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Color name
RGB 150 128 69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 128 69 it is the complementary color RGB 105 127 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 128 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 128 69 shade: RGB 155 128 64, RGB 172 146 83, RGB 189 164 102, RGB 206 182 121 and RGB 223 200 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 128 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 133 110 50, RGB 116 92 31, RGB 99 74 12 and RGB 82 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 150 106 69, RGB 150 84 69 and RGB 150 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 150 150 69, RGB 128 150 69, RGB 106 150 69 and RGB 84 150 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 128 69 shade matches the following richer shades: RGB 150 128 69, RGB 167 136 51, RGB 185 144 33 and RGB 203 152 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 132 120 86, RGB 114 111 104, RGB 96 103 122 and RGB 79 95 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 128 69 shade: RGB 150 83 69, RGB 150 105 69, RGB 150 127 69, RGB 150 148 69 and RGB 129 150 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 128 69 shade: RGB 93 79 43, RGB 121 104 56, RGB 150 128 69, RGB 176 151 84 and RGB 189 168 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 75 150 69 and RGB 94 69 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 69 150 127 and RGB 127 69 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 75 150 69, RGB 69 92 150 and RGB 143 69 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 128 69 shade: RGB 150 128 69, RGB 69 150 86, RGB 69 92 150 and RGB 150 69 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

Complementary color

CMYK 44 / 32 / 0 / 27

HEX #697FBA

RGB 105 127 186

HSL 223.7, 0.37%, 0.57%

LAB 53.74, 7.7, -33.52

 

CMYK 0 / 17 / 59 / 39

HEX #9B8040

RGB 155 128 64

HSL 42.2, 0.42%, 0.43%

LAB 54.84, 2.39, 38.1

 

CMYK 0 / 15 / 52 / 33

HEX #AC9253

RGB 172 146 83

HSL 42.47, 0.35%, 0.5%

LAB 61.61, 1.5, 36.76

 

CMYK 0 / 13 / 46 / 26

HEX #BDA466

RGB 189 164 102

HSL 42.76, 0.4%, 0.57%

LAB 68.26, 0.76, 35.44

 

CMYK 0 / 12 / 41 / 19

HEX #CEB679

RGB 206 182 121

HSL 43.06, 0.46%, 0.64%

LAB 74.8, 0.14, 34.18

 

CMYK 0 / 10 / 37 / 13

HEX #DFC88C

RGB 223 200 140

HSL 43.37, 0.56%, 0.71%

LAB 81.23, -0.38, 32.98

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 17 / 62 / 48

HEX #856E32

RGB 133 110 50

HSL 43.37, 0.45%, 0.36%

LAB 47.45, 1.55, 36.18

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 25 / 88 / 61

HEX #634A0C

RGB 99 74 12

HSL 42.76, 0.78%, 0.22%

LAB 33.09, 4.41, 37.7

 

CMYK 0 / 32 / 100 / 68

HEX #523800

RGB 82 56 0

HSL 40.98, 1%, 0.16%

LAB 25.63, 6.57, 35.12

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 29 / 54 / 41

HEX #966A45

RGB 150 106 69

HSL 27.41, 0.37%, 0.43%

LAB 48.54, 13.17, 27.63

 

CMYK 0 / 44 / 54 / 41

HEX #965445

RGB 150 84 69

HSL 11.11, 0.37%, 0.43%

LAB 43.14, 25.8, 20.72

 

CMYK 0 / 54 / 54 / 41

HEX #964545

RGB 150 69 69

HSL 0, 0.37%, 0.43%

LAB 39.87, 34.01, 16.37

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 0 / 54 / 41

HEX #969645

RGB 150 150 69

HSL 60, 0.37%, 0.43%

LAB 60.54, -11.45, 42.09

 

CMYK 15 / 0 / 54 / 41

HEX #809645

RGB 128 150 69

HSL 76.3, 0.37%, 0.43%

LAB 58.82, -20.78, 39.65

 

CMYK 29 / 0 / 54 / 41

HEX #6A9645

RGB 106 150 69

HSL 92.59, 0.37%, 0.43%

LAB 57.37, -29.53, 37.58

 

CMYK 44 / 0 / 54 / 41

HEX #549645

RGB 84 150 69

HSL 108.89, 0.37%, 0.43%

LAB 56.21, -37.3, 35.92

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 19 / 69 / 35

HEX #A78833

RGB 167 136 51

HSL 43.97, 0.53%, 0.43%

LAB 58.1, 2.41, 48.3

 

CMYK 0 / 22 / 82 / 27

HEX #B99021

RGB 185 144 33

HSL 43.82, 0.7%, 0.43%

LAB 61.97, 5.31, 59.59

 

