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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85FCD it is the complementary color #57A032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85FCD shade: #AD5FC8, #BE71DB, #CF83EE, #E095FF and #F1A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85FCD shade: #A85FCD, #974DBA, #863BA7, #752994 and #641781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85FCD shade: #A860CC, #C560CC, #CC60B6, #CC6099 and #CC607C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85FCD shade: #A860CC, #8A60CC, #6D60CC and #6060CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85FCD shade matches the following richer shades: #A860CC, #AD4FDD and #B33EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85FCD shade: #A860CC, #A271BB, #9D81AA, #97929A and #92A389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85FCD shade: #6C60CC, #8960CC, #A660CC, #C360CC and #CC60B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85FCD shade: #7F34A5, #9740C2, #A860CC, #B97FD6 and #CA9EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85FCD shade: #A85FCD, #CC6070 and #60CC7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85FCD shade: #A85FCD, #CCA660 and #60CCA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85FCD shade: #A85FCD, #CC6070, #86CC60 and #60CCBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85FCD shade: #A85FCD, #CC7060, #86CC60 and #60BCCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

Complementary color

CMYK 46 / 0 / 69 / 37

HEX #57A032

RGB 87 160 50

HSL 99.82, 0.52%, 0.41%

LAB 59.34, -42.61, 48.26

 

CMYK 14 / 53 / 0 / 22

HEX #AD5FC8

RGB 173 95 200

HSL 284.57, 0.49%, 0.58%

LAB 53.21, 48.61, -41.93

 

CMYK 13 / 48 / 0 / 14

HEX #BE71DB

RGB 190 113 219

HSL 283.58, 0.6%, 0.65%

LAB 59.77, 47.86, -42.21

 

CMYK 13 / 45 / 0 / 7

HEX #CF83EE

RGB 207 131 238

HSL 282.62, 0.76%, 0.72%

LAB 66.27, 47.08, -42.44

 

CMYK 12 / 42 / 0 / 0

HEX #E095FF

RGB 224 149 255

HSL 282.45, 1%, 0.79%

LAB 72.6, 45.91, -41.69

 

CMYK 5 / 35 / 0 / 0

HEX #F1A7FF

RGB 241 167 255

HSL 290.45, 1%, 0.83%

LAB 78.2, 41.46, -32.86

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 19 / 59 / 0 / 27

HEX #974DBA

RGB 151 77 186

HSL 280.73, 0.44%, 0.52%

LAB 46.22, 49.06, -45.1

 

CMYK 20 / 65 / 0 / 35

HEX #863BA7

RGB 134 59 167

HSL 281.67, 0.48%, 0.44%

LAB 39.56, 49.62, -44.67

 

CMYK 21 / 72 / 0 / 42

HEX #752994

RGB 117 41 148

HSL 282.62, 0.57%, 0.37%

LAB 32.93, 49.8, -43.95

 

CMYK 22 / 82 / 0 / 49

HEX #641781

RGB 100 23 129

HSL 283.58, 0.7%, 0.3%

LAB 26.47, 49.19, -42.72

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 3 / 53 / 0 / 20

HEX #C560CC

RGB 197 96 204

HSL 296.11, 0.51%, 0.59%

LAB 56.68, 55.42, -38.54

 

CMYK 0 / 53 / 11 / 20

HEX #CC60B6

RGB 204 96 182

HSL 312.22, 0.51%, 0.59%

LAB 56.66, 53.6, -25.89

 

CMYK 0 / 53 / 25 / 20

HEX #CC6099

RGB 204 96 153

HSL 328.33, 0.51%, 0.59%

LAB 55.59, 49.25, -10.7

 

CMYK 0 / 53 / 39 / 20

HEX #CC607C

RGB 204 96 124

HSL 344.44, 0.51%, 0.59%

LAB 54.72, 45.61, 5.07

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 32 / 53 / 0 / 20

HEX #8A60CC

RGB 138 96 204

HSL 263.33, 0.51%, 0.59%

LAB 49.65, 39.77, -50.12

 

CMYK 47 / 53 / 0 / 20

HEX #6D60CC

RGB 109 96 204

HSL 247.22, 0.51%, 0.59%

LAB 46.94, 32.82, -54.61

 

CMYK 53 / 53 / 0 / 20

HEX #6060CC

RGB 96 96 204

HSL 240, 0.51%, 0.59%

LAB 45.92, 30.02, -56.3

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 22 / 64 / 0 / 13

HEX #AD4FDD

RGB 173 79 221

HSL 279.72, 0.68%, 0.59%

LAB 51.49, 60.79, -56.63

 

