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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 55 182 it is the complementary color RGB 56 200 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 55 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 55 182 shade: RGB 204 55 177, RGB 221 73 196, RGB 238 91 215, RGB 255 109 234 and RGB 255 127 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 55 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 55 182 shade: RGB 199 55 182, RGB 182 37 163, RGB 165 19 144, RGB 148 1 125 and RGB 131 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 55 182 shade: RGB 200 54 183, RGB 200 54 143, RGB 200 54 104, RGB 200 54 65 and RGB 200 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 55 182 shade: RGB 200 54 183, RGB 178 54 200, RGB 138 54 200, RGB 99 54 200 and RGB 60 54 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 55 182 shade matches the following richer shades: RGB 200 54 183, RGB 220 34 198 and RGB 241 13 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 55 182 shade: RGB 200 54 183, RGB 179 75 167, RGB 158 96 151, RGB 138 116 135 and RGB 117 137 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 55 182 shade: RGB 139 54 200, RGB 178 54 200, RGB 200 54 183, RGB 200 54 144 and RGB 200 54 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 55 182 shade: RGB 135 37 123, RGB 167 45 153, RGB 200 54 183, RGB 209 87 194 and RGB 217 119 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 55 182 shade: RGB 199 55 182, RGB 200 100 54 and RGB 54 200 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 55 182 shade: RGB 199 55 182, RGB 183 200 54 and RGB 54 183 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 55 182 shade: RGB 199 55 182, RGB 200 100 54, RGB 54 200 71 and RGB 54 154 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 55 182 shade: RGB 199 55 182, RGB 200 144 54, RGB 54 200 71 and RGB 54 110 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

Complementary color

CMYK 72 / 0 / 64 / 22

HEX #38C849

RGB 56 200 73

HSL 127.08, 0.57%, 0.5%

LAB 71.3, -62.54, 51.3

 

CMYK 0 / 73 / 13 / 20

HEX #CC37B1

RGB 204 55 177

HSL 310.87, 0.59%, 0.51%

LAB 50.39, 69.5, -32.74

 

CMYK 0 / 67 / 11 / 13

HEX #DD49C4

RGB 221 73 196

HSL 310.14, 0.69%, 0.58%

LAB 56.21, 70.08, -34.45

 

CMYK 0 / 62 / 10 / 7

HEX #EE5BD7

RGB 238 91 215

HSL 309.39, 0.81%, 0.65%

LAB 62.14, 70.2, -35.8

 

CMYK 0 / 57 / 8 / 0

HEX #FF6DEA

RGB 255 109 234

HSL 308.63, 1%, 0.71%

LAB 68.12, 70.01, -36.89

 

CMYK 0 / 50 / 1 / 0

HEX #FF7FFD

RGB 255 127 253

HSL 300.94, 1%, 0.75%

LAB 71.91, 65.07, -41.41

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 0 / 80 / 10 / 29

HEX #B625A3

RGB 182 37 163

HSL 307.86, 0.66%, 0.43%

LAB 44.11, 67.82, -34.58

 

CMYK 0 / 88 / 13 / 35

HEX #A51390

RGB 165 19 144

HSL 308.63, 0.79%, 0.36%

LAB 38.69, 65.51, -31.84

 

CMYK 0 / 99 / 16 / 42

HEX #94017D

RGB 148 1 125

HSL 309.39, 0.99%, 0.29%

LAB 33.56, 62.03, -28.37

 

CMYK 0 / 100 / 19 / 49

HEX #83006A

RGB 131 0 106

HSL 311.45, 1%, 0.26%

LAB 29.07, 56.29, -23.56

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 0 / 73 / 29 / 22

HEX #C8368F

RGB 200 54 143

HSL 323.42, 0.57%, 0.5%

LAB 48.13, 64.35, -16.09

 

CMYK 0 / 73 / 48 / 22

HEX #C83668

RGB 200 54 104

HSL 339.45, 0.57%, 0.5%

LAB 46.87, 60.28, 5.76

 

CMYK 0 / 73 / 68 / 22

HEX #C83641

RGB 200 54 65

HSL 355.48, 0.57%, 0.5%

LAB 46.04, 57.54, 28.49

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 11 / 73 / 0 / 22

HEX #B236C8

RGB 178 54 200

HSL 290.96, 0.57%, 0.5%

LAB 47.33, 67.85, -51.24

 

CMYK 31 / 73 / 0 / 22

HEX #8A36C8

RGB 138 54 200

HSL 274.52, 0.57%, 0.5%

LAB 41.55, 59.98, -60.85

 

CMYK 51 / 73 / 0 / 22

HEX #6336C8

RGB 99 54 200

HSL 258.49, 0.57%, 0.5%

LAB 36.86, 53.27, -68.71

 

CMYK 70 / 73 / 0 / 22

HEX #3C36C8

RGB 60 54 200

HSL 242.47, 0.57%, 0.5%

LAB 33.5, 48.22, -74.35

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 0 / 85 / 10 / 14

HEX #DC22C6

RGB 220 34 198

HSL 307.1, 0.73%, 0.5%

LAB 52.33, 81.05, -41.71

 

