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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 165 129 it is the complementary color RGB 51 90 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 165 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 165 129 shade: RGB 209 165 124, RGB 226 183 143, RGB 243 201 162, RGB 255 219 181 and RGB 255 237 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 165 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 165 129 shade: RGB 204 165 129, RGB 187 147 110, RGB 170 129 91, RGB 153 111 72 and RGB 136 93 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 165 129 shade: RGB 203 164 128, RGB 203 144 128 and RGB 203 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 165 129 shade: RGB 203 164 128, RGB 203 184 128, RGB 201 203 128, RGB 181 203 128 and RGB 161 203 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 165 129 shade matches the following richer shades: RGB 203 164 128, RGB 217 163 113, RGB 232 163 99 and RGB 246 162 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 165 129 shade: RGB 203 164 128, RGB 188 164 142, RGB 174 165 157, RGB 159 165 171 and RGB 145 166 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 165 129 shade: RGB 203 128 133, RGB 203 143 128, RGB 203 163 128, RGB 203 183 128 and RGB 203 203 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 165 129 shade: RGB 176 122 72, RGB 191 143 98, RGB 203 164 128, RGB 215 185 157 and RGB 227 206 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 165 129 shade: RGB 204 165 129, RGB 153 203 128 and RGB 133 128 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 165 129 shade: RGB 204 165 129, RGB 128 203 163 and RGB 163 128 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 165 129 shade: RGB 204 165 129, RGB 153 203 128, RGB 128 168 203 and RGB 178 128 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 165 129 shade: RGB 204 165 129, RGB 130 203 128, RGB 128 168 203 and RGB 200 128 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

Complementary color

CMYK 60 / 29 / 0 / 51

HEX #335A7E

RGB 51 90 126

HSL 208.8, 0.42%, 0.35%

LAB 36.97, -2.24, -24.43

 

CMYK 0 / 21 / 41 / 18

HEX #D1A57C

RGB 209 165 124

HSL 28.94, 0.48%, 0.65%

LAB 70.82, 10.78, 27.42

 

CMYK 0 / 19 / 37 / 11

HEX #E2B78F

RGB 226 183 143

HSL 28.92, 0.59%, 0.72%

LAB 77.29, 10.08, 26.21

 

CMYK 0 / 17 / 33 / 5

HEX #F3C9A2

RGB 243 201 162

HSL 28.89, 0.77%, 0.79%

LAB 83.67, 9.47, 25.07

 

CMYK 0 / 14 / 29 / 0

HEX #FFDBB5

RGB 255 219 181

HSL 30.81, 1%, 0.85%

LAB 89.51, 7.05, 23.32

 

CMYK 0 / 7 / 22 / 0

HEX #FFEDC8

RGB 255 237 200

HSL 40.36, 1%, 0.89%

LAB 94.31, 0.41, 20.15

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 0 / 21 / 41 / 27

HEX #BB936E

RGB 187 147 110

HSL 28.83, 0.36%, 0.58%

LAB 63.8, 10.06, 25.32

 

CMYK 0 / 24 / 46 / 33

HEX #AA815B

RGB 170 129 91

HSL 28.86, 0.32%, 0.51%

LAB 57.08, 10.9, 26.67

 

CMYK 0 / 27 / 53 / 40

HEX #996F48

RGB 153 111 72

HSL 28.89, 0.36%, 0.44%

LAB 50.23, 11.89, 28.14

 

CMYK 0 / 32 / 61 / 47

HEX #885D35

RGB 136 93 53

HSL 28.92, 0.44%, 0.37%

LAB 43.24, 13.1, 29.75

 

CMYK 0 / 19 / 37 / 20

HEX #CBA480

RGB 203 164 128

HSL 28.8, 0.42%, 0.65%

LAB 70.04, 9.37, 24.11

 

CMYK 0 / 29 / 37 / 20

HEX #CB9080

RGB 203 144 128

HSL 12.8, 0.42%, 0.65%

LAB 65.12, 20.28, 17.41

 

CMYK 0 / 37 / 37 / 20

HEX #CB8080

RGB 203 128 128

HSL 0, 0.42%, 0.65%

LAB 61.39, 29.01, 12.21

 

CMYK 0 / 19 / 37 / 20

HEX #CBA480

RGB 203 164 128

HSL 28.8, 0.42%, 0.65%

LAB 70.04, 9.37, 24.11

 

CMYK 0 / 9 / 37 / 20

HEX #CBB880

RGB 203 184 128

HSL 44.8, 0.42%, 0.65%

LAB 75.16, -1.33, 30.93

 

CMYK 1 / 0 / 37 / 20

HEX #C9CB80

RGB 201 203 128

HSL 61.6, 0.42%, 0.65%

LAB 80, -11.97, 37.2

 

CMYK 11 / 0 / 37 / 20

HEX #B5CB80

RGB 181 203 128

HSL 77.6, 0.42%, 0.65%

LAB 78.52, -19.71, 34.98

 

CMYK 21 / 0 / 37 / 20

HEX #A1CB80

RGB 161 203 128

HSL 93.6, 0.42%, 0.65%

LAB 77.19, -27.14, 33

 

CMYK 0 / 19 / 37 / 20

HEX #CBA480

RGB 203 164 128

HSL 28.8, 0.42%, 0.65%

LAB 70.04, 9.37, 24.11

 

CMYK 0 / 25 / 48 / 15

HEX #D9A371

RGB 217 163 113

HSL 28.85, 0.58%, 0.65%

LAB 70.97, 13.96, 33.66

 

