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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11FCBA it is the complementary color #EE0345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11FCBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11FCBA shade: #16FCB5, #27FFC8, #38FFDB, #49FFEE and #5AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11FCBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11FCBA shade: #11FCBA, #00EAA7, #00D894, #00C681 and #00B46E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11FCBA shade: #11FCBA, #11FC7B, #11FC3B, #26FC11 and #66FC11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11FCBA shade: #11FCBA, #11FCF9, #11BFFC, #1180FC and #1141FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11FCBA shade matches the following richer shades: #11FCBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11FCBA shade: #11FCBA, #25E9B2, #38D5A9, #4BC2A1 and #5FAF98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11FCBA shade: #11FC3C, #11FC7B, #11FCBA, #11FCF8 and #11C1FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11FCBA shade: #01B986, #02E2A3, #11FCBA, #3AFDC6 and #63FDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11FCBA shade: #11FCBA, #1125FC and #FC5C11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11FCBA shade: #11FCBA, #BA11FC and #FCBA11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11FCBA shade: #11FCBA, #1125FC, #FC1154 and #FCE911

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11FCBA shade: #11FCBA, #4411FC, #FC1154 and #C9FC11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

Complementary color

CMYK 0 / 99 / 71 / 7

HEX #EE0345

RGB 238 3 69

HSL 343.15, 0.98%, 0.47%

LAB 50.3, 77.21, 33

 

CMYK 91 / 0 / 28 / 1

HEX #16FCB5

RGB 22 252 181

HSL 161.48, 0.97%, 0.54%

LAB 88.51, -65.2, 20.39

 

CMYK 85 / 0 / 22 / 0

HEX #27FFC8

RGB 39 255 200

HSL 164.72, 1%, 0.58%

LAB 89.92, -61.08, 12.62

 

CMYK 78 / 0 / 14 / 0

HEX #38FFDB

RGB 56 255 219

HSL 169.15, 1%, 0.61%

LAB 90.54, -55.12, 3.73

 

CMYK 71 / 0 / 7 / 0

HEX #49FFEE

RGB 73 255 238

HSL 174.4, 1%, 0.64%

LAB 91.28, -48.47, -5

 

CMYK 65 / 0 / 0 / 0

HEX #5AFFFF

RGB 90 255 255

HSL 180, 1%, 0.68%

LAB 92.09, -41.76, -12.58

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 100 / 0 / 29 / 8

HEX #00EAA7

RGB 0 234 167

HSL 162.82, 1%, 0.46%

LAB 82.72, -62.42, 19.55

 

CMYK 100 / 0 / 31 / 15

HEX #00D894

RGB 0 216 148

HSL 161.11, 1%, 0.42%

LAB 76.83, -60.07, 21.33

 

CMYK 100 / 0 / 35 / 22

HEX #00C681

RGB 0 198 129

HSL 159.09, 1%, 0.39%

LAB 70.85, -57.65, 23.18

 

CMYK 100 / 0 / 39 / 29

HEX #00B46E

RGB 0 180 110

HSL 156.67, 1%, 0.35%

LAB 64.78, -55.13, 25.09

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 0 / 51 / 1

HEX #11FC7B

RGB 17 252 123

HSL 147.06, 0.98%, 0.53%

LAB 87.57, -76.09, 47.79

 

CMYK 93 / 0 / 77 / 1

HEX #11FC3B

RGB 17 252 59

HSL 130.72, 0.98%, 0.53%

LAB 87.02, -82.87, 72.59

 

CMYK 85 / 0 / 93 / 1

HEX #26FC11

RGB 38 252 17

HSL 114.64, 0.98%, 0.53%

LAB 87.03, -83.31, 81.29

 

CMYK 60 / 0 / 93 / 1

HEX #66FC11

RGB 102 252 17

HSL 98.3, 0.98%, 0.53%

LAB 88.2, -73.24, 82.73

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 0 / 1 / 1

HEX #11FCF9

RGB 17 252 249

HSL 179.23, 0.98%, 0.53%

LAB 90.13, -48.14, -12.49

 

CMYK 93 / 24 / 0 / 1

HEX #11BFFC

RGB 17 191 252

HSL 195.57, 0.98%, 0.53%

LAB 72.5, -18.26, -41

 

CMYK 93 / 49 / 0 / 1

HEX #1180FC

RGB 17 128 252

HSL 211.66, 0.98%, 0.53%

LAB 54.64, 18.07, -69.39

 

