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Color name
RGB 172 113 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 113 92 it is the complementary color RGB 83 142 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 113 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 113 92 shade: RGB 177 113 87, RGB 194 131 106, RGB 211 149 125, RGB 228 167 144 and RGB 245 185 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 113 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 155 95 73, RGB 138 77 54, RGB 121 59 35 and RGB 104 41 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 113 92 shade: RGB 172 113 92 and RGB 172 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 172 135 92, RGB 172 156 92, RGB 167 172 92 and RGB 145 172 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 113 92 shade matches the following richer shades: RGB 172 113 92, RGB 192 104 72, RGB 212 94 52, RGB 232 85 32 and RGB 252 75 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 153 122 112, RGB 133 132 131, RGB 113 141 151 and RGB 93 151 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 113 92 shade: RGB 172 92 115, RGB 172 92 93, RGB 172 112 92, RGB 172 133 92 and RGB 172 155 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 113 92 shade: RGB 121 77 61, RGB 148 94 75, RGB 172 113 92, RGB 186 137 119 and RGB 200 161 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 136 172 92 and RGB 92 104 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 92 172 112 and RGB 112 92 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 136 172 92, RGB 92 152 172 and RGB 128 92 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 113 92 shade: RGB 172 113 92, RGB 112 172 92, RGB 92 152 172 and RGB 152 92 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

Complementary color

CMYK 49 / 13 / 0 / 36

HEX #538EA3

RGB 83 142 163

HSL 195.75, 0.33%, 0.48%

LAB 55.92, -13.33, -17.07

 

CMYK 0 / 36 / 51 / 31

HEX #B17157

RGB 177 113 87

HSL 17.33, 0.37%, 0.52%

LAB 53.86, 22.43, 24.9

 

CMYK 0 / 32 / 45 / 24

HEX #C2836A

RGB 194 131 106

HSL 17.05, 0.42%, 0.59%

LAB 60.55, 21.33, 23.36

 

CMYK 0 / 29 / 41 / 17

HEX #D3957D

RGB 211 149 125

HSL 16.74, 0.49%, 0.66%

LAB 67.15, 20.37, 21.99

 

CMYK 0 / 27 / 37 / 11

HEX #E4A790

RGB 228 167 144

HSL 16.43, 0.61%, 0.73%

LAB 73.64, 19.52, 20.74

 

CMYK 0 / 24 / 33 / 4

HEX #F5B9A3

RGB 245 185 163

HSL 16.1, 0.8%, 0.8%

LAB 80.04, 18.76, 19.59

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 39 / 53 / 39

HEX #9B5F49

RGB 155 95 73

HSL 16.1, 0.36%, 0.45%

LAB 46.49, 22.03, 22.84

 

CMYK 0 / 44 / 61 / 46

HEX #8A4D36

RGB 138 77 54

HSL 16.43, 0.44%, 0.38%

LAB 39.54, 23.39, 24.71

 

CMYK 0 / 51 / 71 / 53

HEX #793B23

RGB 121 59 35

HSL 16.74, 0.55%, 0.31%

LAB 32.51, 24.98, 26.89

 

CMYK 0 / 61 / 85 / 59

HEX #682910

RGB 104 41 16

HSL 17.05, 0.73%, 0.24%

LAB 25.46, 26.75, 29.27

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 47 / 47 / 33

HEX #AC5C5C

RGB 172 92 92

HSL 0, 0.33%, 0.52%

LAB 48.51, 32.49, 14.68

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 22 / 47 / 33

HEX #AC875C

RGB 172 135 92

HSL 32.25, 0.33%, 0.52%

LAB 58.86, 8.49, 28.46

 

CMYK 0 / 9 / 47 / 33

HEX #AC9C5C

RGB 172 156 92

HSL 48, 0.33%, 0.52%

LAB 64.42, -3.08, 35.52

 

CMYK 3 / 0 / 47 / 33

HEX #A7AC5C

RGB 167 172 92

HSL 63.75, 0.33%, 0.52%

LAB 68.38, -13.65, 40.31

 

CMYK 16 / 0 / 47 / 33

HEX #91AC5C

RGB 145 172 92

HSL 80.25, 0.33%, 0.52%

LAB 66.75, -22.55, 37.93

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 46 / 63 / 25

HEX #C06848

RGB 192 104 72

HSL 16, 0.49%, 0.52%

LAB 53.57, 32.25, 33.39

 

CMYK 0 / 56 / 75 / 17

HEX #D45E34

RGB 212 94 52

HSL 15.75, 0.65%, 0.52%

LAB 54.29, 44.03, 45.64

 

CMYK 0 / 63 / 86 / 9

HEX #E85520

RGB 232 85 32

HSL 15.9, 0.81%, 0.52%

LAB 55.84, 54.71, 57.31

 

