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Color name
RGB 164 92 201

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 92 201 it is the complementary color RGB 91 163 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 92 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 92 201 shade: RGB 169 92 196, RGB 186 110 215, RGB 203 128 234, RGB 220 146 253 and RGB 237 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 92 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 92 201 shade: RGB 164 92 201, RGB 147 74 182, RGB 130 56 163, RGB 113 38 144 and RGB 96 20 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 92 201 shade: RGB 162 90 200, RGB 192 90 200, RGB 200 90 178, RGB 200 90 148 and RGB 200 90 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 92 201 shade: RGB 162 90 200, RGB 133 90 200, RGB 103 90 200 and RGB 90 90 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 92 201 shade matches the following richer shades: RGB 162 90 200, RGB 168 72 217, RGB 174 55 235 and RGB 180 37 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 92 201 shade: RGB 162 90 200, RGB 157 108 182, RGB 151 126 164, RGB 145 143 146 and RGB 140 161 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 92 201 shade: RGB 103 90 200, RGB 132 90 200, RGB 161 90 200, RGB 191 90 200 and RGB 200 90 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 92 201 shade: RGB 120 52 156, RGB 144 62 187, RGB 162 90 200, RGB 180 121 210 and RGB 197 152 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 92 201 shade: RGB 164 92 201, RGB 200 90 106 and RGB 90 200 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 92 201 shade: RGB 164 92 201, RGB 200 161 90 and RGB 90 200 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 92 201 shade: RGB 164 92 201, RGB 200 90 106, RGB 128 200 90 and RGB 90 200 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 92 201 shade: RGB 164 92 201, RGB 200 106 90, RGB 128 200 90 and RGB 90 183 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

Complementary color

CMYK 44 / 0 / 67 / 36

HEX #5BA336

RGB 91 163 54

HSL 99.63, 0.5%, 0.43%

LAB 60.5, -42.21, 47.88

 

CMYK 14 / 53 / 0 / 23

HEX #A95CC4

RGB 169 92 196

HSL 284.42, 0.47%, 0.56%

LAB 51.92, 48.24, -41.7

 

CMYK 13 / 49 / 0 / 16

HEX #BA6ED7

RGB 186 110 215

HSL 283.43, 0.57%, 0.64%

LAB 58.51, 47.49, -41.99

 

CMYK 13 / 45 / 0 / 8

HEX #CB80EA

RGB 203 128 234

HSL 282.45, 0.72%, 0.71%

LAB 65.02, 46.71, -42.22

 

CMYK 13 / 42 / 0 / 1

HEX #DC92FD

RGB 220 146 253

HSL 281.5, 0.96%, 0.78%

LAB 71.46, 45.94, -42.41

 

CMYK 7 / 36 / 0 / 0

HEX #EDA4FF

RGB 237 164 255

HSL 288.13, 1%, 0.82%

LAB 77.15, 41.83, -34.53

 

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

CMYK 19 / 59 / 0 / 29

HEX #934AB6

RGB 147 74 182

HSL 280.56, 0.43%, 0.5%

LAB 44.91, 48.69, -44.88

 

CMYK 20 / 66 / 0 / 36

HEX #8238A3

RGB 130 56 163

HSL 281.5, 0.49%, 0.43%

LAB 38.23, 49.23, -44.43

 

CMYK 22 / 74 / 0 / 44

HEX #712690

RGB 113 38 144

HSL 282.45, 0.58%, 0.36%

LAB 31.6, 49.34, -43.67

 

CMYK 23 / 84 / 0 / 51

HEX #60147D

RGB 96 20 125

HSL 283.43, 0.72%, 0.28%

LAB 25.16, 48.57, -42.35

 

CMYK 19 / 55 / 0 / 22

HEX #A25AC8

RGB 162 90 200

HSL 279.27, 0.5%, 0.57%

LAB 50.88, 48.27, -45.71

 

CMYK 4 / 55 / 0 / 22

HEX #C05AC8

RGB 192 90 200

HSL 295.64, 0.5%, 0.57%

LAB 54.75, 56.2, -39.33

 

CMYK 0 / 55 / 11 / 22

HEX #C85AB2

RGB 200 90 178

HSL 312, 0.5%, 0.57%

LAB 54.87, 54.64, -26.39

 

CMYK 0 / 55 / 26 / 22

HEX #C85A94

RGB 200 90 148

HSL 328.36, 0.5%, 0.57%

LAB 53.74, 50.18, -10.59

 

CMYK 0 / 55 / 41 / 22

HEX #C85A77

RGB 200 90 119

HSL 344.18, 0.5%, 0.57%

LAB 52.87, 46.62, 5.3

 

CMYK 19 / 55 / 0 / 22

HEX #A25AC8

RGB 162 90 200

HSL 279.27, 0.5%, 0.57%

LAB 50.88, 48.27, -45.71

 

CMYK 34 / 55 / 0 / 22

HEX #855AC8

RGB 133 90 200

HSL 263.45, 0.5%, 0.57%

LAB 47.58, 40.88, -51.16

 

CMYK 49 / 55 / 0 / 22

HEX #675AC8

RGB 103 90 200

HSL 247.09, 0.5%, 0.57%

LAB 44.75, 33.91, -55.85

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC8

RGB 90 90 200

HSL 240, 0.5%, 0.57%

LAB 43.74, 31.23, -57.55

 

CMYK 19 / 55 / 0 / 22

HEX #A25AC8

RGB 162 90 200

HSL 279.27, 0.5%, 0.57%

LAB 50.88, 48.27, -45.71

 