CMYK 0 / 95 / 11 / 5

HEX #F10DD6

RGB 241 13 214

HSL 307.11, 0.9%, 0.5%

LAB 55.93, 89.66, -44.95

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 0 / 58 / 7 / 30

HEX #B34BA7

RGB 179 75 167

HSL 306.92, 0.41%, 0.5%

LAB 48.77, 53.85, -29.68

 

CMYK 0 / 39 / 4 / 38

HEX #9E6097

RGB 158 96 151

HSL 306.77, 0.24%, 0.5%

LAB 49.34, 33.83, -19.58

 

CMYK 0 / 16 / 2 / 46

HEX #8A7487

RGB 138 116 135

HSL 308.18, 0.09%, 0.5%

LAB 51.43, 12.1, -7.18

 

CMYK 15 / 0 / 13 / 46

HEX #758977

RGB 117 137 119

HSL 126, 0.08%, 0.5%

LAB 55.08, -10.91, 7.25

 

CMYK 31 / 73 / 0 / 22

HEX #8B36C8

RGB 139 54 200

HSL 274.93, 0.57%, 0.5%

LAB 41.68, 60.17, -60.63

 

CMYK 11 / 73 / 0 / 22

HEX #B236C8

RGB 178 54 200

HSL 290.96, 0.57%, 0.5%

LAB 47.33, 67.85, -51.24

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 0 / 73 / 28 / 22

HEX #C83690

RGB 200 54 144

HSL 323.01, 0.57%, 0.5%

LAB 48.17, 64.47, -16.64

 

CMYK 0 / 73 / 48 / 22

HEX #C83669

RGB 200 54 105

HSL 339.04, 0.57%, 0.5%

LAB 46.89, 60.37, 5.18

 

CMYK 0 / 73 / 9 / 47

HEX #87257B

RGB 135 37 123

HSL 307.35, 0.57%, 0.34%

LAB 33.78, 50.91, -26.93

 

CMYK 0 / 73 / 8 / 35

HEX #A72D99

RGB 167 45 153

HSL 306.89, 0.58%, 0.42%

LAB 41.83, 60.59, -32.33

 

CMYK 0 / 73 / 9 / 22

HEX #C836B7

RGB 200 54 183

HSL 306.99, 0.57%, 0.5%

LAB 49.9, 69.78, -37.06

 

CMYK 0 / 58 / 7 / 18

HEX #D157C2

RGB 209 87 194

HSL 307.38, 0.57%, 0.58%

LAB 56.35, 61.07, -33.21

 

CMYK 0 / 45 / 5 / 15

HEX #D977CE

RGB 217 119 206

HSL 306.73, 0.56%, 0.66%

LAB 63.67, 50.14, -28.58

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 0 / 50 / 73 / 22

HEX #C86436

RGB 200 100 54

HSL 18.9, 0.57%, 0.5%

LAB 53.66, 36.49, 43.42

 

CMYK 73 / 0 / 21 / 22

HEX #36C89E

RGB 54 200 158

HSL 162.74, 0.57%, 0.5%

LAB 72.6, -47.84, 10.18

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 9 / 0 / 73 / 22

HEX #B7C836

RGB 183 200 54

HSL 66.99, 0.57%, 0.5%

LAB 77.07, -23.82, 66.46

 

CMYK 73 / 9 / 0 / 22

HEX #36B7C8

RGB 54 183 200

HSL 186.99, 0.57%, 0.5%

LAB 68.62, -28.61, -18.63

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 0 / 50 / 73 / 22

HEX #C86436

RGB 200 100 54

HSL 18.9, 0.57%, 0.5%

LAB 53.66, 36.49, 43.42

 

CMYK 73 / 0 / 65 / 22

HEX #36C847

RGB 54 200 71

HSL 126.99, 0.57%, 0.5%

LAB 71.25, -63.08, 52.08

 

CMYK 73 / 23 / 0 / 22

HEX #369AC8

RGB 54 154 200

HSL 198.9, 0.57%, 0.5%

LAB 59.95, -13.53, -31.94

 

CMYK 0 / 72 / 9 / 22

HEX #C737B6

RGB 199 55 182

HSL 307.08, 0.57%, 0.5%

LAB 49.8, 69.08, -36.64

 

CMYK 0 / 28 / 73 / 22

HEX #C89036

RGB 200 144 54

HSL 36.99, 0.57%, 0.5%

LAB 63.75, 12.78, 53.92

 

CMYK 73 / 0 / 65 / 22

HEX #36C847

RGB 54 200 71

HSL 126.99, 0.57%, 0.5%

LAB 71.25, -63.08, 52.08

 

CMYK 73 / 45 / 0 / 22

HEX #366EC8

RGB 54 110 200

HSL 216.99, 0.57%, 0.5%

LAB 47.11, 12.53, -52.21

 

Description

Color code: RGB 199 55 182 | qconv.com Color code: RGB 199 55 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 55 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 55 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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