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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 48 17 it is the complementary color RGB 100 207 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 48 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 48 17 shade: RGB 160 48 12, RGB 177 66 31, RGB 194 84 50, RGB 211 102 69 and RGB 228 120 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 48 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 48 17 shade: RGB 155 48 17, RGB 138 30 0, RGB 121 12 0, RGB 104 0 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 48 17 shade: RGB 156 48 17 and RGB 156 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 48 17 shade: RGB 156 48 17, RGB 156 85 17, RGB 156 123 17, RGB 151 156 17 and RGB 113 156 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 48 17 shade matches the following richer shades: RGB 156 48 17 and RGB 170 40 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 48 17 shade: RGB 156 48 17, RGB 142 56 31, RGB 128 63 45, RGB 113 71 59 and RGB 99 79 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 48 17 shade: RGB 156 17 61, RGB 156 17 24, RGB 156 47 17, RGB 156 84 17 and RGB 156 121 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 48 17 shade: RGB 81 25 9, RGB 118 36 13, RGB 156 48 17, RGB 193 60 21 and RGB 229 71 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 48 17 shade: RGB 155 48 17, RGB 98 156 17 and RGB 17 42 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 48 17 shade: RGB 155 48 17, RGB 17 156 47 and RGB 47 17 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 48 17 shade: RGB 155 48 17, RGB 98 156 17, RGB 17 126 156 and RGB 75 17 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 48 17 shade: RGB 155 48 17, RGB 56 156 17, RGB 17 126 156 and RGB 116 17 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

Complementary color

CMYK 58 / 13 / 0 / 7

HEX #64CFEE

RGB 100 207 238

HSL 193.48, 0.8%, 0.66%

LAB 78.17, -22.08, -24.6

 

CMYK 0 / 70 / 93 / 37

HEX #A0300C

RGB 160 48 12

HSL 14.59, 0.86%, 0.34%

LAB 37.14, 44.82, 44.99

 

CMYK 0 / 63 / 82 / 31

HEX #B1421F

RGB 177 66 31

HSL 14.38, 0.7%, 0.41%

LAB 43.27, 43.51, 43.16

 

CMYK 0 / 57 / 74 / 24

HEX #C25432

RGB 194 84 50

HSL 14.17, 0.59%, 0.48%

LAB 49.54, 42.03, 40.77

 

CMYK 0 / 52 / 67 / 17

HEX #D36645

RGB 211 102 69

HSL 13.94, 0.62%, 0.55%

LAB 55.87, 40.54, 38.44

 

CMYK 0 / 47 / 61 / 11

HEX #E47858

RGB 228 120 88

HSL 13.71, 0.72%, 0.62%

LAB 62.2, 39.12, 36.31

 

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

CMYK 0 / 78 / 100 / 46

HEX #8A1E00

RGB 138 30 0

HSL 13.04, 1%, 0.27%

LAB 30.23, 43.97, 42.9

 

CMYK 0 / 90 / 100 / 53

HEX #790C00

RGB 121 12 0

HSL 5.95, 1%, 0.24%

LAB 24.73, 43.73, 36.73

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 69 / 89 / 39

HEX #9C3011

RGB 156 48 17

HSL 13.38, 0.8%, 0.34%

LAB 36.41, 43.51, 42.13

 

CMYK 0 / 89 / 89 / 39

HEX #9C1111

RGB 156 17 17

HSL 0, 0.8%, 0.34%

LAB 32.94, 53.19, 39.37

 

CMYK 0 / 69 / 89 / 39

HEX #9C3011

RGB 156 48 17

HSL 13.38, 0.8%, 0.34%

LAB 36.41, 43.51, 42.13

 

CMYK 0 / 46 / 89 / 39

HEX #9C5511

RGB 156 85 17

HSL 29.35, 0.8%, 0.34%

LAB 43.66, 24.88, 47.92

 

CMYK 0 / 21 / 89 / 39

HEX #9C7B11

RGB 156 123 17

HSL 45.76, 0.8%, 0.34%

LAB 53.25, 3.28, 55.59

 

CMYK 3 / 0 / 89 / 39

HEX #979C11

RGB 151 156 17

HSL 62.16, 0.8%, 0.34%

LAB 62, -16.89, 62.41

 

CMYK 28 / 0 / 89 / 39

HEX #719C11

RGB 113 156 17

HSL 78.56, 0.8%, 0.34%

LAB 59.28, -33.15, 59.07

 

CMYK 0 / 69 / 89 / 39

HEX #9C3011

RGB 156 48 17

HSL 13.38, 0.8%, 0.34%

LAB 36.41, 43.51, 42.13

 

CMYK 0 / 76 / 98 / 33

HEX #AA2803

RGB 170 40 3

HSL 13.29, 0.97%, 0.34%

LAB 37.97, 51.03, 49.61

 

