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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 90 116 it is the complementary color RGB 96 165 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 90 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 90 116 shade: RGB 164 90 111, RGB 181 108 130, RGB 198 126 149, RGB 215 144 168 and RGB 232 162 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 90 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 90 116 shade: RGB 159 90 116, RGB 142 72 97, RGB 125 54 78, RGB 108 36 59 and RGB 91 18 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 90 116 shade: RGB 159 89 116, RGB 159 89 97 and RGB 159 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 90 116 shade: RGB 159 89 116, RGB 159 89 135, RGB 159 89 154, RGB 146 89 159 and RGB 128 89 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 90 116 shade matches the following richer shades: RGB 159 89 116, RGB 180 69 111, RGB 200 49 106, RGB 220 29 101 and RGB 240 9 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 90 116 shade: RGB 159 89 116, RGB 139 110 121, RGB 119 130 126, RGB 99 150 131 and RGB 79 170 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 90 116 shade: RGB 159 89 154, RGB 159 89 135, RGB 159 89 116, RGB 159 89 98 and RGB 159 100 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 90 116 shade: RGB 107 60 77, RGB 133 75 97, RGB 159 89 116, RGB 176 114 138 and RGB 191 141 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 90 116 shade: RGB 159 90 116, RGB 159 147 89 and RGB 89 144 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 90 116 shade: RGB 159 90 116, RGB 116 159 89 and RGB 89 116 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 90 116 shade: RGB 159 90 116, RGB 159 147 89, RGB 89 159 133 and RGB 89 102 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 90 116 shade: RGB 159 90 116, RGB 151 159 89, RGB 89 159 133 and RGB 98 89 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

Complementary color

CMYK 42 / 0 / 16 / 35

HEX #60A58B

RGB 96 165 139

HSL 157.39, 0.28%, 0.51%

LAB 62.73, -28.04, 6.69

 

CMYK 0 / 45 / 32 / 36

HEX #A45A6F

RGB 164 90 111

HSL 342.97, 0.29%, 0.5%

LAB 47.43, 32.81, 1.58

 

CMYK 0 / 40 / 28 / 29

HEX #B56C82

RGB 181 108 130

HSL 341.92, 0.33%, 0.57%

LAB 54.2, 31.88, 0.39

 

CMYK 0 / 36 / 25 / 22

HEX #C67E95

RGB 198 126 149

HSL 340.83, 0.39%, 0.64%

LAB 60.87, 31.02, -0.64

 

CMYK 0 / 33 / 22 / 16

HEX #D790A8

RGB 215 144 168

HSL 339.72, 0.47%, 0.7%

LAB 67.44, 30.22, -1.55

 

CMYK 0 / 30 / 19 / 9

HEX #E8A2BB

RGB 232 162 187

HSL 338.57, 0.6%, 0.77%

LAB 73.92, 29.48, -2.38

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 0 / 49 / 32 / 44

HEX #8E4861

RGB 142 72 97

HSL 338.57, 0.33%, 0.42%

LAB 40, 32.57, -1.06

 

CMYK 0 / 57 / 38 / 51

HEX #7D364E

RGB 125 54 78

HSL 339.72, 0.4%, 0.35%

LAB 33.02, 33.47, 0.49

 

CMYK 0 / 67 / 45 / 58

HEX #6C243B

RGB 108 36 59

HSL 340.83, 0.5%, 0.28%

LAB 26.06, 34.17, 2.57

 

CMYK 0 / 80 / 56 / 64

HEX #5B1228

RGB 91 18 40

HSL 341.92, 0.67%, 0.21%

LAB 19.27, 34.25, 5.59

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 44 / 39 / 38

HEX #9F5961

RGB 159 89 97

HSL 353.14, 0.28%, 0.49%

LAB 46.15, 29.65, 8.11

 

CMYK 0 / 44 / 44 / 38

HEX #9F5959

RGB 159 89 89

HSL 0, 0.28%, 0.49%

LAB 45.96, 28.71, 12.68

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 44 / 15 / 38

HEX #9F5987

RGB 159 89 135

HSL 320.57, 0.28%, 0.49%

LAB 47.32, 35.19, -13.11

 

CMYK 0 / 44 / 3 / 38

HEX #9F599A

RGB 159 89 154

HSL 304.29, 0.28%, 0.49%

LAB 48.07, 38.56, -23.3

 

CMYK 8 / 44 / 0 / 38

HEX #92599F

RGB 146 89 159

HSL 288.86, 0.28%, 0.49%

LAB 46.66, 35.45, -28.58

 

CMYK 19 / 44 / 0 / 38

HEX #80599F

RGB 128 89 159

HSL 273.43, 0.28%, 0.49%

LAB 44.57, 29.89, -32

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 62 / 38 / 29

HEX #B4456F

RGB 180 69 111

HSL 337.3, 0.45%, 0.49%

LAB 45.78, 48.94, -0.54

 

