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Color name
RGB 166 132 74

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 132 74 it is the complementary color RGB 89 123 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 132 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 132 74 shade: RGB 171 132 69, RGB 188 150 88, RGB 205 168 107, RGB 222 186 126 and RGB 239 204 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 132 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 132 74 shade: RGB 166 132 74, RGB 149 114 55, RGB 132 96 36, RGB 115 78 17 and RGB 98 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 132 74 shade: RGB 165 131 74, RGB 165 107 74, RGB 165 82 74 and RGB 165 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 132 74 shade: RGB 165 131 74, RGB 165 156 74, RGB 149 165 74, RGB 125 165 74 and RGB 100 165 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 132 74 shade matches the following richer shades: RGB 165 131 74, RGB 184 136 54, RGB 204 141 35 and RGB 223 146 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 132 74 shade: RGB 165 131 74, RGB 146 126 93, RGB 126 121 113, RGB 107 116 132 and RGB 87 111 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 132 74 shade: RGB 165 81 74, RGB 165 106 74, RGB 165 130 74, RGB 165 154 74 and RGB 151 165 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 132 74 shade: RGB 108 86 48, RGB 136 109 61, RGB 165 131 74, RGB 183 151 96 and RGB 196 170 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 132 74 shade: RGB 166 132 74, RGB 91 165 74 and RGB 94 74 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 132 74 shade: RGB 166 132 74, RGB 74 165 130 and RGB 130 74 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 132 74 shade: RGB 166 132 74, RGB 91 165 74, RGB 74 109 165 and RGB 148 74 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 132 74 shade: RGB 166 132 74, RGB 74 165 84, RGB 74 109 165 and RGB 165 74 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

Complementary color

CMYK 51 / 32 / 0 / 29

HEX #597BB5

RGB 89 123 181

HSL 217.83, 0.38%, 0.53%

LAB 51.41, 4.55, -34.36

 

CMYK 0 / 23 / 60 / 33

HEX #AB8445

RGB 171 132 69

HSL 37.06, 0.43%, 0.47%

LAB 57.65, 7.63, 39.24

 

CMYK 0 / 20 / 53 / 26

HEX #BC9658

RGB 188 150 88

HSL 37.2, 0.43%, 0.54%

LAB 64.33, 6.61, 37.84

 

CMYK 0 / 18 / 48 / 20

HEX #CDA86B

RGB 205 168 107

HSL 37.35, 0.49%, 0.61%

LAB 70.9, 5.75, 36.48

 

CMYK 0 / 16 / 43 / 13

HEX #DEBA7E

RGB 222 186 126

HSL 37.5, 0.59%, 0.68%

LAB 77.37, 5.02, 35.19

 

CMYK 0 / 15 / 39 / 6

HEX #EFCC91

RGB 239 204 145

HSL 37.66, 0.75%, 0.75%

LAB 83.75, 4.39, 33.97

 

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

CMYK 0 / 23 / 63 / 42

HEX #957237

RGB 149 114 55

HSL 37.66, 0.46%, 0.4%

LAB 50.33, 6.95, 37.35

 

CMYK 0 / 27 / 73 / 48

HEX #846024

RGB 132 96 36

HSL 37.5, 0.57%, 0.33%

LAB 43.36, 8.31, 38.65

 

CMYK 0 / 32 / 85 / 55

HEX #734E11

RGB 115 78 17

HSL 37.35, 0.74%, 0.26%

LAB 36.24, 10.04, 39.39

 

CMYK 0 / 39 / 100 / 62

HEX #623C00

RGB 98 60 0

HSL 36.73, 1%, 0.19%

LAB 28.98, 12.2, 38.88

 

CMYK 0 / 21 / 55 / 35

HEX #A5834A

RGB 165 131 74

HSL 37.58, 0.38%, 0.47%

LAB 56.81, 5.97, 35.47

 

CMYK 0 / 35 / 55 / 35

HEX #A56B4A

RGB 165 107 74

HSL 21.76, 0.38%, 0.47%

LAB 50.7, 19.55, 27.92

 

CMYK 0 / 50 / 55 / 35

HEX #A5524A

RGB 165 82 74

HSL 5.27, 0.38%, 0.47%

LAB 44.98, 33.4, 20.54

 

CMYK 0 / 55 / 55 / 35

HEX #A54A4A

RGB 165 74 74

HSL 0, 0.38%, 0.47%

LAB 43.35, 37.58, 18.38

 

CMYK 0 / 21 / 55 / 35

HEX #A5834A

RGB 165 131 74

HSL 37.58, 0.38%, 0.47%

LAB 56.81, 5.97, 35.47

 

CMYK 0 / 5 / 55 / 35

HEX #A59C4A

RGB 165 156 74

HSL 54.07, 0.38%, 0.47%

LAB 63.57, -7.74, 43.48

 

CMYK 10 / 0 / 55 / 35

HEX #95A54A

RGB 149 165 74

HSL 70.55, 0.38%, 0.47%

LAB 64.8, -19.24, 44.57

 

CMYK 24 / 0 / 55 / 35

HEX #7DA54A

RGB 125 165 74

HSL 86.37, 0.38%, 0.47%

LAB 63.15, -28.91, 42.23

 

CMYK 39 / 0 / 55 / 35

HEX #64A54A

RGB 100 165 74

HSL 102.86, 0.38%, 0.47%

LAB 61.75, -38.01, 40.24

 

CMYK 0 / 21 / 55 / 35

HEX #A5834A

RGB 165 131 74

HSL 37.58, 0.38%, 0.47%

LAB 56.81, 5.97, 35.47

 

