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Color name
RGB 143 117 35

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 117 35 it is the complementary color RGB 112 138 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 117 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 117 35 shade: RGB 148 117 30, RGB 165 135 49, RGB 182 153 68, RGB 199 171 87 and RGB 216 189 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 117 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 117 35 shade: RGB 143 117 35, RGB 126 99 16, RGB 109 81 0, RGB 92 63 0 and RGB 75 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 117 35 shade: RGB 143 117 34, RGB 143 88 34, RGB 143 58 34 and RGB 143 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 117 35 shade: RGB 143 117 34, RGB 140 143 34, RGB 111 143 34, RGB 81 143 34 and RGB 52 143 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 117 35 shade matches the following richer shades: RGB 143 117 34, RGB 158 124 20 and RGB 172 132 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 117 35 shade: RGB 143 117 34, RGB 129 109 49, RGB 114 102 63, RGB 100 95 78 and RGB 85 87 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 117 35 shade: RGB 143 58 34, RGB 143 87 34, RGB 143 116 34, RGB 141 143 34 and RGB 112 143 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 117 35 shade: RGB 77 63 18, RGB 110 90 26, RGB 143 117 34, RGB 176 144 42 and RGB 206 169 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 117 35 shade: RGB 143 117 35, RGB 40 143 34 and RGB 72 34 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 117 35 shade: RGB 143 117 35, RGB 34 143 116 and RGB 116 34 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 117 35 shade: RGB 143 117 35, RGB 40 143 34, RGB 34 62 143 and RGB 138 34 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 117 35 shade: RGB 143 117 35, RGB 34 143 62, RGB 34 62 143 and RGB 143 34 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

Complementary color

CMYK 49 / 37 / 0 / 14

HEX #708ADC

RGB 112 138 220

HSL 225.56, 0.61%, 0.65%

LAB 58.78, 13.08, -44.8

 

CMYK 0 / 21 / 80 / 42

HEX #94751E

RGB 148 117 30

HSL 44.24, 0.66%, 0.35%

LAB 50.82, 3.36, 49.13

 

CMYK 0 / 18 / 70 / 35

HEX #A58731

RGB 165 135 49

HSL 44.48, 0.54%, 0.42%

LAB 57.61, 1.96, 48.61

 

CMYK 0 / 16 / 63 / 29

HEX #B69944

RGB 182 153 68

HSL 44.74, 0.46%, 0.49%

LAB 64.28, 0.81, 47.59

 

CMYK 0 / 14 / 56 / 22

HEX #C7AB57

RGB 199 171 87

HSL 45, 0.5%, 0.56%

LAB 70.84, -0.13, 46.4

 

CMYK 0 / 13 / 51 / 15

HEX #D8BD6A

RGB 216 189 106

HSL 45.27, 0.59%, 0.63%

LAB 77.3, -0.92, 45.15

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 0 / 21 / 87 / 51

HEX #7E6310

RGB 126 99 16

HSL 45.27, 0.77%, 0.28%

LAB 43.36, 2.82, 46.4

 

CMYK 0 / 26 / 100 / 57

HEX #6D5100

RGB 109 81 0

HSL 44.59, 1%, 0.21%

LAB 36.24, 4.79, 44.65

 

CMYK 0 / 32 / 100 / 64

HEX #5C3F00

RGB 92 63 0

HSL 41.09, 1%, 0.18%

LAB 28.98, 7.3, 38.54

 

CMYK 0 / 40 / 100 / 71

HEX #4B2D00

RGB 75 45 0

HSL 36, 1%, 0.15%

LAB 21.48, 10.02, 30.62

 

CMYK 0 / 18 / 76 / 44

HEX #8F7522

RGB 143 117 34

HSL 45.69, 0.62%, 0.35%

LAB 50.31, 1.2, 46.9

 

CMYK 0 / 38 / 76 / 44

HEX #8F5822

RGB 143 88 34

HSL 29.72, 0.62%, 0.35%

LAB 42.66, 17.97, 39.34

 

CMYK 0 / 59 / 76 / 44

HEX #8F3A22

RGB 143 58 34

HSL 13.21, 0.62%, 0.35%

LAB 35.95, 34.55, 32.31

 

CMYK 0 / 76 / 76 / 44

HEX #8F2222

RGB 143 34 34

HSL 0, 0.62%, 0.35%

LAB 32.03, 45.11, 28

 

CMYK 0 / 18 / 76 / 44

HEX #8F7522

RGB 143 117 34

HSL 45.69, 0.62%, 0.35%

LAB 50.31, 1.2, 46.9

 

CMYK 2 / 0 / 76 / 44

HEX #8C8F22

RGB 140 143 34

HSL 61.65, 0.62%, 0.35%

LAB 57.4, -14.47, 53.53

 

CMYK 22 / 0 / 76 / 44

HEX #6F8F22

RGB 111 143 34

HSL 77.61, 0.62%, 0.35%

LAB 55.22, -27.11, 50.69

 

CMYK 43 / 0 / 76 / 44

HEX #518F22

RGB 81 143 34

HSL 94.13, 0.62%, 0.35%

LAB 53.5, -38.68, 48.44

 

CMYK 64 / 0 / 76 / 44

HEX #348F22

RGB 52 143 34

HSL 110.09, 0.62%, 0.35%

LAB 52.39, -47.28, 46.96

 

