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Color name
RGB 146 118 222

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 118 222 it is the complementary color RGB 109 137 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 118 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 118 222 shade: RGB 151 118 217, RGB 168 136 236, RGB 185 154 255, RGB 202 172 255 and RGB 219 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 118 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 118 222 shade: RGB 146 118 222, RGB 129 100 203, RGB 112 82 184, RGB 95 64 165 and RGB 78 46 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 118 222 shade: RGB 147 119 222, RGB 174 119 222, RGB 202 119 222, RGB 222 119 214 and RGB 222 119 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 118 222 shade: RGB 147 119 222 and RGB 119 119 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 118 222 shade matches the following richer shades: RGB 147 119 222, RGB 140 105 235 and RGB 134 92 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 118 222 shade: RGB 147 119 222, RGB 153 133 208, RGB 159 146 194, RGB 166 160 181 and RGB 172 173 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 118 222 shade: RGB 119 146 222, RGB 119 119 222, RGB 146 119 222, RGB 174 119 222 and RGB 201 119 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 118 222 shade: RGB 94 53 206, RGB 120 86 214, RGB 147 119 222, RGB 173 152 230 and RGB 200 185 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 118 222 shade: RGB 146 118 222, RGB 222 119 174 and RGB 133 222 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 118 222 shade: RGB 146 118 222, RGB 222 146 119 and RGB 119 222 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 118 222 shade: RGB 146 118 222, RGB 222 119 174, RGB 194 222 119 and RGB 119 222 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 118 222 shade: RGB 146 118 222, RGB 222 119 143, RGB 194 222 119 and RGB 119 222 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

Complementary color

CMYK 20 / 0 / 76 / 46

HEX #6D8921

RGB 109 137 33

HSL 76.15, 0.61%, 0.33%

LAB 53.22, -25.05, 49.08

 

CMYK 30 / 46 / 0 / 15

HEX #9776D9

RGB 151 118 217

HSL 260, 0.57%, 0.66%

LAB 56.63, 33.92, -46.32

 

CMYK 29 / 42 / 0 / 7

HEX #A888EC

RGB 168 136 236

HSL 259.2, 0.72%, 0.73%

LAB 63.33, 33.03, -46.22

 

CMYK 27 / 40 / 0 / 0

HEX #B99AFF

RGB 185 154 255

HSL 258.42, 1%, 0.8%

LAB 69.93, 32.21, -46.15

 

CMYK 21 / 33 / 0 / 0

HEX #CAACFF

RGB 202 172 255

HSL 261.69, 1%, 0.84%

LAB 75.63, 27.1, -37.14

 

CMYK 14 / 25 / 0 / 0

HEX #DBBEFF

RGB 219 190 255

HSL 266.77, 1%, 0.87%

LAB 81.35, 22.43, -28.2

 

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

CMYK 36 / 51 / 0 / 20

HEX #8164CB

RGB 129 100 203

HSL 256.89, 0.5%, 0.59%

LAB 49.61, 34.93, -49.66

 

CMYK 39 / 55 / 0 / 28

HEX #7052B8

RGB 112 82 184

HSL 257.65, 0.42%, 0.52%

LAB 42.67, 36.09, -49.86

 

CMYK 42 / 61 / 0 / 35

HEX #5F40A5

RGB 95 64 165

HSL 258.42, 0.44%, 0.45%

LAB 35.63, 37.33, -50.04

 

CMYK 47 / 68 / 0 / 43

HEX #4E2E92

RGB 78 46 146

HSL 259.2, 0.52%, 0.38%

LAB 28.51, 38.61, -50.13

 

CMYK 34 / 46 / 0 / 13

HEX #9377DE

RGB 147 119 222

HSL 256.31, 0.61%, 0.67%

LAB 56.75, 33.57, -48.96

 

CMYK 22 / 46 / 0 / 13

HEX #AE77DE

RGB 174 119 222

HSL 272.04, 0.61%, 0.67%

LAB 59.4, 40.85, -44.6

 

CMYK 9 / 46 / 0 / 13

HEX #CA77DE

RGB 202 119 222

HSL 288.35, 0.61%, 0.67%

LAB 62.53, 48.71, -39.47

 

CMYK 0 / 46 / 4 / 13

HEX #DE77D6

RGB 222 119 214

HSL 304.66, 0.61%, 0.67%

LAB 64.63, 53, -31.54

 

CMYK 0 / 46 / 16 / 13

HEX #DE77BA

RGB 222 119 186

HSL 320.97, 0.61%, 0.67%

LAB 63.56, 48.43, -17.41

 

CMYK 34 / 46 / 0 / 13

HEX #9377DE

RGB 147 119 222

HSL 256.31, 0.61%, 0.67%

LAB 56.75, 33.57, -48.96

 

CMYK 46 / 46 / 0 / 13

HEX #7777DE

RGB 119 119 222

HSL 240, 0.61%, 0.67%

LAB 54.44, 26.64, -52.79

 

CMYK 34 / 46 / 0 / 13

HEX #9377DE

RGB 147 119 222

HSL 256.31, 0.61%, 0.67%

LAB 56.75, 33.57, -48.96

 

CMYK 40 / 55 / 0 / 8

HEX #8C69EB

RGB 140 105 235

HSL 256.15, 0.76%, 0.67%

LAB 53.68, 43.31, -61.19

 

