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Color name
RGB 143 111 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 111 168 it is the complementary color RGB 112 144 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 111 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 111 168 shade: RGB 148 111 163, RGB 165 129 182, RGB 182 147 201, RGB 199 165 220 and RGB 216 183 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 111 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 126 93 149, RGB 109 75 130, RGB 92 57 111 and RGB 75 39 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 159 111 168, RGB 168 111 163, RGB 168 111 147 and RGB 168 111 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 128 111 168, RGB 112 111 168 and RGB 111 111 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 111 168 shade matches the following richer shades: RGB 143 111 168, RGB 146 92 187, RGB 148 74 206, RGB 150 55 224 and RGB 152 37 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 141 130 150, RGB 139 148 131, RGB 136 167 113 and RGB 134 185 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 111 168 shade: RGB 112 111 168, RGB 127 111 168, RGB 143 111 168, RGB 158 111 168 and RGB 168 111 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 111 168 shade: RGB 102 74 123, RGB 123 89 149, RGB 143 111 168, RGB 163 137 184 and RGB 183 163 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 168 111 125 and RGB 111 168 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 168 143 111 and RGB 111 168 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 168 111 125, RGB 137 168 111 and RGB 111 168 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 111 168 shade: RGB 143 111 168, RGB 168 114 111, RGB 137 168 111 and RGB 111 166 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

Complementary color

CMYK 22 / 0 / 40 / 44

HEX #709057

RGB 112 144 87

HSL 93.68, 0.25%, 0.45%

LAB 56.17, -21.95, 26.72

 

CMYK 9 / 32 / 0 / 36

HEX #946FA3

RGB 148 111 163

HSL 282.69, 0.22%, 0.54%

LAB 52.18, 24.34, -22.35

 

CMYK 9 / 29 / 0 / 29

HEX #A581B6

RGB 165 129 182

HSL 280.75, 0.27%, 0.61%

LAB 59.05, 23.68, -22.62

 

CMYK 9 / 27 / 0 / 21

HEX #B693C9

RGB 182 147 201

HSL 278.89, 0.33%, 0.68%

LAB 65.77, 23.06, -22.89

 

CMYK 10 / 25 / 0 / 14

HEX #C7A5DC

RGB 199 165 220

HSL 277.09, 0.44%, 0.75%

LAB 72.38, 22.5, -23.16

 

CMYK 10 / 23 / 0 / 6

HEX #D8B7EF

RGB 216 183 239

HSL 275.36, 0.64%, 0.83%

LAB 78.87, 21.98, -23.44

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 15 / 38 / 0 / 42

HEX #7E5D95

RGB 126 93 149

HSL 275.36, 0.23%, 0.47%

LAB 44.85, 24.55, -25.62

 

CMYK 16 / 42 / 0 / 49

HEX #6D4B82

RGB 109 75 130

HSL 277.09, 0.27%, 0.4%

LAB 37.65, 25.37, -25.48

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 18 / 58 / 0 / 64

HEX #4B275C

RGB 75 39 92

HSL 280.75, 0.4%, 0.26%

LAB 22.72, 27.18, -25.1

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 5 / 34 / 0 / 34

HEX #9F6FA8

RGB 159 111 168

HSL 290.53, 0.25%, 0.55%

LAB 53.56, 29.04, -23.04

 

CMYK 0 / 34 / 3 / 34

HEX #A86FA3

RGB 168 111 163

HSL 305.26, 0.25%, 0.55%

LAB 54.38, 31.06, -18.79

 

CMYK 0 / 34 / 13 / 34

HEX #A86F93

RGB 168 111 147

HSL 322.11, 0.25%, 0.55%

LAB 53.81, 28.16, -10.32

 

CMYK 0 / 34 / 21 / 34

HEX #A86F84

RGB 168 111 132

HSL 337.89, 0.25%, 0.55%

LAB 53.34, 25.68, -2.23

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 24 / 34 / 0 / 34

HEX #806FA8

RGB 128 111 168

HSL 257.89, 0.25%, 0.55%

LAB 50.43, 19.02, -28.13

 

CMYK 33 / 34 / 0 / 34

HEX #706FA8

RGB 112 111 168

HSL 241.05, 0.25%, 0.55%

LAB 49.06, 14.14, -30.38

 

CMYK 34 / 34 / 0 / 34

HEX #6F6FA8

RGB 111 111 168

HSL 240, 0.25%, 0.55%

LAB 48.98, 13.85, -30.52

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 22 / 51 / 0 / 27

HEX #925CBB

RGB 146 92 187

HSL 274.11, 0.41%, 0.55%

LAB 48.7, 39.97, -41.78

 

CMYK 28 / 64 / 0 / 19

HEX #944ACE

RGB 148 74 206

HSL 273.64, 0.57%, 0.55%

LAB 46.51, 54.3, -56.24

 

