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Color name
RGB 148 111 77

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 111 77 it is the complementary color RGB 107 144 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 111 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 111 77 shade: RGB 153 111 72, RGB 170 129 91, RGB 187 147 110, RGB 204 165 129 and RGB 221 183 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 111 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 111 77 shade: RGB 148 111 77, RGB 131 93 58, RGB 114 75 39, RGB 97 57 20 and RGB 80 39 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 111 77 shade: RGB 148 110 76, RGB 148 91 76 and RGB 148 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 111 77 shade: RGB 148 110 76, RGB 148 130 76, RGB 146 148 76, RGB 127 148 76 and RGB 108 148 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 111 77 shade matches the following richer shades: RGB 148 110 76, RGB 166 109 58, RGB 184 109 39, RGB 202 108 21 and RGB 220 107 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 111 77 shade: RGB 148 110 76, RGB 129 111 94, RGB 111 112 112, RGB 93 112 130 and RGB 75 113 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 111 77 shade: RGB 148 76 81, RGB 148 90 76, RGB 148 109 76, RGB 148 128 76 and RGB 148 148 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 111 77 shade: RGB 93 69 48, RGB 120 90 62, RGB 148 110 76, RGB 171 131 93 and RGB 185 152 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 111 77 shade: RGB 148 111 77, RGB 100 148 76 and RGB 81 76 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 111 77 shade: RGB 148 111 77, RGB 76 148 109 and RGB 109 76 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 111 77 shade: RGB 148 111 77, RGB 100 148 76, RGB 76 114 148 and RGB 124 76 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 111 77 shade: RGB 148 111 77, RGB 78 148 76, RGB 76 114 148 and RGB 145 76 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

Complementary color

CMYK 40 / 19 / 0 / 30

HEX #6B90B2

RGB 107 144 178

HSL 208.73, 0.32%, 0.56%

LAB 58.31, -3.95, -21.87

 

CMYK 0 / 27 / 53 / 40

HEX #996F48

RGB 153 111 72

HSL 28.89, 0.36%, 0.44%

LAB 50.23, 11.89, 28.14

 

CMYK 0 / 24 / 46 / 33

HEX #AA815B

RGB 170 129 91

HSL 28.86, 0.32%, 0.51%

LAB 57.08, 10.9, 26.67

 

CMYK 0 / 21 / 41 / 27

HEX #BB936E

RGB 187 147 110

HSL 28.83, 0.36%, 0.58%

LAB 63.8, 10.06, 25.32

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 0 / 17 / 33 / 13

HEX #DDB794

RGB 221 183 148

HSL 28.77, 0.52%, 0.72%

LAB 76.91, 8.73, 22.94

 

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

CMYK 0 / 29 / 56 / 49

HEX #835D3A

RGB 131 93 58

HSL 28.77, 0.39%, 0.37%

LAB 42.7, 11.27, 26.11

 

CMYK 0 / 34 / 66 / 55

HEX #724B27

RGB 114 75 39

HSL 28.8, 0.49%, 0.3%

LAB 35.51, 12.6, 27.79

 

CMYK 0 / 41 / 79 / 62

HEX #613914

RGB 97 57 20

HSL 28.83, 0.66%, 0.23%

LAB 28.16, 14.31, 29.47

 

CMYK 0 / 51 / 99 / 69

HEX #502701

RGB 80 39 1

HSL 28.86, 0.98%, 0.16%

LAB 20.67, 16.43, 29.55

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 0 / 39 / 49 / 42

HEX #945B4C

RGB 148 91 76

HSL 12.5, 0.32%, 0.44%

LAB 44.66, 21.67, 18.48

 

CMYK 0 / 49 / 49 / 42

HEX #944C4C

RGB 148 76 76

HSL 0, 0.32%, 0.44%

LAB 41.19, 30.13, 13.8

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 0 / 12 / 49 / 42

HEX #94824C

RGB 148 130 76

HSL 45, 0.32%, 0.44%

LAB 54.85, -0.73, 31.61

 

CMYK 1 / 0 / 49 / 42

HEX #92944C

RGB 146 148 76

HSL 61.67, 0.32%, 0.44%

LAB 59.72, -11.45, 37.53

 

CMYK 14 / 0 / 49 / 42

HEX #7F944C

RGB 127 148 76

HSL 77.5, 0.32%, 0.44%

LAB 58.24, -19.43, 35.39

 

CMYK 27 / 0 / 49 / 42

HEX #6C944C

RGB 108 148 76

HSL 93.33, 0.32%, 0.44%

LAB 56.97, -26.97, 33.55

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 0 / 34 / 65 / 35

HEX #A66D3A

RGB 166 109 58

HSL 28.33, 0.48%, 0.44%

LAB 51.09, 17.6, 37.19

 

CMYK 0 / 41 / 79 / 28

HEX #B86D27

RGB 184 109 39

HSL 28.97, 0.65%, 0.44%

LAB 53.25, 24.43, 49.35

 

CMYK 0 / 47 / 90 / 21

HEX #CA6C15

RGB 202 108 21

HSL 28.84, 0.81%, 0.44%

LAB 55.42, 32.05, 58.7

 

