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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C40AF it is the complementary color #63BF50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C40AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C40AF shade: #A140AA, #B252BD, #C364D0, #D476E3 and #E588F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C40AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C40AF shade: #9C40AF, #8B2E9C, #7A1C89, #690A76 and #580063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C40AF shade: #9C40AE, #AE40A4, #AE4086, #AE4068 and #AE404A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C40AF shade: #9C40AE, #7E40AE, #6040AE, #4240AE and #4040AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C40AF shade matches the following richer shades: #9C40AE, #A82DC2, #B519D5 and #C206E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C40AF shade: #9C40AE, #8F549B, #826788, #757A74 and #698E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C40AF shade: #5F40AE, #7D40AE, #9A40AE, #AE40A5 and #AE4088

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C40AF shade: #662A72, #813590, #9C40AE, #AF57C1 and #BD75CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C40AF shade: #9C40AF, #AE4240 and #40AE6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C40AF shade: #9C40AF, #AE9A40 and #40AE9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C40AF shade: #9C40AF, #AE4240, #54AE40 and #40ADAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C40AF shade: #9C40AF, #AE6340, #54AE40 and #408CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

Complementary color

CMYK 48 / 0 / 58 / 25

HEX #63BF50

RGB 99 191 80

HSL 109.73, 0.46%, 0.53%

LAB 69.82, -48.6, 46.84

 

CMYK 5 / 62 / 0 / 33

HEX #A140AA

RGB 161 64 170

HSL 294.91, 0.45%, 0.46%

LAB 44.44, 54.57, -38.44

 

CMYK 6 / 57 / 0 / 26

HEX #B252BD

RGB 178 82 189

HSL 293.83, 0.45%, 0.53%

LAB 50.89, 54.23, -39.21

 

CMYK 6 / 52 / 0 / 18

HEX #C364D0

RGB 195 100 208

HSL 292.78, 0.53%, 0.6%

LAB 57.34, 53.67, -39.79

 

CMYK 7 / 48 / 0 / 11

HEX #D476E3

RGB 212 118 227

HSL 291.74, 0.66%, 0.68%

LAB 63.75, 53, -40.25

 

CMYK 7 / 45 / 0 / 4

HEX #E588F6

RGB 229 136 246

HSL 290.73, 0.86%, 0.75%

LAB 70.12, 52.29, -40.62

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 11 / 71 / 0 / 39

HEX #8B2E9C

RGB 139 46 156

HSL 290.73, 0.54%, 0.4%

LAB 37.56, 54.26, -41.21

 

CMYK 11 / 80 / 0 / 46

HEX #7A1C89

RGB 122 28 137

HSL 291.74, 0.66%, 0.32%

LAB 31.29, 53.5, -39.77

 

CMYK 11 / 92 / 0 / 54

HEX #690A76

RGB 105 10 118

HSL 292.78, 0.84%, 0.25%

LAB 25.35, 51.39, -37.51

 

CMYK 11 / 100 / 0 / 61

HEX #580063

RGB 88 0 99

HSL 293.33, 1%, 0.19%

LAB 19.95, 47.16, -34.04

 

CMYK 10 / 63 / 0 / 32

HEX #9C40AE

RGB 156 64 174

HSL 290.18, 0.46%, 0.47%

LAB 43.93, 54.08, -41.66

 

CMYK 0 / 63 / 6 / 32

HEX #AE40A4

RGB 174 64 164

HSL 305.45, 0.46%, 0.47%

LAB 46.1, 56.84, -32.13

 

CMYK 0 / 63 / 23 / 32

HEX #AE4086

RGB 174 64 134

HSL 321.82, 0.46%, 0.47%

LAB 44.78, 52.24, -16.16

 

CMYK 0 / 63 / 40 / 32

HEX #AE4068

RGB 174 64 104

HSL 338.18, 0.46%, 0.47%

LAB 43.75, 48.47, 0.68

 

CMYK 0 / 63 / 57 / 32

HEX #AE404A

RGB 174 64 74

HSL 354.55, 0.46%, 0.47%

LAB 43, 45.65, 18.18

 

CMYK 10 / 63 / 0 / 32

HEX #9C40AE

RGB 156 64 174

HSL 290.18, 0.46%, 0.47%

LAB 43.93, 54.08, -41.66

 

CMYK 28 / 63 / 0 / 32

HEX #7E40AE

RGB 126 64 174

HSL 273.82, 0.46%, 0.47%

LAB 39.85, 46.83, -48.42

 

CMYK 45 / 63 / 0 / 32

HEX #6040AE

RGB 96 64 174

HSL 257.45, 0.46%, 0.47%

LAB 36.38, 40.12, -54.19

 

CMYK 62 / 63 / 0 / 32

HEX #4240AE

RGB 66 64 174

HSL 241.09, 0.46%, 0.47%

LAB 33.73, 34.5, -58.61

 

CMYK 63 / 63 / 0 / 32

HEX #4040AE

RGB 64 64 174

HSL 240, 0.46%, 0.47%

LAB 33.59, 34.18, -58.86

 

CMYK 10 / 63 / 0 / 32

HEX #9C40AE

RGB 156 64 174

HSL 290.18, 0.46%, 0.47%

LAB 43.93, 54.08, -41.66

 

CMYK 13 / 77 / 0 / 24

HEX #A82DC2

RGB 168 45 194

HSL 289.53, 0.62%, 0.47%

LAB 44.37, 67.75, -52.59

 

