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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 252 251 it is the complementary color RGB 238 3 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 252 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 252 251 shade: RGB 22 252 246, RGB 39 255 255, RGB 56 255 255, RGB 73 255 255 and RGB 90 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 252 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 0 234 232, RGB 0 216 213, RGB 0 198 194 and RGB 0 180 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 17 252 188, RGB 17 252 124, RGB 17 252 61 and RGB 37 252 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 17 190 252, RGB 17 126 252, RGB 17 63 252 and RGB 17 17 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 252 251 shade matches the following richer shades: RGB 17 252 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 37 233 232, RGB 56 213 213, RGB 75 194 193 and RGB 95 175 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 252 251 shade: RGB 17 252 123, RGB 17 252 186, RGB 17 252 248, RGB 17 193 252 and RGB 17 131 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 252 251 shade: RGB 1 185 185, RGB 2 226 225, RGB 17 252 251, RGB 58 253 252 and RGB 99 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 60 17 252 and RGB 252 154 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 248 17 252 and RGB 252 248 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 60 17 252, RGB 252 17 21 and RGB 209 252 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 252 251 shade: RGB 17 252 251, RGB 131 17 252, RGB 252 17 21 and RGB 139 252 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

Complementary color

CMYK 0 / 99 / 98 / 7

HEX #EE0304

RGB 238 3 4

HSL 359.74, 0.98%, 0.47%

LAB 49.8, 75.83, 62.72

 

CMYK 91 / 0 / 2 / 1

HEX #16FCF6

RGB 22 252 246

HSL 178.43, 0.97%, 0.54%

LAB 90.07, -48.83, -11.02

 

CMYK 85 / 0 / 0 / 0

HEX #27FFFF

RGB 39 255 255

HSL 180, 1%, 0.58%

LAB 91.31, -46.79, -13.83

 

CMYK 78 / 0 / 0 / 0

HEX #38FFFF

RGB 56 255 255

HSL 180, 1%, 0.61%

LAB 91.5, -45.58, -13.53

 

CMYK 71 / 0 / 0 / 0

HEX #49FFFF

RGB 73 255 255

HSL 180, 1%, 0.64%

LAB 91.76, -43.91, -13.12

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 100 / 0 / 1 / 8

HEX #00EAE8

RGB 0 234 232

HSL 179.49, 1%, 0.46%

LAB 84.31, -45.63, -12.28

 

CMYK 100 / 0 / 1 / 15

HEX #00D8D5

RGB 0 216 213

HSL 179.17, 1%, 0.42%

LAB 78.41, -43.3, -11

 

CMYK 100 / 0 / 2 / 22

HEX #00C6C2

RGB 0 198 194

HSL 178.79, 1%, 0.39%

LAB 72.42, -40.94, -9.69

 

CMYK 100 / 0 / 3 / 29

HEX #00B4AF

RGB 0 180 175

HSL 178.33, 1%, 0.35%

LAB 66.32, -38.53, -8.34

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 93 / 0 / 25 / 1

HEX #11FCBC

RGB 17 252 188

HSL 163.66, 0.98%, 0.53%

LAB 88.62, -63.83, 16.95

 

CMYK 93 / 0 / 51 / 1

HEX #11FC7C

RGB 17 252 124

HSL 147.32, 0.98%, 0.53%

LAB 87.58, -75.94, 47.34

 

CMYK 93 / 0 / 76 / 1

HEX #11FC3D

RGB 17 252 61

HSL 131.23, 0.98%, 0.53%

LAB 87.03, -82.74, 72

 

CMYK 85 / 0 / 93 / 1

HEX #25FC11

RGB 37 252 17

HSL 114.89, 0.98%, 0.53%

LAB 87.02, -83.4, 81.28

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 93 / 25 / 0 / 1

HEX #11BEFC

RGB 17 190 252

HSL 195.83, 0.98%, 0.53%

LAB 72.21, -17.74, -41.45

 

CMYK 93 / 50 / 0 / 1

HEX #117EFC

RGB 17 126 252

HSL 212.17, 0.98%, 0.53%

LAB 54.1, 19.32, -70.26

 

CMYK 93 / 75 / 0 / 1

HEX #113FFC

RGB 17 63 252

HSL 228.26, 0.98%, 0.53%

LAB 39.07, 57.9, -94.89

 

CMYK 93 / 93 / 0 / 1

HEX #1111FC

RGB 17 17 252

HSL 240, 0.98%, 0.53%

LAB 33.02, 75.83, -104.97

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 84 / 0 / 0 / 9

HEX #25E9E8

RGB 37 233 232

HSL 179.69, 0.82%, 0.53%

LAB 84.22, -43.85, -12.4

 