CMYK 0 / 18 / 76 / 44

HEX #8F7522

RGB 143 117 34

HSL 45.69, 0.62%, 0.35%

LAB 50.31, 1.2, 46.9

 

CMYK 0 / 22 / 87 / 38

HEX #9E7C14

RGB 158 124 20

HSL 45.22, 0.78%, 0.35%

LAB 53.74, 3.72, 55.31

 

CMYK 0 / 23 / 97 / 33

HEX #AC8405

RGB 172 132 5

HSL 45.63, 0.94%, 0.35%

LAB 57.35, 5.43, 61.74

 

CMYK 0 / 18 / 76 / 44

HEX #8F7522

RGB 143 117 34

HSL 45.69, 0.62%, 0.35%

LAB 50.31, 1.2, 46.9

 

CMYK 0 / 16 / 62 / 49

HEX #816D31

RGB 129 109 49

HSL 45, 0.45%, 0.35%

LAB 46.75, 0.2, 35.78

 

CMYK 0 / 11 / 45 / 55

HEX #72663F

RGB 114 102 63

HSL 45.88, 0.29%, 0.35%

LAB 43.42, -1.25, 23.75

 

CMYK 0 / 5 / 22 / 61

HEX #645F4E

RGB 100 95 78

HSL 46.36, 0.12%, 0.35%

LAB 40.32, -1.15, 10.46

 

CMYK 8 / 5 / 0 / 64

HEX #55575C

RGB 85 87 92

HSL 222.86, 0.04%, 0.35%

LAB 36.97, 0.31, -3.17

 

CMYK 0 / 59 / 76 / 44

HEX #8F3A22

RGB 143 58 34

HSL 13.21, 0.62%, 0.35%

LAB 35.95, 34.55, 32.31

 

CMYK 0 / 39 / 76 / 44

HEX #8F5722

RGB 143 87 34

HSL 29.17, 0.62%, 0.35%

LAB 42.42, 18.55, 39.08

 

CMYK 0 / 19 / 76 / 44

HEX #8F7422

RGB 143 116 34

HSL 45.14, 0.62%, 0.35%

LAB 50.03, 1.77, 46.64

 

CMYK 1 / 0 / 76 / 44

HEX #8D8F22

RGB 141 143 34

HSL 61.1, 0.62%, 0.35%

LAB 57.49, -14.02, 53.63

 

CMYK 22 / 0 / 76 / 44

HEX #708F22

RGB 112 143 34

HSL 77.06, 0.62%, 0.35%

LAB 55.28, -26.69, 50.77

 

CMYK 0 / 18 / 77 / 70

HEX #4D3F12

RGB 77 63 18

HSL 45.76, 0.62%, 0.19%

LAB 27.23, 0.34, 28.7

 

CMYK 0 / 18 / 76 / 57

HEX #6E5A1A

RGB 110 90 26

HSL 45.71, 0.62%, 0.27%

LAB 39.07, 0.78, 38.1

 

CMYK 0 / 18 / 76 / 44

HEX #8F7522

RGB 143 117 34

HSL 45.69, 0.62%, 0.35%

LAB 50.31, 1.2, 46.9

 

CMYK 0 / 18 / 76 / 31

HEX #B0902A

RGB 176 144 42

HSL 45.67, 0.61%, 0.43%

LAB 61.08, 1.6, 55.29

 

CMYK 0 / 18 / 74 / 19

HEX #CEA936

RGB 206 169 54

HSL 45.39, 0.61%, 0.51%

LAB 70.71, 1.91, 61.02

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 72 / 0 / 76 / 44

HEX #288F22

RGB 40 143 34

HSL 116.7, 0.62%, 0.35%

LAB 52.08, -49.87, 46.55

 

CMYK 50 / 76 / 0 / 44

HEX #48228F

RGB 72 34 143

HSL 260.92, 0.62%, 0.35%

LAB 25.28, 43.05, -53.59

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 19 / 76 / 0 / 44

HEX #74228F

RGB 116 34 143

HSL 285.14, 0.62%, 0.35%

LAB 31.44, 51.35, -43.29

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 72 / 0 / 76 / 44

HEX #288F22

RGB 40 143 34

HSL 116.7, 0.62%, 0.35%

LAB 52.08, -49.87, 46.55

 

CMYK 76 / 57 / 0 / 44

HEX #223E8F

RGB 34 62 143

HSL 224.59, 0.62%, 0.35%

LAB 28.82, 19.73, -47.93

 

CMYK 3 / 76 / 0 / 44

HEX #8A228F

RGB 138 34 143

HSL 297.25, 0.62%, 0.35%

LAB 35.06, 56.04, -37.28

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 76 / 0 / 57 / 44

HEX #228F3E

RGB 34 143 62

HSL 135.41, 0.62%, 0.35%

LAB 52.21, -47.78, 34.25

 

CMYK 76 / 57 / 0 / 44

HEX #223E8F

RGB 34 62 143

HSL 224.59, 0.62%, 0.35%

LAB 28.82, 19.73, -47.93

 

CMYK 0 / 76 / 19 / 44

HEX #8F2274

RGB 143 34 116

HSL 314.86, 0.62%, 0.35%

LAB 34.49, 52.9, -21.32

 

Description

Color code: RGB 143 117 35 | qconv.com Color code: RGB 143 117 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 117 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 117 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 76 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 76% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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