CMYK 0 / 70 / 95 / 1

HEX #FC4B0C

RGB 252 75 12

HSL 15.75, 0.98%, 0.52%

LAB 57.8, 64.91, 66.39

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 20 / 27 / 40

HEX #997A70

RGB 153 122 112

HSL 14.63, 0.17%, 0.52%

LAB 53.88, 10.47, 10.04

 

CMYK 0 / 1 / 2 / 48

HEX #858483

RGB 133 132 131

HSL 30, 0.01%, 0.52%

LAB 55.2, 0.18, 0.66

 

CMYK 25 / 7 / 0 / 41

HEX #718D97

RGB 113 141 151

HSL 195.79, 0.15%, 0.52%

LAB 56.87, -7.49, -8.57

 

CMYK 46 / 12 / 0 / 33

HEX #5D97AB

RGB 93 151 171

HSL 195.38, 0.32%, 0.52%

LAB 59.34, -13.49, -16.39

 

CMYK 0 / 47 / 33 / 33

HEX #AC5C73

RGB 172 92 115

HSL 342.75, 0.33%, 0.52%

LAB 49.08, 35.21, 1.71

 

CMYK 0 / 47 / 46 / 33

HEX #AC5C5D

RGB 172 92 93

HSL 359.25, 0.33%, 0.52%

LAB 48.53, 32.6, 14.12

 

CMYK 0 / 35 / 47 / 33

HEX #AC705C

RGB 172 112 92

HSL 15, 0.33%, 0.52%

LAB 53.09, 21.43, 20.9

 

CMYK 0 / 23 / 47 / 33

HEX #AC855C

RGB 172 133 92

HSL 30.75, 0.33%, 0.52%

LAB 58.34, 9.61, 27.79

 

CMYK 0 / 10 / 47 / 33

HEX #AC9B5C

RGB 172 155 92

HSL 47.25, 0.33%, 0.52%

LAB 64.15, -2.54, 35.18

 

CMYK 0 / 36 / 50 / 53

HEX #794D3D

RGB 121 77 61

HSL 16, 0.33%, 0.36%

LAB 37.32, 16.63, 17.15

 

CMYK 0 / 36 / 49 / 42

HEX #945E4B

RGB 148 94 75

HSL 15.62, 0.33%, 0.44%

LAB 45.37, 19.84, 20.02

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 0 / 26 / 36 / 27

HEX #BA8977

RGB 186 137 119

HSL 16.12, 0.33%, 0.6%

LAB 61.36, 16.27, 16.98

 

CMYK 0 / 20 / 27 / 22

HEX #C8A193

RGB 200 161 147

HSL 15.85, 0.33%, 0.68%

LAB 69.38, 12.3, 12.74

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 21 / 0 / 47 / 33

HEX #88AC5C

RGB 136 172 92

HSL 87, 0.33%, 0.52%

LAB 66.15, -26.05, 37.05

 

CMYK 47 / 40 / 0 / 33

HEX #5C68AC

RGB 92 104 172

HSL 231, 0.33%, 0.52%

LAB 45.85, 14.09, -37.87

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 47 / 0 / 35 / 33

HEX #5CAC70

RGB 92 172 112

HSL 135, 0.33%, 0.52%

LAB 64.12, -37.93, 23.46

 

CMYK 35 / 47 / 0 / 33

HEX #705CAC

RGB 112 92 172

HSL 255, 0.33%, 0.52%

LAB 44.34, 26.79, -40.15

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 21 / 0 / 47 / 33

HEX #88AC5C

RGB 136 172 92

HSL 87, 0.33%, 0.52%

LAB 66.15, -26.05, 37.05

 

CMYK 47 / 12 / 0 / 33

HEX #5C98AC

RGB 92 152 172

HSL 195, 0.33%, 0.52%

LAB 59.63, -14, -16.53

 

CMYK 26 / 47 / 0 / 33

HEX #805CAC

RGB 128 92 172

HSL 267, 0.33%, 0.52%

LAB 45.94, 31.29, -37.52

 

CMYK 0 / 34 / 47 / 33

HEX #AC715C

RGB 172 113 92

HSL 15.75, 0.33%, 0.52%

LAB 53.33, 20.86, 21.22

 

CMYK 35 / 0 / 47 / 33

HEX #70AC5C

RGB 112 172 92

HSL 105, 0.33%, 0.52%

LAB 64.74, -34.8, 35

 

CMYK 47 / 12 / 0 / 33

HEX #5C98AC

RGB 92 152 172

HSL 195, 0.33%, 0.52%

LAB 59.63, -14, -16.53

 

CMYK 12 / 47 / 0 / 33

HEX #985CAC

RGB 152 92 172

HSL 285, 0.33%, 0.52%

LAB 48.65, 38.36, -33.07

 

Description

Color code: RGB 172 113 92 | qconv.com Color code: RGB 172 113 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 113 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 113 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 47 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 47% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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