CMYK 0 / 51 / 99 / 14

HEX #DC6B03

RGB 220 107 3

HSL 28.76, 0.97%, 0.44%

LAB 57.79, 39.61, 65.37

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 0 / 14 / 27 / 49

HEX #816F5E

RGB 129 111 94

HSL 29.14, 0.16%, 0.44%

LAB 48.06, 4.24, 12.08

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 28 / 14 / 0 / 49

HEX #5D7082

RGB 93 112 130

HSL 209.19, 0.17%, 0.44%

LAB 46.35, -2.58, -12.23

 

CMYK 49 / 24 / 0 / 42

HEX #4B7194

RGB 75 113 148

HSL 208.77, 0.33%, 0.44%

LAB 46.24, -3.25, -23.2

 

CMYK 0 / 49 / 45 / 42

HEX #944C51

RGB 148 76 81

HSL 355.83, 0.32%, 0.44%

LAB 41.31, 30.67, 10.88

 

CMYK 0 / 39 / 49 / 42

HEX #945A4C

RGB 148 90 76

HSL 11.67, 0.32%, 0.44%

LAB 44.42, 22.24, 18.16

 

CMYK 0 / 26 / 49 / 42

HEX #946D4C

RGB 148 109 76

HSL 27.5, 0.32%, 0.44%

LAB 49.2, 11.26, 24.45

 

CMYK 0 / 14 / 49 / 42

HEX #94804C

RGB 148 128 76

HSL 43.33, 0.32%, 0.44%

LAB 54.3, 0.39, 30.93

 

CMYK 0 / 0 / 49 / 42

HEX #94944C

RGB 148 148 76

HSL 60, 0.32%, 0.44%

LAB 59.89, -10.6, 37.77

 

CMYK 0 / 26 / 48 / 64

HEX #5D4530

RGB 93 69 48

HSL 28, 0.32%, 0.28%

LAB 31.34, 7.27, 16.67

 

CMYK 0 / 25 / 48 / 53

HEX #785A3E

RGB 120 90 62

HSL 28.97, 0.32%, 0.36%

LAB 40.66, 8.49, 20.91

 

CMYK 0 / 26 / 49 / 42

HEX #946E4C

RGB 148 110 76

HSL 28.33, 0.32%, 0.44%

LAB 49.46, 10.68, 24.78

 

CMYK 0 / 23 / 46 / 33

HEX #AB835D

RGB 171 131 93

HSL 29.23, 0.32%, 0.52%

LAB 57.73, 10.41, 26.43

 

CMYK 0 / 18 / 35 / 27

HEX #B99878

RGB 185 152 120

HSL 29.54, 0.32%, 0.6%

LAB 65.06, 7.69, 21.47

 

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

CMYK 32 / 0 / 49 / 42

HEX #64944C

RGB 100 148 76

HSL 100, 0.32%, 0.44%

LAB 56.5, -29.95, 32.86

 

CMYK 45 / 49 / 0 / 42

HEX #514C94

RGB 81 76 148

HSL 244.17, 0.32%, 0.44%

LAB 36.09, 21.49, -39.11

 

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

CMYK 49 / 0 / 26 / 42

HEX #4C946D

RGB 76 148 109

HSL 147.5, 0.32%, 0.44%

LAB 55.91, -31.98, 13.8

 

CMYK 26 / 49 / 0 / 42

HEX #6D4C94

RGB 109 76 148

HSL 267.5, 0.32%, 0.44%

LAB 38.83, 29.22, -34.6

 

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

CMYK 32 / 0 / 49 / 42

HEX #64944C

RGB 100 148 76

HSL 100, 0.32%, 0.44%

LAB 56.5, -29.95, 32.86

 

CMYK 49 / 23 / 0 / 42

HEX #4C7294

RGB 76 114 148

HSL 208.33, 0.32%, 0.44%

LAB 46.59, -3.59, -22.65

 

CMYK 16 / 49 / 0 / 42

HEX #7C4C94

RGB 124 76 148

HSL 280, 0.32%, 0.44%

LAB 40.56, 33.67, -31.75

 

CMYK 0 / 25 / 48 / 42

HEX #946F4D

RGB 148 111 77

HSL 28.73, 0.32%, 0.44%

LAB 49.74, 10.21, 24.57

 

CMYK 47 / 0 / 49 / 42

HEX #4E944C

RGB 78 148 76

HSL 118.33, 0.32%, 0.44%

LAB 55.4, -37.35, 31.26

 

CMYK 49 / 23 / 0 / 42

HEX #4C7294

RGB 76 114 148

HSL 208.33, 0.32%, 0.44%

LAB 46.59, -3.59, -22.65

 

CMYK 2 / 49 / 0 / 42

HEX #914C94

RGB 145 76 148

HSL 297.5, 0.32%, 0.44%

LAB 43.25, 40.04, -27.34

 

Description

Color code: RGB 148 111 77 | qconv.com Color code: RGB 148 111 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 111 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 111 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 48 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 48% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - もみの木DINING | ランチにお弁当...
Link: http://mominoki-dining.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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