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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5AD9C it is the complementary color #4A5263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5AD9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5AD9C shade: #BAAD97, #CBBFAA, #DCD1BD, #EDE3D0 and #FEF5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5AD9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5AD9C shade: #B5AD9C, #A49B89, #938976, #827763 and #716550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5AD9C shade: #B4AC9C, #B4A69C, #B49F9C and #B49C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5AD9C shade: #B4AC9C, #B4B39C, #AFB49C, #A8B49C and #A2B49C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5AD9C shade matches the following richer shades: #B4AC9C, #C2B18E, #D0B680, #DEBB72 and #ECC064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5AD9C shade: #B4AC9C, #A6A7AA, #98A2B8, #8A9DC6 and #7C98D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5AD9C shade: #B49F9C, #B4A59C, #B4AC9C, #B4B29C and #AFB49C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5AD9C shade: #90856D, #A29984, #B4AC9C, #C6C0B3 and #D7D3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5AD9C shade: #B5AD9C, #9FB49C and #A29CB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5AD9C shade: #B5AD9C, #9CB4AC and #AC9CB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5AD9C shade: #B5AD9C, #9FB49C, #9CA4B4 and #B19CB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5AD9C shade: #B5AD9C, #9CB4A0, #9CA4B4 and #B49CB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

Complementary color

CMYK 25 / 17 / 0 / 61

HEX #4A5263

RGB 74 82 99

HSL 220.8, 0.14%, 0.34%

LAB 34.78, 1.07, -10.92

 

CMYK 0 / 7 / 19 / 27

HEX #BAAD97

RGB 186 173 151

HSL 37.71, 0.2%, 0.66%

LAB 71.26, 1.01, 12.99

 

CMYK 0 / 6 / 16 / 20

HEX #CBBFAA

RGB 203 191 170

HSL 38.18, 0.24%, 0.73%

LAB 77.79, 0.73, 12.11

 

CMYK 0 / 5 / 14 / 14

HEX #DCD1BD

RGB 220 209 189

HSL 38.71, 0.31%, 0.8%

LAB 84.22, 0.48, 11.28

 

CMYK 0 / 4 / 12 / 7

HEX #EDE3D0

RGB 237 227 208

HSL 39.31, 0.45%, 0.87%

LAB 90.55, 0.25, 10.48

 

CMYK 0 / 4 / 11 / 0

HEX #FEF5E3

RGB 254 245 227

HSL 40, 0.93%, 0.94%

LAB 96.79, 0.04, 9.72

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 0 / 5 / 16 / 36

HEX #A49B89

RGB 164 155 137

HSL 40, 0.13%, 0.59%

LAB 64.28, 0.17, 10.62

 

CMYK 0 / 7 / 20 / 42

HEX #938976

RGB 147 137 118

HSL 39.31, 0.12%, 0.52%

LAB 57.47, 0.45, 11.54

 

CMYK 0 / 8 / 24 / 49

HEX #827763

RGB 130 119 99

HSL 38.71, 0.14%, 0.45%

LAB 50.5, 0.79, 12.55

 

CMYK 0 / 11 / 29 / 56

HEX #716550

RGB 113 101 80

HSL 38.18, 0.17%, 0.38%

LAB 43.36, 1.19, 13.65

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 0 / 8 / 13 / 29

HEX #B4A69C

RGB 180 166 156

HSL 25, 0.14%, 0.66%

LAB 69.02, 3.34, 6.99

 

CMYK 0 / 12 / 13 / 29

HEX #B49F9C

RGB 180 159 156

HSL 7.5, 0.14%, 0.66%

LAB 67.2, 7.18, 4.37

 

CMYK 0 / 13 / 13 / 29

HEX #B49C9C

RGB 180 156 156

HSL 0, 0.14%, 0.66%

LAB 66.43, 8.84, 3.26

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 0 / 1 / 13 / 29

HEX #B4B39C

RGB 180 179 156

HSL 57.5, 0.14%, 0.66%

LAB 72.46, -3.67, 11.88

 

CMYK 3 / 0 / 13 / 29

HEX #AFB49C

RGB 175 180 156

HSL 72.5, 0.14%, 0.66%

LAB 72.33, -6.05, 11.65

 

CMYK 7 / 0 / 13 / 29

HEX #A8B49C

RGB 168 180 156

HSL 90, 0.14%, 0.66%

LAB 71.8, -8.61, 10.83

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 0 / 9 / 27 / 24

HEX #C2B18E

RGB 194 177 142

HSL 40.38, 0.3%, 0.66%

LAB 72.8, 0.62, 20.15

 

CMYK 0 / 13 / 38 / 18

HEX #D0B680

RGB 208 182 128

HSL 40.5, 0.46%, 0.66%

LAB 75.09, 1.73, 30.92

 

CMYK 0 / 16 / 49 / 13

HEX #DEBB72

RGB 222 187 114

HSL 40.56, 0.62%, 0.66%

LAB 77.45, 3.31, 41.45

 

