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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 73 / 55 it is the complementary color CMYK 38 / 27 / 0 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 73 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 24 / 78 / 53, CMYK 0 / 20 / 67 / 46, CMYK 0 / 18 / 58 / 40, CMYK 0 / 15 / 51 / 33 and CMYK 0 / 13 / 46 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 73 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 0 / 26 / 88 / 62, CMYK 0 / 32 / 100 / 68, CMYK 0 / 42 / 100 / 75 and CMYK 0 / 60 / 100 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 0 / 41 / 73 / 55, CMYK 0 / 60 / 73 / 55 and CMYK 0 / 73 / 73 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 0 / 1 / 73 / 55, CMYK 18 / 0 / 73 / 55, CMYK 39 / 0 / 73 / 55 and CMYK 59 / 0 / 73 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 21 / 73 / 55 shade matches the following richer shades: CMYK 0 / 21 / 73 / 55, CMYK 0 / 24 / 85 / 50 and CMYK 0 / 27 / 95 / 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 0 / 16 / 59 / 59, CMYK 0 / 11 / 41 / 64, CMYK 0 / 5 / 18 / 69 and CMYK 13 / 9 / 0 / 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 61 / 73 / 55, CMYK 0 / 41 / 73 / 55, CMYK 0 / 22 / 73 / 55, CMYK 0 / 3 / 73 / 55 and CMYK 17 / 0 / 73 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 22 / 75 / 80, CMYK 0 / 21 / 74 / 67, CMYK 0 / 21 / 73 / 55, CMYK 0 / 21 / 74 / 42 and CMYK 0 / 21 / 74 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 66 / 0 / 73 / 55 and CMYK 52 / 73 / 0 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 73 / 0 / 22 / 55 and CMYK 22 / 73 / 0 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 66 / 0 / 73 / 55, CMYK 73 / 52 / 0 / 55 and CMYK 7 / 73 / 0 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 21 / 73 / 55 shade: CMYK 0 / 21 / 73 / 55, CMYK 73 / 0 / 59 / 55, CMYK 73 / 52 / 0 / 55 and CMYK 0 / 73 / 15 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

Complementary color

CMYK 38 / 27 / 0 / 12

HEX #8CA4E0

RGB 140 164 224

HSL 222.86, 0.58%, 0.71%

LAB 67.66, 6.28, -33.01

 

CMYK 0 / 24 / 78 / 53

HEX #785B1A

RGB 120 91 26

HSL 41.49, 0.64%, 0.29%

LAB 40.49, 5.04, 39.87

 

CMYK 0 / 20 / 67 / 46

HEX #896D2D

RGB 137 109 45

HSL 41.74, 0.51%, 0.36%

LAB 47.55, 3.62, 38.92

 

CMYK 0 / 18 / 58 / 40

HEX #9A7F40

RGB 154 127 64

HSL 42, 0.41%, 0.43%

LAB 54.47, 2.51, 37.64

 

CMYK 0 / 15 / 51 / 33

HEX #AB9153

RGB 171 145 83

HSL 42.27, 0.35%, 0.5%

LAB 61.25, 1.62, 36.29

 

CMYK 0 / 13 / 46 / 26

HEX #BCA366

RGB 188 163 102

HSL 42.56, 0.39%, 0.57%

LAB 67.91, 0.88, 34.97

 

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

CMYK 0 / 26 / 88 / 62

HEX #62490C

RGB 98 73 12

HSL 42.56, 0.78%, 0.22%

LAB 32.68, 4.52, 37.3

 

CMYK 0 / 32 / 100 / 68

HEX #513700

RGB 81 55 0

HSL 40.74, 1%, 0.16%

LAB 25.2, 6.69, 34.67

 

CMYK 0 / 42 / 100 / 75

HEX #402500

RGB 64 37 0

HSL 34.69, 1%, 0.13%

LAB 17.52, 9.49, 25.64

 

CMYK 0 / 60 / 100 / 82

HEX #2F1300

RGB 47 19 0

HSL 24.26, 1%, 0.09%

LAB 9.56, 12.53, 14.59

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 41 / 73 / 55

HEX #74451F

RGB 116 69 31

HSL 26.82, 0.58%, 0.29%

LAB 34.12, 16.62, 30.75

 

CMYK 0 / 60 / 73 / 55

HEX #742E1F

RGB 116 46 31

HSL 10.59, 0.58%, 0.29%

LAB 28.81, 29.79, 24.8

 

CMYK 0 / 73 / 73 / 55

HEX #741F1F

RGB 116 31 31

HSL 0, 0.58%, 0.29%

LAB 26.13, 36.96, 21.67

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 1 / 73 / 55

HEX #74731F

RGB 116 115 31

HSL 59.29, 0.58%, 0.29%

LAB 47.07, -10.46, 44.06

 

CMYK 18 / 0 / 73 / 55

HEX #5F741F

RGB 95 116 31

HSL 74.82, 0.58%, 0.29%

LAB 45.67, -20.58, 42.1

 

CMYK 39 / 0 / 73 / 55

HEX #47741F

RGB 71 116 31

HSL 91.76, 0.58%, 0.29%

LAB 44.13, -30.52, 40.05

 

CMYK 59 / 0 / 73 / 55

HEX #30741F

RGB 48 116 31

HSL 108, 0.58%, 0.29%

LAB 43.09, -38.24, 38.65

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 24 / 85 / 50

HEX #806113

RGB 128 97 19

HSL 42.94, 0.74%, 0.29%

LAB 43.04, 5.06, 45.25

 

