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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 214 223 it is the complementary color RGB 96 41 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 214 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 214 223 shade: RGB 164 214 218, RGB 181 232 237, RGB 198 250 255, RGB 215 255 255 and RGB 232 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 214 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 142 196 204, RGB 125 178 185, RGB 108 160 166 and RGB 91 142 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 159 196 223, RGB 159 179 223, RGB 159 162 223 and RGB 173 159 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 159 196 223, RGB 159 179 223, RGB 159 162 223 and RGB 159 159 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 214 223 shade matches the following richer shades: RGB 159 214 223, RGB 149 221 233, RGB 138 228 243 and RGB 128 236 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 169 206 212, RGB 180 199 202, RGB 190 191 192 and RGB 200 184 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 214 223 shade: RGB 159 223 197, RGB 159 223 214, RGB 159 214 223, RGB 159 197 223 and RGB 159 180 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 214 223 shade: RGB 97 187 202, RGB 128 200 212, RGB 159 214 223, RGB 190 227 233 and RGB 221 240 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 180 159 223 and RGB 223 206 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 223 159 214 and RGB 214 223 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 180 159 223, RGB 223 167 159 and RGB 201 223 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 214 223 shade: RGB 159 214 223, RGB 199 159 223, RGB 223 167 159 and RGB 182 223 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

Complementary color

CMYK 0 / 57 / 67 / 62

HEX #602920

RGB 96 41 32

HSL 8.44, 0.5%, 0.25%

LAB 24.25, 24.24, 17.86

 

CMYK 25 / 2 / 0 / 15

HEX #A4D6DA

RGB 164 214 218

HSL 184.44, 0.42%, 0.75%

LAB 82.4, -15.19, -7.26

 

CMYK 24 / 2 / 0 / 7

HEX #B5E8ED

RGB 181 232 237

HSL 185.36, 0.61%, 0.82%

LAB 88.76, -15.13, -7.78

 

CMYK 22 / 2 / 0 / 0

HEX #C6FAFF

RGB 198 250 255

HSL 185.26, 1%, 0.89%

LAB 94.99, -15.3, -7.81

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 30 / 4 / 0 / 20

HEX #8EC4CC

RGB 142 196 204

HSL 187.74, 0.38%, 0.68%

LAB 75.82, -15.55, -9.66

 

CMYK 32 / 4 / 0 / 27

HEX #7DB2B9

RGB 125 178 185

HSL 187, 0.3%, 0.61%

LAB 69.26, -15.59, -9.15

 

CMYK 35 / 4 / 0 / 35

HEX #6CA0A6

RGB 108 160 166

HSL 186.21, 0.25%, 0.54%

LAB 62.58, -15.63, -8.62

 

CMYK 38 / 3 / 0 / 42

HEX #5B8E93

RGB 91 142 147

HSL 185.36, 0.24%, 0.47%

LAB 55.76, -15.67, -8.07

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 29 / 12 / 0 / 13

HEX #9FC4DF

RGB 159 196 223

HSL 205.31, 0.5%, 0.75%

LAB 77.39, -6.15, -17.47

 

CMYK 29 / 20 / 0 / 13

HEX #9FB3DF

RGB 159 179 223

HSL 221.25, 0.5%, 0.75%

LAB 72.85, 3.04, -24.36

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 22 / 29 / 0 / 13

HEX #AD9FDF

RGB 173 159 223

HSL 253.13, 0.5%, 0.75%

LAB 68.76, 18.36, -30.56

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 29 / 12 / 0 / 13

HEX #9FC4DF

RGB 159 196 223

HSL 205.31, 0.5%, 0.75%

LAB 77.39, -6.15, -17.47

 

CMYK 29 / 20 / 0 / 13

HEX #9FB3DF

RGB 159 179 223

HSL 221.25, 0.5%, 0.75%

LAB 72.85, 3.04, -24.36

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 29 / 29 / 0 / 13

HEX #9F9FDF

RGB 159 159 223

HSL 240, 0.5%, 0.75%

LAB 67.65, 14.2, -32.36

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 36 / 5 / 0 / 9

HEX #95DDE9

RGB 149 221 233

HSL 188.57, 0.66%, 0.75%

LAB 83.96, -19.42, -13

 

CMYK 43 / 6 / 0 / 5

HEX #8AE4F3

RGB 138 228 243

HSL 188.57, 0.81%, 0.75%

LAB 85.69, -23.16, -15.74

 

