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Color name
CMYK 0 / 17 / 27 / 42

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 17 / 27 / 42 it is the complementary color CMYK 27 / 10 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 17 / 27 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 20 / 33 / 40, CMYK 0 / 17 / 28 / 33, CMYK 0 / 15 / 25 / 27, CMYK 0 / 13 / 22 / 20 and CMYK 0 / 12 / 19 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 17 / 27 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 0 / 20 / 32 / 49, CMYK 0 / 24 / 39 / 55, CMYK 0 / 29 / 47 / 62 and CMYK 0 / 36 / 60 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 0 / 24 / 27 / 42 and CMYK 0 / 27 / 27 / 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 0 / 10 / 27 / 42, CMYK 0 / 2 / 27 / 42, CMYK 5 / 0 / 27 / 42 and CMYK 12 / 0 / 27 / 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 17 / 27 / 42 shade matches the following richer shades: CMYK 0 / 17 / 27 / 42, CMYK 0 / 30 / 49 / 34, CMYK 0 / 41 / 66 / 26, CMYK 0 / 49 / 78 / 18 and CMYK 0 / 56 / 90 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 0 / 0 / 0 / 50, CMYK 28 / 11 / 0 / 42, CMYK 49 / 18 / 0 / 34 and CMYK 66 / 24 / 0 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 27 / 23 / 42, CMYK 0 / 24 / 27 / 42, CMYK 0 / 17 / 27 / 42, CMYK 0 / 10 / 27 / 42 and CMYK 0 / 3 / 27 / 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 18 / 28 / 61, CMYK 0 / 17 / 28 / 52, CMYK 0 / 17 / 27 / 42, CMYK 0 / 13 / 21 / 35 and CMYK 0 / 9 / 15 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 16 / 0 / 27 / 42 and CMYK 27 / 27 / 0 / 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 27 / 0 / 17 / 42 and CMYK 17 / 27 / 0 / 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 16 / 0 / 27 / 42, CMYK 27 / 10 / 0 / 42 and CMYK 12 / 27 / 0 / 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 17 / 27 / 42 shade: CMYK 0 / 17 / 27 / 42, CMYK 24 / 0 / 27 / 42, CMYK 27 / 10 / 0 / 42 and CMYK 3 / 27 / 0 / 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

Complementary color

CMYK 27 / 10 / 0 / 42

HEX #6B8493

RGB 107 132 147

HSL 202.5, 0.16%, 0.5%

LAB 53.74, -5.32, -10.99

 

CMYK 0 / 20 / 33 / 40

HEX #997B67

RGB 153 123 103

HSL 24, 0.2%, 0.5%

LAB 53.94, 8.61, 15.34

 

CMYK 0 / 17 / 28 / 33

HEX #AA8D7A

RGB 170 141 122

HSL 23.75, 0.22%, 0.57%

LAB 60.78, 8.01, 14.23

 

CMYK 0 / 15 / 25 / 27

HEX #BB9F8D

RGB 187 159 141

HSL 23.48, 0.25%, 0.64%

LAB 67.49, 7.5, 13.22

 

CMYK 0 / 13 / 22 / 20

HEX #CCB1A0

RGB 204 177 160

HSL 23.18, 0.3%, 0.71%

LAB 74.07, 7.05, 12.28

 

CMYK 0 / 12 / 19 / 13

HEX #DDC3B3

RGB 221 195 179

HSL 22.86, 0.38%, 0.78%

LAB 80.55, 6.65, 11.4

 

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

CMYK 0 / 20 / 32 / 49

HEX #836959

RGB 131 105 89

HSL 22.86, 0.19%, 0.43%

LAB 46.51, 7.86, 12.92

 

CMYK 0 / 24 / 39 / 55

HEX #725746

RGB 114 87 70

HSL 23.18, 0.24%, 0.36%

LAB 39.3, 8.59, 14.17

 

CMYK 0 / 29 / 47 / 62

HEX #614533

RGB 97 69 51

HSL 23.48, 0.31%, 0.29%

LAB 31.89, 9.51, 15.61

 

CMYK 0 / 36 / 60 / 69

HEX #503320

RGB 80 51 32

HSL 23.75, 0.43%, 0.22%

LAB 24.25, 10.72, 17.32

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 24 / 27 / 42

HEX #936F6B

RGB 147 111 107

HSL 6, 0.16%, 0.5%

LAB 50.26, 13.64, 7.75

 

CMYK 0 / 27 / 27 / 42

HEX #936B6B

RGB 147 107 107

HSL 0, 0.16%, 0.5%

LAB 49.23, 15.96, 6.29

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 10 / 27 / 42

HEX #93856B

RGB 147 133 107

HSL 39, 0.16%, 0.5%

LAB 56.13, 1.02, 15.96

 

CMYK 0 / 2 / 27 / 42

HEX #93906B

RGB 147 144 107

HSL 55.5, 0.16%, 0.5%

LAB 59.17, -5.11, 20.12

 

CMYK 5 / 0 / 27 / 42

HEX #8C936B

RGB 140 147 107

HSL 70.5, 0.16%, 0.5%

LAB 59.44, -9.56, 20.38

 

CMYK 12 / 0 / 27 / 42

HEX #81936B

RGB 129 147 107

HSL 87, 0.16%, 0.5%

LAB 58.6, -13.9, 19.1

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 30 / 49 / 34

HEX #A87556

RGB 168 117 86

HSL 22.68, 0.32%, 0.5%

LAB 53.73, 16.31, 25.08

 

