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Color name
RGB 159 155 142

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 155 142 it is the complementary color RGB 96 100 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 155 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 155 142 shade: RGB 164 155 137, RGB 181 173 156, RGB 198 191 175, RGB 215 209 194 and RGB 232 227 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 155 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 155 142 shade: RGB 159 155 142, RGB 142 137 123, RGB 125 119 104, RGB 108 101 85 and RGB 91 83 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 155 142 shade: RGB 158 154 142, RGB 158 150 142, RGB 158 145 142 and RGB 158 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 155 142 shade: RGB 158 154 142, RGB 158 158 142, RGB 153 158 142, RGB 149 158 142 and RGB 144 158 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 155 142 shade matches the following richer shades: RGB 158 154 142, RGB 175 163 125, RGB 192 172 108, RGB 209 181 91 and RGB 226 190 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 155 142 shade: RGB 158 154 142, RGB 141 145 159, RGB 124 136 175, RGB 108 128 192 and RGB 91 119 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 155 142 shade: RGB 158 145 142, RGB 158 150 142, RGB 158 154 142, RGB 158 158 142 and RGB 154 158 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 155 142 shade: RGB 117 113 100, RGB 139 135 119, RGB 158 154 142, RGB 177 174 164 and RGB 196 194 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 155 142 shade: RGB 159 155 142, RGB 142 158 142 and RGB 147 142 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 155 142 shade: RGB 159 155 142, RGB 142 158 154 and RGB 154 142 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 155 142 shade: RGB 159 155 142, RGB 142 158 142, RGB 142 146 158 and RGB 157 142 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 155 142 shade: RGB 159 155 142, RGB 142 158 146, RGB 142 146 158 and RGB 158 142 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

Complementary color

CMYK 15 / 12 / 0 / 56

HEX #606471

RGB 96 100 113

HSL 225.88, 0.08%, 0.41%

LAB 42.45, 1.39, -7.84

 

CMYK 0 / 5 / 16 / 36

HEX #A49B89

RGB 164 155 137

HSL 40, 0.13%, 0.59%

LAB 64.28, 0.17, 10.62

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 0 / 4 / 12 / 22

HEX #C6BFAF

RGB 198 191 175

HSL 41.74, 0.17%, 0.73%

LAB 77.5, -0.3, 8.94

 

CMYK 0 / 3 / 10 / 16

HEX #D7D1C2

RGB 215 209 194

HSL 42.86, 0.21%, 0.8%

LAB 83.94, -0.51, 8.16

 

CMYK 0 / 2 / 8 / 9

HEX #E8E3D5

RGB 232 227 213

HSL 44.21, 0.29%, 0.87%

LAB 90.27, -0.69, 7.42

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

CMYK 0 / 4 / 13 / 44

HEX #8E897B

RGB 142 137 123

HSL 44.21, 0.08%, 0.52%

LAB 57.15, -0.68, 8.17

 

CMYK 0 / 5 / 17 / 51

HEX #7D7768

RGB 125 119 104

HSL 42.86, 0.09%, 0.45%

LAB 50.16, -0.44, 9.08

 

CMYK 0 / 6 / 21 / 58

HEX #6C6555

RGB 108 101 85

HSL 41.74, 0.12%, 0.38%

LAB 42.99, -0.15, 10.07

 

CMYK 0 / 9 / 27 / 64

HEX #5B5342

RGB 91 83 66

HSL 40.8, 0.16%, 0.31%

LAB 35.6, 0.2, 11.16

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 0 / 5 / 10 / 38

HEX #9E968E

RGB 158 150 142

HSL 30, 0.08%, 0.59%

LAB 62.54, 1.49, 5.26

 

CMYK 0 / 8 / 10 / 38

HEX #9E918E

RGB 158 145 142

HSL 11.25, 0.08%, 0.59%

LAB 61.2, 4.28, 3.32

 

CMYK 0 / 10 / 10 / 38

HEX #9E8E8E

RGB 158 142 142

HSL 0, 0.08%, 0.59%

LAB 60.4, 5.97, 2.17

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 0 / 0 / 10 / 38

HEX #9E9E8E

RGB 158 158 142

HSL 60, 0.08%, 0.59%

LAB 64.7, -2.92, 8.36

 

CMYK 3 / 0 / 10 / 38

HEX #999E8E

RGB 153 158 142

HSL 78.75, 0.08%, 0.59%

LAB 64.31, -4.78, 7.74

 

CMYK 6 / 0 / 10 / 38

HEX #959E8E

RGB 149 158 142

HSL 93.75, 0.08%, 0.59%

LAB 64, -6.26, 7.25

 

CMYK 9 / 0 / 10 / 38

HEX #909E8E

RGB 144 158 142

HSL 112.5, 0.08%, 0.59%

LAB 63.62, -8.09, 6.67

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 0 / 7 / 29 / 31

HEX #AFA37D

RGB 175 163 125

HSL 45.6, 0.24%, 0.59%

LAB 67.12, -1.68, 21.35

 

CMYK 0 / 10 / 44 / 25

HEX #C0AC6C

RGB 192 172 108

HSL 45.71, 0.4%, 0.59%

LAB 70.73, -1.66, 35.49

 