CMYK 25 / 74 / 0 / 7

HEX #B33EEE

RGB 179 62 238

HSL 279.89, 0.84%, 0.59%

LAB 50.92, 72.45, -67.1

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 13 / 40 / 0 / 27

HEX #A271BB

RGB 162 113 187

HSL 279.73, 0.35%, 0.59%

LAB 55.15, 32.88, -31.52

 

CMYK 8 / 24 / 0 / 33

HEX #9D81AA

RGB 157 129 170

HSL 280.98, 0.19%, 0.59%

LAB 57.82, 18.46, -17.71

 

CMYK 2 / 5 / 0 / 40

HEX #97929A

RGB 151 146 154

HSL 277.5, 0.04%, 0.59%

LAB 61.19, 3.39, -3.57

 

CMYK 10 / 0 / 16 / 36

HEX #92A389

RGB 146 163 137

HSL 99.23, 0.12%, 0.59%

LAB 65.05, -10.95, 11.51

 

CMYK 47 / 53 / 0 / 20

HEX #6C60CC

RGB 108 96 204

HSL 246.67, 0.51%, 0.59%

LAB 46.86, 32.59, -54.74

 

CMYK 33 / 53 / 0 / 20

HEX #8960CC

RGB 137 96 204

HSL 262.78, 0.51%, 0.59%

LAB 49.55, 39.51, -50.29

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 4 / 53 / 0 / 20

HEX #C360CC

RGB 195 96 204

HSL 295, 0.51%, 0.59%

LAB 56.41, 54.88, -38.97

 

CMYK 0 / 53 / 10 / 20

HEX #CC60B8

RGB 204 96 184

HSL 311.11, 0.51%, 0.59%

LAB 56.75, 53.93, -26.92

 

CMYK 23 / 68 / 0 / 35

HEX #7F34A5

RGB 127 52 165

HSL 279.82, 0.52%, 0.43%

LAB 37.27, 50.83, -47.19

 

CMYK 22 / 67 / 0 / 24

HEX #9740C2

RGB 151 64 194

HSL 280.15, 0.52%, 0.51%

LAB 44.43, 56.99, -52.62

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 14 / 41 / 0 / 16

HEX #B97FD6

RGB 185 127 214

HSL 280, 0.51%, 0.67%

LAB 61.95, 37.86, -36.03

 

CMYK 10 / 29 / 0 / 12

HEX #CA9EE0

RGB 202 158 224

HSL 280, 0.52%, 0.75%

LAB 71.14, 28.13, -27.22

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 0 / 53 / 45 / 20

HEX #CC6070

RGB 204 96 112

HSL 351.11, 0.51%, 0.59%

LAB 54.42, 44.33, 11.73

 

CMYK 53 / 0 / 40 / 20

HEX #60CC7B

RGB 96 204 123

HSL 135, 0.51%, 0.59%

LAB 74.26, -48.63, 31.14

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 0 / 19 / 53 / 20

HEX #CCA660

RGB 204 166 96

HSL 38.89, 0.51%, 0.59%

LAB 70.14, 5.4, 41.19

 

CMYK 53 / 0 / 19 / 20

HEX #60CCA6

RGB 96 204 166

HSL 158.89, 0.51%, 0.59%

LAB 75.09, -40.16, 9.57

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 0 / 53 / 45 / 20

HEX #CC6070

RGB 204 96 112

HSL 351.11, 0.51%, 0.59%

LAB 54.42, 44.33, 11.73

 

CMYK 34 / 0 / 53 / 20

HEX #86CC60

RGB 134 204 96

HSL 98.89, 0.51%, 0.59%

LAB 75.51, -41.14, 46.46

 

CMYK 53 / 0 / 8 / 20

HEX #60CCBC

RGB 96 204 188

HSL 171.11, 0.51%, 0.59%

LAB 75.64, -34.94, -1.5

 

CMYK 18 / 54 / 0 / 20

HEX #A85FCD

RGB 168 95 205

HSL 279.82, 0.52%, 0.59%

LAB 52.86, 48.33, -45.38

 

CMYK 0 / 45 / 53 / 20

HEX #CC7060

RGB 204 112 96

HSL 8.89, 0.51%, 0.59%

LAB 57.34, 34.63, 24.99

 

CMYK 34 / 0 / 53 / 20

HEX #86CC60

RGB 134 204 96

HSL 98.89, 0.51%, 0.59%

LAB 75.51, -41.14, 46.46

 

CMYK 53 / 8 / 0 / 20

HEX #60BCCC

RGB 96 188 204

HSL 188.89, 0.51%, 0.59%

LAB 71.43, -22.93, -16.46

 

Description

Color code: HEX #A85FCD | qconv.com Color code: HEX #A85FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 95 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 95 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 54 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 54% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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