CMYK 15 / 88 / 0 / 16

HEX #B519D5

RGB 181 25 213

HSL 289.79, 0.79%, 0.47%

LAB 46.07, 78.14, -60.73

 

CMYK 17 / 97 / 0 / 9

HEX #C206E9

RGB 194 6 233

HSL 289.69, 0.95%, 0.47%

LAB 48.86, 85.57, -67.51

 

CMYK 10 / 63 / 0 / 32

HEX #9C40AE

RGB 156 64 174

HSL 290.18, 0.46%, 0.47%

LAB 43.93, 54.08, -41.66

 

CMYK 8 / 46 / 0 / 39

HEX #8F549B

RGB 143 84 155

HSL 289.86, 0.3%, 0.47%

LAB 45.01, 36.47, -28.81

 

CMYK 4 / 24 / 0 / 47

HEX #826788

RGB 130 103 136

HSL 289.09, 0.14%, 0.47%

LAB 47.27, 17.06, -14.12

 

CMYK 4 / 0 / 5 / 52

HEX #757A74

RGB 117 122 116

HSL 110, 0.03%, 0.47%

LAB 50.64, -3.09, 2.62

 

CMYK 26 / 0 / 32 / 44

HEX #698E61

RGB 105 142 97

HSL 109.33, 0.19%, 0.47%

LAB 55.29, -21.99, 19.95

 

CMYK 45 / 63 / 0 / 32

HEX #5F40AE

RGB 95 64 174

HSL 256.91, 0.46%, 0.47%

LAB 36.28, 39.91, -54.36

 

CMYK 28 / 63 / 0 / 32

HEX #7D40AE

RGB 125 64 174

HSL 273.27, 0.46%, 0.47%

LAB 39.72, 46.59, -48.63

 

CMYK 11 / 63 / 0 / 32

HEX #9A40AE

RGB 154 64 174

HSL 289.09, 0.46%, 0.47%

LAB 43.64, 53.59, -42.14

 

CMYK 0 / 63 / 5 / 32

HEX #AE40A5

RGB 174 64 165

HSL 304.91, 0.46%, 0.47%

LAB 46.15, 57.01, -32.65

 

CMYK 0 / 63 / 22 / 32

HEX #AE4088

RGB 174 64 136

HSL 320.73, 0.46%, 0.47%

LAB 44.86, 52.52, -17.26

 

CMYK 11 / 63 / 0 / 55

HEX #662A72

RGB 102 42 114

HSL 290, 0.46%, 0.31%

LAB 28.63, 38.39, -29.73

 

CMYK 10 / 63 / 0 / 44

HEX #813590

RGB 129 53 144

HSL 290.11, 0.46%, 0.39%

LAB 36.42, 46.41, -35.83

 

CMYK 10 / 63 / 0 / 32

HEX #9C40AE

RGB 156 64 174

HSL 290.18, 0.46%, 0.47%

LAB 43.93, 54.08, -41.66

 

CMYK 9 / 55 / 0 / 24

HEX #AF57C1

RGB 175 87 193

HSL 289.81, 0.46%, 0.55%

LAB 51.59, 51.78, -40.45

 

CMYK 7 / 43 / 0 / 20

HEX #BD75CC

RGB 189 117 204

HSL 289.66, 0.46%, 0.63%

LAB 59.8, 42.42, -33.73

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 0 / 62 / 63 / 32

HEX #AE4240

RGB 174 66 64

HSL 1.09, 0.46%, 0.47%

LAB 43.16, 44.02, 24.48

 

CMYK 63 / 0 / 37 / 32

HEX #40AE6E

RGB 64 174 110

HSL 145.09, 0.46%, 0.47%

LAB 63.74, -46.01, 23.87

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 0 / 11 / 63 / 32

HEX #AE9A40

RGB 174 154 64

HSL 49.09, 0.46%, 0.47%

LAB 63.74, -3.5, 48.64

 

CMYK 63 / 0 / 11 / 32

HEX #40AE9A

RGB 64 174 154

HSL 169.09, 0.46%, 0.47%

LAB 64.72, -35.98, 1.06

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 0 / 62 / 63 / 32

HEX #AE4240

RGB 174 66 64

HSL 1.09, 0.46%, 0.47%

LAB 43.16, 44.02, 24.48

 

CMYK 52 / 0 / 63 / 32

HEX #54AE40

RGB 84 174 64

HSL 109.09, 0.46%, 0.47%

LAB 63.78, -47.87, 47.04

 

CMYK 63 / 1 / 0 / 32

HEX #40ADAE

RGB 64 173 174

HSL 180.55, 0.46%, 0.47%

LAB 64.99, -30.03, -9.68

 

CMYK 11 / 63 / 0 / 31

HEX #9C40AF

RGB 156 64 175

HSL 289.73, 0.46%, 0.47%

LAB 43.99, 54.28, -42.16

 

CMYK 0 / 43 / 63 / 32

HEX #AE6340

RGB 174 99 64

HSL 19.09, 0.46%, 0.47%

LAB 49.85, 27.03, 32.74

 

CMYK 52 / 0 / 63 / 32

HEX #54AE40

RGB 84 174 64

HSL 109.09, 0.46%, 0.47%

LAB 63.78, -47.87, 47.04

 

CMYK 63 / 20 / 0 / 32

HEX #408CAE

RGB 64 140 174

HSL 198.55, 0.46%, 0.47%

LAB 54.97, -12.88, -24.89

 

Description

Color code: HEX #9C40AF | qconv.com Color code: HEX #9C40AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 64 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 64 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 63 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 63% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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