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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 107 147 it is the complementary color RGB 113 148 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 107 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 107 147 shade: RGB 147 107 142, RGB 164 125 161, RGB 181 143 180, RGB 198 161 199 and RGB 215 179 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 107 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 125 89 128, RGB 108 71 109, RGB 91 53 90 and RGB 74 35 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 147 107 141, RGB 147 107 130, RGB 147 107 119 and RGB 147 107 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 131 107 147, RGB 120 107 147, RGB 109 107 147 and RGB 107 107 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 107 147 shade matches the following richer shades: RGB 142 107 147, RGB 158 86 168, RGB 173 65 189, RGB 189 45 209 and RGB 204 24 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 127 127 127, RGB 111 148 106, RGB 96 168 86 and RGB 80 189 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 107 147 shade: RGB 120 107 147, RGB 131 107 147, RGB 142 107 147, RGB 147 107 142 and RGB 147 107 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 107 147 shade: RGB 96 72 100, RGB 119 89 123, RGB 142 107 147, RGB 160 131 165 and RGB 179 154 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 147 109 107 and RGB 107 147 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 147 142 107 and RGB 107 147 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 147 109 107, RGB 112 147 107 and RGB 107 145 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 107 147 shade: RGB 142 107 147, RGB 147 122 107, RGB 112 147 107 and RGB 107 132 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

Complementary color

CMYK 24 / 0 / 27 / 42

HEX #71946C

RGB 113 148 108

HSL 112.5, 0.16%, 0.5%

LAB 57.82, -20.27, 17.3

 

CMYK 0 / 27 / 3 / 42

HEX #936B8E

RGB 147 107 142

HSL 307.5, 0.16%, 0.5%

LAB 50.3, 22.02, -12.91

 

CMYK 0 / 24 / 2 / 36

HEX #A47DA1

RGB 164 125 161

HSL 304.62, 0.18%, 0.57%

LAB 57.2, 21.37, -13.4

 

CMYK 0 / 21 / 1 / 29

HEX #B58FB4

RGB 181 143 180

HSL 301.58, 0.2%, 0.64%

LAB 63.97, 20.77, -13.86

 

CMYK 1 / 19 / 0 / 22

HEX #C6A1C7

RGB 198 161 199

HSL 298.42, 0.25%, 0.71%

LAB 70.61, 20.23, -14.3

 

CMYK 1 / 18 / 0 / 15

HEX #D7B3DA

RGB 215 179 218

HSL 295.38, 0.35%, 0.78%

LAB 77.13, 19.73, -14.73

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 2 / 30 / 0 / 50

HEX #7D5980

RGB 125 89 128

HSL 295.38, 0.18%, 0.43%

LAB 42.86, 21.95, -16.06

 

CMYK 1 / 35 / 0 / 57

HEX #6C476D

RGB 108 71 109

HSL 298.42, 0.21%, 0.35%

LAB 35.59, 22.73, -15.64

 

CMYK 0 / 42 / 1 / 64

HEX #5B355A

RGB 91 53 90

HSL 301.58, 0.26%, 0.28%

LAB 28.14, 23.57, -15.16

 

CMYK 0 / 53 / 4 / 71

HEX #4A2347

RGB 74 35 71

HSL 304.62, 0.36%, 0.21%

LAB 20.49, 24.43, -14.53

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 27 / 4 / 42

HEX #936B8D

RGB 147 107 141

HSL 309, 0.16%, 0.5%

LAB 50.27, 21.82, -12.37

 

CMYK 0 / 27 / 12 / 42

HEX #936B82

RGB 147 107 130

HSL 325.5, 0.16%, 0.5%

LAB 49.89, 19.77, -6.41

 

CMYK 0 / 27 / 19 / 42

HEX #936B77

RGB 147 107 119

HSL 342, 0.16%, 0.5%

LAB 49.56, 17.86, -0.38

 

CMYK 0 / 27 / 27 / 42

HEX #936B6C

RGB 147 107 108

HSL 358.5, 0.16%, 0.5%

LAB 49.25, 16.11, 5.73

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 11 / 27 / 0 / 42

HEX #836B93

RGB 131 107 147

HSL 276, 0.16%, 0.5%

LAB 48.82, 17.43, -18.27

 

CMYK 18 / 27 / 0 / 42

HEX #786B93

RGB 120 107 147

HSL 259.5, 0.16%, 0.5%

LAB 47.77, 13.68, -19.97

 

CMYK 26 / 27 / 0 / 42

HEX #6D6B93

RGB 109 107 147

HSL 243, 0.16%, 0.5%

LAB 46.81, 10.05, -21.53

 

