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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C396F it is the complementary color #A3C690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C396F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C396F shade: #61396A, #724B7D, #835D90, #946FA3 and #A581B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C396F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C396F shade: #5C396F, #4B275C, #3A1549, #290336 and #180023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C396F shade: #5C396F, #6A396F, #6F3964, #6F3956 and #6F3947

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C396F shade: #5C396F, #4D396F, #3F396F and #39396F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C396F shade matches the following richer shades: #5C396F, #602B7C, #641D8A, #681097 and #6C02A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C396F shade: #5C396F, #584661, #545453, #506246 and #4B6F38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C396F shade: #3E396F, #4C396F, #5B396F, #69396F and #6F3966

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C396F shade: #2E1D38, #452B53, #5C396F, #72478A and #8955A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C396F shade: #5C396F, #6F3942 and #396F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C396F shade: #5C396F, #6F5B39 and #396F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C396F shade: #5C396F, #6F3942, #4C6F39 and #396F66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C396F shade: #5C396F, #6F4039, #4C6F39 and #39676F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

Complementary color

CMYK 18 / 0 / 27 / 22

HEX #A3C690

RGB 163 198 144

HSL 98.89, 0.32%, 0.67%

LAB 76.18, -21.62, 23.32

 

CMYK 8 / 46 / 0 / 58

HEX #61396A

RGB 97 57 106

HSL 288.98, 0.3%, 0.32%

LAB 30.66, 26.73, -21.49

 

CMYK 9 / 40 / 0 / 51

HEX #724B7D

RGB 114 75 125

HSL 286.8, 0.25%, 0.39%

LAB 38, 25.87, -21.81

 

CMYK 9 / 35 / 0 / 44

HEX #835D90

RGB 131 93 144

HSL 284.71, 0.22%, 0.46%

LAB 45.18, 25.08, -22.09

 

CMYK 9 / 32 / 0 / 36

HEX #946FA3

RGB 148 111 163

HSL 282.69, 0.22%, 0.54%

LAB 52.18, 24.34, -22.35

 

CMYK 9 / 29 / 0 / 29

HEX #A581B6

RGB 165 129 182

HSL 280.75, 0.27%, 0.61%

LAB 59.05, 23.68, -22.62

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 18 / 58 / 0 / 64

HEX #4B275C

RGB 75 39 92

HSL 280.75, 0.4%, 0.26%

LAB 22.72, 27.18, -25.1

 

CMYK 21 / 71 / 0 / 71

HEX #3A1549

RGB 58 21 73

HSL 282.69, 0.55%, 0.18%

LAB 15.05, 27.9, -24.65

 

CMYK 24 / 94 / 0 / 79

HEX #290336

RGB 41 3 54

HSL 284.71, 0.89%, 0.11%

LAB 7.25, 28.26, -23.86

 

CMYK 31 / 100 / 0 / 86

HEX #180023

RGB 24 0 35

HSL 281.14, 1%, 0.07%

LAB 2.85, 15.57, -16.64

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 5 / 49 / 0 / 56

HEX #6A396F

RGB 106 57 111

HSL 294.44, 0.32%, 0.33%

LAB 32.12, 30.79, -22.3

 

CMYK 0 / 49 / 10 / 56

HEX #6F3964

RGB 111 57 100

HSL 312.22, 0.32%, 0.33%

LAB 32.32, 30.27, -14.95

 

CMYK 0 / 49 / 23 / 56

HEX #6F3956

RGB 111 57 86

HSL 327.78, 0.32%, 0.33%

LAB 31.76, 27.8, -6.8

 

CMYK 0 / 49 / 36 / 56

HEX #6F3947

RGB 111 57 71

HSL 344.44, 0.32%, 0.33%

LAB 31.26, 25.52, 2.19

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 31 / 49 / 0 / 56

HEX #4D396F

RGB 77 57 111

HSL 262.22, 0.32%, 0.33%

LAB 28.52, 21.55, -28.21

 

CMYK 43 / 49 / 0 / 56

HEX #3F396F

RGB 63 57 111

HSL 246.67, 0.32%, 0.33%

LAB 27.1, 17.43, -30.54

 

CMYK 49 / 49 / 0 / 56

HEX #39396F

RGB 57 57 111

HSL 240, 0.32%, 0.33%

LAB 26.57, 15.79, -31.42

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 23 / 65 / 0 / 51

HEX #602B7C

RGB 96 43 124

HSL 279.26, 0.49%, 0.33%

LAB 28.56, 38.53, -36.23

 

CMYK 28 / 79 / 0 / 46

HEX #641D8A

RGB 100 29 138

HSL 279.08, 0.65%, 0.33%

LAB 27.91, 48.99, -46.03

 

CMYK 31 / 89 / 0 / 41

HEX #681097

RGB 104 16 151

HSL 279.11, 0.81%, 0.33%

LAB 28.24, 56.46, -53.49

 

