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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 57 207 it is the complementary color RGB 78 198 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 57 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 57 207 shade: RGB 182 57 202, RGB 199 75 221, RGB 216 93 240, RGB 233 111 255 and RGB 250 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 57 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 160 39 188, RGB 143 21 169, RGB 126 3 150 and RGB 109 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 207 57 196, RGB 207 57 156, RGB 207 57 116 and RGB 207 57 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 137 57 207, RGB 96 57 207 and RGB 57 57 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 57 207 shade matches the following richer shades: RGB 177 57 207, RGB 189 38 227 and RGB 201 18 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 165 77 187, RGB 153 97 167, RGB 141 117 147 and RGB 129 137 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 57 207 shade: RGB 97 57 207, RGB 137 57 207, RGB 177 57 207, RGB 207 57 197 and RGB 207 57 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 57 207 shade: RGB 124 35 147, RGB 152 43 180, RGB 177 57 207, RGB 190 91 215 and RGB 203 124 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 207 57 57 and RGB 57 207 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 207 177 57 and RGB 57 207 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 207 57 57, RGB 87 207 57 and RGB 57 207 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 57 207 shade: RGB 177 57 207, RGB 207 102 57, RGB 87 207 57 and RGB 57 162 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

Complementary color

CMYK 61 / 0 / 76 / 22

HEX #4EC630

RGB 78 198 48

HSL 108, 0.61%, 0.48%

LAB 71.02, -59.64, 60.75

 

CMYK 10 / 72 / 0 / 21

HEX #B639CA

RGB 182 57 202

HSL 291.72, 0.58%, 0.51%

LAB 48.43, 67.99, -50.6

 

CMYK 10 / 66 / 0 / 13

HEX #C74BDD

RGB 199 75 221

HSL 290.96, 0.68%, 0.58%

LAB 54.44, 68.29, -51.71

 

CMYK 10 / 61 / 0 / 6

HEX #D85DF0

RGB 216 93 240

HSL 290.2, 0.83%, 0.65%

LAB 60.53, 68.18, -52.53

 

CMYK 9 / 56 / 0 / 0

HEX #E96FFF

RGB 233 111 255

HSL 290.83, 1%, 0.72%

LAB 66.45, 67.08, -51.28

 

CMYK 2 / 49 / 0 / 0

HEX #FA81FF

RGB 250 129 255

HSL 297.62, 1%, 0.75%

LAB 71.72, 63.14, -42.85

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 15 / 79 / 0 / 26

HEX #A027BC

RGB 160 39 188

HSL 288.72, 0.66%, 0.45%

LAB 42.09, 66.97, -52.82

 

CMYK 15 / 88 / 0 / 34

HEX #8F15A9

RGB 143 21 169

HSL 289.46, 0.78%, 0.37%

LAB 36.44, 65.05, -50.8

 

CMYK 16 / 98 / 0 / 41

HEX #7E0396

RGB 126 3 150

HSL 290.2, 0.96%, 0.3%

LAB 31.12, 61.84, -48.03

 

CMYK 17 / 100 / 0 / 49

HEX #6D0083

RGB 109 0 131

HSL 289.92, 1%, 0.26%

LAB 26.42, 56.34, -43.99

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 72 / 5 / 19

HEX #CF39C4

RGB 207 57 196

HSL 304.4, 0.61%, 0.52%

LAB 52.04, 72.34, -41.16

 

CMYK 0 / 72 / 25 / 19

HEX #CF399C

RGB 207 57 156

HSL 320.4, 0.61%, 0.52%

LAB 50.21, 66.74, -20.59

 

CMYK 0 / 72 / 44 / 19

HEX #CF3974

RGB 207 57 116

HSL 336.4, 0.61%, 0.52%

LAB 48.83, 62.32, 1.41

 

CMYK 0 / 72 / 63 / 19

HEX #CF394C

RGB 207 57 76

HSL 352.4, 0.61%, 0.52%

LAB 47.9, 59.24, 24.48

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 34 / 72 / 0 / 19

HEX #8939CF

RGB 137 57 207

HSL 272, 0.61%, 0.52%

LAB 42.38, 60.11, -63.56

 

CMYK 54 / 72 / 0 / 19

HEX #6039CF

RGB 96 57 207

HSL 255.6, 0.61%, 0.52%

LAB 37.69, 53.27, -71.41

 

