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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9210 it is the complementary color #206DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9210 shade: #E4920B, #F5A41E, #FFB631, #FFC844 and #FFDA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9210 shade: #DF9210, #CE8000, #BD6E00, #AC5C00 and #9B4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9210 shade: #E0920F, #E05A0F, #E0220F and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9210 shade: #E0920F, #E0CA0F, #BDE00F, #84E00F and #4CE00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9210 shade matches the following richer shades: #E0920F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9210 shade: #E0920F, #CC8D22, #B98836, #A58349 and #927E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9210 shade: #E0200F, #E0580F, #E0900F, #E0C70F and #C0E00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9210 shade: #92600A, #B9790C, #E0920F, #F0A528 and #F2B64F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9210 shade: #DF9210, #35E00F and #3C0FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9210 shade: #DF9210, #0FE090 and #900FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9210 shade: #DF9210, #35E00F, #0F5FE0 and #B90FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9210 shade: #DF9210, #0FE027, #0F5FE0 and #E00FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

Complementary color

CMYK 87 / 54 / 0 / 6

HEX #206DEF

RGB 32 109 239

HSL 217.68, 0.87%, 0.53%

LAB 48.85, 25.79, -71.53

 

CMYK 0 / 36 / 95 / 11

HEX #E4920B

RGB 228 146 11

HSL 37.33, 0.91%, 0.47%

LAB 67.33, 22.65, 70.92

 

CMYK 0 / 33 / 88 / 4

HEX #F5A41E

RGB 245 164 30

HSL 37.4, 0.91%, 0.54%

LAB 73.58, 20.61, 72.76

 

CMYK 0 / 29 / 81 / 0

HEX #FFB631

RGB 255 182 49

HSL 38.74, 1%, 0.6%

LAB 79.01, 15.86, 72.31

 

CMYK 0 / 22 / 73 / 0

HEX #FFC844

RGB 255 200 68

HSL 42.35, 1%, 0.63%

LAB 83.43, 7.21, 69.76

 

CMYK 0 / 15 / 66 / 0

HEX #FFDA57

RGB 255 218 87

HSL 46.79, 1%, 0.67%

LAB 88.01, -1.07, 66.89

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 0 / 38 / 100 / 19

HEX #CE8000

RGB 206 128 0

HSL 37.28, 1%, 0.4%

LAB 60.39, 22.76, 66.56

 

CMYK 0 / 42 / 100 / 26

HEX #BD6E00

RGB 189 110 0

HSL 34.92, 1%, 0.37%

LAB 54, 25.19, 61.36

 

CMYK 0 / 47 / 100 / 33

HEX #AC5C00

RGB 172 92 0

HSL 32.09, 1%, 0.34%

LAB 47.53, 27.68, 56.13

 

CMYK 0 / 52 / 100 / 39

HEX #9B4A00

RGB 155 74 0

HSL 28.65, 1%, 0.3%

LAB 41, 30.18, 50.89

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 60 / 93 / 12

HEX #E05A0F

RGB 224 90 15

HSL 21.53, 0.87%, 0.47%

LAB 55.27, 49.4, 61.74

 

CMYK 0 / 85 / 93 / 12

HEX #E0220F

RGB 224 34 15

HSL 5.45, 0.87%, 0.47%

LAB 48.29, 68.52, 57.36

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 10 / 93 / 12

HEX #E0CA0F

RGB 224 202 15

HSL 53.68, 0.87%, 0.47%

LAB 80.81, -8.47, 80

 

CMYK 16 / 0 / 93 / 12

HEX #BDE00F

RGB 189 224 15

HSL 70.05, 0.87%, 0.47%

LAB 84.05, -33.84, 81.31

 

CMYK 41 / 0 / 93 / 12

HEX #84E00F

RGB 132 224 15

HSL 86.41, 0.87%, 0.47%

LAB 80.88, -54.95, 77.45

 

CMYK 66 / 0 / 93 / 12

HEX #4CE00F

RGB 76 224 15

HSL 102.49, 0.87%, 0.47%

LAB 78.97, -69.99, 75.11

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 31 / 83 / 20

HEX #CC8D22

RGB 204 141 34

HSL 37.76, 0.71%, 0.47%

LAB 63.35, 15.4, 61.29

 

CMYK 0 / 26 / 71 / 27

HEX #B98836

RGB 185 136 54

HSL 37.56, 0.55%, 0.47%

LAB 60.06, 10.6, 49.6

 