CMYK 27 / 27 / 0 / 42

HEX #6B6B93

RGB 107 107 147

HSL 240, 0.16%, 0.5%

LAB 46.64, 9.41, -21.8

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 6 / 49 / 0 / 34

HEX #9E56A8

RGB 158 86 168

HSL 292.68, 0.32%, 0.5%

LAB 47.95, 42.56, -31.77

 

CMYK 8 / 66 / 0 / 26

HEX #AD41BD

RGB 173 65 189

HSL 292.26, 0.49%, 0.5%

LAB 47.42, 60.57, -44.76

 

CMYK 10 / 78 / 0 / 18

HEX #BD2DD1

RGB 189 45 209

HSL 292.68, 0.65%, 0.5%

LAB 48.63, 74.36, -54.24

 

CMYK 11 / 90 / 0 / 10

HEX #CC18E6

RGB 204 24 230

HSL 292.43, 0.81%, 0.5%

LAB 50.92, 84.69, -62.4

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 25 / 0 / 28 / 42

HEX #6F946A

RGB 111 148 106

HSL 112.86, 0.17%, 0.5%

LAB 57.66, -21.34, 18.18

 

CMYK 43 / 0 / 49 / 34

HEX #60A856

RGB 96 168 86

HSL 112.68, 0.32%, 0.5%

LAB 62.65, -39.11, 35.28

 

CMYK 58 / 0 / 66 / 26

HEX #50BD41

RGB 80 189 65

HSL 112.74, 0.49%, 0.5%

LAB 68.37, -54.56, 51.64

 

CMYK 18 / 27 / 0 / 42

HEX #786B93

RGB 120 107 147

HSL 259.5, 0.16%, 0.5%

LAB 47.77, 13.68, -19.97

 

CMYK 11 / 27 / 0 / 42

HEX #836B93

RGB 131 107 147

HSL 276, 0.16%, 0.5%

LAB 48.82, 17.43, -18.27

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 27 / 3 / 42

HEX #936B8E

RGB 147 107 142

HSL 307.5, 0.16%, 0.5%

LAB 50.3, 22.02, -12.91

 

CMYK 0 / 27 / 11 / 42

HEX #936B83

RGB 147 107 131

HSL 324, 0.16%, 0.5%

LAB 49.93, 19.95, -6.96

 

CMYK 4 / 28 / 0 / 61

HEX #604864

RGB 96 72 100

HSL 291.43, 0.16%, 0.34%

LAB 34.07, 15.75, -12.44

 

CMYK 3 / 28 / 0 / 52

HEX #77597B

RGB 119 89 123

HSL 292.94, 0.16%, 0.42%

LAB 41.99, 18.75, -14.4

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 3 / 21 / 0 / 35

HEX #A083A5

RGB 160 131 165

HSL 291.18, 0.16%, 0.58%

LAB 58.44, 17.32, -13.88

 

CMYK 2 / 15 / 0 / 29

HEX #B39AB6

RGB 179 154 182

HSL 293.57, 0.16%, 0.66%

LAB 66.58, 14.31, -11.09

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 26 / 27 / 42

HEX #936D6B

RGB 147 109 107

HSL 3, 0.16%, 0.5%

LAB 49.74, 14.8, 7.02

 

CMYK 27 / 0 / 14 / 42

HEX #6B937E

RGB 107 147 126

HSL 148.5, 0.16%, 0.5%

LAB 57.56, -18.37, 6.7

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 3 / 27 / 42

HEX #938E6B

RGB 147 142 107

HSL 52.5, 0.16%, 0.5%

LAB 58.61, -4, 19.36

 

CMYK 27 / 0 / 3 / 42

HEX #6B938E

RGB 107 147 142

HSL 172.5, 0.16%, 0.5%

LAB 57.99, -14.82, -1.81

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 26 / 27 / 42

HEX #936D6B

RGB 147 109 107

HSL 3, 0.16%, 0.5%

LAB 49.74, 14.8, 7.02

 

CMYK 24 / 0 / 27 / 42

HEX #70936B

RGB 112 147 107

HSL 112.5, 0.16%, 0.5%

LAB 57.44, -20.29, 17.33

 

CMYK 27 / 1 / 0 / 42

HEX #6B9193

RGB 107 145 147

HSL 183, 0.16%, 0.5%

LAB 57.54, -12.56, -5.33

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 24 / 0 / 27 / 42

HEX #70936B

RGB 112 147 107

HSL 112.5, 0.16%, 0.5%

LAB 57.44, -20.29, 17.33

 

CMYK 27 / 10 / 0 / 42

HEX #6B8493

RGB 107 132 147

HSL 202.5, 0.16%, 0.5%

LAB 53.74, -5.32, -10.99

 

Description

Color code: RGB 142 107 147 | qconv.com Color code: RGB 142 107 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 107 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 107 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 27 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 27% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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