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Color name
RGB 140 149 79

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 149 79 it is the complementary color RGB 115 106 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 149 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 149 79 shade: RGB 145 149 74, RGB 162 167 93, RGB 179 185 112, RGB 196 203 131 and RGB 213 221 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 149 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 149 79 shade: RGB 140 149 79, RGB 123 131 60, RGB 106 113 41, RGB 89 95 22 and RGB 72 77 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 149 79 shade: RGB 141 150 79, RGB 150 140 79, RGB 150 121 79, RGB 150 101 79 and RGB 150 82 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 149 79 shade: RGB 141 150 79, RGB 121 150 79, RGB 102 150 79, RGB 83 150 79 and RGB 79 150 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 149 79 shade matches the following richer shades: RGB 141 150 79, RGB 154 168 60, RGB 168 187 42, RGB 182 206 23 and RGB 196 224 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 149 79 shade: RGB 141 150 79, RGB 127 131 97, RGB 113 113 116, RGB 99 94 134 and RGB 86 76 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 149 79 shade: RGB 150 120 79, RGB 150 139 79, RGB 142 150 79, RGB 123 150 79 and RGB 104 150 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 149 79 shade: RGB 90 96 50, RGB 115 123 64, RGB 141 150 79, RGB 162 172 98 and RGB 178 186 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 149 79 shade: RGB 140 149 79, RGB 79 150 101 and RGB 130 79 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 149 79 shade: RGB 140 149 79, RGB 79 142 150 and RGB 150 79 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 149 79 shade: RGB 140 149 79, RGB 79 150 101, RGB 87 79 150 and RGB 150 79 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 149 79 shade: RGB 140 149 79, RGB 79 150 123, RGB 87 79 150 and RGB 150 79 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

Complementary color

CMYK 35 / 40 / 0 / 31

HEX #736AB0

RGB 115 106 176

HSL 247.71, 0.31%, 0.55%

LAB 48.37, 20.24, -36.11

 

CMYK 3 / 0 / 50 / 42

HEX #91954A

RGB 145 149 74

HSL 63.2, 0.34%, 0.44%

LAB 59.9, -12.61, 38.74

 

CMYK 3 / 0 / 44 / 35

HEX #A2A75D

RGB 162 167 93

HSL 64.05, 0.3%, 0.51%

LAB 66.6, -13.01, 37.53

 

CMYK 3 / 0 / 39 / 27

HEX #B3B970

RGB 179 185 112

HSL 64.93, 0.34%, 0.58%

LAB 73.19, -13.32, 36.32

 

CMYK 3 / 0 / 35 / 20

HEX #C4CB83

RGB 196 203 131

HSL 65.83, 0.41%, 0.65%

LAB 79.66, -13.57, 35.15

 

CMYK 4 / 0 / 32 / 13

HEX #D5DD96

RGB 213 221 150

HSL 66.76, 0.51%, 0.73%

LAB 86.04, -13.77, 34.02

 

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

CMYK 6 / 0 / 54 / 49

HEX #7B833C

RGB 123 131 60

HSL 66.76, 0.37%, 0.37%

LAB 52.7, -13.84, 36.89

 

CMYK 6 / 0 / 64 / 56

HEX #6A7129

RGB 106 113 41

HSL 65.83, 0.47%, 0.3%

LAB 45.68, -13.31, 37.95

 

CMYK 6 / 0 / 77 / 63

HEX #595F16

RGB 89 95 22

HSL 64.93, 0.62%, 0.23%

LAB 38.49, -12.54, 38.51

 

CMYK 6 / 0 / 96 / 70

HEX #484D03

RGB 72 77 3

HSL 64.05, 0.93%, 0.16%

LAB 31.1, -11.46, 38.01

 

CMYK 6 / 0 / 47 / 41

HEX #8D964F

RGB 141 150 79

HSL 67.61, 0.31%, 0.45%

LAB 59.92, -14.33, 36.14

 

CMYK 0 / 7 / 47 / 41

HEX #968C4F

RGB 150 140 79

HSL 51.55, 0.31%, 0.45%

LAB 57.85, -5.1, 33.77

 

CMYK 0 / 19 / 47 / 41

HEX #96794F

RGB 150 121 79

HSL 35.49, 0.31%, 0.45%

LAB 52.65, 5.55, 27.23

 

CMYK 0 / 33 / 47 / 41

HEX #96654F

RGB 150 101 79

HSL 18.59, 0.31%, 0.45%

LAB 47.44, 17.07, 20.45

 

CMYK 0 / 45 / 47 / 41

HEX #96524F

RGB 150 82 79

HSL 2.54, 0.31%, 0.45%

LAB 42.89, 27.92, 14.33

 

CMYK 6 / 0 / 47 / 41

HEX #8D964F

RGB 141 150 79

HSL 67.61, 0.31%, 0.45%

LAB 59.92, -14.33, 36.14

 

CMYK 19 / 0 / 47 / 41

HEX #79964F

RGB 121 150 79

HSL 84.51, 0.31%, 0.45%

LAB 58.45, -22.53, 34.01

 

CMYK 32 / 0 / 47 / 41

HEX #66964F

RGB 102 150 79

HSL 100.56, 0.31%, 0.45%

LAB 57.27, -29.78, 32.28

 

CMYK 45 / 0 / 47 / 41

HEX #53964F

RGB 83 150 79

HSL 116.62, 0.31%, 0.45%

LAB 56.3, -36.24, 30.86

 

CMYK 47 / 0 / 38 / 41

HEX #4F965D

RGB 79 150 93

HSL 131.83, 0.31%, 0.45%

LAB 56.35, -35.18, 23.34

 

