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Color name
RGB 139 59 208

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 59 208 it is the complementary color RGB 116 196 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 59 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 59 208 shade: RGB 144 59 203, RGB 161 77 222, RGB 178 95 241, RGB 195 113 255 and RGB 212 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 59 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 59 208 shade: RGB 139 59 208, RGB 122 41 189, RGB 105 23 170, RGB 88 5 151 and RGB 71 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 59 208 shade: RGB 138 57 207, RGB 178 57 207, RGB 207 57 195, RGB 207 57 155 and RGB 207 57 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 59 208 shade: RGB 138 57 207, RGB 97 57 207 and RGB 57 57 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 59 208 shade matches the following richer shades: RGB 138 57 207, RGB 139 38 227 and RGB 141 18 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 59 208 shade: RGB 138 57 207, RGB 136 77 187, RGB 135 97 167, RGB 133 117 147 and RGB 132 137 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 59 208 shade: RGB 57 57 207, RGB 97 57 207, RGB 137 57 207, RGB 177 57 207 and RGB 207 57 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 59 208 shade: RGB 95 35 147, RGB 117 43 180, RGB 138 57 207, RGB 157 91 215 and RGB 177 124 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 59 208 shade: RGB 139 59 208, RGB 207 57 97 and RGB 57 207 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 59 208 shade: RGB 139 59 208, RGB 207 137 57 and RGB 57 207 137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 59 208 shade: RGB 139 59 208, RGB 207 57 97, RGB 127 207 57 and RGB 57 207 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 59 208 shade: RGB 139 59 208, RGB 207 62 57, RGB 127 207 57 and RGB 57 202 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

Complementary color

CMYK 41 / 0 / 76 / 23

HEX #74C42F

RGB 116 196 47

HSL 92.21, 0.61%, 0.48%

LAB 71.82, -48.03, 62.35

 

CMYK 29 / 71 / 0 / 20

HEX #903BCB

RGB 144 59 203

HSL 275.42, 0.58%, 0.51%

LAB 43.31, 59.68, -59.7

 

CMYK 27 / 65 / 0 / 13

HEX #A14DDE

RGB 161 77 222

HSL 274.76, 0.69%, 0.59%

LAB 49.69, 59.31, -60.18

 

CMYK 26 / 61 / 0 / 5

HEX #B25FF1

RGB 178 95 241

HSL 274.11, 0.84%, 0.66%

LAB 56.09, 58.68, -60.46

 

CMYK 24 / 56 / 0 / 0

HEX #C371FF

RGB 195 113 255

HSL 274.65, 1%, 0.72%

LAB 62.2, 56.82, -58.33

 

CMYK 17 / 49 / 0 / 0

HEX #D483FF

RGB 212 131 255

HSL 279.19, 1%, 0.76%

LAB 67.61, 51.96, -49.61

 

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

CMYK 35 / 78 / 0 / 26

HEX #7A29BD

RGB 122 41 189

HSL 272.84, 0.64%, 0.45%

LAB 36.74, 59.83, -62.35

 

CMYK 38 / 86 / 0 / 33

HEX #6917AA

RGB 105 23 170

HSL 273.47, 0.76%, 0.38%

LAB 30.68, 58.93, -61.04

 

CMYK 42 / 97 / 0 / 41

HEX #580597

RGB 88 5 151

HSL 274.11, 0.94%, 0.31%

LAB 25.01, 56.62, -58.89

 

CMYK 46 / 100 / 0 / 48

HEX #470084

RGB 71 0 132

HSL 272.27, 1%, 0.26%

LAB 20.07, 51.74, -55.27

 

CMYK 33 / 72 / 0 / 19

HEX #8A39CF

RGB 138 57 207

HSL 272.4, 0.61%, 0.52%

LAB 42.51, 60.3, -63.34

 

CMYK 14 / 72 / 0 / 19

HEX #B239CF

RGB 178 57 207

HSL 288.4, 0.61%, 0.52%

LAB 48.13, 68.07, -54

 

CMYK 0 / 72 / 6 / 19

HEX #CF39C3

RGB 207 57 195

HSL 304.8, 0.61%, 0.52%

LAB 51.99, 72.19, -40.66

 

CMYK 0 / 72 / 25 / 19

HEX #CF399B

RGB 207 57 155

HSL 320.8, 0.61%, 0.52%

LAB 50.17, 66.62, -20.06

 

CMYK 0 / 72 / 44 / 19

HEX #CF3973

RGB 207 57 115

HSL 336.8, 0.61%, 0.52%

LAB 48.8, 62.23, 1.98

 

CMYK 33 / 72 / 0 / 19

HEX #8A39CF

RGB 138 57 207

HSL 272.4, 0.61%, 0.52%

LAB 42.51, 60.3, -63.34

 

CMYK 53 / 72 / 0 / 19

HEX #6139CF

RGB 97 57 207

HSL 256, 0.61%, 0.52%

LAB 37.79, 53.42, -71.25

 

CMYK 72 / 72 / 0 / 19

HEX #3939CF

RGB 57 57 207

HSL 240, 0.61%, 0.52%

LAB 34.6, 48.52, -76.61

 

CMYK 33 / 72 / 0 / 19

HEX #8A39CF

RGB 138 57 207

HSL 272.4, 0.61%, 0.52%

LAB 42.51, 60.3, -63.34

 