CMYK 0 / 30 / 57 / 9

HEX #E8A363

RGB 232 163 99

HSL 28.87, 0.74%, 0.65%

LAB 72.4, 18.88, 43.08

 

CMYK 0 / 34 / 66 / 4

HEX #F6A254

RGB 246 162 84

HSL 28.89, 0.9%, 0.65%

LAB 73.59, 24.14, 52.31

 

CMYK 0 / 19 / 37 / 20

HEX #CBA480

RGB 203 164 128

HSL 28.8, 0.42%, 0.65%

LAB 70.04, 9.37, 24.11

 

CMYK 0 / 13 / 24 / 26

HEX #BCA48E

RGB 188 164 142

HSL 28.7, 0.26%, 0.65%

LAB 68.89, 5.3, 14.64

 

CMYK 0 / 5 / 10 / 32

HEX #AEA59D

RGB 174 165 157

HSL 28.24, 0.09%, 0.65%

LAB 68.27, 1.83, 5.29

 

CMYK 7 / 4 / 0 / 33

HEX #9FA5AB

RGB 159 165 171

HSL 210, 0.07%, 0.65%

LAB 67.44, -0.93, -3.84

 

CMYK 22 / 11 / 0 / 27

HEX #91A6BA

RGB 145 166 186

HSL 209.27, 0.23%, 0.65%

LAB 67.15, -2.88, -12.72

 

CMYK 0 / 37 / 34 / 20

HEX #CB8085

RGB 203 128 133

HSL 356, 0.42%, 0.65%

LAB 61.51, 29.62, 9.52

 

CMYK 0 / 30 / 37 / 20

HEX #CB8F80

RGB 203 143 128

HSL 12, 0.42%, 0.65%

LAB 64.88, 20.83, 17.08

 

CMYK 0 / 20 / 37 / 20

HEX #CBA380

RGB 203 163 128

HSL 28, 0.42%, 0.65%

LAB 69.79, 9.91, 23.77

 

CMYK 0 / 10 / 37 / 20

HEX #CBB780

RGB 203 183 128

HSL 44, 0.42%, 0.65%

LAB 74.9, -0.8, 30.59

 

CMYK 0 / 0 / 37 / 20

HEX #CBCB80

RGB 203 203 128

HSL 60, 0.42%, 0.65%

LAB 80.16, -11.18, 37.43

 

CMYK 0 / 31 / 59 / 31

HEX #B07A48

RGB 176 122 72

HSL 28.85, 0.42%, 0.49%

LAB 55.7, 15.65, 35.49

 

CMYK 0 / 25 / 49 / 25

HEX #BF8F62

RGB 191 143 98

HSL 29.03, 0.42%, 0.57%

LAB 63.01, 12.66, 30.94

 

CMYK 0 / 19 / 37 / 20

HEX #CBA480

RGB 203 164 128

HSL 28.8, 0.42%, 0.65%

LAB 70.04, 9.37, 24.11

 

CMYK 0 / 14 / 27 / 16

HEX #D7B99D

RGB 215 185 157

HSL 28.97, 0.42%, 0.73%

LAB 77.03, 6.53, 18.19

 

CMYK 0 / 9 / 18 / 11

HEX #E3CEBA

RGB 227 206 186

HSL 29.27, 0.42%, 0.81%

LAB 83.98, 4.13, 12.6

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 25 / 0 / 37 / 20

HEX #99CB80

RGB 153 203 128

HSL 100, 0.42%, 0.65%

LAB 76.7, -29.99, 32.27

 

CMYK 34 / 37 / 0 / 20

HEX #8580CB

RGB 133 128 203

HSL 244, 0.42%, 0.65%

LAB 56.82, 19.5, -38.23

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 37 / 0 / 20 / 20

HEX #80CBA3

RGB 128 203 163

HSL 148, 0.42%, 0.65%

LAB 76.04, -32.05, 12.69

 

CMYK 20 / 37 / 0 / 20

HEX #A380CB

RGB 163 128 203

HSL 268, 0.42%, 0.65%

LAB 59.47, 28.26, -33.89

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 25 / 0 / 37 / 20

HEX #99CB80

RGB 153 203 128

HSL 100, 0.42%, 0.65%

LAB 76.7, -29.99, 32.27

 

CMYK 37 / 17 / 0 / 20

HEX #80A8CB

RGB 128 168 203

HSL 208, 0.42%, 0.65%

LAB 67.21, -4.82, -22.18

 

CMYK 12 / 37 / 0 / 20

HEX #B280CB

RGB 178 128 203

HSL 280, 0.42%, 0.65%

LAB 60.97, 32.85, -31.44

 

CMYK 0 / 19 / 37 / 20

HEX #CCA581

RGB 204 165 129

HSL 28.8, 0.42%, 0.65%

LAB 70.41, 9.35, 24.08

 

CMYK 36 / 0 / 37 / 20

HEX #82CB80

RGB 130 203 128

HSL 118.4, 0.42%, 0.65%

LAB 75.46, -37.71, 30.41

 

CMYK 37 / 17 / 0 / 20

HEX #80A8CB

RGB 128 168 203

HSL 208, 0.42%, 0.65%

LAB 67.21, -4.82, -22.18

 

CMYK 1 / 37 / 0 / 20

HEX #C880CB

RGB 200 128 203

HSL 297.6, 0.42%, 0.65%

LAB 63.37, 39.7, -27.54

 

Description

Color code: RGB 204 165 129 | qconv.com Color code: RGB 204 165 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 165 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 165 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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