CMYK 50 / 7 / 0 / 0

HEX #80ECFE

RGB 128 236 254

HSL 188.57, 0.98%, 0.75%

LAB 87.84, -26.47, -18.32

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 20 / 3 / 0 / 17

HEX #A9CED4

RGB 169 206 212

HSL 188.37, 0.33%, 0.75%

LAB 80.37, -10.89, -7.04

 

CMYK 11 / 1 / 0 / 21

HEX #B4C7CA

RGB 180 199 202

HSL 188.18, 0.17%, 0.75%

LAB 78.93, -5.82, -3.7

 

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

 

CMYK 0 / 8 / 10 / 22

HEX #C8B8B5

RGB 200 184 181

HSL 9.47, 0.15%, 0.75%

LAB 76.01, 5.16, 3.56

 

CMYK 29 / 0 / 12 / 13

HEX #9FDFC5

RGB 159 223 197

HSL 155.63, 0.5%, 0.75%

LAB 84.06, -25.61, 6.27

 

CMYK 29 / 0 / 4 / 13

HEX #9FDFD6

RGB 159 223 214

HSL 171.56, 0.5%, 0.75%

LAB 84.48, -22.04, -2.1

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 29 / 12 / 0 / 13

HEX #9FC5DF

RGB 159 197 223

HSL 204.38, 0.5%, 0.75%

LAB 77.66, -6.68, -17.07

 

CMYK 29 / 19 / 0 / 13

HEX #9FB4DF

RGB 159 180 223

HSL 220.31, 0.5%, 0.75%

LAB 73.12, 2.49, -23.96

 

CMYK 52 / 7 / 0 / 21

HEX #61BBCA

RGB 97 187 202

HSL 188.57, 0.5%, 0.59%

LAB 71.11, -22.77, -15.84

 

CMYK 40 / 6 / 0 / 17

HEX #80C8D4

RGB 128 200 212

HSL 188.57, 0.49%, 0.67%

LAB 76.47, -19.43, -13.09

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 18 / 3 / 0 / 9

HEX #BEE3E9

RGB 190 227 233

HSL 188.37, 0.49%, 0.83%

LAB 87.86, -10.76, -6.95

 

CMYK 9 / 1 / 0 / 5

HEX #DDF0F3

RGB 221 240 243

HSL 188.18, 0.48%, 0.91%

LAB 93.52, -5.65, -3.59

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 19 / 29 / 0 / 13

HEX #B49FDF

RGB 180 159 223

HSL 259.69, 0.5%, 0.75%

LAB 69.35, 20.49, -29.6

 

CMYK 0 / 8 / 29 / 13

HEX #DFCE9F

RGB 223 206 159

HSL 44.06, 0.5%, 0.75%

LAB 83.09, -1.17, 25.56

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 0 / 29 / 4 / 13

HEX #DF9FD6

RGB 223 159 214

HSL 308.44, 0.5%, 0.75%

LAB 73.11, 32.46, -18.53

 

CMYK 4 / 0 / 29 / 13

HEX #D6DF9F

RGB 214 223 159

HSL 68.44, 0.5%, 0.75%

LAB 86.79, -13.24, 30.43

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 19 / 29 / 0 / 13

HEX #B49FDF

RGB 180 159 223

HSL 259.69, 0.5%, 0.75%

LAB 69.35, 20.49, -29.6

 

CMYK 0 / 25 / 29 / 13

HEX #DFA79F

RGB 223 167 159

HSL 7.5, 0.5%, 0.75%

LAB 73.43, 19.5, 12.18

 

CMYK 10 / 0 / 29 / 13

HEX #C9DF9F

RGB 201 223 159

HSL 80.63, 0.5%, 0.75%

LAB 85.85, -18.04, 29.02

 

CMYK 29 / 4 / 0 / 13

HEX #9FD6DF

RGB 159 214 223

HSL 188.44, 0.5%, 0.75%

LAB 82.27, -15.51, -10.16

 

CMYK 11 / 29 / 0 / 13

HEX #C79FDF

RGB 199 159 223

HSL 277.5, 0.5%, 0.75%

LAB 71.05, 26.42, -26.83

 

CMYK 0 / 25 / 29 / 13

HEX #DFA79F

RGB 223 167 159

HSL 7.5, 0.5%, 0.75%

LAB 73.43, 19.5, 12.18

 

CMYK 18 / 0 / 29 / 13

HEX #B6DF9F

RGB 182 223 159

HSL 98.44, 0.5%, 0.75%

LAB 84.6, -24.84, 27.11

 

Description

Color code: RGB 159 214 223 | qconv.com Color code: RGB 159 214 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 214 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 214 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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