CMYK 0 / 41 / 66 / 26

HEX #BD7041

RGB 189 112 65

HSL 22.74, 0.49%, 0.5%

LAB 54.85, 26.23, 38.61

 

CMYK 0 / 49 / 78 / 18

HEX #D16A2D

RGB 209 106 45

HSL 22.32, 0.65%, 0.5%

LAB 56.14, 36.6, 50.71

 

CMYK 0 / 56 / 90 / 10

HEX #E66518

RGB 230 101 24

HSL 22.43, 0.81%, 0.5%

LAB 58.22, 46.64, 61.78

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 11 / 0 / 42

HEX #6A8494

RGB 106 132 148

HSL 202.86, 0.17%, 0.5%

LAB 53.71, -5.38, -11.63

 

CMYK 49 / 18 / 0 / 34

HEX #5689A8

RGB 86 137 168

HSL 202.68, 0.32%, 0.5%

LAB 54.76, -8.34, -21.69

 

CMYK 66 / 24 / 0 / 26

HEX #418FBD

RGB 65 143 189

HSL 202.26, 0.49%, 0.5%

LAB 56.53, -9.45, -31.03

 

CMYK 0 / 27 / 23 / 42

HEX #936B71

RGB 147 107 113

HSL 351, 0.16%, 0.5%

LAB 49.39, 16.89, 2.95

 

CMYK 0 / 24 / 27 / 42

HEX #936F6B

RGB 147 111 107

HSL 6, 0.16%, 0.5%

LAB 50.26, 13.64, 7.75

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 10 / 27 / 42

HEX #93846B

RGB 147 132 107

HSL 37.5, 0.16%, 0.5%

LAB 55.85, 1.58, 15.59

 

CMYK 0 / 3 / 27 / 42

HEX #938F6B

RGB 147 143 107

HSL 54, 0.16%, 0.5%

LAB 58.89, -4.56, 19.74

 

CMYK 0 / 18 / 28 / 61

HEX #645248

RGB 100 82 72

HSL 21.43, 0.16%, 0.34%

LAB 36.39, 5.76, 8.67

 

CMYK 0 / 17 / 28 / 52

HEX #7B6659

RGB 123 102 89

HSL 22.94, 0.16%, 0.42%

LAB 44.85, 6.24, 10.48

 

CMYK 0 / 17 / 27 / 42

HEX #937A6B

RGB 147 122 107

HSL 22.5, 0.16%, 0.5%

LAB 53.15, 7.28, 11.83

 

CMYK 0 / 13 / 21 / 35

HEX #A58F83

RGB 165 143 131

HSL 21.18, 0.16%, 0.58%

LAB 61.03, 6.26, 9.41

 

CMYK 0 / 9 / 15 / 29

HEX #B6A59A

RGB 182 165 154

HSL 23.57, 0.16%, 0.66%

LAB 68.89, 4.31, 7.93

 

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

CMYK 16 / 0 / 27 / 42

HEX #7C936B

RGB 124 147 107

HSL 94.5, 0.16%, 0.5%

LAB 58.24, -15.82, 18.56

 

CMYK 27 / 27 / 0 / 42

HEX #6B6C93

RGB 107 108 147

HSL 238.5, 0.16%, 0.5%

LAB 46.92, 8.8, -21.38

 

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

CMYK 27 / 0 / 17 / 42

HEX #6B937A

RGB 107 147 122

HSL 142.5, 0.16%, 0.5%

LAB 57.46, -19.2, 8.84

 

CMYK 17 / 27 / 0 / 42

HEX #7A6B93

RGB 122 107 147

HSL 262.5, 0.16%, 0.5%

LAB 47.96, 14.36, -19.67

 

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

CMYK 16 / 0 / 27 / 42

HEX #7C936B

RGB 124 147 107

HSL 94.5, 0.16%, 0.5%

LAB 58.24, -15.82, 18.56

 

CMYK 27 / 10 / 0 / 42

HEX #6B8493

RGB 107 132 147

HSL 202.5, 0.16%, 0.5%

LAB 53.74, -5.32, -10.99

 

CMYK 12 / 27 / 0 / 42

HEX #826B93

RGB 130 107 147

HSL 274.5, 0.16%, 0.5%

LAB 48.72, 17.08, -18.43

 

CMYK 0 / 17 / 27 / 42

HEX #947B6C

RGB 148 123 108

HSL 22.5, 0.16%, 0.5%

LAB 53.54, 7.26, 11.81

 

CMYK 24 / 0 / 27 / 42

HEX #70936B

RGB 112 147 107

HSL 112.5, 0.16%, 0.5%

LAB 57.44, -20.29, 17.33

 

CMYK 27 / 10 / 0 / 42

HEX #6B8493

RGB 107 132 147

HSL 202.5, 0.16%, 0.5%

LAB 53.74, -5.32, -10.99

 

CMYK 3 / 27 / 0 / 42

HEX #8E6B93

RGB 142 107 147

HSL 292.5, 0.16%, 0.5%

LAB 49.95, 21.25, -16.45

 

Description

Color code: CMYK 0 / 17 / 27 / 42 | qconv.com Color code: CMYK 0 / 17 / 27 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 123 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 123 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 27 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 27% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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