CMYK 23 / 67 / 0 / 15

HEX #A848D9

RGB 168 72 217

HSL 279.72, 0.66%, 0.57%

LAB 49.46, 61.99, -57.66

 

CMYK 26 / 77 / 0 / 8

HEX #AE37EB

RGB 174 55 235

HSL 279.67, 0.82%, 0.57%

LAB 49.17, 73.41, -68.29

 

CMYK 29 / 85 / 0 / 1

HEX #B425FD

RGB 180 37 253

HSL 279.72, 0.98%, 0.57%

LAB 49.64, 82.86, -77.58

 

CMYK 19 / 55 / 0 / 22

HEX #A25AC8

RGB 162 90 200

HSL 279.27, 0.5%, 0.57%

LAB 50.88, 48.27, -45.71

 

CMYK 14 / 41 / 0 / 29

HEX #9D6CB6

RGB 157 108 182

HSL 279.73, 0.34%, 0.57%

LAB 53.24, 33.08, -31.66

 

CMYK 8 / 23 / 0 / 36

HEX #977EA4

RGB 151 126 164

HSL 279.47, 0.17%, 0.57%

LAB 56.27, 16.87, -16.67

 

CMYK 1 / 2 / 0 / 43

HEX #918F92

RGB 145 143 146

HSL 280, 0.01%, 0.57%

LAB 59.65, 1.32, -1.34

 

CMYK 13 / 0 / 20 / 37

HEX #8CA181

RGB 140 161 129

HSL 99.38, 0.15%, 0.57%

LAB 63.88, -13.51, 14.25

 

CMYK 49 / 55 / 0 / 22

HEX #675AC8

RGB 103 90 200

HSL 247.09, 0.5%, 0.57%

LAB 44.75, 33.91, -55.85

 

CMYK 34 / 55 / 0 / 22

HEX #845AC8

RGB 132 90 200

HSL 262.91, 0.5%, 0.57%

LAB 47.48, 40.63, -51.33

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 5 / 55 / 0 / 22

HEX #BF5AC8

RGB 191 90 200

HSL 295.09, 0.5%, 0.57%

LAB 54.61, 55.93, -39.55

 

CMYK 0 / 55 / 10 / 22

HEX #C85AB4

RGB 200 90 180

HSL 310.91, 0.5%, 0.57%

LAB 54.96, 54.96, -27.42

 

CMYK 23 / 67 / 0 / 39

HEX #78349C

RGB 120 52 156

HSL 279.23, 0.5%, 0.41%

LAB 35.69, 47.24, -44.36

 

CMYK 23 / 67 / 0 / 27

HEX #903EBB

RGB 144 62 187

HSL 279.36, 0.5%, 0.49%

LAB 42.71, 54.85, -51.36

 

CMYK 19 / 55 / 0 / 22

HEX #A25AC8

RGB 162 90 200

HSL 279.27, 0.5%, 0.57%

LAB 50.88, 48.27, -45.71

 

CMYK 14 / 42 / 0 / 18

HEX #B479D2

RGB 180 121 210

HSL 279.78, 0.5%, 0.65%

LAB 59.92, 38.81, -37.01

 

CMYK 10 / 31 / 0 / 14

HEX #C598DC

RGB 197 152 220

HSL 279.71, 0.49%, 0.73%

LAB 69.11, 29.03, -28.19

 

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

CMYK 0 / 55 / 47 / 22

HEX #C85A6A

RGB 200 90 106

HSL 351.27, 0.5%, 0.57%

LAB 52.54, 45.27, 12.57

 

CMYK 55 / 0 / 42 / 22

HEX #5AC875

RGB 90 200 117

HSL 134.73, 0.5%, 0.57%

LAB 72.74, -49.48, 32.2

 

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

CMYK 0 / 20 / 55 / 22

HEX #C8A15A

RGB 200 161 90

HSL 38.73, 0.5%, 0.57%

LAB 68.39, 5.9, 42.03

 

CMYK 55 / 0 / 20 / 22

HEX #5AC8A1

RGB 90 200 161

HSL 158.73, 0.5%, 0.57%

LAB 73.58, -40.83, 10.08

 

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

CMYK 0 / 55 / 47 / 22

HEX #C85A6A

RGB 200 90 106

HSL 351.27, 0.5%, 0.57%

LAB 52.54, 45.27, 12.57

 

CMYK 36 / 0 / 55 / 22

HEX #80C85A

RGB 128 200 90

HSL 99.27, 0.5%, 0.57%

LAB 73.96, -42.09, 47.36

 

CMYK 55 / 0 / 9 / 22

HEX #5AC8B7

RGB 90 200 183

HSL 170.73, 0.5%, 0.57%

LAB 74.13, -35.58, -1.03

 

CMYK 18 / 54 / 0 / 21

HEX #A45CC9

RGB 164 92 201

HSL 279.63, 0.5%, 0.57%

LAB 51.57, 47.97, -45.17

 

CMYK 0 / 47 / 55 / 22

HEX #C86A5A

RGB 200 106 90

HSL 8.73, 0.5%, 0.57%

LAB 55.41, 35.72, 25.78

 

CMYK 36 / 0 / 55 / 22

HEX #80C85A

RGB 128 200 90

HSL 99.27, 0.5%, 0.57%

LAB 73.96, -42.09, 47.36

 

CMYK 55 / 9 / 0 / 22

HEX #5AB7C8

RGB 90 183 200

HSL 189.27, 0.5%, 0.57%

LAB 69.62, -22.76, -17.02

 

Description

Color code: RGB 164 92 201 | qconv.com Color code: RGB 164 92 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 92 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 92 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 54 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 54% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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