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Color name
RGB 157 96 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 96 150 it is the complementary color RGB 98 159 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 96 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 96 150 shade: RGB 162 96 145, RGB 179 114 164, RGB 196 132 183, RGB 213 150 202 and RGB 230 168 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 96 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 96 150 shade: RGB 157 96 150, RGB 140 78 131, RGB 123 60 112, RGB 106 42 93 and RGB 89 24 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 96 150 shade: RGB 158 96 151, RGB 158 96 134, RGB 158 96 118, RGB 158 96 101 and RGB 158 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 96 150 shade: RGB 158 96 151, RGB 148 96 158, RGB 132 96 158, RGB 115 96 158 and RGB 99 96 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 96 150 shade matches the following richer shades: RGB 158 96 151, RGB 178 76 166, RGB 199 55 182, RGB 219 35 198 and RGB 240 14 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 96 150 shade: RGB 158 96 151, RGB 137 117 135, RGB 116 138 119, RGB 96 158 103 and RGB 75 179 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 96 150 shade: RGB 131 96 158, RGB 147 96 158, RGB 158 96 151, RGB 158 96 135 and RGB 158 96 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 96 150 shade: RGB 106 65 102, RGB 132 81 126, RGB 158 96 151, RGB 173 122 167 and RGB 189 148 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 96 150 shade: RGB 157 96 150, RGB 158 115 96 and RGB 96 158 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 96 150 shade: RGB 157 96 150, RGB 151 158 96 and RGB 96 151 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 96 150 shade: RGB 157 96 150, RGB 158 115 96, RGB 96 158 103 and RGB 96 139 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 96 150 shade: RGB 157 96 150, RGB 158 133 96, RGB 96 158 103 and RGB 96 121 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

Complementary color

CMYK 38 / 0 / 34 / 38

HEX #629F69

RGB 98 159 105

HSL 126.89, 0.24%, 0.5%

LAB 60.26, -31.39, 22.13

 

CMYK 0 / 41 / 10 / 36

HEX #A26091

RGB 162 96 145

HSL 315.45, 0.26%, 0.51%

LAB 49.61, 34.09, -15.57

 

CMYK 0 / 36 / 8 / 30

HEX #B372A4

RGB 179 114 164

HSL 313.85, 0.3%, 0.57%

LAB 56.39, 33.31, -16.21

 

CMYK 0 / 33 / 7 / 23

HEX #C484B7

RGB 196 132 183

HSL 312.19, 0.35%, 0.64%

LAB 63.06, 32.56, -16.77

 

CMYK 0 / 30 / 5 / 16

HEX #D596CA

RGB 213 150 202

HSL 310.48, 0.43%, 0.71%

LAB 69.63, 31.85, -17.29

 

CMYK 0 / 27 / 4 / 10

HEX #E6A8DD

RGB 230 168 221

HSL 308.71, 0.55%, 0.78%

LAB 76.1, 31.19, -17.78

 

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

CMYK 0 / 44 / 6 / 45

HEX #8C4E83

RGB 140 78 131

HSL 308.71, 0.28%, 0.43%

LAB 42.25, 34.1, -18.66

 

CMYK 0 / 51 / 9 / 52

HEX #7B3C70

RGB 123 60 112

HSL 310.48, 0.34%, 0.36%

LAB 35.23, 34.87, -17.92

 

CMYK 0 / 60 / 12 / 58

HEX #6A2A5D

RGB 106 42 93

HSL 312.19, 0.43%, 0.29%

LAB 28.14, 35.48, -16.92

 

CMYK 0 / 73 / 17 / 65

HEX #59184A

RGB 89 24 74

HSL 313.85, 0.58%, 0.22%

LAB 21.1, 35.6, -15.43

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 39 / 15 / 38

HEX #9E6086

RGB 158 96 134

HSL 323.23, 0.24%, 0.5%

LAB 48.71, 30.8, -10.44

 

CMYK 0 / 39 / 25 / 38

HEX #9E6076

RGB 158 96 118

HSL 338.71, 0.24%, 0.5%

LAB 48.19, 28.23, -1.63

 

CMYK 0 / 39 / 36 / 38

HEX #9E6065

RGB 158 96 101

HSL 355.16, 0.24%, 0.5%

LAB 47.72, 25.85, 7.91

 

CMYK 0 / 39 / 39 / 38

HEX #9E6060

RGB 158 96 96

HSL 0, 0.24%, 0.5%

LAB 47.6, 25.21, 10.74

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 6 / 39 / 0 / 38

HEX #94609E

RGB 148 96 158

HSL 290.32, 0.24%, 0.5%

LAB 48.42, 31.92, -25.23

 

CMYK 16 / 39 / 0 / 38

HEX #84609E

RGB 132 96 158

HSL 274.84, 0.24%, 0.5%

LAB 46.63, 26.79, -28.15

 

CMYK 27 / 39 / 0 / 38

HEX #73609E

RGB 115 96 158

HSL 258.39, 0.24%, 0.5%

LAB 44.91, 21.49, -30.96

 