CMYK 0 / 19 / 58 / 7

HEX #ECC064

RGB 236 192 100

HSL 40.59, 0.78%, 0.66%

LAB 79.87, 5.29, 51.58

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 2 / 2 / 0 / 33

HEX #A6A7AA

RGB 166 167 170

HSL 225, 0.02%, 0.66%

LAB 68.49, 0.22, -1.68

 

CMYK 17 / 12 / 0 / 28

HEX #98A2B8

RGB 152 162 184

HSL 221.25, 0.18%, 0.66%

LAB 66.5, 1.13, -12.54

 

CMYK 30 / 21 / 0 / 22

HEX #8A9DC6

RGB 138 157 198

HSL 221, 0.34%, 0.66%

LAB 64.64, 2.88, -23.27

 

CMYK 42 / 28 / 0 / 17

HEX #7C98D4

RGB 124 152 212

HSL 220.91, 0.51%, 0.66%

LAB 62.92, 5.55, -33.79

 

CMYK 0 / 12 / 13 / 29

HEX #B49F9C

RGB 180 159 156

HSL 7.5, 0.14%, 0.66%

LAB 67.2, 7.18, 4.37

 

CMYK 0 / 8 / 13 / 29

HEX #B4A59C

RGB 180 165 156

HSL 22.5, 0.14%, 0.66%

LAB 68.76, 3.89, 6.62

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 0 / 1 / 13 / 29

HEX #B4B29C

RGB 180 178 156

HSL 55, 0.14%, 0.66%

LAB 72.19, -3.13, 11.51

 

CMYK 3 / 0 / 13 / 29

HEX #AFB49C

RGB 175 180 156

HSL 72.5, 0.14%, 0.66%

LAB 72.33, -6.05, 11.65

 

CMYK 0 / 8 / 24 / 44

HEX #90856D

RGB 144 133 109

HSL 41.14, 0.14%, 0.5%

LAB 55.9, 0.09, 14.46

 

CMYK 0 / 6 / 19 / 36

HEX #A29984

RGB 162 153 132

HSL 42, 0.14%, 0.58%

LAB 63.45, -0.31, 12.23

 

CMYK 0 / 4 / 13 / 29

HEX #B4AC9C

RGB 180 172 156

HSL 40, 0.14%, 0.66%

LAB 70.6, 0.09, 9.25

 

CMYK 0 / 3 / 10 / 22

HEX #C6C0B3

RGB 198 192 179

HSL 41.05, 0.14%, 0.74%

LAB 77.85, -0.17, 7.29

 

CMYK 0 / 2 / 6 / 16

HEX #D7D3CB

RGB 215 211 203

HSL 40, 0.13%, 0.82%

LAB 84.66, -0.03, 4.43

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 12 / 0 / 13 / 29

HEX #9FB49C

RGB 159 180 156

HSL 112.5, 0.14%, 0.66%

LAB 71.16, -11.84, 9.82

 

CMYK 10 / 13 / 0 / 29

HEX #A29CB4

RGB 162 156 180

HSL 255, 0.14%, 0.66%

LAB 65.56, 6.94, -11.64

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 13 / 0 / 4 / 29

HEX #9CB4AC

RGB 156 180 172

HSL 160, 0.14%, 0.66%

LAB 71.34, -9.83, 1.29

 

CMYK 4 / 13 / 0 / 29

HEX #AC9CB4

RGB 172 156 180

HSL 280, 0.14%, 0.66%

LAB 66.4, 10.37, -10.3

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 12 / 0 / 13 / 29

HEX #9FB49C

RGB 159 180 156

HSL 112.5, 0.14%, 0.66%

LAB 71.16, -11.84, 9.82

 

CMYK 13 / 9 / 0 / 29

HEX #9CA4B4

RGB 156 164 180

HSL 220, 0.14%, 0.66%

LAB 67.21, 0.47, -9.22

 

CMYK 2 / 13 / 0 / 29

HEX #B19CB4

RGB 177 156 180

HSL 292.5, 0.14%, 0.66%

LAB 66.84, 12.11, -9.59

 

CMYK 0 / 4 / 14 / 29

HEX #B5AD9C

RGB 181 173 156

HSL 40.8, 0.14%, 0.66%

LAB 70.95, -0.08, 9.75

 

CMYK 13 / 0 / 11 / 29

HEX #9CB4A0

RGB 156 180 160

HSL 130, 0.14%, 0.66%

LAB 71.04, -12.16, 7.44

 

CMYK 13 / 9 / 0 / 29

HEX #9CA4B4

RGB 156 164 180

HSL 220, 0.14%, 0.66%

LAB 67.21, 0.47, -9.22

 

CMYK 0 / 13 / 2 / 29

HEX #B49CB0

RGB 180 156 176

HSL 310, 0.14%, 0.66%

LAB 66.99, 12.4, -7.11

 

Description

Color code: HEX #B5AD9C | qconv.com Color code: HEX #B5AD9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 173 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 173 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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