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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #228F74 it is the complementary color #DD708B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #228F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #228F74 shade: #278F6F, #38A182, #49B395, #5AC5A8 and #6BD7BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #228F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #228F74 shade: #228F74, #117D61, #006B4E, #00593B and #004728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #228F74 shade: #219075, #219057, #219039, #289021 and #469021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #228F74 shade: #219075, #218E90, #217090, #215290 and #213490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #228F74 shade matches the following richer shades: #219075, #139F7C and #05AD83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #228F74 shade: #219075, #30826D, #3E7366, #4D655F and #5B5658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #228F74 shade: #219039, #219057, #219074, #218E90 and #217190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #228F74 shade: #124D3F, #1A6F5A, #219075, #29B290 and #35CFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #228F74 shade: #228F74, #212790 and #904821

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #228F74 shade: #228F74, #742190 and #907421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #228F74 shade: #228F74, #212790, #90213D and #908B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #228F74 shade: #228F74, #3D2190, #90213D and #749021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

Complementary color

CMYK 0 / 49 / 37 / 13

HEX #DD708B

RGB 221 112 139

HSL 345.14, 0.62%, 0.65%

LAB 60.63, 45.26, 5.13

 

CMYK 73 / 0 / 22 / 44

HEX #278F6F

RGB 39 143 111

HSL 161.54, 0.57%, 0.36%

LAB 53.19, -37.19, 8.68

 

CMYK 65 / 0 / 19 / 37

HEX #38A182

RGB 56 161 130

HSL 162.29, 0.48%, 0.43%

LAB 59.84, -37.61, 7.4

 

CMYK 59 / 0 / 17 / 30

HEX #49B395

RGB 73 179 149

HSL 163.02, 0.42%, 0.49%

LAB 66.39, -37.81, 6.27

 

CMYK 54 / 0 / 15 / 23

HEX #5AC5A8

RGB 90 197 168

HSL 163.74, 0.48%, 0.56%

LAB 72.85, -37.87, 5.24

 

CMYK 50 / 0 / 13 / 16

HEX #6BD7BB

RGB 107 215 187

HSL 164.44, 0.57%, 0.63%

LAB 79.22, -37.84, 4.3

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 86 / 0 / 22 / 51

HEX #117D61

RGB 17 125 97

HSL 164.44, 0.76%, 0.28%

LAB 46.51, -35.61, 7.27

 

CMYK 100 / 0 / 27 / 58

HEX #006B4E

RGB 0 107 78

HSL 163.74, 1%, 0.21%

LAB 39.69, -34.19, 8.92

 

CMYK 100 / 0 / 34 / 65

HEX #00593B

RGB 0 89 59

HSL 159.78, 1%, 0.17%

LAB 32.83, -31.48, 10.95

 

CMYK 100 / 0 / 44 / 72

HEX #004728

RGB 0 71 40

HSL 153.8, 1%, 0.14%

LAB 25.74, -28.57, 13.16

 

CMYK 77 / 0 / 19 / 44

HEX #219075

RGB 33 144 117

HSL 165.41, 0.63%, 0.35%

LAB 53.55, -36.92, 5.73

 

CMYK 77 / 0 / 40 / 44

HEX #219057

RGB 33 144 87

HSL 149.19, 0.63%, 0.35%

LAB 52.9, -43.95, 21.82

 

CMYK 77 / 0 / 60 / 44

HEX #219039

RGB 33 144 57

HSL 132.97, 0.63%, 0.35%

LAB 52.47, -48.99, 37.02

 

CMYK 72 / 0 / 77 / 44

HEX #289021

RGB 40 144 33

HSL 116.22, 0.63%, 0.35%

LAB 52.41, -50.29, 47.24

 

CMYK 51 / 0 / 77 / 44

HEX #469021

RGB 70 144 33

HSL 100, 0.63%, 0.35%

LAB 53.34, -42.77, 48.47

 

CMYK 77 / 0 / 19 / 44

HEX #219075

RGB 33 144 117

HSL 165.41, 0.63%, 0.35%

LAB 53.55, -36.92, 5.73

 

CMYK 77 / 1 / 0 / 44

HEX #218E90

RGB 33 142 144

HSL 181.08, 0.63%, 0.35%

LAB 53.69, -28.19, -9.64

 

CMYK 77 / 22 / 0 / 44

HEX #217090

RGB 33 112 144

HSL 197.3, 0.63%, 0.35%

LAB 44.13, -12.18, -24.23

 

CMYK 77 / 43 / 0 / 44

HEX #215290

RGB 33 82 144

HSL 213.51, 0.63%, 0.35%

LAB 34.74, 6.42, -39

 

CMYK 77 / 64 / 0 / 44

HEX #213490

RGB 33 52 144

HSL 229.73, 0.63%, 0.35%

LAB 26.14, 26.85, -52.92

 

CMYK 77 / 0 / 19 / 44

HEX #219075

RGB 33 144 117

HSL 165.41, 0.63%, 0.35%

LAB 53.55, -36.92, 5.73

 

CMYK 88 / 0 / 22 / 38

HEX #139F7C

RGB 19 159 124

HSL 165, 0.79%, 0.35%

LAB 58.41, -42.89, 8.65

 