CMYK 39 / 83 / 0 / 11

HEX #8B26E3

RGB 139 38 227

HSL 272.06, 0.77%, 0.52%

LAB 41.88, 71.76, -75.85

 

CMYK 43 / 93 / 0 / 4

HEX #8D12F6

RGB 141 18 246

HSL 272.37, 0.93%, 0.52%

LAB 42.38, 80.39, -85.76

 

CMYK 33 / 72 / 0 / 19

HEX #8A39CF

RGB 138 57 207

HSL 272.4, 0.61%, 0.52%

LAB 42.51, 60.3, -63.34

 

CMYK 27 / 59 / 0 / 27

HEX #884DBB

RGB 136 77 187

HSL 272.18, 0.45%, 0.52%

LAB 44.42, 45.53, -48.67

 

CMYK 19 / 42 / 0 / 35

HEX #8761A7

RGB 135 97 167

HSL 272.57, 0.28%, 0.52%

LAB 47.61, 29.24, -31.9

 

CMYK 10 / 20 / 0 / 42

HEX #857593

RGB 133 117 147

HSL 272, 0.12%, 0.52%

LAB 51.63, 12.21, -13.98

 

CMYK 4 / 0 / 7 / 46

HEX #848980

RGB 132 137 128

HSL 93.33, 0.04%, 0.52%

LAB 56.44, -3.6, 4.18

 

CMYK 72 / 72 / 0 / 19

HEX #3939CF

RGB 57 57 207

HSL 240, 0.61%, 0.52%

LAB 34.6, 48.52, -76.61

 

CMYK 53 / 72 / 0 / 19

HEX #6139CF

RGB 97 57 207

HSL 256, 0.61%, 0.52%

LAB 37.79, 53.42, -71.25

 

CMYK 34 / 72 / 0 / 19

HEX #8939CF

RGB 137 57 207

HSL 272, 0.61%, 0.52%

LAB 42.38, 60.11, -63.56

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 72 / 5 / 19

HEX #CF39C5

RGB 207 57 197

HSL 304, 0.61%, 0.52%

LAB 52.09, 72.5, -41.66

 

CMYK 35 / 76 / 0 / 42

HEX #5F2393

RGB 95 35 147

HSL 272.14, 0.62%, 0.36%

LAB 28.75, 47.68, -50.26

 

CMYK 35 / 76 / 0 / 29

HEX #752BB4

RGB 117 43 180

HSL 272.41, 0.61%, 0.44%

LAB 35.61, 56.14, -58.9

 

CMYK 33 / 72 / 0 / 19

HEX #8A39CF

RGB 138 57 207

HSL 272.4, 0.61%, 0.52%

LAB 42.51, 60.3, -63.34

 

CMYK 27 / 58 / 0 / 16

HEX #9D5BD7

RGB 157 91 215

HSL 271.94, 0.61%, 0.6%

LAB 51.33, 49.87, -53.59

 

CMYK 21 / 44 / 0 / 13

HEX #B17CDF

RGB 177 124 223

HSL 272.12, 0.61%, 0.68%

LAB 60.86, 39.16, -42.84

 

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

CMYK 0 / 72 / 53 / 19

HEX #CF3961

RGB 207 57 97

HSL 344, 0.61%, 0.52%

LAB 48.33, 60.69, 12.29

 

CMYK 72 / 0 / 63 / 19

HEX #39CF4D

RGB 57 207 77

HSL 128, 0.61%, 0.52%

LAB 73.57, -64.26, 52.13

 

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

CMYK 0 / 34 / 72 / 19

HEX #CF8939

RGB 207 137 57

HSL 32, 0.61%, 0.52%

LAB 62.89, 19.77, 51.98

 

CMYK 72 / 0 / 34 / 19

HEX #39CF89

RGB 57 207 137

HSL 152, 0.61%, 0.52%

LAB 74.38, -54.86, 23.84

 

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

CMYK 0 / 72 / 53 / 19

HEX #CF3961

RGB 207 57 97

HSL 344, 0.61%, 0.52%

LAB 48.33, 60.69, 12.29

 

CMYK 39 / 0 / 72 / 19

HEX #7FCF39

RGB 127 207 57

HSL 92, 0.61%, 0.52%

LAB 75.72, -48.22, 62.96

 

CMYK 72 / 0 / 19 / 19

HEX #39CFA7

RGB 57 207 167

HSL 164, 0.61%, 0.52%

LAB 75, -48.18, 8.77

 

CMYK 33 / 72 / 0 / 18

HEX #8B3BD0

RGB 139 59 208

HSL 272.21, 0.61%, 0.52%

LAB 43.02, 59.85, -63.09

 

CMYK 0 / 70 / 72 / 19

HEX #CF3E39

RGB 207 62 57

HSL 2, 0.61%, 0.52%

LAB 48.27, 56.44, 36.13

 

CMYK 39 / 0 / 72 / 19

HEX #7FCF39

RGB 127 207 57

HSL 92, 0.61%, 0.52%

LAB 75.72, -48.22, 62.96

 

CMYK 72 / 2 / 0 / 19

HEX #39CACF

RGB 57 202 207

HSL 182, 0.61%, 0.52%

LAB 74.58, -35.26, -13.45

 

Description

Color code: RGB 139 59 208 | qconv.com Color code: RGB 139 59 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 59 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 59 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 72 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 72% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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