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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 52 197 it is the complementary color RGB 96 203 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 52 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 52 197 shade: RGB 164 52 192, RGB 181 70 211, RGB 198 88 230, RGB 215 106 249 and RGB 232 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 52 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 142 34 178, RGB 125 16 159, RGB 108 0 140 and RGB 91 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 197 52 196, RGB 197 52 157, RGB 197 52 118 and RGB 197 52 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 120 52 197, RGB 81 52 197 and RGB 52 52 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 52 197 shade matches the following richer shades: RGB 159 52 197, RGB 169 32 217 and RGB 178 12 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 149 72 177, RGB 140 92 156, RGB 130 113 136 and RGB 120 133 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 52 197 shade: RGB 81 52 197, RGB 120 52 197, RGB 158 52 197, RGB 197 52 197 and RGB 197 52 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 52 197 shade: RGB 106 35 132, RGB 133 43 164, RGB 159 52 197, RGB 175 82 209 and RGB 190 114 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 197 52 62 and RGB 52 197 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 197 158 52 and RGB 52 197 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 197 52 62, RGB 91 197 52 and RGB 52 197 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 52 197 shade: RGB 159 52 197, RGB 197 86 52, RGB 91 197 52 and RGB 52 163 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

Complementary color

CMYK 53 / 0 / 71 / 20

HEX #60CB3A

RGB 96 203 58

HSL 104.28, 0.58%, 0.51%

LAB 73.22, -56.13, 59.66

 

CMYK 15 / 73 / 0 / 25

HEX #A434C0

RGB 164 52 192

HSL 288, 0.57%, 0.48%

LAB 44.45, 64.22, -51.32

 

CMYK 14 / 67 / 0 / 17

HEX #B546D3

RGB 181 70 211

HSL 287.23, 0.62%, 0.55%

LAB 50.58, 64.46, -52.34

 

CMYK 14 / 62 / 0 / 10

HEX #C658E6

RGB 198 88 230

HSL 286.48, 0.74%, 0.62%

LAB 56.78, 64.27, -53.06

 

CMYK 14 / 57 / 0 / 2

HEX #D76AF9

RGB 215 106 249

HSL 285.73, 0.92%, 0.7%

LAB 63.01, 63.83, -53.59

 

CMYK 9 / 51 / 0 / 0

HEX #E87CFF

RGB 232 124 255

HSL 289.47, 1%, 0.74%

LAB 68.6, 60.75, -47.9

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 20 / 81 / 0 / 30

HEX #8E22B2

RGB 142 34 178

HSL 285, 0.68%, 0.42%

LAB 38.04, 63.3, -53.6

 

CMYK 21 / 90 / 0 / 38

HEX #7D109F

RGB 125 16 159

HSL 285.73, 0.82%, 0.34%

LAB 32.33, 61.27, -51.57

 

CMYK 23 / 100 / 0 / 45

HEX #6C008C

RGB 108 0 140

HSL 286.29, 1%, 0.27%

LAB 26.97, 57.86, -48.74

 

CMYK 25 / 100 / 0 / 53

HEX #5B0079

RGB 91 0 121

HSL 285.12, 1%, 0.24%

LAB 22.32, 51.79, -44.46

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 74 / 1 / 23

HEX #C534C4

RGB 197 52 196

HSL 300.41, 0.58%, 0.49%

LAB 49.87, 71.76, -44.69

 

CMYK 0 / 74 / 20 / 23

HEX #C5349D

RGB 197 52 157

HSL 316.55, 0.58%, 0.49%

LAB 47.96, 66.04, -24.79

 

CMYK 0 / 74 / 40 / 23

HEX #C53476

RGB 197 52 118

HSL 332.69, 0.58%, 0.49%

LAB 46.49, 61.44, -3.44

 

CMYK 0 / 74 / 60 / 23

HEX #C5344F

RGB 197 52 79

HSL 348.83, 0.58%, 0.49%

LAB 45.48, 58.16, 19.15

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 39 / 74 / 0 / 23

HEX #7834C5

RGB 120 52 197

HSL 268.14, 0.58%, 0.49%

LAB 38.69, 56.88, -63.86

 

