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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 62 196 it is the complementary color RGB 105 193 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 62 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 62 196 shade: RGB 155 62 191, RGB 172 80 210, RGB 189 98 229, RGB 206 116 248 and RGB 223 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 62 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 62 196 shade: RGB 150 62 196, RGB 133 44 177, RGB 116 26 158, RGB 99 8 139 and RGB 82 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 62 196 shade: RGB 150 63 196, RGB 186 63 196, RGB 196 63 170, RGB 196 63 134 and RGB 196 63 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 62 196 shade: RGB 150 63 196, RGB 115 63 196, RGB 79 63 196 and RGB 63 63 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 62 196 shade matches the following richer shades: RGB 150 63 196, RGB 157 43 216 and RGB 163 23 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 62 196 shade: RGB 150 63 196, RGB 144 84 176, RGB 138 104 155, RGB 131 124 135 and RGB 125 144 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 62 196 shade: RGB 79 63 196, RGB 114 63 196, RGB 149 63 196, RGB 185 63 196 and RGB 196 63 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 62 196 shade: RGB 103 41 135, RGB 127 51 167, RGB 150 63 196, RGB 168 95 205 and RGB 185 126 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 62 196 shade: RGB 150 62 196, RGB 196 63 83 and RGB 63 196 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 62 196 shade: RGB 150 62 196, RGB 196 149 63 and RGB 63 196 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 62 196 shade: RGB 150 62 196, RGB 196 63 83, RGB 110 196 63 and RGB 63 196 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 62 196 shade: RGB 150 62 196, RGB 196 83 63, RGB 110 196 63 and RGB 63 176 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

Complementary color

CMYK 46 / 0 / 69 / 24

HEX #69C13B

RGB 105 193 59

HSL 99.4, 0.53%, 0.49%

LAB 70.5, -49.57, 56.59

 

CMYK 19 / 68 / 0 / 25

HEX #9B3EBF

RGB 155 62 191

HSL 283.26, 0.51%, 0.5%

LAB 44.48, 58.13, -50.76

 

CMYK 18 / 62 / 0 / 18

HEX #AC50D2

RGB 172 80 210

HSL 282.46, 0.59%, 0.57%

LAB 50.88, 57.81, -51.36

 

CMYK 17 / 57 / 0 / 10

HEX #BD62E5

RGB 189 98 229

HSL 281.68, 0.72%, 0.64%

LAB 57.28, 57.25, -51.77

 

CMYK 17 / 53 / 0 / 3

HEX #CE74F8

RGB 206 116 248

HSL 280.91, 0.9%, 0.71%

LAB 63.66, 56.56, -52.06

 

CMYK 13 / 47 / 0 / 0

HEX #DF86FF

RGB 223 134 255

HSL 284.13, 1%, 0.76%

LAB 69.44, 53.39, -46.65

 

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

CMYK 25 / 75 / 0 / 31

HEX #852CB1

RGB 133 44 177

HSL 280.15, 0.6%, 0.43%

LAB 37.77, 58.03, -53.5

 

CMYK 27 / 84 / 0 / 38

HEX #741A9E

RGB 116 26 158

HSL 280.91, 0.72%, 0.36%

LAB 31.63, 57.15, -52.18

 

CMYK 29 / 94 / 0 / 45

HEX #63088B

RGB 99 8 139

HSL 281.68, 0.89%, 0.29%

LAB 25.83, 54.88, -50.03

 

CMYK 32 / 100 / 0 / 53

HEX #520078

RGB 82 0 120

HSL 281, 1%, 0.24%

LAB 20.63, 50.37, -46.63

 

CMYK 23 / 68 / 0 / 23

HEX #963FC4

RGB 150 63 196

HSL 279.25, 0.53%, 0.51%

LAB 44.27, 57.65, -54.06

 

CMYK 5 / 68 / 0 / 23

HEX #BA3FC4

RGB 186 63 196

HSL 295.49, 0.53%, 0.51%

LAB 49.47, 65.6, -45.44

 

CMYK 0 / 68 / 13 / 23

HEX #C43FAA

RGB 196 63 170

HSL 311.73, 0.53%, 0.51%

LAB 49.73, 63.79, -29.75

 

CMYK 0 / 68 / 32 / 23

HEX #C43F86

RGB 196 63 134

HSL 327.97, 0.53%, 0.51%

LAB 48.28, 58.96, -10.52

 

CMYK 0 / 68 / 50 / 23

HEX #C43F62

RGB 196 63 98

HSL 344.21, 0.53%, 0.51%

LAB 47.2, 55.24, 9.81

 

CMYK 23 / 68 / 0 / 23

HEX #963FC4

RGB 150 63 196

HSL 279.25, 0.53%, 0.51%

LAB 44.27, 57.65, -54.06

 

CMYK 41 / 68 / 0 / 23

HEX #733FC4

RGB 115 63 196

HSL 263.46, 0.53%, 0.51%

LAB 39.89, 50.47, -61.35

 

CMYK 60 / 68 / 0 / 23

HEX #4F3FC4

RGB 79 63 196

HSL 247.22, 0.53%, 0.51%

LAB 36.37, 44.25, -67.24

 

CMYK 68 / 68 / 0 / 23

HEX #3F3FC4

RGB 63 63 196

HSL 240, 0.53%, 0.51%

LAB 35.2, 42.06, -69.21

 

CMYK 23 / 68 / 0 / 23

HEX #963FC4

RGB 150 63 196

HSL 279.25, 0.53%, 0.51%

LAB 44.27, 57.65, -54.06

 