CMYK 93 / 74 / 0 / 1

HEX #1141FC

RGB 17 65 252

HSL 227.74, 0.98%, 0.53%

LAB 39.46, 56.81, -94.25

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 84 / 0 / 24 / 9

HEX #25E9B2

RGB 37 233 178

HSL 163.16, 0.82%, 0.53%

LAB 82.85, -57.95, 14.04

 

CMYK 74 / 0 / 21 / 16

HEX #38D5A9

RGB 56 213 169

HSL 163.18, 0.65%, 0.53%

LAB 76.86, -50.3, 10.33

 

CMYK 61 / 0 / 17 / 24

HEX #4BC2A1

RGB 75 194 161

HSL 163.36, 0.49%, 0.53%

LAB 71.32, -41.22, 6.78

 

CMYK 46 / 0 / 13 / 31

HEX #5FAF98

RGB 95 175 152

HSL 162.75, 0.33%, 0.53%

LAB 66.03, -30.18, 4.19

 

CMYK 93 / 0 / 76 / 1

HEX #11FC3C

RGB 17 252 60

HSL 130.98, 0.98%, 0.53%

LAB 87.03, -82.81, 72.3

 

CMYK 93 / 0 / 51 / 1

HEX #11FC7B

RGB 17 252 123

HSL 147.06, 0.98%, 0.53%

LAB 87.57, -76.09, 47.79

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 0 / 2 / 1

HEX #11FCF8

RGB 17 252 248

HSL 178.98, 0.98%, 0.53%

LAB 90.1, -48.42, -12.02

 

CMYK 93 / 23 / 0 / 1

HEX #11C1FC

RGB 17 193 252

HSL 195.06, 0.98%, 0.53%

LAB 73.08, -19.31, -40.1

 

CMYK 99 / 0 / 28 / 27

HEX #01B986

RGB 1 185 134

HSL 163.37, 0.99%, 0.36%

LAB 66.84, -51.66, 14.98

 

CMYK 99 / 0 / 28 / 11

HEX #02E2A3

RGB 2 226 163

HSL 163.13, 0.98%, 0.45%

LAB 80.21, -60.34, 18.15

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 77 / 0 / 22 / 1

HEX #3AFDC6

RGB 58 253 198

HSL 163.08, 0.98%, 0.61%

LAB 89.5, -59.17, 13.09

 

CMYK 61 / 0 / 17 / 1

HEX #63FDD2

RGB 99 253 210

HSL 163.25, 0.97%, 0.69%

LAB 90.58, -50.7, 8.54

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 85 / 0 / 1

HEX #1125FC

RGB 17 37 252

HSL 234.89, 0.98%, 0.53%

LAB 34.94, 69.99, -101.76

 

CMYK 0 / 63 / 93 / 1

HEX #FC5C11

RGB 252 92 17

HSL 19.15, 0.98%, 0.53%

LAB 60.24, 58.38, 66.74

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 26 / 93 / 0 / 1

HEX #BA11FC

RGB 186 17 252

HSL 283.15, 0.98%, 0.53%

LAB 49.34, 86.79, -77.48

 

CMYK 0 / 26 / 93 / 1

HEX #FCBA11

RGB 252 186 17

HSL 43.15, 0.98%, 0.53%

LAB 79.53, 11.85, 80.03

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 93 / 85 / 0 / 1

HEX #1125FC

RGB 17 37 252

HSL 234.89, 0.98%, 0.53%

LAB 34.94, 69.99, -101.76

 

CMYK 0 / 93 / 67 / 1

HEX #FC1154

RGB 252 17 84

HSL 342.89, 0.98%, 0.53%

LAB 53.75, 80.04, 28.91

 

CMYK 0 / 8 / 93 / 1

HEX #FCE911

RGB 252 233 17

HSL 55.15, 0.98%, 0.53%

LAB 91.24, -12.04, 88.68

 

CMYK 93 / 0 / 26 / 1

HEX #11FCBA

RGB 17 252 186

HSL 163.15, 0.98%, 0.53%

LAB 88.58, -64.28, 17.92

 

CMYK 73 / 93 / 0 / 1

HEX #4411FC

RGB 68 17 252

HSL 253.02, 0.98%, 0.53%

LAB 35.32, 76.97, -101.08

 

CMYK 0 / 93 / 67 / 1

HEX #FC1154

RGB 252 17 84

HSL 342.89, 0.98%, 0.53%

LAB 53.75, 80.04, 28.91

 

CMYK 20 / 0 / 93 / 1

HEX #C9FC11

RGB 201 252 17

HSL 73.02, 0.98%, 0.53%

LAB 92.61, -41.63, 88.11

 

Description

Color code: HEX #11FCBA | qconv.com Color code: HEX #11FCBA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 252 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 252 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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