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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A3C5 it is the complementary color #CB5C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A3C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A3C5 shade: #39A3C0, #4AB5D3, #5BC7E6, #6CD9F9 and #7DEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A3C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A3C5 shade: #34A3C5, #2391B2, #127F9F, #016D8C and #005B79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A3C5 shade: #34A3C5, #347CC5, #3455C5, #3A34C5 and #6134C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A3C5 shade: #34A3C5, #347CC5, #3455C5 and #3434C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A3C5 shade matches the following richer shades: #34A3C5, #20AED9 and #0CB8ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A3C5 shade: #34A3C5, #4898B1, #5C8D9C, #718388 and #857874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A3C5 shade: #34C599, #34C5C0, #34A3C5, #347CC5 and #3456C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A3C5 shade: #236D84, #2B88A4, #34A3C5, #52B3D1 and #72C1D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A3C5 shade: #34A3C5, #7334C5 and #C5AD34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A3C5 shade: #34A3C5, #C534A3 and #A3C534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A3C5 shade: #34A3C5, #7334C5, #C55634 and #86C534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A3C5 shade: #34A3C5, #9E34C5, #C55634 and #5BC534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

Complementary color

CMYK 0 / 55 / 71 / 20

HEX #CB5C3A

RGB 203 92 58

HSL 14.07, 0.58%, 0.51%

LAB 52.57, 41.89, 40.26

 

CMYK 70 / 15 / 0 / 25

HEX #39A3C0

RGB 57 163 192

HSL 192.89, 0.54%, 0.49%

LAB 62.4, -20.59, -23.67

 

CMYK 65 / 14 / 0 / 17

HEX #4AB5D3

RGB 74 181 211

HSL 193.14, 0.61%, 0.56%

LAB 68.9, -21.39, -24.2

 

CMYK 60 / 13 / 0 / 10

HEX #5BC7E6

RGB 91 199 230

HSL 193.38, 0.74%, 0.63%

LAB 75.32, -22, -24.68

 

CMYK 57 / 13 / 0 / 2

HEX #6CD9F9

RGB 108 217 249

HSL 193.62, 0.92%, 0.7%

LAB 81.65, -22.47, -25.13

 

CMYK 51 / 8 / 0 / 0

HEX #7DEBFF

RGB 125 235 255

HSL 189.23, 1%, 0.75%

LAB 87.48, -26.34, -19.39

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 80 / 19 / 0 / 30

HEX #2391B2

RGB 35 145 178

HSL 193.85, 0.67%, 0.42%

LAB 55.91, -18.35, -25.79

 

CMYK 89 / 20 / 0 / 38

HEX #127F9F

RGB 18 127 159

HSL 193.62, 0.8%, 0.35%

LAB 49.27, -16.65, -25.12

 

CMYK 99 / 22 / 0 / 45

HEX #016D8C

RGB 1 109 140

HSL 193.38, 0.99%, 0.28%

LAB 42.52, -14.51, -24.37

 

CMYK 100 / 25 / 0 / 53

HEX #005B79

RGB 0 91 121

HSL 194.88, 1%, 0.24%

LAB 35.72, -11.44, -23.41

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 74 / 37 / 0 / 23

HEX #347CC5

RGB 52 124 197

HSL 210.21, 0.58%, 0.49%

LAB 50.89, 2.48, -44.47

 

CMYK 74 / 57 / 0 / 23

HEX #3455C5

RGB 52 85 197

HSL 226.34, 0.58%, 0.49%

LAB 40.01, 27.22, -61.95

 

CMYK 71 / 74 / 0 / 23

HEX #3A34C5

RGB 58 52 197

HSL 242.48, 0.58%, 0.49%

LAB 32.67, 48.16, -73.96

 

CMYK 51 / 74 / 0 / 23

HEX #6134C5

RGB 97 52 197

HSL 258.62, 0.58%, 0.49%

LAB 36.04, 53.12, -68.3

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 74 / 37 / 0 / 23

HEX #347CC5

RGB 52 124 197

HSL 210.21, 0.58%, 0.49%

LAB 50.89, 2.48, -44.47

 

CMYK 74 / 57 / 0 / 23

HEX #3455C5

RGB 52 85 197

HSL 226.34, 0.58%, 0.49%

LAB 40.01, 27.22, -61.95

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 85 / 20 / 0 / 15

HEX #20AED9

RGB 32 174 217

HSL 193.95, 0.74%, 0.49%

LAB 66.2, -20.63, -31.72

 

