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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897D0F it is the complementary color #7682F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897D0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897D0F shade: #8E7D0A, #9F8F1D, #B0A130, #C1B343 and #D2C556

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897D0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897D0F shade: #897D0F, #786B00, #675900, #564700 and #453500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897D0F shade: #897D0F, #895C0F, #893B0F, #891A0F and #890F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897D0F shade: #897D0F, #74890F, #53890F, #32890F and #11890F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897D0F shade matches the following richer shades: #897D0F and #968702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897D0F shade: #897D0F, #7D731B, #706928, #645F34 and #585540

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897D0F shade: #893C0F, #895C0F, #897D0F, #75890F and #54890F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897D0F shade: #3F3907, #645B0B, #897D0F, #AE9F13 and #D3C117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897D0F shade: #897D0F, #0F891B and #4C0F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897D0F shade: #897D0F, #0F897D and #7D0F89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897D0F shade: #897D0F, #0F891B, #0F1B89 and #890F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897D0F shade: #897D0F, #0F8940, #0F1B89 and #890F58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

Complementary color

CMYK 51 / 46 / 0 / 6

HEX #7682F0

RGB 118 130 240

HSL 234.1, 0.8%, 0.7%

LAB 58.14, 25.28, -56.93

 

CMYK 0 / 12 / 93 / 44

HEX #8E7D0A

RGB 142 125 10

HSL 52.27, 0.87%, 0.3%

LAB 52.33, -4.54, 55.74

 

CMYK 0 / 10 / 82 / 38

HEX #9F8F1D

RGB 159 143 29

HSL 52.62, 0.69%, 0.37%

LAB 59.07, -6.06, 57.29

 

CMYK 0 / 9 / 73 / 31

HEX #B0A130

RGB 176 161 48

HSL 52.97, 0.57%, 0.44%

LAB 65.7, -7.29, 57.46

 

CMYK 0 / 7 / 65 / 24

HEX #C1B343

RGB 193 179 67

HSL 53.33, 0.5%, 0.51%

LAB 72.22, -8.3, 56.91

 

CMYK 0 / 6 / 59 / 18

HEX #D2C556

RGB 210 197 86

HSL 53.71, 0.58%, 0.58%

LAB 78.64, -9.14, 56.02

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 0 / 11 / 100 / 53

HEX #786B00

RGB 120 107 0

HSL 53.5, 1%, 0.24%

LAB 44.95, -5.09, 51.33

 

CMYK 0 / 14 / 100 / 60

HEX #675900

RGB 103 89 0

HSL 51.84, 1%, 0.2%

LAB 37.89, -3.01, 45.49

 

CMYK 0 / 17 / 100 / 66

HEX #564700

RGB 86 71 0

HSL 49.53, 1%, 0.17%

LAB 30.6, -0.79, 39.45

 

CMYK 0 / 23 / 100 / 73

HEX #453500

RGB 69 53 0

HSL 46.09, 1%, 0.14%

LAB 23.04, 1.61, 32.01

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 0 / 33 / 89 / 46

HEX #895C0F

RGB 137 92 15

HSL 37.87, 0.8%, 0.3%

LAB 42.77, 12.16, 46.76

 

CMYK 0 / 57 / 89 / 46

HEX #893B0F

RGB 137 59 15

HSL 21.64, 0.8%, 0.3%

LAB 34.96, 30.92, 40.38

 

CMYK 0 / 81 / 89 / 46

HEX #891A0F

RGB 137 26 15

HSL 5.41, 0.8%, 0.3%

LAB 29.64, 45.23, 35.99

 

CMYK 0 / 89 / 89 / 46

HEX #890F0F

RGB 137 15 15

HSL 0, 0.8%, 0.3%

LAB 28.63, 48.11, 35.15

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 15 / 0 / 89 / 46

HEX #74890F

RGB 116 137 15

HSL 70.33, 0.8%, 0.3%

LAB 53.64, -22.76, 54.87

 

CMYK 39 / 0 / 89 / 46

HEX #53890F

RGB 83 137 15

HSL 86.56, 0.8%, 0.3%

LAB 51.57, -36.31, 52.29

 

CMYK 64 / 0 / 89 / 46

HEX #32890F

RGB 50 137 15

HSL 102.79, 0.8%, 0.3%

LAB 50.22, -46.69, 50.6

 

CMYK 88 / 0 / 89 / 46

HEX #11890F

RGB 17 137 15

HSL 119.02, 0.8%, 0.3%

LAB 49.55, -52.45, 49.75

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 0 / 10 / 99 / 41

HEX #968702

RGB 150 135 2

HSL 53.92, 0.97%, 0.3%

LAB 55.9, -6.45, 60.17

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 0 / 8 / 78 / 51

HEX #7D731B

RGB 125 115 27

HSL 53.88, 0.64%, 0.3%

LAB 47.88, -6.44, 46.66

 