CMYK 0 / 76 / 47 / 22

HEX #C8316A

RGB 200 49 106

HSL 337.35, 0.61%, 0.49%

LAB 46.33, 62.1, 3.77

 

CMYK 0 / 87 / 54 / 14

HEX #DC1D65

RGB 220 29 101

HSL 337.38, 0.77%, 0.49%

LAB 48.3, 71.76, 10.17

 

CMYK 0 / 96 / 60 / 6

HEX #F00960

RGB 240 9 96

HSL 337.4, 0.93%, 0.49%

LAB 51.34, 78.54, 18.05

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 21 / 13 / 45

HEX #8B6E79

RGB 139 110 121

HSL 337.24, 0.12%, 0.49%

LAB 49.52, 13.35, -1.72

 

CMYK 8 / 0 / 3 / 49

HEX #77827E

RGB 119 130 126

HSL 158.18, 0.04%, 0.49%

LAB 53.38, -4.87, 0.77

 

CMYK 34 / 0 / 13 / 41

HEX #639683

RGB 99 150 131

HSL 157.65, 0.2%, 0.49%

LAB 58.14, -21.42, 4.62

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 0 / 44 / 3 / 38

HEX #9F599A

RGB 159 89 154

HSL 304.29, 0.28%, 0.49%

LAB 48.07, 38.56, -23.3

 

CMYK 0 / 44 / 15 / 38

HEX #9F5987

RGB 159 89 135

HSL 320.57, 0.28%, 0.49%

LAB 47.32, 35.19, -13.11

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 44 / 38 / 38

HEX #9F5962

RGB 159 89 98

HSL 352.29, 0.28%, 0.49%

LAB 46.17, 29.78, 7.54

 

CMYK 0 / 37 / 44 / 38

HEX #9F6459

RGB 159 100 89

HSL 9.43, 0.28%, 0.49%

LAB 48.52, 22.52, 16.2

 

CMYK 0 / 44 / 28 / 58

HEX #6B3C4D

RGB 107 60 77

HSL 338.3, 0.28%, 0.33%

LAB 31.56, 23.04, -1.33

 

CMYK 0 / 44 / 27 / 48

HEX #854B61

RGB 133 75 97

HSL 337.24, 0.28%, 0.41%

LAB 39.38, 27.51, -2.12

 

CMYK 0 / 44 / 27 / 38

HEX #9F5974

RGB 159 89 116

HSL 336.86, 0.28%, 0.49%

LAB 46.68, 32.21, -2.62

 

CMYK 0 / 35 / 22 / 31

HEX #B0728A

RGB 176 114 138

HSL 336.77, 0.28%, 0.57%

LAB 55.17, 27.91, -2.94

 

CMYK 0 / 26 / 16 / 25

HEX #BF8DA0

RGB 191 141 160

HSL 337.2, 0.28%, 0.65%

LAB 63.89, 21.9, -2.57

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 0 / 8 / 44 / 38

HEX #9F9359

RGB 159 147 89

HSL 49.71, 0.28%, 0.49%

LAB 60.75, -4.02, 32.24

 

CMYK 44 / 9 / 0 / 38

HEX #59909F

RGB 89 144 159

HSL 192.86, 0.28%, 0.49%

LAB 56.66, -14.05, -13.63

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 27 / 0 / 44 / 38

HEX #749F59

RGB 116 159 89

HSL 96.86, 0.28%, 0.49%

LAB 60.98, -27.63, 31.87

 

CMYK 44 / 27 / 0 / 38

HEX #59749F

RGB 89 116 159

HSL 216.86, 0.28%, 0.49%

LAB 48.41, 1.99, -26.25

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 0 / 8 / 44 / 38

HEX #9F9359

RGB 159 147 89

HSL 49.71, 0.28%, 0.49%

LAB 60.75, -4.02, 32.24

 

CMYK 44 / 0 / 16 / 38

HEX #599F85

RGB 89 159 133

HSL 157.71, 0.28%, 0.49%

LAB 60.44, -28.4, 6.73

 

CMYK 44 / 36 / 0 / 38

HEX #59669F

RGB 89 102 159

HSL 228.86, 0.28%, 0.49%

LAB 44.42, 10.55, -32.48

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 5 / 0 / 44 / 38

HEX #979F59

RGB 151 159 89

HSL 66.86, 0.28%, 0.49%

LAB 63.42, -13.8, 35.45

 

CMYK 44 / 0 / 16 / 38

HEX #599F85

RGB 89 159 133

HSL 157.71, 0.28%, 0.49%

LAB 60.44, -28.4, 6.73

 

CMYK 38 / 44 / 0 / 38

HEX #62599F

RGB 98 89 159

HSL 247.71, 0.28%, 0.49%

LAB 41.6, 21.12, -36.88

 

Description

Color code: RGB 159 90 116 | qconv.com Color code: RGB 159 90 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 90 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 90 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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