CMYK 97 / 0 / 24 / 32

HEX #05AD83

RGB 5 173 131

HSL 165, 0.94%, 0.35%

LAB 62.98, -47.53, 11.21

 

CMYK 77 / 0 / 19 / 44

HEX #219075

RGB 33 144 117

HSL 165.41, 0.63%, 0.35%

LAB 53.55, -36.92, 5.73

 

CMYK 63 / 0 / 16 / 49

HEX #30826D

RGB 48 130 109

HSL 164.63, 0.46%, 0.35%

LAB 49.13, -30.15, 4.06

 

CMYK 46 / 0 / 11 / 55

HEX #3E7366

RGB 62 115 102

HSL 165.28, 0.3%, 0.35%

LAB 44.58, -21.1, 1.7

 

CMYK 24 / 0 / 6 / 60

HEX #4D655F

RGB 77 101 95

HSL 165, 0.13%, 0.35%

LAB 40.75, -10.33, 0.46

 

CMYK 0 / 5 / 3 / 64

HEX #5B5658

RGB 91 86 88

HSL 336, 0.03%, 0.35%

LAB 37.09, 2.44, -0.44

 

CMYK 77 / 0 / 60 / 44

HEX #219039

RGB 33 144 57

HSL 132.97, 0.63%, 0.35%

LAB 52.47, -48.99, 37.02

 

CMYK 77 / 0 / 40 / 44

HEX #219057

RGB 33 144 87

HSL 149.19, 0.63%, 0.35%

LAB 52.9, -43.95, 21.82

 

CMYK 77 / 0 / 19 / 44

HEX #219074

RGB 33 144 116

HSL 164.86, 0.63%, 0.35%

LAB 53.53, -37.18, 6.27

 

CMYK 77 / 1 / 0 / 44

HEX #218E90

RGB 33 142 144

HSL 181.08, 0.63%, 0.35%

LAB 53.69, -28.19, -9.64

 

CMYK 77 / 22 / 0 / 44

HEX #217190

RGB 33 113 144

HSL 196.76, 0.63%, 0.35%

LAB 44.44, -12.76, -23.73

 

CMYK 77 / 0 / 18 / 70

HEX #124D3F

RGB 18 77 63

HSL 165.76, 0.62%, 0.19%

LAB 28.89, -22.51, 2.93

 

CMYK 77 / 0 / 19 / 56

HEX #1A6F5A

RGB 26 111 90

HSL 165.18, 0.62%, 0.27%

LAB 41.73, -30.12, 4.63

 

CMYK 77 / 0 / 19 / 44

HEX #219075

RGB 33 144 117

HSL 165.41, 0.63%, 0.35%

LAB 53.55, -36.92, 5.73

 

CMYK 77 / 0 / 19 / 30

HEX #29B290

RGB 41 178 144

HSL 165.11, 0.63%, 0.43%

LAB 65.22, -43.7, 7.26

 

CMYK 74 / 0 / 18 / 19

HEX #35CFA9

RGB 53 207 169

HSL 165.19, 0.62%, 0.51%

LAB 74.98, -48.2, 7.65

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 77 / 73 / 0 / 44

HEX #212790

RGB 33 39 144

HSL 236.76, 0.63%, 0.35%

LAB 22.96, 35.35, -58.14

 

CMYK 0 / 50 / 77 / 44

HEX #904821

RGB 144 72 33

HSL 21.08, 0.63%, 0.35%

LAB 39.03, 27.47, 36.15

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 19 / 77 / 0 / 44

HEX #742190

RGB 116 33 144

HSL 284.86, 0.63%, 0.35%

LAB 31.38, 51.93, -44

 

CMYK 0 / 19 / 77 / 44

HEX #907421

RGB 144 116 33

HSL 44.86, 0.63%, 0.35%

LAB 50.13, 2.19, 47.17

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 77 / 73 / 0 / 44

HEX #212790

RGB 33 39 144

HSL 236.76, 0.63%, 0.35%

LAB 22.96, 35.35, -58.14

 

CMYK 0 / 77 / 58 / 44

HEX #90213D

RGB 144 33 61

HSL 344.86, 0.63%, 0.35%

LAB 32.6, 47.39, 11.44

 

CMYK 0 / 3 / 77 / 44

HEX #908B21

RGB 144 139 33

HSL 57.3, 0.63%, 0.35%

LAB 56.59, -10.57, 53.24

 

CMYK 76 / 0 / 19 / 44

HEX #228F74

RGB 34 143 116

HSL 165.14, 0.62%, 0.35%

LAB 53.22, -36.61, 5.83

 

CMYK 58 / 77 / 0 / 44

HEX #3D2190

RGB 61 33 144

HSL 255.14, 0.63%, 0.35%

LAB 23.98, 42.16, -56.38

 

CMYK 0 / 77 / 58 / 44

HEX #90213D

RGB 144 33 61

HSL 344.86, 0.63%, 0.35%

LAB 32.6, 47.39, 11.44

 

CMYK 19 / 0 / 77 / 44

HEX #749021

RGB 116 144 33

HSL 75.14, 0.63%, 0.35%

LAB 55.86, -25.55, 51.76

 

Description

Color code: HEX #228F74 | qconv.com Color code: HEX #228F74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 143 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 143 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 19 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 19% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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