CMYK 72 / 72 / 0 / 19

HEX #3939CF

RGB 57 57 207

HSL 240, 0.61%, 0.52%

LAB 34.6, 48.52, -76.61

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 17 / 83 / 0 / 11

HEX #BD26E3

RGB 189 38 227

HSL 287.94, 0.77%, 0.52%

LAB 49.19, 79.23, -63.62

 

CMYK 18 / 93 / 0 / 4

HEX #C912F6

RGB 201 18 246

HSL 288.16, 0.93%, 0.52%

LAB 51.27, 87.64, -70.87

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 12 / 59 / 0 / 27

HEX #A54DBB

RGB 165 77 187

HSL 288, 0.45%, 0.52%

LAB 48.13, 52.84, -42.54

 

CMYK 8 / 42 / 0 / 35

HEX #9961A7

RGB 153 97 167

HSL 288, 0.28%, 0.52%

LAB 49.63, 34.82, -28.6

 

CMYK 4 / 20 / 0 / 42

HEX #8D7593

RGB 141 117 147

HSL 288, 0.12%, 0.52%

LAB 52.39, 15.04, -12.76

 

CMYK 6 / 0 / 7 / 46

HEX #818980

RGB 129 137 128

HSL 113.33, 0.04%, 0.52%

LAB 56.2, -4.72, 3.81

 

CMYK 53 / 72 / 0 / 19

HEX #6139CF

RGB 97 57 207

HSL 256, 0.61%, 0.52%

LAB 37.79, 53.42, -71.25

 

CMYK 34 / 72 / 0 / 19

HEX #8939CF

RGB 137 57 207

HSL 272, 0.61%, 0.52%

LAB 42.38, 60.11, -63.56

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 72 / 5 / 19

HEX #CF39C5

RGB 207 57 197

HSL 304, 0.61%, 0.52%

LAB 52.09, 72.5, -41.66

 

CMYK 0 / 72 / 24 / 19

HEX #CF399D

RGB 207 57 157

HSL 320, 0.61%, 0.52%

LAB 50.25, 66.87, -21.12

 

CMYK 16 / 76 / 0 / 42

HEX #7C2393

RGB 124 35 147

HSL 287.68, 0.62%, 0.36%

LAB 33.12, 53.45, -42.98

 

CMYK 16 / 76 / 0 / 29

HEX #982BB4

RGB 152 43 180

HSL 287.74, 0.61%, 0.44%

LAB 40.73, 62.69, -50.36

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 12 / 58 / 0 / 16

HEX #BE5BD7

RGB 190 91 215

HSL 287.9, 0.61%, 0.6%

LAB 55.42, 58.05, -46.84

 

CMYK 9 / 44 / 0 / 13

HEX #CB7CDF

RGB 203 124 223

HSL 287.88, 0.61%, 0.68%

LAB 63.7, 46.59, -38.18

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 72 / 0 / 43 / 19

HEX #39CF75

RGB 57 207 117

HSL 144, 0.61%, 0.52%

LAB 74.05, -58.6, 33.73

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 14 / 72 / 19

HEX #CFB139

RGB 207 177 57

HSL 48, 0.61%, 0.52%

LAB 72.9, -1.75, 62.04

 

CMYK 72 / 0 / 14 / 19

HEX #39CFB1

RGB 57 207 177

HSL 168, 0.61%, 0.52%

LAB 75.25, -45.7, 3.74

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 58 / 0 / 72 / 19

HEX #57CF39

RGB 87 207 57

HSL 108, 0.61%, 0.52%

LAB 74.16, -59.99, 60.87

 

CMYK 72 / 0 / 0 / 19

HEX #39CFCF

RGB 57 207 207

HSL 180, 0.61%, 0.52%

LAB 76.07, -37.58, -11.22

 

CMYK 14 / 72 / 0 / 19

HEX #B139CF

RGB 177 57 207

HSL 288, 0.61%, 0.52%

LAB 47.98, 67.87, -54.24

 

CMYK 0 / 51 / 72 / 19

HEX #CF6639

RGB 207 102 57

HSL 18, 0.61%, 0.52%

LAB 55.14, 38.37, 43.78

 

CMYK 58 / 0 / 72 / 19

HEX #57CF39

RGB 87 207 57

HSL 108, 0.61%, 0.52%

LAB 74.16, -59.99, 60.87

 

CMYK 72 / 22 / 0 / 19

HEX #39A2CF

RGB 57 162 207

HSL 198, 0.61%, 0.52%

LAB 62.69, -15.14, -31.6

 

Description

Color code: RGB 177 57 207 | qconv.com Color code: RGB 177 57 207 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 57 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 57 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 72 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 72% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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