 28.64

 

CMYK 0 / 55 / 72 / 19

HEX #CE5C3A

RGB 206 92 58

HSL 13.78, 0.6%, 0.52%

LAB 53.04, 43.02, 40.91

 

CMYK 0 / 64 / 83 / 11

HEX #E25126

RGB 226 81 38

HSL 13.72, 0.76%, 0.52%

LAB 54.23, 54.48, 53.03

 

CMYK 0 / 72 / 92 / 4

HEX #F64613

RGB 246 70 19

HSL 13.48, 0.93%, 0.52%

LAB 56.11, 64.86, 63.07

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 16 / 20 / 42

HEX #937C76

RGB 147 124 118

HSL 12.41, 0.12%, 0.52%

LAB 53.95, 7.85, 6.56

 

CMYK 7 / 1 / 0 / 46

HEX #7F8789

RGB 127 135 137

HSL 192, 0.04%, 0.52%

LAB 55.73, -2.51, -2.09

 

CMYK 32 / 7 / 0 / 38

HEX #6B929D

RGB 107 146 157

HSL 193.2, 0.2%, 0.52%

LAB 58.15, -10.63, -10.14

 

CMYK 51 / 11 / 0 / 31

HEX #579DB1

RGB 87 157 177

HSL 193.33, 0.37%, 0.52%

LAB 61.06, -16.46, -17.2

 

CMYK 0 / 41 / 28 / 35

HEX #A66278

RGB 166 98 120

HSL 340.59, 0.28%, 0.52%

LAB 49.74, 30.4, -0.44

 

CMYK 0 / 41 / 39 / 35

HEX #A66265

RGB 166 98 101

HSL 357.35, 0.28%, 0.52%

LAB 49.23, 27.87, 10.19

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 21 / 41 / 35

HEX #A68362

RGB 166 131 98

HSL 29.12, 0.28%, 0.52%

LAB 57.29, 8.86, 22.95

 

CMYK 0 / 10 / 41 / 35

HEX #A69562

RGB 166 149 98

HSL 45, 0.28%, 0.52%

LAB 62.07, -1.15, 29.22

 

CMYK 0 / 34 / 44 / 55

HEX #744D41

RGB 116 77 65

HSL 14.12, 0.28%, 0.35%

LAB 36.75, 14.89, 13.81

 

CMYK 0 / 34 / 44 / 44

HEX #8F5E50

RGB 143 94 80

HSL 13.33, 0.28%, 0.44%

LAB 44.84, 18.26, 16.22

 

CMYK 0 / 32 / 41 / 35

HEX #A67162

RGB 166 113 98

HSL 13.24, 0.28%, 0.52%

LAB 52.73, 19.06, 16.8

 

CMYK 0 / 24 / 31 / 29

HEX #B5897C

RGB 181 137 124

HSL 13.68, 0.28%, 0.6%

LAB 60.93, 14.92, 13.48

 

CMYK 0 / 18 / 23 / 23

HEX #C4A197

RGB 196 161 151

HSL 13.33, 0.28%, 0.68%

LAB 69.08, 11.35, 10.05

 

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

CMYK 17 / 0 / 41 / 35

HEX #8AA662

RGB 138 166 98

HSL 84.71, 0.28%, 0.52%

LAB 64.61, -21.55, 32.04

 

CMYK 41 / 34 / 0 / 35

HEX #626EA6

RGB 98 110 166

HSL 229.41, 0.28%, 0.52%

LAB 47.63, 10.18, -31.53

 

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

CMYK 41 / 0 / 32 / 35

HEX #62A671

RGB 98 166 113

HSL 133.24, 0.28%, 0.52%

LAB 62.56, -33.24, 20.86

 

CMYK 32 / 41 / 0 / 35

HEX #7162A6

RGB 113 98 166

HSL 253.24, 0.28%, 0.52%

LAB 45.63, 21.79, -34.57

 

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

CMYK 17 / 0 / 41 / 35

HEX #8AA662

RGB 138 166 98

HSL 84.71, 0.28%, 0.52%

LAB 64.61, -21.55, 32.04

 

CMYK 41 / 8 / 0 / 35

HEX #6298A6

RGB 98 152 166

HSL 192.35, 0.28%, 0.52%

LAB 59.71, -14.11, -12.97

 

CMYK 24 / 41 / 0 / 35

HEX #7E62A6

RGB 126 98 166

HSL 264.71, 0.28%, 0.52%

LAB 46.87, 25.66, -32.53

 

CMYK 0 / 32 / 42 / 35

HEX #A77161

RGB 167 113 97

HSL 13.71, 0.28%, 0.52%

LAB 52.83, 19.36, 17.54

 

CMYK 30 / 0 / 41 / 35

HEX #75A662

RGB 117 166 98

HSL 103.24, 0.28%, 0.52%

LAB 63.29, -29.39, 30.08

 

CMYK 41 / 8 / 0 / 35

HEX #6298A6

RGB 98 152 166

HSL 192.35, 0.28%, 0.52%

LAB 59.71, -14.11, -12.97

 

CMYK 11 / 41 / 0 / 35

HEX #9362A6

RGB 147 98 166

HSL 283.24, 0.28%, 0.52%

LAB 49.12, 32.16, -28.86

 

Description

Color code: RGB 167 113 97 | qconv.com Color code: RGB 167 113 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 113 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 113 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 42 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 42% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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