CMYK 59 / 74 / 0 / 23

HEX #5134C5

RGB 81 52 197

HSL 252, 0.58%, 0.49%

LAB 34.47, 50.84, -70.94

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 22 / 85 / 0 / 15

HEX #A920D9

RGB 169 32 217

HSL 284.43, 0.74%, 0.49%

LAB 44.91, 75.61, -65

 

CMYK 25 / 95 / 0 / 7

HEX #B20CED

RGB 178 12 237

HSL 284.27, 0.9%, 0.49%

LAB 46.77, 83.61, -73.3

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 16 / 59 / 0 / 31

HEX #9548B1

RGB 149 72 177

HSL 284, 0.42%, 0.49%

LAB 44.52, 49.13, -42.56

 

CMYK 10 / 41 / 0 / 39

HEX #8C5C9C

RGB 140 92 156

HSL 285, 0.26%, 0.49%

LAB 46.49, 31.22, -27.13

 

CMYK 4 / 17 / 0 / 47

HEX #827188

RGB 130 113 136

HSL 284.35, 0.09%, 0.49%

LAB 49.9, 11.13, -10.14

 

CMYK 10 / 0 / 13 / 48

HEX #788574

RGB 120 133 116

HSL 105.88, 0.07%, 0.49%

LAB 54.06, -8.16, 7.56

 

CMYK 59 / 74 / 0 / 23

HEX #5134C5

RGB 81 52 197

HSL 252, 0.58%, 0.49%

LAB 34.47, 50.84, -70.94

 

CMYK 39 / 74 / 0 / 23

HEX #7834C5

RGB 120 52 197

HSL 268.14, 0.58%, 0.49%

LAB 38.69, 56.88, -63.86

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 74 / 0 / 23

HEX #C534C5

RGB 197 52 197

HSL 300, 0.58%, 0.49%

LAB 49.93, 71.92, -45.19

 

CMYK 0 / 74 / 20 / 23

HEX #C5349E

RGB 197 52 158

HSL 316.14, 0.58%, 0.49%

LAB 48, 66.17, -25.32

 

CMYK 20 / 73 / 0 / 48

HEX #6A2384

RGB 106 35 132

HSL 283.92, 0.58%, 0.33%

LAB 29.24, 46.5, -40.08

 

CMYK 19 / 74 / 0 / 36

HEX #852BA4

RGB 133 43 164

HSL 284.63, 0.58%, 0.41%

LAB 36.73, 55.72, -47.41

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 16 / 61 / 0 / 18

HEX #AF52D1

RGB 175 82 209

HSL 283.94, 0.58%, 0.57%

LAB 51.56, 57.39, -49.68

 

CMYK 12 / 47 / 0 / 15

HEX #BE72D9

RGB 190 114 217

HSL 284.27, 0.58%, 0.65%

LAB 59.88, 46.92, -40.92

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 74 / 69 / 23

HEX #C5343E

RGB 197 52 62

HSL 355.86, 0.58%, 0.49%

LAB 45.18, 57.16, 29.11

 

CMYK 74 / 0 / 49 / 23

HEX #34C564

RGB 52 197 100

HSL 139.86, 0.58%, 0.49%

LAB 70.58, -58.57, 37.84

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 20 / 74 / 23

HEX #C59E34

RGB 197 158 52

HSL 43.86, 0.58%, 0.49%

LAB 66.95, 3.77, 57.83

 

CMYK 74 / 0 / 20 / 23

HEX #34C59E

RGB 52 197 158

HSL 163.86, 0.58%, 0.49%

LAB 71.64, -46.86, 8.81

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 74 / 69 / 23

HEX #C5343E

RGB 197 52 62

HSL 355.86, 0.58%, 0.49%

LAB 45.18, 57.16, 29.11

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

CMYK 74 / 0 / 5 / 23

HEX #34C5BB

RGB 52 197 187

HSL 175.86, 0.58%, 0.49%

LAB 72.4, -39.26, -5.86

 

CMYK 19 / 74 / 0 / 23

HEX #9F34C5

RGB 159 52 197

HSL 284.28, 0.58%, 0.49%

LAB 44.03, 64.17, -54.96

 

CMYK 0 / 56 / 74 / 23

HEX #C55634

RGB 197 86 52

HSL 14.07, 0.58%, 0.49%

LAB 50.42, 42.28, 40.81

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

Description

Color code: RGB 159 52 197 | qconv.com Color code: RGB 159 52 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 52 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 52 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 74 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 74% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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