CMYK 0 / 27 / 95 / 45

HEX #8C6607

RGB 140 102 7

HSL 42.86, 0.9%, 0.29%

LAB 45.76, 7.57, 51.26

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 16 / 59 / 59

HEX #68572B

RGB 104 87 43

HSL 43.28, 0.41%, 0.29%

LAB 37.72, 0.91, 27.85

 

CMYK 0 / 11 / 41 / 64

HEX #5C5236

RGB 92 82 54

HSL 44.21, 0.26%, 0.29%

LAB 35.16, -0.49, 17.95

 

CMYK 0 / 5 / 18 / 69

HEX #504C42

RGB 80 76 66

HSL 42.86, 0.1%, 0.29%

LAB 32.41, -0.32, 6.54

 

CMYK 13 / 9 / 0 / 69

HEX #44474E

RGB 68 71 78

HSL 222, 0.07%, 0.29%

LAB 30.12, 0.42, -4.61

 

CMYK 0 / 61 / 73 / 55

HEX #742D1F

RGB 116 45 31

HSL 9.88, 0.58%, 0.29%

LAB 28.61, 30.31, 24.57

 

CMYK 0 / 41 / 73 / 55

HEX #74441F

RGB 116 68 31

HSL 26.12, 0.58%, 0.29%

LAB 33.87, 17.22, 30.47

 

CMYK 0 / 22 / 73 / 55

HEX #745B1F

RGB 116 91 31

HSL 42.35, 0.58%, 0.29%

LAB 40.07, 3.38, 37.04

 

CMYK 0 / 3 / 73 / 55

HEX #74711F

RGB 116 113 31

HSL 57.88, 0.58%, 0.29%

LAB 46.47, -9.35, 43.48

 

CMYK 17 / 0 / 73 / 55

HEX #60741F

RGB 96 116 31

HSL 74.12, 0.58%, 0.29%

LAB 45.74, -20.14, 42.2

 

CMYK 0 / 22 / 75 / 80

HEX #33280D

RGB 51 40 13

HSL 42.63, 0.59%, 0.13%

LAB 16.75, 1.26, 18.88

 

CMYK 0 / 21 / 74 / 67

HEX #544216

RGB 84 66 22

HSL 42.58, 0.58%, 0.21%

LAB 29, 2.29, 28.78

 

CMYK 0 / 21 / 73 / 55

HEX #745C1F

RGB 116 92 31

HSL 43.06, 0.58%, 0.29%

LAB 40.35, 2.78, 37.33

 

CMYK 0 / 21 / 74 / 42

HEX #957627

RGB 149 118 39

HSL 43.09, 0.59%, 0.37%

LAB 51.26, 3.67, 45.97

 

CMYK 0 / 21 / 74 / 29

HEX #B68F30

RGB 182 143 48

HSL 42.54, 0.58%, 0.45%

LAB 61.48, 5.11, 53.53

 

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

CMYK 66 / 0 / 73 / 55

HEX #27741F

RGB 39 116 31

HSL 114.35, 0.58%, 0.29%

LAB 42.79, -40.61, 38.25

 

CMYK 52 / 73 / 0 / 55

HEX #381F74

RGB 56 31 116

HSL 257.65, 0.58%, 0.29%

LAB 20.37, 33.94, -44.65

 

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

CMYK 73 / 0 / 22 / 55

HEX #1F745B

RGB 31 116 91

HSL 162.35, 0.58%, 0.29%

LAB 43.56, -31.41, 6.67

 

CMYK 22 / 73 / 0 / 55

HEX #5B1F74

RGB 91 31 116

HSL 282.35, 0.58%, 0.29%

LAB 25.15, 41.34, -36.67

 

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

CMYK 66 / 0 / 73 / 55

HEX #27741F

RGB 39 116 31

HSL 114.35, 0.58%, 0.29%

LAB 42.79, -40.61, 38.25

 

CMYK 73 / 52 / 0 / 55

HEX #1F3874

RGB 31 56 116

HSL 222.35, 0.58%, 0.29%

LAB 24.89, 12.72, -37.4

 

CMYK 7 / 73 / 0 / 55

HEX #6C1F74

RGB 108 31 116

HSL 294.35, 0.58%, 0.29%

LAB 27.92, 45.34, -32.08

 

CMYK 0 / 21 / 73 / 55

HEX #735B1F

RGB 115 91 31

HSL 42.86, 0.58%, 0.29%

LAB 39.96, 2.89, 36.89

 

CMYK 73 / 0 / 59 / 55

HEX #1F7430

RGB 31 116 48

HSL 132, 0.58%, 0.29%

LAB 42.76, -40.3, 30.08

 

CMYK 73 / 52 / 0 / 55

HEX #1F3874

RGB 31 56 116

HSL 222.35, 0.58%, 0.29%

LAB 24.89, 12.72, -37.4

 

CMYK 0 / 73 / 15 / 55

HEX #741F63

RGB 116 31 99

HSL 312, 0.58%, 0.29%

LAB 28.36, 44.38, -20.35

 

Description

Color code: CMYK 0 / 21 / 73 / 55 | qconv.com Color code: CMYK 0 / 21 / 73 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 91 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 91 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 73 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 73% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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