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Color name
RGB 15 136 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 136 101 it is the complementary color RGB 240 119 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 136 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 136 101 shade: RGB 20 136 96, RGB 37 154 115, RGB 54 172 134, RGB 71 190 153 and RGB 88 208 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 136 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 136 101 shade: RGB 15 136 101, RGB 0 118 82, RGB 0 100 63, RGB 0 82 44 and RGB 0 64 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 136 101 shade: RGB 15 137 102, RGB 15 137 69, RGB 15 137 36, RGB 27 137 15 and RGB 60 137 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 136 101 shade: RGB 15 137 102, RGB 15 137 135, RGB 15 107 137, RGB 15 74 137 and RGB 15 41 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 136 101 shade matches the following richer shades: RGB 15 137 102 and RGB 2 150 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 136 101 shade: RGB 15 137 102, RGB 27 125 97, RGB 40 112 91, RGB 52 100 86 and RGB 64 88 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 136 101 shade: RGB 15 137 35, RGB 15 137 68, RGB 15 137 100, RGB 15 137 133 and RGB 15 109 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 136 101 shade: RGB 7 63 47, RGB 11 100 74, RGB 15 137 102, RGB 19 174 129 and RGB 23 211 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 136 101 shade: RGB 15 136 101, RGB 15 27 137 and RGB 137 52 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 136 101 shade: RGB 15 136 101, RGB 100 15 137 and RGB 137 100 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 136 101 shade: RGB 15 136 101, RGB 15 27 137, RGB 137 15 52 and RGB 137 125 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 136 101 shade: RGB 15 136 101, RGB 39 15 137, RGB 137 15 52 and RGB 113 137 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

Complementary color

CMYK 0 / 50 / 36 / 6

HEX #F0779A

RGB 240 119 154

HSL 342.64, 0.8%, 0.7%

LAB 65, 50.02, 3.19

 

CMYK 85 / 0 / 29 / 47

HEX #148860

RGB 20 136 96

HSL 159.31, 0.74%, 0.31%

LAB 50.22, -40.26, 13.06

 

CMYK 76 / 0 / 25 / 40

HEX #259A73

RGB 37 154 115

HSL 160, 0.61%, 0.37%

LAB 56.82, -41.24, 11.52

 

CMYK 69 / 0 / 22 / 33

HEX #36AC86

RGB 54 172 134

HSL 160.68, 0.52%, 0.44%

LAB 63.35, -41.81, 10.16

 

CMYK 63 / 0 / 19 / 25

HEX #47BE99

RGB 71 190 153

HSL 161.34, 0.48%, 0.51%

LAB 69.8, -42.12, 8.95

 

CMYK 58 / 0 / 17 / 18

HEX #58D0AC

RGB 88 208 172

HSL 162, 0.56%, 0.58%

LAB 76.17, -42.26, 7.85

 

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

CMYK 100 / 0 / 31 / 54

HEX #007652

RGB 0 118 82

HSL 161.69, 1%, 0.23%

LAB 43.6, -37.78, 11.99

 

CMYK 100 / 0 / 37 / 61

HEX #00643F

RGB 0 100 63

HSL 157.8, 1%, 0.2%

LAB 36.88, -35.07, 14.05

 

CMYK 100 / 0 / 46 / 68

HEX #00522C

RGB 0 82 44

HSL 152.2, 1%, 0.16%

LAB 29.95, -32.17, 16.25

 

CMYK 100 / 0 / 61 / 75

HEX #004019

RGB 0 64 25

HSL 143.44, 1%, 0.13%

LAB 22.78, -28.92, 18.55

 

CMYK 89 / 0 / 26 / 46

HEX #0F8966

RGB 15 137 102

HSL 162.79, 0.8%, 0.3%

LAB 50.63, -39.61, 10.18

 

CMYK 89 / 0 / 50 / 46

HEX #0F8945

RGB 15 137 69

HSL 146.56, 0.8%, 0.3%

LAB 50, -46.77, 27.83

 

CMYK 89 / 0 / 74 / 46

HEX #0F8924

RGB 15 137 36

HSL 130.33, 0.8%, 0.3%

LAB 49.64, -51.21, 43.18

 

CMYK 80 / 0 / 89 / 46

HEX #1B890F

RGB 27 137 15

HSL 114.1, 0.8%, 0.3%

LAB 49.69, -51.23, 49.92

 

CMYK 56 / 0 / 89 / 46

HEX #3C890F

RGB 60 137 15

HSL 97.87, 0.8%, 0.3%

LAB 50.55, -43.98, 51.02

 

CMYK 89 / 0 / 26 / 46

HEX #0F8966

RGB 15 137 102

HSL 162.79, 0.8%, 0.3%

LAB 50.63, -39.61, 10.18

 

CMYK 89 / 0 / 1 / 46

HEX #0F8987

RGB 15 137 135

HSL 179.02, 0.8%, 0.3%

LAB 51.54, -30.16, -7.66

 

CMYK 89 / 22 / 0 / 46

HEX #0F6B89

RGB 15 107 137

HSL 194.75, 0.8%, 0.3%

LAB 41.88, -13.68, -23.55

 

CMYK 89 / 46 / 0 / 46

HEX #0F4A89

RGB 15 74 137

HSL 210.98, 0.8%, 0.3%

LAB 31.36, 7.04, -40.16

 

CMYK 89 / 70 / 0 / 46

HEX #0F2989

RGB 15 41 137

HSL 227.21, 0.8%, 0.3%

LAB 21.92, 30, -55.52

 