CMYK 0 / 21 / 56 / 35

HEX #A58349

RGB 165 131 73

HSL 37.83, 0.39%, 0.47%

LAB 56.79, 5.89, 35.99

 

CMYK 0 / 14 / 36 / 43

HEX #927E5D

RGB 146 126 93

HSL 37.36, 0.22%, 0.47%

LAB 53.84, 2.63, 20.82

 

CMYK 0 / 86 / 93 / 12

HEX #E0200F

RGB 224 32 15

HSL 4.88, 0.87%, 0.47%

LAB 48.15, 68.92, 57.27

 

CMYK 0 / 61 / 93 / 12

HEX #E0580F

RGB 224 88 15

HSL 20.96, 0.87%, 0.47%

LAB 54.93, 50.3, 61.51

 

CMYK 0 / 36 / 93 / 12

HEX #E0900F

RGB 224 144 15

HSL 37.03, 0.87%, 0.47%

LAB 66.39, 22.05, 69.41

 

CMYK 0 / 11 / 93 / 12

HEX #E0C70F

RGB 224 199 15

HSL 52.82, 0.87%, 0.47%

LAB 80.03, -6.94, 79.42

 

CMYK 14 / 0 / 93 / 12

HEX #C0E00F

RGB 192 224 15

HSL 69.19, 0.87%, 0.47%

LAB 84.25, -32.63, 81.55

 

CMYK 0 / 34 / 93 / 43

HEX #92600A

RGB 146 96 10

HSL 37.94, 0.87%, 0.31%

LAB 44.94, 13.93, 50.29

 

CMYK 0 / 35 / 94 / 27

HEX #B9790C

RGB 185 121 12

HSL 37.8, 0.88%, 0.39%

LAB 56.1, 17.53, 60.33

 

CMYK 0 / 35 / 93 / 12

HEX #E0920F

RGB 224 146 15

HSL 37.61, 0.87%, 0.47%

LAB 66.85, 20.98, 69.74

 

CMYK 0 / 31 / 83 / 6

HEX #F0A528

RGB 240 165 40

HSL 37.5, 0.87%, 0.55%

LAB 73.28, 18.2, 69.52

 

CMYK 0 / 25 / 67 / 5

HEX #F2B64F

RGB 242 182 79

HSL 37.91, 0.86%, 0.63%

LAB 77.81, 11.67, 59.1

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 76 / 0 / 93 / 12

HEX #35E00F

RGB 53 224 15

HSL 109.09, 0.87%, 0.47%

LAB 78.52, -73.9, 74.55

 

CMYK 73 / 93 / 0 / 12

HEX #3C0FE0

RGB 60 15 224

HSL 252.92, 0.87%, 0.47%

LAB 31.08, 70.19, -92.26

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 93 / 0 / 36 / 12

HEX #0FE090

RGB 15 224 144

HSL 157.03, 0.87%, 0.47%

LAB 79.29, -63.29, 26.76

 

CMYK 36 / 93 / 0 / 12

HEX #900FE0

RGB 144 15 224

HSL 277.03, 0.87%, 0.47%

LAB 40.66, 76.68, -76.11

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 76 / 0 / 93 / 12

HEX #35E00F

RGB 53 224 15

HSL 109.09, 0.87%, 0.47%

LAB 78.52, -73.9, 74.55

 

CMYK 93 / 58 / 0 / 12

HEX #0F5FE0

RGB 15 95 224

HSL 217.03, 0.87%, 0.47%

LAB 43.75, 28.21, -71.4

 

CMYK 17 / 93 / 0 / 12

HEX #B90FE0

RGB 185 15 224

HSL 288.8, 0.87%, 0.47%

LAB 47.02, 82, -65.45

 

CMYK 0 / 35 / 93 / 13

HEX #DF9210

RGB 223 146 16

HSL 37.68, 0.87%, 0.47%

LAB 66.74, 20.57, 69.43

 

CMYK 93 / 0 / 83 / 12

HEX #0FE027

RGB 15 224 39

HSL 126.89, 0.87%, 0.47%

LAB 78.2, -76.48, 69.78

 

CMYK 93 / 58 / 0 / 12

HEX #0F5FE0

RGB 15 95 224

HSL 217.03, 0.87%, 0.47%

LAB 43.75, 28.21, -71.4

 

CMYK 0 / 93 / 11 / 12

HEX #E00FC7

RGB 224 15 199

HSL 307.18, 0.87%, 0.47%

LAB 52.19, 84.55, -42.46

 

Description

Color code: HEX #DF9210 | qconv.com Color code: HEX #DF9210 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 146 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 146 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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