CMYK 37 / 39 / 0 / 38

HEX #63609E

RGB 99 96 158

HSL 242.9, 0.24%, 0.5%

LAB 43.49, 16.76, -33.3

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 57 / 7 / 30

HEX #B24CA6

RGB 178 76 166

HSL 307.06, 0.4%, 0.5%

LAB 48.74, 52.94, -29.14

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 0 / 84 / 10 / 14

HEX #DB23C6

RGB 219 35 198

HSL 306.85, 0.72%, 0.5%

LAB 52.22, 80.67, -41.9

 

CMYK 0 / 94 / 11 / 6

HEX #F00ED6

RGB 240 14 214

HSL 306.9, 0.89%, 0.5%

LAB 55.78, 89.41, -45.2

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 15 / 1 / 46

HEX #897587

RGB 137 117 135

HSL 306, 0.08%, 0.5%

LAB 51.6, 11.14, -6.94

 

CMYK 16 / 0 / 14 / 46

HEX #748A77

RGB 116 138 119

HSL 128.18, 0.09%, 0.5%

LAB 55.3, -11.83, 7.56

 

CMYK 39 / 0 / 35 / 38

HEX #609E67

RGB 96 158 103

HSL 126.77, 0.24%, 0.5%

LAB 59.82, -31.9, 22.62

 

CMYK 58 / 0 / 51 / 30

HEX #4BB357

RGB 75 179 87

HSL 126.92, 0.41%, 0.5%

LAB 65.3, -49.39, 37.88

 

CMYK 17 / 39 / 0 / 38

HEX #83609E

RGB 131 96 158

HSL 273.87, 0.24%, 0.5%

LAB 46.52, 26.47, -28.32

 

CMYK 7 / 39 / 0 / 38

HEX #93609E

RGB 147 96 158

HSL 289.35, 0.24%, 0.5%

LAB 48.31, 31.6, -25.42

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 39 / 15 / 38

HEX #9E6087

RGB 158 96 135

HSL 322.26, 0.24%, 0.5%

LAB 48.74, 30.97, -10.98

 

CMYK 0 / 39 / 25 / 38

HEX #9E6077

RGB 158 96 119

HSL 337.74, 0.24%, 0.5%

LAB 48.22, 28.38, -2.18

 

CMYK 0 / 39 / 4 / 58

HEX #6A4166

RGB 106 65 102

HSL 305.85, 0.24%, 0.34%

LAB 33.57, 24.19, -14.35

 

CMYK 0 / 39 / 5 / 48

HEX #84517E

RGB 132 81 126

HSL 307.06, 0.24%, 0.42%

LAB 41.68, 28.72, -16.57

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 29 / 3 / 32

HEX #AD7AA7

RGB 173 122 167

HSL 307.06, 0.24%, 0.58%

LAB 57.65, 27.34, -16.09

 

CMYK 0 / 22 / 3 / 26

HEX #BD94B8

RGB 189 148 184

HSL 307.32, 0.24%, 0.66%

LAB 66.1, 21.51, -12.81

 

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

CMYK 0 / 27 / 39 / 38

HEX #9E7360

RGB 158 115 96

HSL 18.39, 0.24%, 0.5%

LAB 52.26, 14.36, 17.17

 

CMYK 39 / 0 / 12 / 38

HEX #609E8B

RGB 96 158 139

HSL 161.61, 0.24%, 0.5%

LAB 60.61, -24.57, 3.64

 

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

CMYK 4 / 0 / 39 / 38

HEX #979E60

RGB 151 158 96

HSL 66.77, 0.24%, 0.5%

LAB 63.24, -12.47, 31.55

 

CMYK 39 / 4 / 0 / 38

HEX #60979E

RGB 96 151 158

HSL 186.77, 0.24%, 0.5%

LAB 59.06, -16.24, -9.42

 

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

CMYK 0 / 27 / 39 / 38

HEX #9E7360

RGB 158 115 96

HSL 18.39, 0.24%, 0.5%

LAB 52.26, 14.36, 17.17

 

CMYK 39 / 0 / 35 / 38

HEX #609E67

RGB 96 158 103

HSL 126.77, 0.24%, 0.5%

LAB 59.82, -31.9, 22.62

 

CMYK 39 / 12 / 0 / 38

HEX #608B9E

RGB 96 139 158

HSL 198.39, 0.24%, 0.5%

LAB 55.5, -9.68, -14.76

 

CMYK 0 / 39 / 4 / 38

HEX #9D6096

RGB 157 96 150

HSL 306.89, 0.24%, 0.5%

LAB 49.17, 33.31, -19.25

 

CMYK 0 / 16 / 39 / 38

HEX #9E8560

RGB 158 133 96

HSL 35.81, 0.24%, 0.5%

LAB 56.97, 4.13, 23.5

 

CMYK 39 / 0 / 35 / 38

HEX #609E67

RGB 96 158 103

HSL 126.77, 0.24%, 0.5%

LAB 59.82, -31.9, 22.62

 

CMYK 39 / 23 / 0 / 38

HEX #60799E

RGB 96 121 158

HSL 215.81, 0.24%, 0.5%

LAB 50.25, 0.67, -22.78

 

Description

Color code: RGB 157 96 150 | qconv.com Color code: RGB 157 96 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 96 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 96 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 4 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 4% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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