CMYK 0 / 25 / 93 / 20

HEX #CB980F

RGB 203 152 15

HSL 43.72, 0.86%, 0.43%

LAB 65.89, 8.58, 67.95

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 9 / 35 / 48

HEX #847856

RGB 132 120 86

HSL 44.35, 0.21%, 0.43%

LAB 50.7, -0.83, 20.38

 

CMYK 0 / 3 / 9 / 55

HEX #726F68

RGB 114 111 104

HSL 42, 0.05%, 0.43%

LAB 46.9, -0.2, 4.3

 

CMYK 21 / 16 / 0 / 52

HEX #60677A

RGB 96 103 122

HSL 223.85, 0.12%, 0.43%

LAB 43.64, 1.76, -11.5

 

CMYK 44 / 32 / 0 / 45

HEX #4F5F8C

RGB 79 95 140

HSL 224.26, 0.28%, 0.43%

LAB 40.8, 6.35, -26.85

 

CMYK 0 / 45 / 54 / 41

HEX #965345

RGB 150 83 69

HSL 10.37, 0.37%, 0.43%

LAB 42.91, 26.36, 20.41

 

CMYK 0 / 30 / 54 / 41

HEX #966945

RGB 150 105 69

HSL 26.67, 0.37%, 0.43%

LAB 48.28, 13.75, 27.31

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 1 / 54 / 41

HEX #969445

RGB 150 148 69

HSL 58.52, 0.37%, 0.43%

LAB 59.97, -10.38, 41.43

 

CMYK 14 / 0 / 54 / 41

HEX #819645

RGB 129 150 69

HSL 75.56, 0.37%, 0.43%

LAB 58.89, -20.37, 39.75

 

CMYK 0 / 15 / 54 / 64

HEX #5D4F2B

RGB 93 79 43

HSL 43.2, 0.37%, 0.27%

LAB 34.18, 0.5, 23.29

 

CMYK 0 / 14 / 54 / 53

HEX #796838

RGB 121 104 56

HSL 44.31, 0.37%, 0.35%

LAB 44.59, 0.03, 29.31

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 0 / 14 / 52 / 31

HEX #B09754

RGB 176 151 84

HSL 43.7, 0.37%, 0.51%

LAB 63.35, 0.57, 38.44

 

CMYK 0 / 11 / 41 / 26

HEX #BDA870

RGB 189 168 112

HSL 43.64, 0.37%, 0.59%

LAB 69.47, -0.32, 31.71

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 50 / 0 / 54 / 41

HEX #4B9645

RGB 75 150 69

HSL 115.56, 0.37%, 0.43%

LAB 55.82, -40.1, 35.36

 

CMYK 37 / 54 / 0 / 41

HEX #5E4596

RGB 94 69 150

HSL 258.52, 0.37%, 0.43%

LAB 35.67, 29.84, -40.93

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 54 / 0 / 15 / 41

HEX #45967F

RGB 69 150 127

HSL 162.96, 0.37%, 0.43%

LAB 56.69, -30.57, 4.65

 

CMYK 15 / 54 / 0 / 41

HEX #7F4596

RGB 127 69 150

HSL 282.96, 0.37%, 0.43%

LAB 39.53, 38.92, -34.56

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 50 / 0 / 54 / 41

HEX #4B9645

RGB 75 150 69

HSL 115.56, 0.37%, 0.43%

LAB 55.82, -40.1, 35.36

 

CMYK 54 / 39 / 0 / 41

HEX #455C96

RGB 69 92 150

HSL 222.96, 0.37%, 0.43%

LAB 39.78, 8.89, -34.51

 

CMYK 5 / 54 / 0 / 41

HEX #8F4596

RGB 143 69 150

HSL 294.81, 0.37%, 0.43%

LAB 41.69, 43.51, -31.01

 

CMYK 0 / 15 / 54 / 41

HEX #968045

RGB 150 128 69

HSL 43.7, 0.37%, 0.43%

LAB 54.4, 0.6, 34.85

 

CMYK 54 / 0 / 43 / 41

HEX #459656

RGB 69 150 86

HSL 132.59, 0.37%, 0.43%

LAB 55.84, -39.2, 26.41

 

CMYK 54 / 39 / 0 / 41

HEX #455C96

RGB 69 92 150

HSL 222.96, 0.37%, 0.43%

LAB 39.78, 8.89, -34.51

 

CMYK 0 / 54 / 12 / 41

HEX #964584

RGB 150 69 132

HSL 313.33, 0.37%, 0.43%

LAB 41.85, 42.32, -19.76

 

Description

Color code: RGB 150 128 69 | qconv.com Color code: RGB 150 128 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 128 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 128 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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