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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FAA88 it is the complementary color #B05577. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FAA88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FAA88 shade: #54AA83, #65BC96, #76CEA9, #87E0BC and #98F2CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FAA88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FAA88 shade: #4FAA88, #3E9875, #2D8662, #1C744F and #0B623C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FAA88 shade: #4EAB88, #4EAB6F, #4EAB56, #5FAB4E and #78AB4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FAA88 shade: #4EAB88, #4EABA1, #4E9BAB, #4E82AB and #4E69AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FAA88 shade matches the following richer shades: #4EAB88, #3ABF8D, #26D392 and #12E797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FAA88 shade: #4EAB88, #629683, #77827E, #8B6E79 and #9F5A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FAA88 shade: #4EAB56, #4EAB6F, #4EAB87, #4EABA0 and #4E9DAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FAA88 shade: #34725B, #418E72, #4EAB88, #69BA9B and #85C7AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FAA88 shade: #4FAA88, #4E5FAB and #AB624E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FAA88 shade: #4FAA88, #874EAB and #AB874E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FAA88 shade: #4FAA88, #4E5FAB, #AB4E72 and #AB9A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FAA88 shade: #4FAA88, #594EAB, #AB4E72 and #A0AB4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

Complementary color

CMYK 0 / 52 / 32 / 31

HEX #B05577

RGB 176 85 119

HSL 337.58, 0.37%, 0.51%

LAB 48.33, 40.83, -1.73

 

CMYK 51 / 0 / 23 / 33

HEX #54AA83

RGB 84 170 131

HSL 152.79, 0.34%, 0.5%

LAB 63.57, -35.38, 12.26

 

CMYK 46 / 0 / 20 / 26

HEX #65BC96

RGB 101 188 150

HSL 153.79, 0.39%, 0.57%

LAB 70.13, -35.21, 11.19

 

CMYK 43 / 0 / 18 / 19

HEX #76CEA9

RGB 118 206 169

HSL 154.77, 0.47%, 0.64%

LAB 76.59, -35, 10.21

 

CMYK 40 / 0 / 16 / 12

HEX #87E0BC

RGB 135 224 188

HSL 155.73, 0.59%, 0.7%

LAB 82.96, -34.79, 9.29

 

CMYK 37 / 0 / 14 / 5

HEX #98F2CF

RGB 152 242 207

HSL 156.67, 0.78%, 0.77%

LAB 89.25, -34.57, 8.44

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 59 / 0 / 23 / 40

HEX #3E9875

RGB 62 152 117

HSL 156.67, 0.42%, 0.42%

LAB 56.85, -35.49, 10.51

 

CMYK 66 / 0 / 27 / 47

HEX #2D8662

RGB 45 134 98

HSL 155.73, 0.5%, 0.35%

LAB 50.09, -35.33, 11.8

 

CMYK 76 / 0 / 32 / 55

HEX #1C744F

RGB 28 116 79

HSL 154.77, 0.61%, 0.28%

LAB 43.22, -34.88, 13.28

 

CMYK 89 / 0 / 39 / 62

HEX #0B623C

RGB 11 98 60

HSL 153.79, 0.8%, 0.21%

LAB 36.24, -33.89, 15

 

CMYK 54 / 0 / 20 / 33

HEX #4EAB88

RGB 78 171 136

HSL 157.42, 0.37%, 0.49%

LAB 63.77, -36.16, 9.75

 

CMYK 54 / 0 / 35 / 33

HEX #4EAB6F

RGB 78 171 111

HSL 141.29, 0.37%, 0.49%

LAB 63.25, -41.4, 22.75

 

CMYK 54 / 0 / 50 / 33

HEX #4EAB56

RGB 78 171 86

HSL 125.16, 0.37%, 0.49%

LAB 62.86, -45.59, 35.39

 

CMYK 44 / 0 / 54 / 33

HEX #5FAB4E

RGB 95 171 78

HSL 109.03, 0.37%, 0.49%

LAB 63.43, -41.76, 40.23

 

CMYK 30 / 0 / 54 / 33

HEX #78AB4E

RGB 120 171 78

HSL 92.9, 0.37%, 0.49%

LAB 64.7, -33.2, 42.04

 

CMYK 54 / 0 / 20 / 33

HEX #4EAB88

RGB 78 171 136

HSL 157.42, 0.37%, 0.49%

LAB 63.77, -36.16, 9.75

 

CMYK 54 / 0 / 6 / 33

HEX #4EABA1

RGB 78 171 161

HSL 173.55, 0.37%, 0.49%

LAB 64.42, -30, -3.23

 

CMYK 54 / 9 / 0 / 33

HEX #4E9BAB

RGB 78 155 171

HSL 190.32, 0.37%, 0.49%

LAB 59.89, -19.13, -15.62

 

CMYK 54 / 24 / 0 / 33

HEX #4E82AB

RGB 78 130 171

HSL 206.45, 0.37%, 0.49%

LAB 52.43, -5.3, -27.05

 

CMYK 54 / 39 / 0 / 33

HEX #4E69AB

RGB 78 105 171

HSL 222.58, 0.37%, 0.49%

LAB 45.17, 9.77, -38.42

 

CMYK 54 / 0 / 20 / 33

HEX #4EAB88

RGB 78 171 136

HSL 157.42, 0.37%, 0.49%

LAB 63.77, -36.16, 9.75

 

CMYK 70 / 0 / 26 / 25

HEX #3ABF8D

RGB 58 191 141

HSL 157.44, 0.53%, 0.49%

LAB 69.53, -47.52, 15.04

 