CMYK 6 / 0 / 47 / 41

HEX #8D964F

RGB 141 150 79

HSL 67.61, 0.31%, 0.45%

LAB 59.92, -14.33, 36.14

 

CMYK 8 / 0 / 64 / 34

HEX #9AA83C

RGB 154 168 60

HSL 67.78, 0.47%, 0.45%

LAB 65.91, -19.78, 52.24

 

CMYK 10 / 0 / 78 / 27

HEX #A8BB2A

RGB 168 187 42

HSL 67.86, 0.63%, 0.45%

LAB 72.25, -24.29, 65.42

 

CMYK 12 / 0 / 89 / 19

HEX #B6CE17

RGB 182 206 23

HSL 67.87, 0.8%, 0.45%

LAB 78.55, -28.16, 75.65

 

CMYK 13 / 0 / 98 / 12

HEX #C4E004

RGB 196 224 4

HSL 67.64, 0.96%, 0.45%

LAB 84.51, -31.12, 82.86

 

CMYK 6 / 0 / 47 / 41

HEX #8D964F

RGB 141 150 79

HSL 67.61, 0.31%, 0.45%

LAB 59.92, -14.33, 36.14

 

CMYK 3 / 0 / 26 / 49

HEX #7F8361

RGB 127 131 97

HSL 67.06, 0.15%, 0.45%

LAB 53.61, -7.55, 17.93

 

CMYK 3 / 3 / 0 / 55

HEX #717174

RGB 113 113 116

HSL 240, 0.01%, 0.45%

LAB 47.73, 0.62, -1.66

 

CMYK 26 / 30 / 0 / 47

HEX #635E86

RGB 99 94 134

HSL 247.5, 0.18%, 0.45%

LAB 41.81, 11.37, -21.53

 

CMYK 44 / 50 / 0 / 40

HEX #564C99

RGB 86 76 153

HSL 247.79, 0.34%, 0.45%

LAB 36.83, 24.3, -40.93

 

CMYK 0 / 20 / 47 / 41

HEX #96784F

RGB 150 120 79

HSL 34.65, 0.31%, 0.45%

LAB 52.38, 6.12, 26.88

 

CMYK 0 / 7 / 47 / 41

HEX #968B4F

RGB 150 139 79

HSL 50.7, 0.31%, 0.45%

LAB 57.57, -4.55, 33.43

 

CMYK 5 / 0 / 47 / 41

HEX #8E964F

RGB 142 150 79

HSL 66.76, 0.31%, 0.45%

LAB 60, -13.91, 36.26

 

CMYK 18 / 0 / 47 / 41

HEX #7B964F

RGB 123 150 79

HSL 82.82, 0.31%, 0.45%

LAB 58.59, -21.73, 34.21

 

CMYK 31 / 0 / 47 / 41

HEX #68964F

RGB 104 150 79

HSL 98.87, 0.31%, 0.45%

LAB 57.39, -29.05, 32.45

 

CMYK 6 / 0 / 48 / 62

HEX #5A6032

RGB 90 96 50

HSL 67.83, 0.32%, 0.29%

LAB 39.19, -10.2, 25.38

 

CMYK 7 / 0 / 48 / 52

HEX #737B40

RGB 115 123 64

HSL 68.14, 0.32%, 0.37%

LAB 49.71, -12.58, 31.08

 

CMYK 6 / 0 / 47 / 41

HEX #8D964F

RGB 141 150 79

HSL 67.61, 0.31%, 0.45%

LAB 59.92, -14.33, 36.14

 

CMYK 6 / 0 / 43 / 33

HEX #A2AC62

RGB 162 172 98

HSL 68.11, 0.31%, 0.53%

LAB 68.07, -15.06, 36.78

 

CMYK 4 / 0 / 33 / 27

HEX #B2BA7D

RGB 178 186 125

HSL 67.87, 0.31%, 0.61%

LAB 73.59, -12.64, 30.05

 

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

CMYK 47 / 0 / 33 / 41

HEX #4F9665

RGB 79 150 101

HSL 138.59, 0.31%, 0.45%

LAB 56.5, -33.69, 19.12

 

CMYK 13 / 47 / 0 / 41

HEX #824F96

RGB 130 79 150

HSL 283.1, 0.31%, 0.45%

LAB 42.06, 34.22, -30.54

 

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

CMYK 47 / 5 / 0 / 41

HEX #4F8E96

RGB 79 142 150

HSL 186.76, 0.31%, 0.45%

LAB 55.29, -18.02, -10.56

 

CMYK 0 / 47 / 5 / 41

HEX #964F8E

RGB 150 79 142

HSL 306.76, 0.31%, 0.45%

LAB 44.27, 38.86, -22.09

 

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

CMYK 47 / 0 / 33 / 41

HEX #4F9665

RGB 79 150 101

HSL 138.59, 0.31%, 0.45%

LAB 56.5, -33.69, 19.12

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 47 / 15 / 41

HEX #964F7F

RGB 150 79 127

HSL 319.44, 0.31%, 0.45%

LAB 43.67, 36.22, -13.94

 

CMYK 6 / 0 / 47 / 42

HEX #8C954F

RGB 140 149 79

HSL 67.71, 0.31%, 0.45%

LAB 59.56, -14.22, 35.68

 

CMYK 47 / 0 / 18 / 41

HEX #4F967B

RGB 79 150 123

HSL 157.18, 0.31%, 0.45%

LAB 56.98, -29.02, 7.39

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 47 / 29 / 41

HEX #964F6A

RGB 150 79 106

HSL 337.18, 0.31%, 0.45%

LAB 42.94, 32.95, -2.18

 

Description

Color code: RGB 140 149 79 | qconv.com Color code: RGB 140 149 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 149 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 149 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 47 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 47% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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