CMYK 33 / 75 / 0 / 12

HEX #9637E0

RGB 150 55 224

HSL 273.73, 0.73%, 0.55%

LAB 45.08, 67.02, -68.85

 

CMYK 37 / 85 / 0 / 5

HEX #9825F3

RGB 152 37 243

HSL 273.5, 0.9%, 0.55%

LAB 44.9, 77.13, -79.89

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 6 / 13 / 0 / 41

HEX #8D8296

RGB 141 130 150

HSL 273, 0.09%, 0.55%

LAB 55.92, 8.1, -9.2

 

CMYK 6 / 0 / 11 / 42

HEX #8B9483

RGB 139 148 131

HSL 91.76, 0.07%, 0.55%

LAB 60.17, -6.52, 7.88

 

CMYK 19 / 0 / 32 / 35

HEX #88A771

RGB 136 167 113

HSL 94.44, 0.23%, 0.55%

LAB 65.01, -20.7, 24.53

 

CMYK 28 / 0 / 49 / 27

HEX #86B95E

RGB 134 185 94

HSL 93.63, 0.39%, 0.55%

LAB 69.88, -32.78, 40.62

 

CMYK 33 / 34 / 0 / 34

HEX #706FA8

RGB 112 111 168

HSL 241.05, 0.25%, 0.55%

LAB 49.06, 14.14, -30.38

 

CMYK 24 / 34 / 0 / 34

HEX #7F6FA8

RGB 127 111 168

HSL 256.84, 0.25%, 0.55%

LAB 50.34, 18.71, -28.28

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 6 / 34 / 0 / 34

HEX #9E6FA8

RGB 158 111 168

HSL 289.47, 0.25%, 0.55%

LAB 53.45, 28.71, -23.22

 

CMYK 0 / 34 / 2 / 34

HEX #A86FA4

RGB 168 111 164

HSL 304.21, 0.25%, 0.55%

LAB 54.42, 31.25, -19.32

 

CMYK 17 / 40 / 0 / 52

HEX #664A7B

RGB 102 74 123

HSL 274.29, 0.25%, 0.39%

LAB 36.28, 22, -23.37

 

CMYK 17 / 40 / 0 / 42

HEX #7B5995

RGB 123 89 149

HSL 274, 0.25%, 0.47%

LAB 43.54, 25.97, -27.68

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 11 / 26 / 0 / 28

HEX #A389B8

RGB 163 137 184

HSL 273.19, 0.25%, 0.63%

LAB 60.9, 18.88, -20.93

 

CMYK 8 / 18 / 0 / 22

HEX #B7A3C7

RGB 183 163 199

HSL 273.33, 0.24%, 0.71%

LAB 69.74, 14.06, -15.74

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 0 / 34 / 26 / 34

HEX #A86F7D

RGB 168 111 125

HSL 345.26, 0.25%, 0.55%

LAB 53.14, 24.61, 1.59

 

CMYK 34 / 0 / 29 / 34

HEX #6FA878

RGB 111 168 120

HSL 129.47, 0.25%, 0.55%

LAB 63.95, -28.81, 19.03

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 0 / 15 / 34 / 34

HEX #A88F6F

RGB 168 143 111

HSL 33.68, 0.25%, 0.55%

LAB 60.89, 4.59, 20.53

 

CMYK 34 / 0 / 15 / 34

HEX #6FA88F

RGB 111 168 143

HSL 153.68, 0.25%, 0.55%

LAB 64.46, -24.25, 7.03

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 0 / 34 / 26 / 34

HEX #A86F7D

RGB 168 111 125

HSL 345.26, 0.25%, 0.55%

LAB 53.14, 24.61, 1.59

 

CMYK 18 / 0 / 34 / 34

HEX #89A86F

RGB 137 168 111

HSL 92.63, 0.25%, 0.55%

LAB 65.33, -21.14, 26.05

 

CMYK 34 / 0 / 8 / 34

HEX #6FA89A

RGB 111 168 154

HSL 165.26, 0.25%, 0.55%

LAB 64.74, -21.82, 1.31

 

CMYK 15 / 34 / 0 / 34

HEX #8F6FA8

RGB 143 111 168

HSL 273.68, 0.25%, 0.55%

LAB 51.88, 23.8, -25.78

 

CMYK 0 / 32 / 34 / 34

HEX #A8726F

RGB 168 114 111

HSL 3.16, 0.25%, 0.55%

LAB 53.5, 20.94, 10.33

 

CMYK 18 / 0 / 34 / 34

HEX #89A86F

RGB 137 168 111

HSL 92.63, 0.25%, 0.55%

LAB 65.33, -21.14, 26.05

 

CMYK 34 / 1 / 0 / 34

HEX #6FA6A8

RGB 111 166 168

HSL 182.11, 0.25%, 0.55%

LAB 64.55, -17.45, -6.8

 

Description

Color code: RGB 143 111 168 | qconv.com Color code: RGB 143 111 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 111 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 111 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 34 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 34% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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