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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 85 157 it is the complementary color RGB 110 170 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 85 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 85 157 shade: RGB 150 85 152, RGB 167 103 171, RGB 184 121 190, RGB 201 139 209 and RGB 218 157 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 85 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 85 157 shade: RGB 145 85 157, RGB 128 67 138, RGB 111 49 119, RGB 94 31 100 and RGB 77 13 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 85 157 shade: RGB 143 83 155, RGB 155 83 148, RGB 155 83 129, RGB 155 83 109 and RGB 155 83 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 85 157 shade: RGB 143 83 155, RGB 124 83 155, RGB 105 83 155, RGB 85 83 155 and RGB 83 83 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 85 157 shade matches the following richer shades: RGB 143 83 155, RGB 156 64 175, RGB 169 45 194, RGB 182 25 213 and RGB 195 6 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 85 157 shade: RGB 143 83 155, RGB 130 103 136, RGB 117 122 117, RGB 105 142 97 and RGB 92 161 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 85 157 shade: RGB 105 83 155, RGB 124 83 155, RGB 143 83 155, RGB 155 83 148 and RGB 155 83 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 85 157 shade: RGB 94 55 102, RGB 119 69 128, RGB 143 83 155, RGB 163 106 174 and RGB 179 132 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 85 157 shade: RGB 145 85 157, RGB 155 86 83 and RGB 83 155 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 85 157 shade: RGB 145 85 157, RGB 155 143 83 and RGB 83 155 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 85 157 shade: RGB 145 85 157, RGB 155 86 83, RGB 95 155 83 and RGB 83 153 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 85 157 shade: RGB 145 85 157, RGB 155 107 83, RGB 95 155 83 and RGB 83 131 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

Complementary color

CMYK 35 / 0 / 42 / 33

HEX #6EAA62

RGB 110 170 98

HSL 110, 0.3%, 0.53%

LAB 64.12, -33.71, 31.07

 

CMYK 1 / 44 / 0 / 40

HEX #965598

RGB 150 85 152

HSL 298.21, 0.28%, 0.46%

LAB 45.97, 37.5, -25.45

 

CMYK 2 / 40 / 0 / 33

HEX #A767AB

RGB 167 103 171

HSL 296.47, 0.29%, 0.54%

LAB 52.79, 36.72, -25.9

 

CMYK 3 / 36 / 0 / 25

HEX #B879BE

RGB 184 121 190

HSL 294.78, 0.35%, 0.61%

LAB 59.51, 35.95, -26.29

 

CMYK 4 / 33 / 0 / 18

HEX #C98BD1

RGB 201 139 209

HSL 293.14, 0.43%, 0.68%

LAB 66.13, 35.21, -26.64

 

CMYK 4 / 31 / 0 / 11

HEX #DA9DE4

RGB 218 157 228

HSL 291.55, 0.57%, 0.75%

LAB 72.64, 34.52, -26.97

 

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

CMYK 7 / 51 / 0 / 46

HEX #80438A

RGB 128 67 138

HSL 291.55, 0.35%, 0.4%

LAB 38.62, 37.73, -28.69

 

CMYK 7 / 59 / 0 / 53

HEX #6F3177

RGB 111 49 119

HSL 293.14, 0.42%, 0.33%

LAB 31.6, 38.38, -28.12

 

CMYK 6 / 69 / 0 / 61

HEX #5E1F64

RGB 94 31 100

HSL 294.78, 0.53%, 0.26%

LAB 24.58, 38.67, -27.23

 

CMYK 5 / 84 / 0 / 68

HEX #4D0D51

RGB 77 13 81

HSL 296.47, 0.72%, 0.18%

LAB 17.74, 37.98, -25.65

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 0 / 46 / 5 / 39

HEX #9B5394

RGB 155 83 148

HSL 305.83, 0.3%, 0.47%

LAB 46.03, 39.41, -22.92

 

CMYK 0 / 46 / 17 / 39

HEX #9B5381

RGB 155 83 129

HSL 321.67, 0.3%, 0.47%

LAB 45.28, 36.09, -12.65

 

CMYK 0 / 46 / 30 / 39

HEX #9B536D

RGB 155 83 109

HSL 338.33, 0.3%, 0.47%

LAB 44.6, 33.03, -1.49

 

CMYK 0 / 46 / 42 / 39

HEX #9B535A

RGB 155 83 90

HSL 354.17, 0.3%, 0.47%

LAB 44.08, 30.57, 9.37

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 20 / 46 / 0 / 39

HEX #7C539B

RGB 124 83 155

HSL 274.17, 0.3%, 0.47%

LAB 42.52, 31.25, -32.87

 

CMYK 32 / 46 / 0 / 39

HEX #69539B

RGB 105 83 155

HSL 258.33, 0.3%, 0.47%

LAB 40.5, 25.67, -36.19

 

CMYK 45 / 46 / 0 / 39

HEX #55539B

RGB 85 83 155

HSL 241.67, 0.3%, 0.47%

LAB 38.7, 20.23, -39.16

 

CMYK 46 / 46 / 0 / 39

HEX #53539B

RGB 83 83 155

HSL 240, 0.3%, 0.47%

LAB 38.54, 19.72, -39.43

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 13 / 77 / 0 / 24

HEX #A92DC2

RGB 169 45 194

HSL 289.93, 0.62%, 0.47%

LAB 44.53, 67.94, -52.33

 