CMYK 27 / 80 / 0 / 15

HEX #9D2BD8

RGB 157 43 216

HSL 279.54, 0.69%, 0.51%

LAB 44.02, 70.63, -65.95

 

CMYK 31 / 90 / 0 / 7

HEX #A317EC

RGB 163 23 236

HSL 279.44, 0.85%, 0.51%

LAB 44.88, 80.09, -75.91

 

CMYK 23 / 68 / 0 / 23

HEX #963FC4

RGB 150 63 196

HSL 279.25, 0.53%, 0.51%

LAB 44.27, 57.65, -54.06

 

CMYK 18 / 52 / 0 / 31

HEX #9054B0

RGB 144 84 176

HSL 279.13, 0.37%, 0.51%

LAB 46.18, 41.31, -39.36

 

CMYK 11 / 33 / 0 / 39

HEX #8A689B

RGB 138 104 155

HSL 280, 0.2%, 0.51%

LAB 49.09, 23.35, -22.51

 

CMYK 3 / 8 / 0 / 47

HEX #837C87

RGB 131 124 135

HSL 278.18, 0.04%, 0.51%

LAB 52.94, 4.84, -5.01

 

CMYK 13 / 0 / 20 / 44

HEX #7D9073

RGB 125 144 115

HSL 99.31, 0.12%, 0.51%

LAB 57.6, -12.48, 13.18

 

CMYK 60 / 68 / 0 / 23

HEX #4F3FC4

RGB 79 63 196

HSL 247.22, 0.53%, 0.51%

LAB 36.37, 44.25, -67.24

 

CMYK 42 / 68 / 0 / 23

HEX #723FC4

RGB 114 63 196

HSL 263.01, 0.53%, 0.51%

LAB 39.78, 50.28, -61.54

 

CMYK 24 / 68 / 0 / 23

HEX #953FC4

RGB 149 63 196

HSL 278.8, 0.53%, 0.51%

LAB 44.13, 57.43, -54.28

 

CMYK 6 / 68 / 0 / 23

HEX #B93FC4

RGB 185 63 196

HSL 295.04, 0.53%, 0.51%

LAB 49.32, 65.37, -45.69

 

CMYK 0 / 68 / 13 / 23

HEX #C43FAB

RGB 196 63 171

HSL 311.28, 0.53%, 0.51%

LAB 49.78, 63.93, -30.27

 

CMYK 24 / 70 / 0 / 47

HEX #672987

RGB 103 41 135

HSL 279.57, 0.53%, 0.35%

LAB 29.96, 43.78, -40.82

 

CMYK 24 / 69 / 0 / 35

HEX #7F33A7

RGB 127 51 167

HSL 279.31, 0.53%, 0.43%

LAB 37.24, 51.73, -48.44

 

CMYK 23 / 68 / 0 / 23

HEX #963FC4

RGB 150 63 196

HSL 279.25, 0.53%, 0.51%

LAB 44.27, 57.65, -54.06

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 14 / 41 / 0 / 16

HEX #B97ED7

RGB 185 126 215

HSL 279.78, 0.53%, 0.67%

LAB 61.78, 38.62, -36.87

 

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

CMYK 0 / 68 / 58 / 23

HEX #C43F53

RGB 196 63 83

HSL 350.98, 0.53%, 0.51%

LAB 46.86, 54.04, 18.51

 

CMYK 68 / 0 / 51 / 23

HEX #3FC460

RGB 63 196 96

HSL 134.89, 0.53%, 0.51%

LAB 70.44, -57, 39.69

 

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

CMYK 0 / 24 / 68 / 23

HEX #C4953F

RGB 196 149 63

HSL 38.8, 0.53%, 0.51%

LAB 64.64, 8.79, 50.72

 

CMYK 68 / 0 / 24 / 23

HEX #3FC495

RGB 63 196 149

HSL 158.8, 0.53%, 0.51%

LAB 71.36, -46.98, 13.29

 

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

CMYK 0 / 68 / 58 / 23

HEX #C43F53

RGB 196 63 83

HSL 350.98, 0.53%, 0.51%

LAB 46.86, 54.04, 18.51

 

CMYK 44 / 0 / 68 / 23

HEX #6EC43F

RGB 110 196 63

HSL 98.8, 0.53%, 0.51%

LAB 71.66, -48.88, 56.31

 

CMYK 68 / 0 / 10 / 23

HEX #3FC4B0

RGB 63 196 176

HSL 170.98, 0.53%, 0.51%

LAB 72.01, -40.33, -0.42

 

CMYK 23 / 68 / 0 / 23

HEX #963EC4

RGB 150 62 196

HSL 279.4, 0.53%, 0.51%

LAB 44.11, 58.09, -54.31

 

CMYK 0 / 58 / 68 / 23

HEX #C4533F

RGB 196 83 63

HSL 9.02, 0.53%, 0.51%

LAB 49.84, 43.92, 34.08

 

CMYK 44 / 0 / 68 / 23

HEX #6EC43F

RGB 110 196 63

HSL 98.8, 0.53%, 0.51%

LAB 71.66, -48.88, 56.31

 

CMYK 68 / 10 / 0 / 23

HEX #3FB0C4

RGB 63 176 196

HSL 189.02, 0.53%, 0.51%

LAB 66.59, -25.14, -19.49

 

Description

Color code: RGB 150 62 196 | qconv.com Color code: RGB 150 62 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 62 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 62 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 68 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 68% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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