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Color name
RGB 146 119 222

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 119 222 it is the complementary color RGB 109 136 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 119 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 119 222 shade: RGB 151 119 217, RGB 168 137 236, RGB 185 155 255, RGB 202 173 255 and RGB 219 191 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 119 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 129 101 203, RGB 112 83 184, RGB 95 65 165 and RGB 78 47 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 174 119 222, RGB 201 119 222, RGB 222 119 214 and RGB 222 119 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 119 222 shade: RGB 146 119 222 and RGB 119 119 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 119 222 shade matches the following richer shades: RGB 146 119 222, RGB 139 105 235 and RGB 133 92 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 152 133 208, RGB 159 146 194, RGB 165 160 181 and RGB 172 173 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 119 222 shade: RGB 119 148 222, RGB 119 121 222, RGB 145 119 222, RGB 172 119 222 and RGB 199 119 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 119 222 shade: RGB 93 53 206, RGB 119 86 214, RGB 146 119 222, RGB 173 152 230 and RGB 199 185 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 222 119 175 and RGB 134 222 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 222 145 119 and RGB 119 222 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 222 119 175, RGB 196 222 119 and RGB 119 222 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 119 222 shade: RGB 146 119 222, RGB 222 119 145, RGB 196 222 119 and RGB 119 222 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

Complementary color

CMYK 20 / 0 / 76 / 47

HEX #6D8821

RGB 109 136 33

HSL 75.73, 0.61%, 0.33%

LAB 52.92, -24.56, 48.79

 

CMYK 30 / 45 / 0 / 15

HEX #9777D9

RGB 151 119 217

HSL 259.59, 0.56%, 0.66%

LAB 56.86, 33.35, -45.95

 

CMYK 29 / 42 / 0 / 7

HEX #A889EC

RGB 168 137 236

HSL 258.79, 0.72%, 0.73%

LAB 63.57, 32.46, -45.85

 

CMYK 27 / 39 / 0 / 0

HEX #B99BFF

RGB 185 155 255

HSL 258, 1%, 0.8%

LAB 70.16, 31.65, -45.79

 

CMYK 21 / 32 / 0 / 0

HEX #CAADFF

RGB 202 173 255

HSL 261.22, 1%, 0.84%

LAB 75.86, 26.55, -36.78

 

CMYK 14 / 25 / 0 / 0

HEX #DBBFFF

RGB 219 191 255

HSL 266.25, 1%, 0.87%

LAB 81.59, 21.89, -27.84

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 36 / 50 / 0 / 20

HEX #8165CB

RGB 129 101 203

HSL 256.47, 0.5%, 0.6%

LAB 49.84, 34.35, -49.29

 

CMYK 39 / 55 / 0 / 28

HEX #7053B8

RGB 112 83 184

HSL 257.23, 0.42%, 0.52%

LAB 42.9, 35.5, -49.49

 

CMYK 42 / 61 / 0 / 35

HEX #5F41A5

RGB 95 65 165

HSL 258, 0.43%, 0.45%

LAB 35.85, 36.75, -49.68

 

CMYK 47 / 68 / 0 / 43

HEX #4E2F92

RGB 78 47 146

HSL 258.79, 0.51%, 0.38%

LAB 28.72, 38.05, -49.79

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 22 / 46 / 0 / 13

HEX #AE77DE

RGB 174 119 222

HSL 272.04, 0.61%, 0.67%

LAB 59.4, 40.85, -44.6

 

CMYK 9 / 46 / 0 / 13

HEX #C977DE

RGB 201 119 222

HSL 287.77, 0.61%, 0.67%

LAB 62.41, 48.43, -39.66

 

CMYK 0 / 46 / 4 / 13

HEX #DE77D6

RGB 222 119 214

HSL 304.66, 0.61%, 0.67%

LAB 64.63, 53, -31.54

 

CMYK 0 / 46 / 16 / 13

HEX #DE77BB

RGB 222 119 187

HSL 320.39, 0.61%, 0.67%

LAB 63.6, 48.58, -17.92

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 46 / 46 / 0 / 13

HEX #7777DE

RGB 119 119 222

HSL 240, 0.61%, 0.67%

LAB 54.44, 26.64, -52.79

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 41 / 55 / 0 / 8

HEX #8B69EB

RGB 139 105 235

HSL 255.69, 0.76%, 0.67%

LAB 53.59, 43.08, -61.35

 

CMYK 47 / 63 / 0 / 2

HEX #855CF9

RGB 133 92 249

HSL 255.67, 0.93%, 0.67%

LAB 51.24, 52.84, -72.98

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 27 / 36 / 0 / 18

HEX #9885D0

RGB 152 133 208

HSL 255.2, 0.44%, 0.67%

LAB 59.89, 23.31, -36.12

 

