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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 79 150 it is the complementary color RGB 168 176 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 79 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 79 150 shade: RGB 92 79 145, RGB 109 97 164, RGB 126 115 183, RGB 143 133 202 and RGB 160 151 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 79 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 70 61 131, RGB 53 43 112, RGB 36 25 93 and RGB 19 7 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 106 79 150, RGB 125 79 150, RGB 144 79 150 and RGB 150 79 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 79 150 shade: RGB 87 79 150 and RGB 79 79 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 79 150 shade matches the following richer shades: RGB 87 79 150, RGB 72 60 168, RGB 58 42 187, RGB 44 23 206 and RGB 29 4 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 101 97 131, RGB 115 116 113, RGB 130 134 94 and RGB 144 153 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 79 150 shade: RGB 79 110 150, RGB 79 91 150, RGB 86 79 150, RGB 105 79 150 and RGB 124 79 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 79 150 shade: RGB 55 50 96, RGB 71 64 123, RGB 87 79 150, RGB 106 98 172 and RGB 132 125 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 150 79 128 and RGB 100 150 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 150 86 79 and RGB 79 150 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 150 79 128, RGB 143 150 79 and RGB 79 150 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 79 150 shade: RGB 87 79 150, RGB 150 79 107, RGB 143 150 79 and RGB 79 150 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

Complementary color

CMYK 5 / 0 / 40 / 31

HEX #A8B069

RGB 168 176 105

HSL 66.76, 0.31%, 0.55%

LAB 69.75, -13.9, 35.39

 

CMYK 37 / 46 / 0 / 43

HEX #5C4F91

RGB 92 79 145

HSL 251.82, 0.29%, 0.44%

LAB 37.68, 21.65, -34.7

 

CMYK 34 / 41 / 0 / 36

HEX #6D61A4

RGB 109 97 164

HSL 250.75, 0.27%, 0.51%

LAB 44.91, 20.7, -34.55

 

CMYK 31 / 37 / 0 / 28

HEX #7E73B7

RGB 126 115 183

HSL 249.71, 0.32%, 0.58%

LAB 51.97, 19.88, -34.45

 

CMYK 29 / 34 / 0 / 21

HEX #8F85CA

RGB 143 133 202

HSL 248.7, 0.39%, 0.66%

LAB 58.86, 19.17, -34.41

 

CMYK 28 / 32 / 0 / 13

HEX #A097DD

RGB 160 151 221

HSL 247.71, 0.51%, 0.73%

LAB 65.61, 18.53, -34.41

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 47 / 53 / 0 / 49

HEX #463D83

RGB 70 61 131

HSL 247.71, 0.36%, 0.38%

LAB 30.1, 23.03, -38.31

 

CMYK 53 / 62 / 0 / 56

HEX #352B70

RGB 53 43 112

HSL 248.7, 0.45%, 0.3%

LAB 22.49, 24.57, -38.63

 

CMYK 61 / 73 / 0 / 64

HEX #24195D

RGB 36 25 93

HSL 249.71, 0.58%, 0.23%

LAB 14.74, 26.41, -38.88

 

CMYK 74 / 91 / 0 / 71

HEX #13074A

RGB 19 7 74

HSL 250.75, 0.83%, 0.16%

LAB 7.09, 28.1, -38.54

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 29 / 47 / 0 / 41

HEX #6A4F96

RGB 106 79 150

HSL 262.82, 0.31%, 0.45%

LAB 39.34, 27.05, -35.01

 

CMYK 17 / 47 / 0 / 41

HEX #7D4F96

RGB 125 79 150

HSL 278.87, 0.31%, 0.45%

LAB 41.46, 32.7, -31.53

 

CMYK 4 / 47 / 0 / 41

HEX #904F96

RGB 144 79 150

HSL 294.93, 0.31%, 0.45%

LAB 43.83, 38.51, -27.64

 

CMYK 0 / 47 / 9 / 41

HEX #964F88

RGB 150 79 136

HSL 311.83, 0.31%, 0.45%

LAB 44.02, 37.77, -18.85

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 47 / 47 / 0 / 41

HEX #4F4F96

RGB 79 79 150

HSL 240, 0.31%, 0.45%

LAB 36.85, 19.69, -39.13

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 57 / 64 / 0 / 34

HEX #483CA8

RGB 72 60 168

HSL 246.67, 0.47%, 0.45%

LAB 32.78, 36, -56.56

 

CMYK 69 / 78 / 0 / 27

HEX #3A2ABB

RGB 58 42 187

HSL 246.62, 0.63%, 0.45%

LAB 29.77, 50.31, -72.87

 

CMYK 79 / 89 / 0 / 19

HEX #2C17CE

RGB 44 23 206

HSL 246.89, 0.8%, 0.45%

LAB 28.39, 62.83, -86.35

 

