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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A15AC8 it is the complementary color #5EA537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A15AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A15AC8 shade: #A65AC3, #B76CD6, #C87EE9, #D990FC and #EAA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A15AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A15AC8 shade: #A15AC8, #9048B5, #7F36A2, #6E248F and #5D127C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A15AC8 shade: #A15AC8, #BE5AC8, #C85AB3, #C85A96 and #C85A78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A15AC8 shade: #A15AC8, #835AC8, #665AC8 and #5A5AC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A15AC8 shade matches the following richer shades: #A15AC8, #A648D9, #AB37EB and #B025FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A15AC8 shade: #A15AC8, #9C6CB6, #967EA4, #918F92 and #8CA181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A15AC8 shade: #655AC8, #825AC8, #9F5AC8, #BD5AC8 and #C85AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A15AC8 shade: #77349C, #8E3EBB, #A15AC8, #B279D2 and #C498DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A15AC8 shade: #A15AC8, #C85A6C and #5AC874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A15AC8 shade: #A15AC8, #C89F5A and #5AC89F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A15AC8 shade: #A15AC8, #C85A6C, #82C85A and #5AC8B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A15AC8 shade: #A15AC8, #C8695A, #82C85A and #5AB9C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

Complementary color

CMYK 43 / 0 / 67 / 35

HEX #5EA537

RGB 94 165 55

HSL 98.73, 0.5%, 0.43%

LAB 61.28, -41.97, 48.33

 

CMYK 15 / 54 / 0 / 24

HEX #A65AC3

RGB 166 90 195

HSL 283.43, 0.47%, 0.56%

LAB 51.11, 48.26, -42.44

 

CMYK 14 / 50 / 0 / 16

HEX #B76CD6

RGB 183 108 214

HSL 282.45, 0.56%, 0.63%

LAB 57.7, 47.5, -42.72

 

CMYK 14 / 46 / 0 / 9

HEX #C87EE9

RGB 200 126 233

HSL 281.5, 0.71%, 0.7%

LAB 64.23, 46.71, -42.93

 

CMYK 14 / 43 / 0 / 1

HEX #D990FC

RGB 217 144 252

HSL 280.56, 0.95%, 0.78%

LAB 70.68, 45.93, -43.12

 

CMYK 8 / 36 / 0 / 0

HEX #EAA2FF

RGB 234 162 255

HSL 286.45, 1%, 0.82%

LAB 76.41, 41.99, -35.69

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 20 / 60 / 0 / 29

HEX #9048B5

RGB 144 72 181

HSL 279.63, 0.43%, 0.5%

LAB 44.09, 48.73, -45.63

 

CMYK 22 / 67 / 0 / 36

HEX #7F36A2

RGB 127 54 162

HSL 280.56, 0.5%, 0.42%

LAB 37.41, 49.25, -45.17

 

CMYK 23 / 75 / 0 / 44

HEX #6E248F

RGB 110 36 143

HSL 281.5, 0.6%, 0.35%

LAB 30.78, 49.31, -44.4

 

CMYK 25 / 85 / 0 / 51

HEX #5D127C

RGB 93 18 124

HSL 282.45, 0.75%, 0.28%

LAB 24.37, 48.43, -43.02

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 5 / 55 / 0 / 22

HEX #BE5AC8

RGB 190 90 200

HSL 294.55, 0.5%, 0.57%

LAB 54.48, 55.67, -39.78

 

CMYK 0 / 55 / 11 / 22

HEX #C85AB3

RGB 200 90 179

HSL 311.45, 0.5%, 0.57%

LAB 54.91, 54.8, -26.91

 

CMYK 0 / 55 / 25 / 22

HEX #C85A96

RGB 200 90 150

HSL 327.27, 0.5%, 0.57%

LAB 53.81, 50.46, -11.67

 

CMYK 0 / 55 / 40 / 22

HEX #C85A78

RGB 200 90 120

HSL 343.64, 0.5%, 0.57%

LAB 52.89, 46.73, 4.74

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 35 / 55 / 0 / 22

HEX #835AC8

RGB 131 90 200

HSL 262.36, 0.5%, 0.57%

LAB 47.38, 40.39, -51.5

 

CMYK 49 / 55 / 0 / 22

HEX #665AC8

RGB 102 90 200

HSL 246.55, 0.5%, 0.57%

LAB 44.67, 33.69, -55.99

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC8

RGB 90 90 200

HSL 240, 0.5%, 0.57%

LAB 43.74, 31.23, -57.55

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 24 / 67 / 0 / 15

HEX #A648D9

RGB 166 72 217

HSL 278.9, 0.66%, 0.57%

LAB 49.19, 61.56, -58.1

 

CMYK 27 / 77 / 0 / 8

HEX #AB37EB

RGB 171 55 235

HSL 278.67, 0.82%, 0.57%

LAB 48.75, 72.9, -68.99

 