CMYK 0 / 13 / 56 / 18

HEX #D1B55B

RGB 209 181 91

HSL 45.76, 0.56%, 0.59%

LAB 74.42, -0.89, 48.87

 

CMYK 0 / 16 / 67 / 11

HEX #E2BE4A

RGB 226 190 74

HSL 45.79, 0.72%, 0.59%

LAB 78.16, 0.46, 61.13

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 11 / 9 / 0 / 38

HEX #8D919F

RGB 141 145 159

HSL 226.67, 0.09%, 0.59%

LAB 60.26, 1.45, -7.88

 

CMYK 29 / 22 / 0 / 31

HEX #7C88AF

RGB 124 136 175

HSL 225.88, 0.24%, 0.59%

LAB 57.06, 4.8, -21.97

 

CMYK 44 / 33 / 0 / 25

HEX #6C80C0

RGB 108 128 192

HSL 225.71, 0.4%, 0.59%

LAB 54.48, 9.65, -35.77

 

CMYK 56 / 43 / 0 / 18

HEX #5B77D1

RGB 91 119 209

HSL 225.76, 0.56%, 0.59%

LAB 51.86, 16.43, -49.66

 

CMYK 0 / 8 / 10 / 38

HEX #9E918E

RGB 158 145 142

HSL 11.25, 0.08%, 0.59%

LAB 61.2, 4.28, 3.32

 

CMYK 0 / 5 / 10 / 38

HEX #9E968E

RGB 158 150 142

HSL 30, 0.08%, 0.59%

LAB 62.54, 1.49, 5.26

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 0 / 0 / 10 / 38

HEX #9E9E8E

RGB 158 158 142

HSL 60, 0.08%, 0.59%

LAB 64.7, -2.92, 8.36

 

CMYK 3 / 0 / 10 / 38

HEX #9A9E8E

RGB 154 158 142

HSL 75, 0.08%, 0.59%

LAB 64.38, -4.41, 7.86

 

CMYK 0 / 3 / 15 / 54

HEX #757164

RGB 117 113 100

HSL 45.88, 0.08%, 0.43%

LAB 47.64, -0.89, 7.77

 

CMYK 0 / 3 / 14 / 45

HEX #8B8777

RGB 139 135 119

HSL 48, 0.08%, 0.51%

LAB 56.24, -1.42, 9.14

 

CMYK 0 / 3 / 10 / 38

HEX #9E9A8E

RGB 158 154 142

HSL 45, 0.08%, 0.59%

LAB 63.62, -0.72, 6.81

 

CMYK 0 / 2 / 7 / 31

HEX #B1AEA4

RGB 177 174 164

HSL 46.15, 0.08%, 0.67%

LAB 71.08, -0.74, 5.5

 

CMYK 0 / 1 / 5 / 23

HEX #C4C2BA

RGB 196 194 186

HSL 48, 0.08%, 0.75%

LAB 78.38, -0.73, 4.26

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

CMYK 10 / 0 / 10 / 38

HEX #8E9E8E

RGB 142 158 142

HSL 120, 0.08%, 0.59%

LAB 63.47, -8.82, 6.44

 

CMYK 7 / 10 / 0 / 38

HEX #938E9E

RGB 147 142 158

HSL 258.75, 0.08%, 0.59%

LAB 59.9, 5.03, -7.79

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

CMYK 10 / 0 / 3 / 38

HEX #8E9E9A

RGB 142 158 154

HSL 165, 0.08%, 0.59%

LAB 63.78, -6.46, 0.15

 

CMYK 3 / 10 / 0 / 38

HEX #9A8E9E

RGB 154 142 158

HSL 285, 0.08%, 0.59%

LAB 60.5, 7.52, -6.84

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

CMYK 10 / 0 / 10 / 38

HEX #8E9E8E

RGB 142 158 142

HSL 120, 0.08%, 0.59%

LAB 63.47, -8.82, 6.44

 

CMYK 10 / 8 / 0 / 38

HEX #8E929E

RGB 142 146 158

HSL 225, 0.08%, 0.59%

LAB 60.58, 1.02, -6.82

 

CMYK 1 / 10 / 0 / 38

HEX #9D8E9E

RGB 157 142 158

HSL 296.25, 0.08%, 0.59%

LAB 60.77, 8.59, -6.42

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8E

RGB 159 155 142

HSL 45.88, 0.08%, 0.59%

LAB 63.97, -0.89, 7.33

 

CMYK 10 / 0 / 8 / 38

HEX #8E9E92

RGB 142 158 146

HSL 135, 0.08%, 0.59%

LAB 63.57, -8.05, 4.34

 

CMYK 10 / 8 / 0 / 38

HEX #8E929E

RGB 142 146 158

HSL 225, 0.08%, 0.59%

LAB 60.58, 1.02, -6.82

 

CMYK 0 / 10 / 3 / 38

HEX #9E8E9A

RGB 158 142 154

HSL 315, 0.08%, 0.59%

LAB 60.74, 8.18, -4.18

 

Description

Color code: RGB 159 155 142 | qconv.com Color code: RGB 159 155 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 155 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 155 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 11 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 11% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

76% - 鋏研ぎハサミ研ぎ　理容 美容 トリミング...
Link: http://www.s-prime1.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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