CMYK 95 / 22 / 0 / 7

HEX #0CB8ED

RGB 12 184 237

HSL 194.13, 0.9%, 0.49%

LAB 69.81, -19.93, -37.09

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 59 / 14 / 0 / 31

HEX #4898B1

RGB 72 152 177

HSL 194.29, 0.42%, 0.49%

LAB 58.98, -16.97, -20.42

 

CMYK 41 / 10 / 0 / 39

HEX #5C8D9C

RGB 92 141 156

HSL 194.06, 0.26%, 0.49%

LAB 55.81, -12.44, -13.17

 

CMYK 17 / 4 / 0 / 47

HEX #718388

RGB 113 131 136

HSL 193.04, 0.09%, 0.49%

LAB 53.51, -5.39, -4.9

 

CMYK 0 / 10 / 13 / 48

HEX #857874

RGB 133 120 116

HSL 14.12, 0.07%, 0.49%

LAB 51.47, 4.27, 4

HEX #857874

CMYK 74 / 0 / 22 / 23

HEX #34C599

RGB 52 197 153

HSL 161.79, 0.58%, 0.49%

LAB 71.53, -48.06, 11.35

 

CMYK 74 / 0 / 3 / 23

HEX #34C5C0

RGB 52 197 192

HSL 177.93, 0.58%, 0.49%

LAB 72.54, -37.85, -8.37

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 74 / 37 / 0 / 23

HEX #347CC5

RGB 52 124 197

HSL 210.21, 0.58%, 0.49%

LAB 50.89, 2.48, -44.47

 

CMYK 74 / 56 / 0 / 23

HEX #3456C5

RGB 52 86 197

HSL 225.93, 0.58%, 0.49%

LAB 40.27, 26.57, -61.53

 

CMYK 73 / 17 / 0 / 48

HEX #236D84

RGB 35 109 132

HSL 194.23, 0.58%, 0.33%

LAB 42.7, -14.45, -19.24

 

CMYK 74 / 17 / 0 / 36

HEX #2B88A4

RGB 43 136 164

HSL 193.88, 0.58%, 0.41%

LAB 52.73, -17.33, -22.64

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 61 / 14 / 0 / 18

HEX #52B3D1

RGB 82 179 209

HSL 194.17, 0.58%, 0.57%

LAB 68.49, -19.6, -23.71

 

CMYK 47 / 11 / 0 / 15

HEX #72C1D9

RGB 114 193 217

HSL 193.98, 0.58%, 0.65%

LAB 74.01, -17.94, -19.55

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 42 / 74 / 0 / 23

HEX #7334C5

RGB 115 52 197

HSL 266.07, 0.58%, 0.49%

LAB 38.08, 56.02, -64.89

 

CMYK 0 / 12 / 74 / 23

HEX #C5AD34

RGB 197 173 52

HSL 50.07, 0.58%, 0.49%

LAB 70.87, -4.22, 61.63

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 0 / 74 / 17 / 23

HEX #C534A3

RGB 197 52 163

HSL 314.07, 0.58%, 0.49%

LAB 48.22, 66.85, -27.95

 

CMYK 17 / 0 / 74 / 23

HEX #A3C534

RGB 163 197 52

HSL 74.07, 0.58%, 0.49%

LAB 74.8, -30.67, 64.48

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 42 / 74 / 0 / 23

HEX #7334C5

RGB 115 52 197

HSL 266.07, 0.58%, 0.49%

LAB 38.08, 56.02, -64.89

 

CMYK 0 / 56 / 74 / 23

HEX #C55634

RGB 197 86 52

HSL 14.07, 0.58%, 0.49%

LAB 50.42, 42.28, 40.81

 

CMYK 32 / 0 / 74 / 23

HEX #86C534

RGB 134 197 52

HSL 86.07, 0.58%, 0.49%

LAB 73.06, -41.85, 62.18

 

CMYK 74 / 17 / 0 / 23

HEX #34A3C5

RGB 52 163 197

HSL 194.07, 0.58%, 0.49%

LAB 62.47, -19.63, -26.37

 

CMYK 20 / 74 / 0 / 23

HEX #9E34C5

RGB 158 52 197

HSL 283.86, 0.58%, 0.49%

LAB 43.88, 63.98, -55.2

 

CMYK 0 / 56 / 74 / 23

HEX #C55634

RGB 197 86 52

HSL 14.07, 0.58%, 0.49%

LAB 50.42, 42.28, 40.81

 

CMYK 54 / 0 / 74 / 23

HEX #5BC534

RGB 91 197 52

HSL 103.86, 0.58%, 0.49%

LAB 71.15, -55.71, 59.66

 

Description

Color code: HEX #34A3C5 | qconv.com Color code: HEX #34A3C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 163 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 163 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 17 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 17% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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