CMYK 15 / 88 / 0 / 16

HEX #B619D5

RGB 182 25 213

HSL 290.11, 0.79%, 0.47%

LAB 46.24, 78.3, -60.46

 

CMYK 16 / 97 / 0 / 9

HEX #C306E9

RGB 195 6 233

HSL 289.96, 0.95%, 0.47%

LAB 49.03, 85.71, -67.24

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 4 / 24 / 0 / 47

HEX #826788

RGB 130 103 136

HSL 289.09, 0.14%, 0.47%

LAB 47.27, 17.06, -14.12

 

CMYK 4 / 0 / 4 / 52

HEX #757A75

RGB 117 122 117

HSL 120, 0.02%, 0.47%

LAB 50.67, -2.89, 2.08

 

CMYK 26 / 0 / 32 / 44

HEX #698E61

RGB 105 142 97

HSL 109.33, 0.19%, 0.47%

LAB 55.29, -21.99, 19.95

 

CMYK 43 / 0 / 52 / 37

HEX #5CA14E

RGB 92 161 78

HSL 109.88, 0.35%, 0.47%

LAB 60.17, -38.39, 36.26

 

CMYK 32 / 46 / 0 / 39

HEX #69539B

RGB 105 83 155

HSL 258.33, 0.3%, 0.47%

LAB 40.5, 25.67, -36.19

 

CMYK 20 / 46 / 0 / 39

HEX #7C539B

RGB 124 83 155

HSL 274.17, 0.3%, 0.47%

LAB 42.52, 31.25, -32.87

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 0 / 46 / 5 / 39

HEX #9B5394

RGB 155 83 148

HSL 305.83, 0.3%, 0.47%

LAB 46.03, 39.41, -22.92

 

CMYK 0 / 46 / 17 / 39

HEX #9B5381

RGB 155 83 129

HSL 321.67, 0.3%, 0.47%

LAB 45.28, 36.09, -12.65

 

CMYK 8 / 46 / 0 / 60

HEX #5E3766

RGB 94 55 102

HSL 289.79, 0.3%, 0.31%

LAB 29.59, 26.03, -20.63

 

CMYK 7 / 46 / 0 / 50

HEX #774580

RGB 119 69 128

HSL 290.85, 0.3%, 0.39%

LAB 37.37, 31.7, -24.6

 

CMYK 8 / 46 / 0 / 39

HEX #8F539B

RGB 143 83 155

HSL 290, 0.3%, 0.47%

LAB 44.79, 37.03, -29.15

 

CMYK 6 / 39 / 0 / 32

HEX #A36AAE

RGB 163 106 174

HSL 290.29, 0.3%, 0.55%

LAB 53.11, 34.38, -27.18

 

CMYK 5 / 30 / 0 / 26

HEX #B384BD

RGB 179 132 189

HSL 289.47, 0.3%, 0.63%

LAB 61.45, 28.03, -22.79

 

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

CMYK 0 / 45 / 46 / 39

HEX #9B5653

RGB 155 86 83

HSL 2.5, 0.3%, 0.47%

LAB 44.59, 28.13, 14.34

 

CMYK 46 / 0 / 26 / 39

HEX #539B73

RGB 83 155 115

HSL 146.67, 0.3%, 0.47%

LAB 58.53, -32.08, 14.11

 

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

CMYK 0 / 8 / 46 / 39

HEX #9B8F53

RGB 155 143 83

HSL 50, 0.3%, 0.47%

LAB 59.19, -4.17, 33.41

 

CMYK 46 / 0 / 8 / 39

HEX #539B8F

RGB 83 155 143

HSL 170, 0.3%, 0.47%

LAB 59.22, -25.61, -0.72

 

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

CMYK 0 / 45 / 46 / 39

HEX #9B5653

RGB 155 86 83

HSL 2.5, 0.3%, 0.47%

LAB 44.59, 28.13, 14.34

 

CMYK 39 / 0 / 46 / 39

HEX #5F9B53

RGB 95 155 83

HSL 110, 0.3%, 0.47%

LAB 58.51, -34.02, 31.65

 

CMYK 46 / 1 / 0 / 39

HEX #53999B

RGB 83 153 155

HSL 181.67, 0.3%, 0.47%

LAB 58.96, -21.45, -7.91

 

CMYK 8 / 46 / 0 / 38

HEX #91559D

RGB 145 85 157

HSL 290, 0.3%, 0.47%

LAB 45.57, 36.95, -29.1

 

CMYK 0 / 31 / 46 / 39

HEX #9B6B53

RGB 155 107 83

HSL 20, 0.3%, 0.47%

LAB 49.63, 16.18, 21.13

 

CMYK 39 / 0 / 46 / 39

HEX #5F9B53

RGB 95 155 83

HSL 110, 0.3%, 0.47%

LAB 58.51, -34.02, 31.65

 

CMYK 46 / 15 / 0 / 39

HEX #53839B

RGB 83 131 155

HSL 200, 0.3%, 0.47%

LAB 52.33, -9.53, -17.91

 

Description

Color code: RGB 145 85 157 | qconv.com Color code: RGB 145 85 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 85 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 85 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 46 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 46% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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