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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C113D it is the complementary color #63EEC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C113D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C113D shade: #A11138, #B2234B, #C3355E, #D44771 and #E55984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C113D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C113D shade: #9C113D, #8B002A, #7A0017, #690004 and #580000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C113D shade: #9C113D, #9C1117 and #9C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C113D shade: #9C113D, #9C1162, #9C1188, #8A119C and #65119C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C113D shade matches the following richer shades: #9C113D and #AA0338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C113D shade: #9C113D, #8E1F42, #802D47, #713B4C and #634951

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C113D shade: #9C1187, #9C1162, #9C113D, #9C1118 and #9C2F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C113D shade: #510920, #760D2E, #9C113D, #C1154B and #E51A5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C113D shade: #9C113D, #9C8B11 and #11749C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C113D shade: #9C113D, #3D9C11 and #113D9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C113D shade: #9C113D, #9C8B11, #119C70 and #11219C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C113D shade: #9C113D, #829C11, #119C70 and #2A119C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

Complementary color

CMYK 58 / 0 / 18 / 7

HEX #63EEC2

RGB 99 238 194

HSL 161.01, 0.8%, 0.66%

LAB 85.85, -48.01, 10.1

 

CMYK 0 / 89 / 65 / 37

HEX #A11138

RGB 161 17 56

HSL 343.75, 0.81%, 0.35%

LAB 34.53, 56.05, 17.9

 

CMYK 0 / 80 / 58 / 30

HEX #B2234B

RGB 178 35 75

HSL 343.22, 0.67%, 0.42%

LAB 39.87, 57.7, 13.46

 

CMYK 0 / 73 / 52 / 24

HEX #C3355E

RGB 195 53 94

HSL 342.68, 0.57%, 0.49%

LAB 45.57, 58.33, 9.96

 

CMYK 0 / 67 / 47 / 17

HEX #D44771

RGB 212 71 113

HSL 342.13, 0.62%, 0.55%

LAB 51.49, 58.31, 7.18

 

CMYK 0 / 61 / 42 / 10

HEX #E55984

RGB 229 89 132

HSL 341.57, 0.73%, 0.62%

LAB 57.53, 57.91, 4.91

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 100 / 70 / 45

HEX #8B002A

RGB 139 0 42

HSL 341.87, 1%, 0.27%

LAB 28.53, 52.21, 18.46

 

CMYK 0 / 100 / 81 / 52

HEX #7A0017

RGB 122 0 23

HSL 348.69, 1%, 0.24%

LAB 24.32, 46.97, 25.13

 

CMYK 0 / 100 / 96 / 59

HEX #690004

RGB 105 0 4

HSL 357.71, 1%, 0.21%

LAB 20.09, 41.82, 29.09

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 89 / 85 / 39

HEX #9C1117

RGB 156 17 23

HSL 357.41, 0.8%, 0.34%

LAB 32.99, 53.32, 36.27

 

CMYK 0 / 89 / 89 / 39

HEX #9C1111

RGB 156 17 17

HSL 0, 0.8%, 0.34%

LAB 32.94, 53.19, 39.37

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 89 / 37 / 39

HEX #9C1162

RGB 156 17 98

HSL 325.04, 0.8%, 0.34%

LAB 34.7, 58.19, -9.31

 

CMYK 0 / 89 / 13 / 39

HEX #9C1188

RGB 156 17 136

HSL 308.63, 0.8%, 0.34%

LAB 36.45, 62.91, -30.56

 

CMYK 12 / 89 / 0 / 39

HEX #8A119C

RGB 138 17 156

HSL 292.23, 0.8%, 0.34%

LAB 34.41, 62.68, -46.28

 

CMYK 35 / 89 / 0 / 39

HEX #65119C

RGB 101 17 156

HSL 276.26, 0.8%, 0.34%

LAB 28.3, 56.86, -56.49

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 98 / 67 / 33

HEX #AA0338

RGB 170 3 56

HSL 340.96, 0.97%, 0.34%

LAB 35.78, 60.28, 19.9

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 78 / 54 / 44

HEX #8E1F42

RGB 142 31 66

HSL 341.08, 0.64%, 0.34%

LAB 32.09, 47.86, 7.38

 

