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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FA2DF it is the complementary color #605D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FA2DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FA2DF shade: #A4A2DA, #B5B4ED, #C6C6FF, #D7D8FF and #E8EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FA2DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FA2DF shade: #9FA2DF, #8E90CC, #7D7EB9, #6C6CA6 and #5B5A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FA2DF shade: #9FA2DF, #AD9FDF, #BE9FDF, #CF9FDF and #DF9FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FA2DF shade: #9FA2DF and #9F9FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FA2DF shade matches the following richer shades: #9FA2DF, #9599E9, #8A8FF3 and #8086FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FA2DF shade: #9FA2DF, #A9ABD4, #B4B5CA, #BEBEC0 and #C8C7B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FA2DF shade: #9FC4DF, #9FB3DF, #9FA2DF, #AD9FDF and #BE9FDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FA2DF shade: #6166CA, #8084D4, #9FA2DF, #BEC0E9 and #DDDEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FA2DF shade: #9FA2DF, #DF9FD5 and #BCDF9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FA2DF shade: #9FA2DF, #DF9FA2 and #A2DF9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FA2DF shade: #9FA2DF, #DF9FD5, #DFDB9F and #9FDFA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FA2DF shade: #9FA2DF, #DF9FC2, #DFDB9F and #9FDFBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

Complementary color

CMYK 0 / 3 / 67 / 62

HEX #605D20

RGB 96 93 32

HSL 57.19, 0.5%, 0.25%

LAB 38.59, -7.39, 34.36

 

CMYK 25 / 26 / 0 / 15

HEX #A4A2DA

RGB 164 162 218

HSL 242.14, 0.43%, 0.75%

LAB 68.6, 12.77, -28.1

 

CMYK 24 / 24 / 0 / 7

HEX #B5B4ED

RGB 181 180 237

HSL 241.05, 0.61%, 0.82%

LAB 75.19, 12.35, -28.24

 

CMYK 22 / 22 / 0 / 0

HEX #C6C6FF

RGB 198 198 255

HSL 240, 1%, 0.89%

LAB 81.63, 11.73, -27.93

 

CMYK 16 / 15 / 0 / 0

HEX #D7D8FF

RGB 215 216 255

HSL 238.5, 1%, 0.92%

LAB 87.38, 7.29, -19.07

 

CMYK 9 / 8 / 0 / 0

HEX #E8EAFF

RGB 232 234 255

HSL 234.78, 1%, 0.95%

LAB 93.11, 3.25, -10.35

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 30 / 29 / 0 / 20

HEX #8E90CC

RGB 142 144 204

HSL 238.06, 0.38%, 0.68%

LAB 61.7, 13.01, -31.12

 

CMYK 32 / 32 / 0 / 27

HEX #7D7EB9

RGB 125 126 185

HSL 239, 0.3%, 0.61%

LAB 54.85, 13.58, -31.11

 

CMYK 35 / 35 / 0 / 35

HEX #6C6CA6

RGB 108 108 166

HSL 240, 0.25%, 0.54%

LAB 47.84, 14.24, -31.14

 

CMYK 38 / 39 / 0 / 42

HEX #5B5A93

RGB 91 90 147

HSL 241.05, 0.24%, 0.46%

LAB 40.64, 15.02, -31.25

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 22 / 29 / 0 / 13

HEX #AD9FDF

RGB 173 159 223

HSL 253.13, 0.5%, 0.75%

LAB 68.76, 18.36, -30.56

 

CMYK 15 / 29 / 0 / 13

HEX #BE9FDF

RGB 190 159 223

HSL 269.06, 0.5%, 0.75%

LAB 70.23, 23.59, -28.17

 

CMYK 7 / 29 / 0 / 13

HEX #CF9FDF

RGB 207 159 223

HSL 285, 0.5%, 0.75%

LAB 71.82, 28.96, -25.59

 

CMYK 0 / 29 / 1 / 13

HEX #DF9FDD

RGB 223 159 221

HSL 301.88, 0.5%, 0.75%

LAB 73.35, 33.72, -22.01

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 29 / 29 / 0 / 13

HEX #9F9FDF

RGB 159 159 223

HSL 240, 0.5%, 0.75%

LAB 67.65, 14.2, -32.36

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 36 / 34 / 0 / 9

HEX #9599E9

RGB 149 153 233

HSL 237.14, 0.66%, 0.75%

LAB 65.79, 17.38, -40.82

 

CMYK 43 / 41 / 0 / 5

HEX #8A8FF3

RGB 138 143 243

HSL 237.14, 0.81%, 0.75%

LAB 62.94, 23.09, -50.86

 