CMYK 89 / 0 / 26 / 46

HEX #0F8966

RGB 15 137 102

HSL 162.79, 0.8%, 0.3%

LAB 50.63, -39.61, 10.18

 

CMYK 99 / 0 / 29 / 41

HEX #02966B

RGB 2 150 107

HSL 162.57, 0.97%, 0.3%

LAB 54.96, -44.42, 13.37

 

CMYK 89 / 0 / 26 / 46

HEX #0F8966

RGB 15 137 102

HSL 162.79, 0.8%, 0.3%

LAB 50.63, -39.61, 10.18

 

CMYK 78 / 0 / 22 / 51

HEX #1B7D61

RGB 27 125 97

HSL 162.86, 0.64%, 0.3%

LAB 46.66, -34.5, 7.51

 

CMYK 64 / 0 / 19 / 56

HEX #28705B

RGB 40 112 91

HSL 162.5, 0.47%, 0.3%

LAB 42.45, -27.85, 5.11

 

CMYK 48 / 0 / 14 / 61

HEX #346456

RGB 52 100 86

HSL 162.5, 0.32%, 0.3%

LAB 38.75, -20.1, 2.89

 

CMYK 27 / 0 / 8 / 65

HEX #405851

RGB 64 88 81

HSL 162.5, 0.16%, 0.3%

LAB 35.33, -10.77, 1.11

 

CMYK 89 / 0 / 74 / 46

HEX #0F8923

RGB 15 137 35

HSL 129.84, 0.8%, 0.3%

LAB 49.63, -51.31, 43.56

 

CMYK 89 / 0 / 50 / 46

HEX #0F8944

RGB 15 137 68

HSL 146.07, 0.8%, 0.3%

LAB 49.99, -46.94, 28.35

 

CMYK 89 / 0 / 27 / 46

HEX #0F8964

RGB 15 137 100

HSL 161.8, 0.8%, 0.3%

LAB 50.59, -40.12, 11.27

 

CMYK 89 / 0 / 3 / 46

HEX #0F8985

RGB 15 137 133

HSL 178.03, 0.8%, 0.3%

LAB 51.48, -30.79, -6.59

 

CMYK 89 / 20 / 0 / 46

HEX #0F6D89

RGB 15 109 137

HSL 193.77, 0.8%, 0.3%

LAB 42.53, -14.82, -22.54

 

CMYK 89 / 0 / 25 / 75

HEX #073F2F

RGB 7 63 47

HSL 162.86, 0.8%, 0.14%

LAB 23.02, -21.94, 4.92

 

CMYK 89 / 0 / 26 / 61

HEX #0B644A

RGB 11 100 74

HSL 162.47, 0.8%, 0.22%

LAB 37.26, -31.25, 7.94

 

CMYK 89 / 0 / 26 / 46

HEX #0F8966

RGB 15 137 102

HSL 162.79, 0.8%, 0.3%

LAB 50.63, -39.61, 10.18

 

CMYK 89 / 0 / 26 / 32

HEX #13AE81

RGB 19 174 129

HSL 162.58, 0.8%, 0.38%

LAB 63.34, -47.76, 12.83

 

CMYK 89 / 0 / 26 / 17

HEX #17D39D

RGB 23 211 157

HSL 162.77, 0.8%, 0.46%

LAB 75.58, -55.31, 14.86

 

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

CMYK 89 / 80 / 0 / 46

HEX #0F1B89

RGB 15 27 137

HSL 234.1, 0.8%, 0.3%

LAB 18.76, 38.8, -60.74

 

CMYK 0 / 62 / 89 / 46

HEX #89340F

RGB 137 52 15

HSL 18.2, 0.8%, 0.3%

LAB 33.58, 34.52, 39.24

 

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

CMYK 27 / 89 / 0 / 46

HEX #640F89

RGB 100 15 137

HSL 281.8, 0.8%, 0.3%

LAB 26.32, 53.15, -47.98

 

CMYK 0 / 27 / 89 / 46

HEX #89640F

RGB 137 100 15

HSL 41.8, 0.8%, 0.3%

LAB 44.9, 7.48, 48.48

 

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

CMYK 89 / 80 / 0 / 46

HEX #0F1B89

RGB 15 27 137

HSL 234.1, 0.8%, 0.3%

LAB 18.76, 38.8, -60.74

 

CMYK 0 / 89 / 62 / 46

HEX #890F34

RGB 137 15 52

HSL 341.8, 0.8%, 0.3%

LAB 29.18, 49.71, 12.51

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 89 / 0 / 26 / 47

HEX #0F8865

RGB 15 136 101

HSL 162.64, 0.8%, 0.3%

LAB 50.27, -39.45, 10.26

 

CMYK 72 / 89 / 0 / 46

HEX #270F89

RGB 39 15 137

HSL 251.8, 0.8%, 0.3%

LAB 18.27, 45.94, -61.51

 

CMYK 0 / 89 / 62 / 46

HEX #890F34

RGB 137 15 52

HSL 341.8, 0.8%, 0.3%

LAB 29.18, 49.71, 12.51

 

CMYK 18 / 0 / 89 / 46

HEX #71890F

RGB 113 137 15

HSL 71.8, 0.8%, 0.3%

LAB 53.42, -24.08, 54.6

 

Description

Color code: RGB 15 136 101 | qconv.com Color code: RGB 15 136 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 136 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 136 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 26 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 26% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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