CMYK 30 / 85 / 0 / 1

HEX #B025FD

RGB 176 37 253

HSL 278.61, 0.98%, 0.57%

LAB 49.06, 82.31, -78.54

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 14 / 41 / 0 / 29

HEX #9C6CB6

RGB 156 108 182

HSL 278.92, 0.34%, 0.57%

LAB 53.14, 32.77, -31.84

 

CMYK 9 / 23 / 0 / 36

HEX #967EA4

RGB 150 126 164

HSL 277.89, 0.17%, 0.57%

LAB 56.17, 16.53, -16.82

 

CMYK 1 / 2 / 0 / 43

HEX #918F92

RGB 145 143 146

HSL 280, 0.01%, 0.57%

LAB 59.65, 1.32, -1.34

 

CMYK 13 / 0 / 20 / 37

HEX #8CA181

RGB 140 161 129

HSL 99.38, 0.15%, 0.57%

LAB 63.88, -13.51, 14.25

 

CMYK 50 / 55 / 0 / 22

HEX #655AC8

RGB 101 90 200

HSL 246, 0.5%, 0.57%

LAB 44.59, 33.48, -56.13

 

CMYK 35 / 55 / 0 / 22

HEX #825AC8

RGB 130 90 200

HSL 261.82, 0.5%, 0.57%

LAB 47.27, 40.14, -51.67

 

CMYK 21 / 55 / 0 / 22

HEX #9F5AC8

RGB 159 90 200

HSL 277.64, 0.5%, 0.57%

LAB 50.52, 47.49, -46.31

 

CMYK 5 / 55 / 0 / 22

HEX #BD5AC8

RGB 189 90 200

HSL 294, 0.5%, 0.57%

LAB 54.35, 55.4, -40

 

CMYK 0 / 55 / 10 / 22

HEX #C85AB5

RGB 200 90 181

HSL 310.36, 0.5%, 0.57%

LAB 55, 55.12, -27.94

 

CMYK 24 / 67 / 0 / 39

HEX #77349C

RGB 119 52 156

HSL 278.65, 0.5%, 0.41%

LAB 35.55, 47, -44.59

 

CMYK 24 / 67 / 0 / 27

HEX #8E3EBB

RGB 142 62 187

HSL 278.4, 0.5%, 0.49%

LAB 42.44, 54.41, -51.81

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 15 / 42 / 0 / 18

HEX #B279D2

RGB 178 121 210

HSL 278.43, 0.5%, 0.65%

LAB 59.7, 38.23, -37.36

 

CMYK 11 / 31 / 0 / 14

HEX #C498DC

RGB 196 152 220

HSL 278.82, 0.49%, 0.73%

LAB 69.01, 28.71, -28.34

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 0 / 55 / 46 / 22

HEX #C85A6C

RGB 200 90 108

HSL 350.18, 0.5%, 0.57%

LAB 52.59, 45.47, 11.45

 

CMYK 55 / 0 / 42 / 22

HEX #5AC874

RGB 90 200 116

HSL 134.18, 0.5%, 0.57%

LAB 72.72, -49.64, 32.69

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 0 / 21 / 55 / 22

HEX #C89F5A

RGB 200 159 90

HSL 37.64, 0.5%, 0.57%

LAB 67.88, 6.98, 41.41

 

CMYK 55 / 0 / 21 / 22

HEX #5AC89F

RGB 90 200 159

HSL 157.64, 0.5%, 0.57%

LAB 73.54, -41.28, 11.09

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 0 / 55 / 46 / 22

HEX #C85A6C

RGB 200 90 108

HSL 350.18, 0.5%, 0.57%

LAB 52.59, 45.47, 11.45

 

CMYK 35 / 0 / 55 / 22

HEX #82C85A

RGB 130 200 90

HSL 98.18, 0.5%, 0.57%

LAB 74.06, -41.41, 47.51

 

CMYK 55 / 0 / 10 / 22

HEX #5AC8B5

RGB 90 200 181

HSL 169.64, 0.5%, 0.57%

LAB 74.07, -36.08, -0.03

 

CMYK 20 / 55 / 0 / 22

HEX #A15AC8

RGB 161 90 200

HSL 278.73, 0.5%, 0.57%

LAB 50.76, 48.01, -45.91

 

CMYK 0 / 48 / 55 / 22

HEX #C8695A

RGB 200 105 90

HSL 8.18, 0.5%, 0.57%

LAB 55.2, 36.24, 25.51

 

CMYK 35 / 0 / 55 / 22

HEX #82C85A

RGB 130 200 90

HSL 98.18, 0.5%, 0.57%

LAB 74.06, -41.41, 47.51

 

CMYK 55 / 8 / 0 / 22

HEX #5AB9C8

RGB 90 185 200

HSL 188.18, 0.5%, 0.57%

LAB 70.21, -23.77, -16.14

 

Description

Color code: HEX #A15AC8 | qconv.com Color code: HEX #A15AC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 90 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 90 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 55 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 55% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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