CMYK 82 / 0 / 31 / 17

HEX #26D392

RGB 38 211 146

HSL 157.46, 0.69%, 0.49%

LAB 75.5, -56.7, 20.59

 

CMYK 92 / 0 / 35 / 9

HEX #12E797

RGB 18 231 151

HSL 157.46, 0.86%, 0.49%

LAB 81.57, -64.21, 26.25

 

CMYK 54 / 0 / 20 / 33

HEX #4EAB88

RGB 78 171 136

HSL 157.42, 0.37%, 0.49%

LAB 63.77, -36.16, 9.75

 

CMYK 35 / 0 / 13 / 41

HEX #629683

RGB 98 150 131

HSL 158.08, 0.21%, 0.49%

LAB 58.08, -21.73, 4.54

 

CMYK 8 / 0 / 3 / 49

HEX #77827E

RGB 119 130 126

HSL 158.18, 0.04%, 0.49%

LAB 53.38, -4.87, 0.77

 

CMYK 0 / 21 / 13 / 45

HEX #8B6E79

RGB 139 110 121

HSL 337.24, 0.12%, 0.49%

LAB 49.52, 13.35, -1.72

 

CMYK 0 / 43 / 27 / 38

HEX #9F5A74

RGB 159 90 116

HSL 337.39, 0.28%, 0.49%

LAB 46.9, 31.66, -2.3

 

CMYK 54 / 0 / 50 / 33

HEX #4EAB56

RGB 78 171 86

HSL 125.16, 0.37%, 0.49%

LAB 62.86, -45.59, 35.39

 

CMYK 54 / 0 / 35 / 33

HEX #4EAB6F

RGB 78 171 111

HSL 141.29, 0.37%, 0.49%

LAB 63.25, -41.4, 22.75

 

CMYK 54 / 0 / 21 / 33

HEX #4EAB87

RGB 78 171 135

HSL 156.77, 0.37%, 0.49%

LAB 63.75, -36.39, 10.27

 

CMYK 54 / 0 / 6 / 33

HEX #4EABA0

RGB 78 171 160

HSL 172.9, 0.37%, 0.49%

LAB 64.39, -30.26, -2.72

 

CMYK 54 / 8 / 0 / 33

HEX #4E9DAB

RGB 78 157 171

HSL 189.03, 0.37%, 0.49%

LAB 60.49, -20.18, -14.71

 

CMYK 54 / 0 / 20 / 55

HEX #34725B

RGB 52 114 91

HSL 157.74, 0.37%, 0.33%

LAB 43.54, -26.04, 6.72

 

CMYK 54 / 0 / 20 / 44

HEX #418E72

RGB 65 142 114

HSL 158.18, 0.37%, 0.41%

LAB 53.69, -30.85, 7.77

 

CMYK 54 / 0 / 20 / 33

HEX #4EAB88

RGB 78 171 136

HSL 157.42, 0.37%, 0.49%

LAB 63.77, -36.16, 9.75

 

CMYK 44 / 0 / 17 / 27

HEX #69BA9B

RGB 105 186 155

HSL 157.04, 0.37%, 0.57%

LAB 69.82, -32.13, 8.04

 

CMYK 33 / 0 / 13 / 22

HEX #85C7AE

RGB 133 199 174

HSL 157.27, 0.37%, 0.65%

LAB 75.38, -26.4, 5.88

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 54 / 44 / 0 / 33

HEX #4E5FAB

RGB 78 95 171

HSL 229.03, 0.37%, 0.49%

LAB 42.38, 16.07, -42.85

 

CMYK 0 / 43 / 54 / 33

HEX #AB624E

RGB 171 98 78

HSL 12.9, 0.37%, 0.49%

LAB 49.43, 27.46, 24.15

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 21 / 54 / 0 / 33

HEX #874EAB

RGB 135 78 171

HSL 276.77, 0.37%, 0.49%

LAB 43.57, 40.98, -40.64

 

CMYK 0 / 21 / 54 / 33

HEX #AB874E

RGB 171 135 78

HSL 36.77, 0.37%, 0.49%

LAB 58.54, 6.7, 35.61

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 54 / 44 / 0 / 33

HEX #4E5FAB

RGB 78 95 171

HSL 229.03, 0.37%, 0.49%

LAB 42.38, 16.07, -42.85

 

CMYK 0 / 54 / 33 / 33

HEX #AB4E72

RGB 171 78 114

HSL 336.77, 0.37%, 0.49%

LAB 46.07, 42.01, -2.11

 

CMYK 0 / 10 / 54 / 33

HEX #AB9A4E

RGB 171 154 78

HSL 49.03, 0.37%, 0.49%

LAB 63.61, -3.74, 41.68

 

CMYK 54 / 0 / 20 / 33

HEX #4FAA88

RGB 79 170 136

HSL 157.58, 0.37%, 0.49%

LAB 63.5, -35.47, 9.37

 

CMYK 48 / 54 / 0 / 33

HEX #594EAB

RGB 89 78 171

HSL 247.1, 0.37%, 0.49%

LAB 38.75, 29.3, -48.62

 

CMYK 0 / 54 / 33 / 33

HEX #AB4E72

RGB 171 78 114

HSL 336.77, 0.37%, 0.49%

LAB 46.07, 42.01, -2.11

 

CMYK 6 / 0 / 54 / 33

HEX #A0AB4E

RGB 160 171 78

HSL 67.1, 0.37%, 0.49%

LAB 67.39, -17.36, 45.87

 

Description

Color code: HEX #4FAA88 | qconv.com Color code: HEX #4FAA88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 170 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 170 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 20% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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