CMYK 87 / 98 / 0 / 12

HEX #1D04E0

RGB 29 4 224

HSL 246.82, 0.96%, 0.45%

LAB 28.72, 71.33, -96.24

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 23 / 26 / 0 / 49

HEX #656183

RGB 101 97 131

HSL 247.06, 0.15%, 0.45%

LAB 42.7, 9.41, -18.34

 

CMYK 1 / 0 / 3 / 55

HEX #737471

RGB 115 116 113

HSL 80, 0.01%, 0.45%

LAB 48.67, -0.98, 1.51

 

CMYK 3 / 0 / 30 / 47

HEX #82865E

RGB 130 134 94

HSL 66, 0.18%, 0.45%

LAB 54.66, -8.42, 21.1

 

CMYK 6 / 0 / 50 / 40

HEX #90994C

RGB 144 153 76

HSL 67.01, 0.34%, 0.45%

LAB 60.99, -14.95, 39.01

 

CMYK 47 / 27 / 0 / 41

HEX #4F6E96

RGB 79 110 150

HSL 213.8, 0.31%, 0.45%

LAB 45.66, 0.2, -25.27

 

CMYK 47 / 39 / 0 / 41

HEX #4F5B96

RGB 79 91 150

HSL 229.86, 0.31%, 0.45%

LAB 40.16, 12.01, -33.88

 

CMYK 43 / 47 / 0 / 41

HEX #564F96

RGB 86 79 150

HSL 245.92, 0.31%, 0.45%

LAB 37.43, 21.49, -38.17

 

CMYK 30 / 47 / 0 / 41

HEX #694F96

RGB 105 79 150

HSL 261.97, 0.31%, 0.45%

LAB 39.24, 26.76, -35.19

 

CMYK 17 / 47 / 0 / 41

HEX #7C4F96

RGB 124 79 150

HSL 278.03, 0.31%, 0.45%

LAB 41.34, 32.4, -31.72

 

CMYK 43 / 48 / 0 / 62

HEX #373260

RGB 55 50 96

HSL 246.52, 0.32%, 0.29%

LAB 23.47, 15.06, -26.69

 

CMYK 42 / 48 / 0 / 52

HEX #47407B

RGB 71 64 123

HSL 247.12, 0.32%, 0.37%

LAB 30.49, 18.81, -32.7

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 38 / 43 / 0 / 33

HEX #6A62AC

RGB 106 98 172

HSL 246.49, 0.31%, 0.53%

LAB 45.33, 21.49, -38.62

 

CMYK 29 / 33 / 0 / 27

HEX #847DBA

RGB 132 125 186

HSL 246.89, 0.31%, 0.61%

LAB 55.19, 16.5, -31.1

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 47 / 15 / 41

HEX #964F80

RGB 150 79 128

HSL 318.59, 0.31%, 0.45%

LAB 43.7, 36.39, -14.49

 

CMYK 33 / 0 / 47 / 41

HEX #64964F

RGB 100 150 79

HSL 102.25, 0.31%, 0.45%

LAB 57.16, -30.5, 32.11

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 43 / 47 / 41

HEX #96564F

RGB 150 86 79

HSL 5.92, 0.31%, 0.45%

LAB 43.81, 25.67, 15.58

 

CMYK 47 / 0 / 43 / 41

HEX #4F9656

RGB 79 150 86

HSL 125.92, 0.31%, 0.45%

LAB 56.23, -36.37, 27

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 47 / 15 / 41

HEX #964F80

RGB 150 79 128

HSL 318.59, 0.31%, 0.45%

LAB 43.7, 36.39, -14.49

 

CMYK 5 / 0 / 47 / 41

HEX #8F964F

RGB 143 150 79

HSL 65.92, 0.31%, 0.45%

LAB 60.08, -13.48, 36.38

 

CMYK 47 / 0 / 33 / 41

HEX #4F9664

RGB 79 150 100

HSL 137.75, 0.31%, 0.45%

LAB 56.48, -33.88, 19.65

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 0 / 47 / 29 / 41

HEX #964F6B

RGB 150 79 107

HSL 336.34, 0.31%, 0.45%

LAB 42.97, 33.1, -2.75

 

CMYK 5 / 0 / 47 / 41

HEX #8F964F

RGB 143 150 79

HSL 65.92, 0.31%, 0.45%

LAB 60.08, -13.48, 36.38

 

CMYK 47 / 0 / 19 / 41

HEX #4F9679

RGB 79 150 121

HSL 155.49, 0.31%, 0.45%

LAB 56.93, -29.48, 8.46

 

Description

Color code: RGB 87 79 150 | qconv.com Color code: RGB 87 79 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 79 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 79 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 47 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 47% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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