CMYK 50 / 47 / 0 / 0

HEX #8086FE

RGB 128 134 254

HSL 237.14, 0.98%, 0.75%

LAB 60.6, 29.29, -60.68

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 20 / 19 / 0 / 17

HEX #A9ABD4

RGB 169 171 212

HSL 237.21, 0.33%, 0.75%

LAB 71.09, 7.89, -20.97

 

CMYK 11 / 10 / 0 / 21

HEX #B4B5CA

RGB 180 181 202

HSL 237.27, 0.17%, 0.75%

LAB 74.2, 3.79, -10.72

 

CMYK 1 / 1 / 0 / 25

HEX #BEBEC0

RGB 190 190 192

HSL 240, 0.02%, 0.75%

LAB 77.03, 0.38, -1.01

 

CMYK 0 / 0 / 10 / 22

HEX #C8C7B5

RGB 200 199 181

HSL 56.84, 0.15%, 0.75%

LAB 79.88, -2.8, 9.13

 

CMYK 29 / 12 / 0 / 13

HEX #9FC4DF

RGB 159 196 223

HSL 205.31, 0.5%, 0.75%

LAB 77.39, -6.15, -17.47

 

CMYK 29 / 20 / 0 / 13

HEX #9FB3DF

RGB 159 179 223

HSL 221.25, 0.5%, 0.75%

LAB 72.85, 3.04, -24.36

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 22 / 29 / 0 / 13

HEX #AD9FDF

RGB 173 159 223

HSL 253.13, 0.5%, 0.75%

LAB 68.76, 18.36, -30.56

 

CMYK 15 / 29 / 0 / 13

HEX #BE9FDF

RGB 190 159 223

HSL 269.06, 0.5%, 0.75%

LAB 70.23, 23.59, -28.17

 

CMYK 52 / 50 / 0 / 21

HEX #6166CA

RGB 97 102 202

HSL 237.14, 0.5%, 0.59%

LAB 47.38, 25.91, -52.81

 

CMYK 40 / 38 / 0 / 17

HEX #8084D4

RGB 128 132 212

HSL 237.14, 0.49%, 0.67%

LAB 57.89, 18.26, -41.65

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 18 / 18 / 0 / 9

HEX #BEC0E9

RGB 190 192 233

HSL 237.21, 0.49%, 0.83%

LAB 78.77, 7.64, -20.56

 

CMYK 9 / 9 / 0 / 5

HEX #DDDEF3

RGB 221 222 243

HSL 237.27, 0.48%, 0.91%

LAB 88.96, 3.61, -10.34

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 0 / 29 / 4 / 13

HEX #DF9FD5

RGB 223 159 213

HSL 309.38, 0.5%, 0.75%

LAB 73.08, 32.28, -18.04

 

CMYK 16 / 0 / 29 / 13

HEX #BCDF9F

RGB 188 223 159

HSL 92.81, 0.5%, 0.75%

LAB 84.98, -22.73, 27.69

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 0 / 29 / 27 / 13

HEX #DF9FA2

RGB 223 159 162

HSL 357.19, 0.5%, 0.75%

LAB 71.62, 24.21, 7.95

 

CMYK 27 / 0 / 29 / 13

HEX #A2DF9F

RGB 162 223 159

HSL 117.19, 0.5%, 0.75%

LAB 83.42, -31.63, 25.31

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 0 / 29 / 4 / 13

HEX #DF9FD5

RGB 223 159 213

HSL 309.38, 0.5%, 0.75%

LAB 73.08, 32.28, -18.04

 

CMYK 0 / 2 / 29 / 13

HEX #DFDB9F

RGB 223 219 159

HSL 56.25, 0.5%, 0.75%

LAB 86.43, -7.84, 30.07

 

CMYK 29 / 0 / 25 / 13

HEX #9FDFA8

RGB 159 223 168

HSL 128.44, 0.5%, 0.75%

LAB 83.43, -31.08, 20.62

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 0 / 29 / 13 / 13

HEX #DF9FC2

RGB 223 159 194

HSL 327.19, 0.5%, 0.75%

LAB 72.48, 29.04, -8.48

 

CMYK 0 / 2 / 29 / 13

HEX #DFDB9F

RGB 223 219 159

HSL 56.25, 0.5%, 0.75%

LAB 86.43, -7.84, 30.07

 

CMYK 29 / 0 / 16 / 13

HEX #9FDFBC

RGB 159 223 188

HSL 147.19, 0.5%, 0.75%

LAB 83.85, -27.4, 10.72

 

Description

Color code: HEX #9FA2DF | qconv.com Color code: HEX #9FA2DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 162 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 162 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 27 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 27% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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