CMYK 46 / 63 / 0 / 2

HEX #865CF9

RGB 134 92 249

HSL 256.05, 0.93%, 0.67%

LAB 51.34, 53.02, -72.82

 

CMYK 34 / 46 / 0 / 13

HEX #9377DE

RGB 147 119 222

HSL 256.31, 0.61%, 0.67%

LAB 56.75, 33.57, -48.96

 

CMYK 26 / 36 / 0 / 18

HEX #9985D0

RGB 153 133 208

HSL 256, 0.44%, 0.67%

LAB 59.98, 23.6, -35.98

 

CMYK 18 / 25 / 0 / 24

HEX #9F92C2

RGB 159 146 194

HSL 256.25, 0.28%, 0.67%

LAB 63.2, 14.66, -23.09

 

CMYK 8 / 12 / 0 / 29

HEX #A6A0B5

RGB 166 160 181

HSL 257.14, 0.12%, 0.67%

LAB 66.96, 6.28, -10.06

 

CMYK 1 / 0 / 3 / 32

HEX #ACADA7

RGB 172 173 167

HSL 70, 0.04%, 0.67%

LAB 70.49, -1.47, 2.95

 

CMYK 46 / 34 / 0 / 13

HEX #7792DE

RGB 119 146 222

HSL 224.27, 0.61%, 0.67%

LAB 61.44, 10.64, -41.7

 

CMYK 46 / 46 / 0 / 13

HEX #7777DE

RGB 119 119 222

HSL 240, 0.61%, 0.67%

LAB 54.44, 26.64, -52.79

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 22 / 46 / 0 / 13

HEX #AE77DE

RGB 174 119 222

HSL 272.04, 0.61%, 0.67%

LAB 59.4, 40.85, -44.6

 

CMYK 9 / 46 / 0 / 13

HEX #C977DE

RGB 201 119 222

HSL 287.77, 0.61%, 0.67%

LAB 62.41, 48.43, -39.66

 

CMYK 54 / 74 / 0 / 19

HEX #5E35CE

RGB 94 53 206

HSL 256.08, 0.61%, 0.51%

LAB 36.71, 54.68, -72.45

 

CMYK 44 / 60 / 0 / 16

HEX #7856D6

RGB 120 86 214

HSL 255.94, 0.61%, 0.59%

LAB 46.32, 43.92, -61.29

 

CMYK 34 / 46 / 0 / 13

HEX #9377DE

RGB 147 119 222

HSL 256.31, 0.61%, 0.67%

LAB 56.75, 33.57, -48.96

 

CMYK 25 / 34 / 0 / 10

HEX #AD98E6

RGB 173 152 230

HSL 256.15, 0.61%, 0.75%

LAB 67.32, 23.95, -36.64

 

CMYK 16 / 22 / 0 / 7

HEX #C8B9EE

RGB 200 185 238

HSL 256.98, 0.61%, 0.83%

LAB 77.96, 15.64, -24.41

 

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

CMYK 0 / 46 / 22 / 13

HEX #DE77AE

RGB 222 119 174

HSL 327.96, 0.61%, 0.67%

LAB 63.16, 46.64, -11.2

 

CMYK 40 / 0 / 46 / 13

HEX #85DE77

RGB 133 222 119

HSL 111.84, 0.61%, 0.67%

LAB 81.05, -46.38, 42.15

 

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

CMYK 0 / 34 / 46 / 13

HEX #DE9277

RGB 222 146 119

HSL 15.73, 0.61%, 0.67%

LAB 67.59, 25.7, 26.11

 

CMYK 46 / 0 / 34 / 13

HEX #77DE92

RGB 119 222 146

HSL 135.73, 0.61%, 0.67%

LAB 80.87, -46.27, 28.23

 

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

CMYK 0 / 46 / 22 / 13

HEX #DE77AE

RGB 222 119 174

HSL 327.96, 0.61%, 0.67%

LAB 63.16, 46.64, -11.2

 

CMYK 13 / 0 / 46 / 13

HEX #C2DE77

RGB 194 222 119

HSL 76.31, 0.61%, 0.67%

LAB 84.51, -25.07, 47.2

 

CMYK 46 / 0 / 25 / 13

HEX #77DEA7

RGB 119 222 167

HSL 147.96, 0.61%, 0.67%

LAB 81.27, -42.37, 17.86

 

CMYK 34 / 47 / 0 / 13

HEX #9276DE

RGB 146 118 222

HSL 256.15, 0.61%, 0.67%

LAB 56.43, 33.89, -49.48

 

CMYK 0 / 46 / 36 / 13

HEX #DE778F

RGB 222 119 143

HSL 346.02, 0.61%, 0.67%

LAB 62.26, 42.54, 5.2

 

CMYK 13 / 0 / 46 / 13

HEX #C2DE77

RGB 194 222 119

HSL 76.31, 0.61%, 0.67%

LAB 84.51, -25.07, 47.2

 

CMYK 46 / 0 / 11 / 13

HEX #77DEC6

RGB 119 222 198

HSL 166.02, 0.61%, 0.67%

LAB 81.97, -35.72, 2.49

 

Description

Color code: RGB 146 118 222 | qconv.com Color code: RGB 146 118 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 118 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 118 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 47 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 47% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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