CMYK 0 / 69 / 89 / 39

HEX #9C3011

RGB 156 48 17

HSL 13.38, 0.8%, 0.34%

LAB 36.41, 43.51, 42.13

 

CMYK 0 / 61 / 78 / 44

HEX #8E381F

RGB 142 56 31

HSL 13.51, 0.64%, 0.34%

LAB 35.36, 35.03, 33.29

 

CMYK 0 / 51 / 65 / 50

HEX #803F2D

RGB 128 63 45

HSL 13.01, 0.48%, 0.34%

LAB 34.67, 26.39, 23.75

 

CMYK 0 / 37 / 48 / 56

HEX #71473B

RGB 113 71 59

HSL 13.33, 0.31%, 0.34%

LAB 34.67, 16.49, 14.67

 

CMYK 0 / 20 / 26 / 61

HEX #634F49

RGB 99 79 73

HSL 13.85, 0.15%, 0.34%

LAB 35.45, 7.34, 6.7

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 89 / 85 / 39

HEX #9C1118

RGB 156 17 24

HSL 356.98, 0.8%, 0.34%

LAB 32.99, 53.35, 35.73

 

CMYK 0 / 70 / 89 / 39

HEX #9C2F11

RGB 156 47 17

HSL 12.95, 0.8%, 0.34%

LAB 36.26, 43.93, 42.01

 

CMYK 0 / 46 / 89 / 39

HEX #9C5411

RGB 156 84 17

HSL 28.92, 0.8%, 0.34%

LAB 43.43, 25.44, 47.74

 

CMYK 0 / 22 / 89 / 39

HEX #9C7911

RGB 156 121 17

HSL 44.89, 0.8%, 0.34%

LAB 52.71, 4.41, 55.16

 

CMYK 0 / 69 / 89 / 68

HEX #511909

RGB 81 25 9

HSL 13.33, 0.8%, 0.18%

LAB 17.76, 25.32, 22.97

 

CMYK 0 / 69 / 89 / 54

HEX #76240D

RGB 118 36 13

HSL 13.14, 0.8%, 0.26%

LAB 27.14, 34.77, 33.31

 

CMYK 0 / 69 / 89 / 39

HEX #9C3011

RGB 156 48 17

HSL 13.38, 0.8%, 0.34%

LAB 36.41, 43.51, 42.13

 

CMYK 0 / 69 / 89 / 24

HEX #C13C15

RGB 193 60 21

HSL 13.6, 0.8%, 0.42%

LAB 45.11, 51.48, 50.24

 

CMYK 0 / 69 / 89 / 10

HEX #E5471A

RGB 229 71 26

HSL 13.3, 0.8%, 0.5%

LAB 53.21, 59.22, 57.32

 

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

CMYK 37 / 0 / 89 / 39

HEX #629C11

RGB 98 156 17

HSL 85.04, 0.8%, 0.34%

LAB 58.43, -38.95, 58.01

 

CMYK 89 / 73 / 0 / 39

HEX #112A9C

RGB 17 42 156

HSL 229.21, 0.8%, 0.34%

LAB 24.24, 36.72, -63.43

 

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

CMYK 89 / 0 / 70 / 39

HEX #119C2F

RGB 17 156 47

HSL 132.95, 0.8%, 0.34%

LAB 56.19, -55.99, 45.6

 

CMYK 70 / 89 / 0 / 39

HEX #2F119C

RGB 47 17 156

HSL 252.95, 0.8%, 0.34%

LAB 21.6, 51.18, -67.76

 

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

CMYK 37 / 0 / 89 / 39

HEX #629C11

RGB 98 156 17

HSL 85.04, 0.8%, 0.34%

LAB 58.43, -38.95, 58.01

 

CMYK 89 / 19 / 0 / 39

HEX #117E9C

RGB 17 126 156

HSL 192.95, 0.8%, 0.34%

LAB 48.81, -17.25, -24.07

 

CMYK 52 / 89 / 0 / 39

HEX #4B119C

RGB 75 17 156

HSL 265.04, 0.8%, 0.34%

LAB 24.63, 53.63, -62.65

 

CMYK 0 / 69 / 89 / 39

HEX #9B3011

RGB 155 48 17

HSL 13.48, 0.8%, 0.34%

LAB 36.22, 43.15, 41.9

 

CMYK 64 / 0 / 89 / 39

HEX #389C11

RGB 56 156 17

HSL 103.17, 0.8%, 0.34%

LAB 56.74, -51.89, 55.9

 

CMYK 89 / 19 / 0 / 39

HEX #117E9C

RGB 17 126 156

HSL 192.95, 0.8%, 0.34%

LAB 48.81, -17.25, -24.07

 

CMYK 26 / 89 / 0 / 39

HEX #74119C

RGB 116 17 156

HSL 282.73, 0.8%, 0.34%

LAB 30.67, 59.07, -52.5

 

Description

Color code: RGB 155 48 17 | qconv.com Color code: RGB 155 48 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 48 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 48 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 89 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 89% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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