CMYK 0 / 26 / 71 / 28

HEX #B88836

RGB 184 136 54

HSL 37.85, 0.55%, 0.47%

LAB 59.95, 10.16, 49.45

 

CMYK 0 / 31 / 83 / 20

HEX #CC8D23

RGB 204 141 35

HSL 37.63, 0.71%, 0.47%

LAB 63.35, 15.43, 60.97

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 0 / 21 / 55 / 35

HEX #A5834A

RGB 165 131 74

HSL 37.58, 0.38%, 0.47%

LAB 56.81, 5.97, 35.47

 

CMYK 0 / 14 / 36 / 43

HEX #927E5D

RGB 146 126 93

HSL 37.36, 0.22%, 0.47%

LAB 53.84, 2.63, 20.82

 

CMYK 0 / 4 / 10 / 51

HEX #7E7971

RGB 126 121 113

HSL 36.92, 0.05%, 0.47%

LAB 51.04, 0.4, 5.06

 

CMYK 19 / 12 / 0 / 48

HEX #6B7484

RGB 107 116 132

HSL 218.4, 0.1%, 0.47%

LAB 48.61, 0.27, -9.91

 

CMYK 42 / 26 / 0 / 41

HEX #576F97

RGB 87 111 151

HSL 217.5, 0.27%, 0.47%

LAB 46.48, 2.07, -24.53

 

CMYK 0 / 51 / 55 / 35

HEX #A5514A

RGB 165 81 74

HSL 4.62, 0.38%, 0.47%

LAB 44.77, 33.93, 20.26

 

CMYK 0 / 36 / 55 / 35

HEX #A56A4A

RGB 165 106 74

HSL 21.1, 0.38%, 0.47%

LAB 50.45, 20.12, 27.61

 

CMYK 0 / 21 / 55 / 35

HEX #A5824A

RGB 165 130 74

HSL 36.92, 0.38%, 0.47%

LAB 56.54, 6.53, 35.16

 

CMYK 0 / 7 / 55 / 35

HEX #A59A4A

RGB 165 154 74

HSL 52.75, 0.38%, 0.47%

LAB 63.02, -6.67, 42.84

 

CMYK 8 / 0 / 55 / 35

HEX #97A54A

RGB 151 165 74

HSL 69.23, 0.38%, 0.47%

LAB 64.95, -18.41, 44.78

 

CMYK 0 / 20 / 56 / 58

HEX #6C5630

RGB 108 86 48

HSL 38, 0.38%, 0.31%

LAB 37.94, 3.88, 25.39

 

CMYK 0 / 20 / 55 / 47

HEX #886D3D

RGB 136 109 61

HSL 38.4, 0.38%, 0.39%

LAB 47.63, 4.44, 30.62

 

CMYK 0 / 21 / 55 / 35

HEX #A5834A

RGB 165 131 74

HSL 37.58, 0.38%, 0.47%

LAB 56.81, 5.97, 35.47

 

CMYK 0 / 17 / 48 / 28

HEX #B79760

RGB 183 151 96

HSL 37.93, 0.38%, 0.55%

LAB 64.2, 4.7, 33.35

 

CMYK 0 / 13 / 36 / 23

HEX #C4AA7D

RGB 196 170 125

HSL 38.03, 0.38%, 0.63%

LAB 70.85, 2.96, 26.7

 

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

CMYK 45 / 0 / 55 / 35

HEX #5BA54A

RGB 91 165 74

HSL 108.79, 0.38%, 0.47%

LAB 61.33, -40.95, 39.63

 

CMYK 43 / 55 / 0 / 35

HEX #5E4AA5

RGB 94 74 165

HSL 253.19, 0.38%, 0.47%

LAB 37.83, 31.12, -46.5

 

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

CMYK 55 / 0 / 21 / 35

HEX #4AA582

RGB 74 165 130

HSL 156.92, 0.38%, 0.47%

LAB 61.64, -35.72, 10.04

 

CMYK 21 / 55 / 0 / 35

HEX #824AA5

RGB 130 74 165

HSL 276.92, 0.38%, 0.47%

LAB 41.78, 40.42, -39.95

 

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

CMYK 45 / 0 / 55 / 35

HEX #5BA54A

RGB 91 165 74

HSL 108.79, 0.38%, 0.47%

LAB 61.33, -40.95, 39.63

 

CMYK 55 / 34 / 0 / 35

HEX #4A6DA5

RGB 74 109 165

HSL 216.92, 0.38%, 0.47%

LAB 45.78, 4.4, -33.94

 

CMYK 10 / 55 / 0 / 35

HEX #944AA5

RGB 148 74 165

HSL 288.79, 0.38%, 0.47%

LAB 44.1, 45.36, -36.13

 

CMYK 0 / 20 / 55 / 35

HEX #A6844A

RGB 166 132 74

HSL 37.83, 0.38%, 0.47%

LAB 57.18, 5.85, 35.95

 

CMYK 55 / 0 / 49 / 35

HEX #4AA554

RGB 74 165 84

HSL 126.59, 0.38%, 0.47%

LAB 60.79, -44.49, 33.8

 

CMYK 55 / 34 / 0 / 35

HEX #4A6DA5

RGB 74 109 165

HSL 216.92, 0.38%, 0.47%

LAB 45.78, 4.4, -33.94

 

CMYK 0 / 55 / 7 / 35

HEX #A54A9A

RGB 165 74 154

HSL 307.25, 0.38%, 0.47%

LAB 45.95, 48.13, -26.52

 

Description

Color code: RGB 166 132 74 | qconv.com Color code: RGB 166 132 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 132 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 132 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 55 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 55% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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