CMYK 35 / 99 / 0 / 35

HEX #6C02A5

RGB 108 2 165

HSL 279.02, 0.98%, 0.33%

LAB 29.28, 62.42, -60.3

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 9 / 28 / 0 / 62

HEX #584661

RGB 88 70 97

HSL 280, 0.16%, 0.33%

LAB 32.52, 13.33, -12.98

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 18 / 0 / 29 / 62

HEX #506246

RGB 80 98 70

HSL 98.57, 0.17%, 0.33%

LAB 39.38, -12.68, 13.75

 

CMYK 32 / 0 / 50 / 56

HEX #4B6F38

RGB 75 111 56

HSL 99.27, 0.33%, 0.33%

LAB 42.99, -23.86, 26.5

 

CMYK 44 / 49 / 0 / 56

HEX #3E396F

RGB 62 57 111

HSL 245.56, 0.32%, 0.33%

LAB 27.01, 17.16, -30.69

 

CMYK 32 / 49 / 0 / 56

HEX #4C396F

RGB 76 57 111

HSL 261.11, 0.32%, 0.33%

LAB 28.41, 21.25, -28.39

 

CMYK 18 / 49 / 0 / 56

HEX #5B396F

RGB 91 57 111

HSL 277.78, 0.32%, 0.33%

LAB 30.15, 25.94, -25.52

 

CMYK 5 / 49 / 0 / 56

HEX #69396F

RGB 105 57 111

HSL 293.33, 0.32%, 0.33%

LAB 31.98, 30.46, -22.52

 

CMYK 0 / 49 / 8 / 56

HEX #6F3966

RGB 111 57 102

HSL 310, 0.32%, 0.33%

LAB 32.4, 30.65, -16.09

 

CMYK 18 / 48 / 0 / 78

HEX #2E1D38

RGB 46 29 56

HSL 277.78, 0.32%, 0.17%

LAB 14.09, 14.51, -14.38

 

CMYK 17 / 48 / 0 / 67

HEX #452B53

RGB 69 43 83

HSL 279, 0.32%, 0.25%

LAB 22.36, 20.47, -19.75

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 17 / 49 / 0 / 46

HEX #72478A

RGB 114 71 138

HSL 278.51, 0.32%, 0.41%

LAB 37.7, 31.22, -30.27

 

CMYK 17 / 48 / 0 / 35

HEX #8955A5

RGB 137 85 165

HSL 279, 0.32%, 0.49%

LAB 44.99, 36.28, -34.83

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 0 / 49 / 41 / 56

HEX #6F3942

RGB 111 57 66

HSL 350, 0.32%, 0.33%

LAB 31.11, 24.85, 5.23

 

CMYK 49 / 0 / 38 / 56

HEX #396F45

RGB 57 111 69

HSL 133.33, 0.32%, 0.33%

LAB 42.26, -28, 17.99

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 0 / 18 / 49 / 56

HEX #6F5B39

RGB 111 91 57

HSL 37.78, 0.32%, 0.33%

LAB 39.84, 3.22, 22.61

 

CMYK 49 / 0 / 18 / 56

HEX #396F5B

RGB 57 111 91

HSL 157.78, 0.32%, 0.33%

LAB 42.75, -23.18, 5.63

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 0 / 49 / 41 / 56

HEX #6F3942

RGB 111 57 66

HSL 350, 0.32%, 0.33%

LAB 31.11, 24.85, 5.23

 

CMYK 32 / 0 / 49 / 56

HEX #4C6F39

RGB 76 111 57

HSL 98.89, 0.32%, 0.33%

LAB 43.06, -23.33, 26.05

 

CMYK 49 / 0 / 8 / 56

HEX #396F66

RGB 57 111 102

HSL 170, 0.32%, 0.33%

LAB 43.06, -20.35, -0.55

 

CMYK 17 / 49 / 0 / 56

HEX #5C396F

RGB 92 57 111

HSL 278.89, 0.32%, 0.33%

LAB 30.28, 26.26, -25.32

 

CMYK 0 / 42 / 49 / 56

HEX #6F4039

RGB 111 64 57

HSL 7.78, 0.32%, 0.33%

LAB 32.57, 19.6, 13.06

 

CMYK 32 / 0 / 49 / 56

HEX #4C6F39

RGB 76 111 57

HSL 98.89, 0.32%, 0.33%

LAB 43.06, -23.33, 26.05

 

CMYK 49 / 7 / 0 / 56

HEX #39676F

RGB 57 103 111

HSL 188.89, 0.32%, 0.33%

LAB 40.76, -13.39, -9.41

 

Description

Color code: HEX #5C396F | qconv.com Color code: HEX #5C396F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 57 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 57 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 49 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 49% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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