CMYK 0 / 65 / 45 / 50

HEX #802D47

RGB 128 45 71

HSL 341.2, 0.48%, 0.34%

LAB 31.63, 38.21, 3.08

 

CMYK 0 / 48 / 33 / 56

HEX #713B4C

RGB 113 59 76

HSL 341.11, 0.31%, 0.34%

LAB 32.17, 25.86, 0.31

 

CMYK 0 / 26 / 18 / 61

HEX #634951

RGB 99 73 81

HSL 341.54, 0.15%, 0.34%

LAB 34.01, 12.46, -0.43

 

CMYK 0 / 89 / 13 / 39

HEX #9C1187

RGB 156 17 135

HSL 309.06, 0.8%, 0.34%

LAB 36.4, 62.77, -30.02

 

CMYK 0 / 89 / 37 / 39

HEX #9C1162

RGB 156 17 98

HSL 325.04, 0.8%, 0.34%

LAB 34.7, 58.19, -9.31

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 89 / 85 / 39

HEX #9C1118

RGB 156 17 24

HSL 356.98, 0.8%, 0.34%

LAB 32.99, 53.35, 35.73

 

CMYK 0 / 70 / 89 / 39

HEX #9C2F11

RGB 156 47 17

HSL 12.95, 0.8%, 0.34%

LAB 36.26, 43.93, 42.01

 

CMYK 0 / 89 / 60 / 68

HEX #510920

RGB 81 9 32

HSL 340.83, 0.8%, 0.18%

LAB 15.74, 33.42, 6.11

 

CMYK 0 / 89 / 61 / 54

HEX #760D2E

RGB 118 13 46

HSL 341.14, 0.8%, 0.26%

LAB 24.75, 44.44, 9.9

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 89 / 61 / 24

HEX #C1154B

RGB 193 21 75

HSL 341.16, 0.8%, 0.42%

LAB 41.82, 64.75, 16.6

 

CMYK 0 / 89 / 61 / 10

HEX #E51A5A

RGB 229 26 90

HSL 341.08, 0.8%, 0.5%

LAB 49.66, 73.75, 19.07

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 11 / 89 / 39

HEX #9C8B11

RGB 156 139 17

HSL 52.66, 0.8%, 0.34%

LAB 57.63, -5.59, 59.09

 

CMYK 89 / 26 / 0 / 39

HEX #11749C

RGB 17 116 156

HSL 197.27, 0.8%, 0.34%

LAB 45.65, -11.61, -28.99

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 61 / 0 / 89 / 39

HEX #3D9C11

RGB 61 156 17

HSL 101.01, 0.8%, 0.34%

LAB 56.89, -50.66, 56.09

 

CMYK 89 / 61 / 0 / 39

HEX #113D9C

RGB 17 61 156

HSL 221.01, 0.8%, 0.34%

LAB 29.05, 24.04, -55.53

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 0 / 11 / 89 / 39

HEX #9C8B11

RGB 156 139 17

HSL 52.66, 0.8%, 0.34%

LAB 57.63, -5.59, 59.09

 

CMYK 89 / 0 / 28 / 39

HEX #119C70

RGB 17 156 112

HSL 161.01, 0.8%, 0.34%

LAB 57.14, -44.79, 13.61

 

CMYK 89 / 79 / 0 / 39

HEX #11219C

RGB 17 33 156

HSL 233.09, 0.8%, 0.34%

LAB 22.33, 42.11, -66.6

 

CMYK 0 / 89 / 61 / 39

HEX #9C113D

RGB 156 17 61

HSL 341.01, 0.8%, 0.34%

LAB 33.57, 55.03, 13.17

 

CMYK 17 / 0 / 89 / 39

HEX #829C11

RGB 130 156 17

HSL 71.22, 0.8%, 0.34%

LAB 60.39, -26.08, 60.45

 

CMYK 89 / 0 / 28 / 39

HEX #119C70

RGB 17 156 112

HSL 161.01, 0.8%, 0.34%

LAB 57.14, -44.79, 13.61

 

CMYK 73 / 89 / 0 / 39

HEX #2A119C

RGB 42 17 156

HSL 250.79, 0.8%, 0.34%

LAB 21.18, 50.86, -68.46

 

Description

Color code: HEX #9C113D | qconv.com Color code: HEX #9C113D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 17 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 17 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 61 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 61% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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