CMYK 18 / 25 / 0 / 24

HEX #9F92C2

RGB 159 146 194

HSL 256.25, 0.28%, 0.67%

LAB 63.2, 14.66, -23.09

 

CMYK 9 / 12 / 0 / 29

HEX #A5A0B5

RGB 165 160 181

HSL 254.29, 0.12%, 0.67%

LAB 66.88, 5.94, -10.19

 

CMYK 1 / 0 / 3 / 32

HEX #ACADA7

RGB 172 173 167

HSL 70, 0.04%, 0.67%

LAB 70.49, -1.47, 2.95

 

CMYK 46 / 33 / 0 / 13

HEX #7794DE

RGB 119 148 222

HSL 223.11, 0.61%, 0.67%

LAB 61.98, 9.48, -40.85

 

CMYK 46 / 45 / 0 / 13

HEX #7779DE

RGB 119 121 222

HSL 238.83, 0.61%, 0.67%

LAB 54.94, 25.45, -51.99

 

CMYK 35 / 46 / 0 / 13

HEX #9177DE

RGB 145 119 222

HSL 255.15, 0.61%, 0.67%

LAB 56.57, 33.05, -49.26

 

CMYK 23 / 46 / 0 / 13

HEX #AC77DE

RGB 172 119 222

HSL 270.87, 0.61%, 0.67%

LAB 59.19, 40.29, -44.94

 

CMYK 10 / 46 / 0 / 13

HEX #C777DE

RGB 199 119 222

HSL 286.6, 0.61%, 0.67%

LAB 62.18, 47.86, -40.04

 

CMYK 55 / 74 / 0 / 19

HEX #5D35CE

RGB 93 53 206

HSL 255.69, 0.61%, 0.51%

LAB 36.61, 54.54, -72.62

 

CMYK 44 / 60 / 0 / 16

HEX #7756D6

RGB 119 86 214

HSL 255.47, 0.61%, 0.59%

LAB 46.22, 43.71, -61.45

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 25 / 34 / 0 / 10

HEX #AD98E6

RGB 173 152 230

HSL 256.15, 0.61%, 0.75%

LAB 67.32, 23.95, -36.64

 

CMYK 16 / 22 / 0 / 7

HEX #C7B9EE

RGB 199 185 238

HSL 255.85, 0.61%, 0.83%

LAB 77.88, 15.33, -24.54

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 0 / 46 / 21 / 13

HEX #DE77AF

RGB 222 119 175

HSL 327.38, 0.61%, 0.67%

LAB 63.19, 46.78, -11.72

 

CMYK 40 / 0 / 46 / 13

HEX #86DE77

RGB 134 222 119

HSL 111.26, 0.61%, 0.67%

LAB 81.09, -46.07, 42.22

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 0 / 35 / 46 / 13

HEX #DE9177

RGB 222 145 119

HSL 15.15, 0.61%, 0.67%

LAB 67.36, 26.24, 25.8

 

CMYK 46 / 0 / 35 / 13

HEX #77DE91

RGB 119 222 145

HSL 135.15, 0.61%, 0.67%

LAB 80.85, -46.44, 28.72

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 0 / 46 / 21 / 13

HEX #DE77AF

RGB 222 119 175

HSL 327.38, 0.61%, 0.67%

LAB 63.19, 46.78, -11.72

 

CMYK 12 / 0 / 46 / 13

HEX #C4DE77

RGB 196 222 119

HSL 75.15, 0.61%, 0.67%

LAB 84.64, -24.3, 47.4

 

CMYK 46 / 0 / 26 / 13

HEX #77DEA5

RGB 119 222 165

HSL 146.8, 0.61%, 0.67%

LAB 81.23, -42.77, 18.85

 

CMYK 34 / 46 / 0 / 13

HEX #9277DE

RGB 146 119 222

HSL 255.73, 0.61%, 0.67%

LAB 56.66, 33.31, -49.11

 

CMYK 0 / 46 / 35 / 13

HEX #DE7791

RGB 222 119 145

HSL 344.85, 0.61%, 0.67%

LAB 62.31, 42.78, 4.13

 

CMYK 12 / 0 / 46 / 13

HEX #C4DE77

RGB 196 222 119

HSL 75.15, 0.61%, 0.67%

LAB 84.64, -24.3, 47.4

 

CMYK 46 / 0 / 12 / 13

HEX #77DEC4

RGB 119 222 196

HSL 164.85, 0.61%, 0.67%

LAB 81.92, -36.18, 3.47

 

Description

Color code: RGB 146 119 222 | qconv.com Color code: RGB 146 119 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 119 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 119 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 46 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 46% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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