CMYK 0 / 6 / 64 / 56

HEX #706928

RGB 112 105 40

HSL 54.17, 0.47%, 0.3%

LAB 43.8, -6.12, 36.55

 

CMYK 0 / 5 / 48 / 61

HEX #645F34

RGB 100 95 52

HSL 53.75, 0.32%, 0.3%

LAB 39.82, -4.81, 25.22

 

CMYK 0 / 3 / 27 / 65

HEX #585540

RGB 88 85 64

HSL 52.5, 0.16%, 0.3%

LAB 35.87, -2.67, 12.72

 

CMYK 0 / 56 / 89 / 46

HEX #893C0F

RGB 137 60 15

HSL 22.13, 0.8%, 0.3%

LAB 35.17, 30.39, 40.55

 

CMYK 0 / 33 / 89 / 46

HEX #895C0F

RGB 137 92 15

HSL 37.87, 0.8%, 0.3%

LAB 42.77, 12.16, 46.76

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 15 / 0 / 89 / 46

HEX #75890F

RGB 117 137 15

HSL 69.84, 0.8%, 0.3%

LAB 53.72, -22.32, 54.96

 

CMYK 39 / 0 / 89 / 46

HEX #54890F

RGB 84 137 15

HSL 86.07, 0.8%, 0.3%

LAB 51.62, -35.94, 52.36

 

CMYK 0 / 10 / 89 / 75

HEX #3F3907

RGB 63 57 7

HSL 53.57, 0.8%, 0.14%

LAB 23.67, -3.82, 29.57

 

CMYK 0 / 9 / 89 / 61

HEX #645B0B

RGB 100 91 11

HSL 53.93, 0.8%, 0.22%

LAB 38.23, -5.36, 42.44

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 0 / 9 / 89 / 32

HEX #AE9F13

RGB 174 159 19

HSL 54.19, 0.8%, 0.38%

LAB 64.84, -8.11, 65.14

 

CMYK 0 / 9 / 89 / 17

HEX #D3C117

RGB 211 193 23

HSL 54.26, 0.8%, 0.46%

LAB 77.31, -9.39, 75.65

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 89 / 0 / 80 / 46

HEX #0F891B

RGB 15 137 27

HSL 125.9, 0.8%, 0.3%

LAB 49.58, -51.95, 46.41

 

CMYK 45 / 89 / 0 / 46

HEX #4C0F89

RGB 76 15 137

HSL 270, 0.8%, 0.3%

LAB 22.6, 49.66, -54.22

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 89 / 0 / 9 / 46

HEX #0F897D

RGB 15 137 125

HSL 174.1, 0.8%, 0.3%

LAB 51.24, -33.23, -2.29

 

CMYK 9 / 89 / 0 / 46

HEX #7D0F89

RGB 125 15 137

HSL 294.1, 0.8%, 0.3%

LAB 30.66, 57.44, -40.75

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 89 / 0 / 80 / 46

HEX #0F891B

RGB 15 137 27

HSL 125.9, 0.8%, 0.3%

LAB 49.58, -51.95, 46.41

 

CMYK 89 / 80 / 0 / 46

HEX #0F1B89

RGB 15 27 137

HSL 234.1, 0.8%, 0.3%

LAB 18.76, 38.8, -60.74

 

CMYK 0 / 89 / 9 / 46

HEX #890F7D

RGB 137 15 125

HSL 305.9, 0.8%, 0.3%

LAB 32.13, 57.81, -30.78

 

CMYK 0 / 9 / 89 / 46

HEX #897D0F

RGB 137 125 15

HSL 54.1, 0.8%, 0.3%

LAB 51.86, -6.78, 54.13

 

CMYK 89 / 0 / 53 / 46

HEX #0F8940

RGB 15 137 64

HSL 144.1, 0.8%, 0.3%

LAB 49.93, -47.62, 30.39

 

CMYK 89 / 80 / 0 / 46

HEX #0F1B89

RGB 15 27 137

HSL 234.1, 0.8%, 0.3%

LAB 18.76, 38.8, -60.74

 

CMYK 0 / 89 / 36 / 46

HEX #890F58

RGB 137 15 88

HSL 324.1, 0.8%, 0.3%

LAB 30.31, 52.92, -9.82

 

Description

Color code: HEX #897D0F | qconv.com Color code: HEX #897D0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 125 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 125 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 89 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 89% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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