CMYK 74 / 0 / 0 / 16

HEX #38D5D5

RGB 56 213 213

HSL 180, 0.65%, 0.53%

LAB 78.01, -38.72, -11.55

 

CMYK 61 / 0 / 1 / 24

HEX #4BC2C1

RGB 75 194 193

HSL 179.5, 0.49%, 0.53%

LAB 72.18, -32.91, -9.39

 

CMYK 46 / 0 / 1 / 31

HEX #5FAFAE

RGB 95 175 174

HSL 179.25, 0.33%, 0.53%

LAB 66.63, -24.72, -7.12

 

CMYK 93 / 0 / 51 / 1

HEX #11FC7B

RGB 17 252 123

HSL 147.06, 0.98%, 0.53%

LAB 87.57, -76.09, 47.79

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 0 / 2 / 1

HEX #11FCF8

RGB 17 252 248

HSL 178.98, 0.98%, 0.53%

LAB 90.1, -48.42, -12.02

 

CMYK 93 / 23 / 0 / 1

HEX #11C1FC

RGB 17 193 252

HSL 195.06, 0.98%, 0.53%

LAB 73.08, -19.31, -40.1

 

CMYK 93 / 48 / 0 / 1

HEX #1183FC

RGB 17 131 252

HSL 210.89, 0.98%, 0.53%

LAB 55.46, 16.21, -68.06

 

CMYK 99 / 0 / 0 / 27

HEX #01B9B9

RGB 1 185 185

HSL 180, 0.99%, 0.36%

LAB 68.17, -37.75, -11.1

 

CMYK 99 / 0 / 0 / 11

HEX #02E2E1

RGB 2 226 225

HSL 179.73, 0.98%, 0.45%

LAB 81.75, -44.13, -12.41

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 77 / 0 / 0 / 1

HEX #3AFDFC

RGB 58 253 252

HSL 179.69, 0.98%, 0.61%

LAB 90.86, -45.37, -12.92

 

CMYK 61 / 0 / 0 / 1

HEX #63FDFC

RGB 99 253 252

HSL 179.61, 0.97%, 0.69%

LAB 91.65, -40.31, -11.65

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 76 / 93 / 0 / 1

HEX #3C11FC

RGB 60 17 252

HSL 250.98, 0.98%, 0.53%

LAB 34.78, 76.69, -101.99

 

CMYK 0 / 39 / 93 / 1

HEX #FC9A11

RGB 252 154 17

HSL 34.98, 0.98%, 0.53%

LAB 72.13, 28.56, 74.74

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 2 / 93 / 0 / 1

HEX #F811FC

RGB 248 17 252

HSL 298.98, 0.98%, 0.53%

LAB 59.33, 95.67, -60.83

 

CMYK 0 / 2 / 93 / 1

HEX #FCF811

RGB 252 248 17

HSL 58.98, 0.98%, 0.53%

LAB 95.11, -19.32, 91.59

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 76 / 93 / 0 / 1

HEX #3C11FC

RGB 60 17 252

HSL 250.98, 0.98%, 0.53%

LAB 34.78, 76.69, -101.99

 

CMYK 0 / 93 / 92 / 1

HEX #FC1115

RGB 252 17 21

HSL 358.98, 0.98%, 0.53%

LAB 53.11, 78.29, 61.14

 

CMYK 17 / 0 / 93 / 1

HEX #D1FC11

RGB 209 252 17

HSL 70.98, 0.98%, 0.53%

LAB 93.11, -38.53, 88.72

 

CMYK 93 / 0 / 0 / 1

HEX #11FCFB

RGB 17 252 251

HSL 179.74, 0.98%, 0.53%

LAB 90.19, -47.57, -13.45

 

CMYK 48 / 93 / 0 / 1

HEX #8311FC

RGB 131 17 252

HSL 269.11, 0.98%, 0.53%

LAB 41.62, 80.86, -90.44

 

CMYK 0 / 93 / 92 / 1

HEX #FC1115

RGB 252 17 21

HSL 358.98, 0.98%, 0.53%

LAB 53.11, 78.29, 61.14

 

CMYK 45 / 0 / 93 / 1

HEX #8BFC11

RGB 139 252 17

HSL 88.85, 0.98%, 0.53%

LAB 89.46, -63.28, 84.28

 

Description

Color code: RGB 17 252 251 | qconv.com Color code: RGB 17 252 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 252 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 252 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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